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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8614DC it is the complementary color #79EB23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8614DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8614DC shade: #8B14D7, #9C26EA, #AD38FD, #BE4AFF and #CF5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8614DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8614DC shade: #8614DC, #7502C9, #6400B6, #5300A3 and #420090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8614DC shade: #8614DB, #BB14DB, #DB14C6, #DB1490 and #DB145A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8614DC shade: #8614DB, #5014DB, #1A14DB and #1414DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8614DC shade matches the following richer shades: #8614DB and #8801EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8614DC shade: #8614DB, #8328C8, #803BB5, #7E4FA1 and #7B628E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8614DC shade: #1B14DB, #5014DB, #8514DB, #BA14DB and #DB14C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8614DC shade: #580D90, #6F11B6, #8614DB, #9A2DEC and #AC53EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8614DC shade: #8614DC, #DB1443 and #14DB36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8614DC shade: #8614DC, #DB8514 and #14DB85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8614DC shade: #8614DC, #DB1443, #6BDB14 and #14DBAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8614DC shade: #8614DC, #DB2214, #6BDB14 and #14CEDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 91 / 0 / 14

HEX #8614DC

RGB 134 20 220

HSL 274.2, 0.83%, 0.47%

LAB 39.13, 73.94, -76.38

 

Complementary color

CMYK 49 / 0 / 85 / 8

HEX #79EB23

RGB 121 235 35

HSL 94.2, 0.83%, 0.53%

LAB 83.76, -61.99, 76.46

 

CMYK 35 / 91 / 0 / 16

HEX #8B14D7

RGB 139 20 215

HSL 276.62, 0.83%, 0.46%

LAB 39.4, 73.5, -73.03

 

CMYK 33 / 84 / 0 / 8

HEX #9C26EA

RGB 156 38 234

HSL 276.12, 0.82%, 0.53%

LAB 44.79, 75.55, -74.96

 

CMYK 32 / 78 / 0 / 1

HEX #AD38FD

RGB 173 56 253

HSL 275.63, 0.98%, 0.61%

LAB 50.46, 76.57, -76.29

 

CMYK 25 / 71 / 0 / 0

HEX #BE4AFF

RGB 190 74 255

HSL 278.45, 1%, 0.65%

LAB 55.14, 73.4, -69.7

 

CMYK 19 / 64 / 0 / 0

HEX #CF5CFF

RGB 207 92 255

HSL 282.33, 1%, 0.68%

LAB 60.01, 69.44, -61.73

 

CMYK 39 / 91 / 0 / 14

HEX #8614DC

RGB 134 20 220

HSL 274.2, 0.83%, 0.47%

LAB 39.13, 73.94, -76.38

 

CMYK 42 / 99 / 0 / 21

HEX #7502C9

RGB 117 2 201

HSL 274.67, 0.98%, 0.4%

LAB 34.07, 70.78, -73.78

 

CMYK 45 / 100 / 0 / 29

HEX #6400B6

RGB 100 0 182

HSL 272.97, 1%, 0.36%

LAB 29.63, 65.47, -69.98

 

CMYK 49 / 100 / 0 / 36

HEX #5300A3

RGB 83 0 163

HSL 270.55, 1%, 0.32%

LAB 25.21, 59.81, -65.93

 

CMYK 54 / 100 / 0 / 44

HEX #420090

RGB 66 0 144

HSL 267.5, 1%, 0.28%

LAB 20.72, 54.08, -61.74

 

CMYK 39 / 91 / 0 / 14

HEX #8614DB

RGB 134 20 219

HSL 274.37, 0.83%, 0.47%

LAB 39.04, 73.73, -75.95

 

CMYK 15 / 91 / 0 / 14

HEX #BB14DB

RGB 187 20 219

HSL 290.35, 0.83%, 0.47%

LAB 47.21, 80.84, -62.29

 

CMYK 0 / 91 / 10 / 14

HEX #DB14C6

RGB 219 20 198

HSL 306.33, 0.83%, 0.47%

LAB 51.42, 82.99, -43.15

 

CMYK 0 / 91 / 34 / 14

HEX #DB1490

RGB 219 20 144

HSL 322.61, 0.83%, 0.47%

LAB 48.98, 76.59, -15.1

 

CMYK 0 / 91 / 59 / 14

HEX #DB145A

RGB 219 20 90

HSL 338.89, 0.83%, 0.47%

LAB 47.36, 72.19, 15.63

 

CMYK 39 / 91 / 0 / 14

HEX #8614DB

RGB 134 20 219

HSL 274.37, 0.83%, 0.47%

LAB 39.04, 73.73, -75.95

 

CMYK 63 / 91 / 0 / 14

HEX #5014DB

RGB 80 20 219

HSL 258.09, 0.83%, 0.47%

LAB 32.53, 68.89, -86.93

 

CMYK 88 / 91 / 0 / 14

HEX #1A14DB

RGB 26 20 219

HSL 241.81, 0.83%, 0.47%

LAB 28.99, 66.71, -92.91

 

CMYK 91 / 91 / 0 / 14

HEX #1414DB

RGB 20 20 219

HSL 240, 0.83%, 0.47%

LAB 28.81, 66.61, -93.22

 

CMYK 39 / 91 / 0 / 14

HEX #8614DB

RGB 134 20 219

HSL 274.37, 0.83%, 0.47%

LAB 39.04, 73.73, -75.95

 

CMYK 43 / 100 / 0 / 6

HEX #8801EF

RGB 136 1 239

HSL 274.03, 0.99%, 0.47%

LAB 40.39, 80.44, -85.12

 

CMYK 39 / 91 / 0 / 14

HEX #8614DB

RGB 134 20 219

HSL 274.37, 0.83%, 0.47%

LAB 39.04, 73.73, -75.95

 

CMYK 35 / 80 / 0 / 22

HEX #8328C8

RGB 131 40 200

HSL 274.13, 0.67%, 0.47%

LAB 38.75, 64.09, -65.46

 

CMYK 29 / 67 / 0 / 29

HEX #803BB5

RGB 128 59 181

HSL 273.93, 0.51%, 0.47%

LAB 39.67, 51.4, -52.84

 

CMYK 22 / 51 / 0 / 37

HEX #7E4FA1

RGB 126 79 161

HSL 274.39, 0.34%, 0.47%

LAB 42.16, 35.57, -37.01

 

CMYK 13 / 31 / 0 / 44

HEX #7B628E

RGB 123 98 142

HSL 274.09, 0.18%, 0.47%

LAB 45.5, 18.94, -20.47

 

CMYK 88 / 91 / 0 / 14

HEX #1B14DB

RGB 27 20 219

HSL 242.11, 0.83%, 0.47%

LAB 29.03, 66.73, -92.85

 

CMYK 63 / 91 / 0 / 14

HEX #5014DB

RGB 80 20 219

HSL 258.09, 0.83%, 0.47%

LAB 32.53, 68.89, -86.93

 

CMYK 39 / 91 / 0 / 14

HEX #8514DB

RGB 133 20 219

HSL 274.07, 0.83%, 0.47%

LAB 38.9, 73.62, -76.19

 

CMYK 15 / 91 / 0 / 14

HEX #BA14DB

RGB 186 20 219

HSL 290.05, 0.83%, 0.47%

LAB 47.05, 80.69, -62.56

 

CMYK 0 / 91 / 9 / 14

HEX #DB14C7

RGB 219 20 199

HSL 306.03, 0.83%, 0.47%

LAB 51.48, 83.13, -43.65

 

CMYK 39 / 91 / 0 / 44

HEX #580D90

RGB 88 13 144

HSL 274.35, 0.83%, 0.31%

LAB 24.88, 53.39, -54.77

 

CMYK 39 / 91 / 0 / 29

HEX #6F11B6

RGB 111 17 182

HSL 274.18, 0.83%, 0.39%

LAB 32.16, 63.79, -65.75

 

CMYK 39 / 91 / 0 / 14

HEX #8614DB

RGB 134 20 219

HSL 274.37, 0.83%, 0.47%

LAB 39.04, 73.73, -75.95

 

CMYK 35 / 81 / 0 / 7

HEX #9A2DEC

RGB 154 45 236

HSL 274.24, 0.83%, 0.55%

LAB 45.36, 73.67, -75.17

 

CMYK 28 / 65 / 0 / 6

HEX #AC53EF

RGB 172 83 239

HSL 274.23, 0.83%, 0.63%

LAB 53.16, 62.62, -64.1

 

CMYK 39 / 91 / 0 / 14

HEX #8614DC

RGB 134 20 220

HSL 274.2, 0.83%, 0.47%

LAB 39.13, 73.94, -76.38

 

CMYK 0 / 91 / 69 / 14

HEX #DB1443

RGB 219 20 67

HSL 345.83, 0.83%, 0.47%

LAB 46.93, 70.98, 29.21

 

CMYK 91 / 0 / 75 / 14

HEX #14DB36

RGB 20 219 54

HSL 130.25, 0.83%, 0.47%

LAB 76.73, -73.92, 64.08

 

CMYK 39 / 91 / 0 / 14

HEX #8614DC

RGB 134 20 220

HSL 274.2, 0.83%, 0.47%

LAB 39.13, 73.94, -76.38

 

CMYK 0 / 39 / 91 / 14

HEX #DB8514

RGB 219 133 20

HSL 34.07, 0.83%, 0.47%

LAB 63.25, 25.87, 65.85

 

CMYK 91 / 0 / 39 / 14

HEX #14DB85

RGB 20 219 133

HSL 154.07, 0.83%, 0.47%

LAB 77.58, -63.49, 30.13

 

CMYK 39 / 91 / 0 / 14

HEX #8614DC

RGB 134 20 220

HSL 274.2, 0.83%, 0.47%

LAB 39.13, 73.94, -76.38

 

CMYK 0 / 91 / 69 / 14

HEX #DB1443

RGB 219 20 67

HSL 345.83, 0.83%, 0.47%

LAB 46.93, 70.98, 29.21

 

CMYK 51 / 0 / 91 / 14

HEX #6BDB14

RGB 107 219 20

HSL 93.77, 0.83%, 0.47%

LAB 78.37, -60.67, 74.33

 

CMYK 91 / 0 / 21 / 14

HEX #14DBAD

RGB 20 219 173

HSL 166.13, 0.83%, 0.47%

LAB 78.36, -54.73, 10.29

 

CMYK 39 / 91 / 0 / 14

HEX #8614DC

RGB 134 20 220

HSL 274.2, 0.83%, 0.47%

LAB 39.13, 73.94, -76.38

 

CMYK 0 / 84 / 91 / 14

HEX #DB2214

RGB 219 34 20

HSL 4.22, 0.83%, 0.47%

LAB 47.31, 67.22, 54.49

 

CMYK 51 / 0 / 91 / 14

HEX #6BDB14

RGB 107 219 20

HSL 93.77, 0.83%, 0.47%

LAB 78.37, -60.67, 74.33

 

CMYK 91 / 6 / 0 / 14

HEX #14CEDB

RGB 20 206 219

HSL 183.92, 0.83%, 0.47%

LAB 75.7, -36.39, -18.29

 

Description

Color code: HEX #8614DC | qconv.com Color code: HEX #8614DC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 20 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 20 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 91 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 91% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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