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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #860BB8 it is the complementary color #79F447. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #860BB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #860BB8 shade: #8B0BB3, #9C1DC6, #AD2FD9, #BE41EC and #CF53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #860BB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #860BB8 shade: #860BB8, #7500A5, #640092, #53007F and #42006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #860BB8 shade: #850BB7, #B40BB7, #B70B8C, #B70B5D and #B70B2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #860BB8 shade: #850BB7, #570BB7, #280BB7 and #0B0BB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #860BB8 shade matches the following richer shades: #850BB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #860BB8 shade: #850BB7, #7F1AA7, #782A98, #713A88 and #6B4978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #860BB8 shade: #270BB7, #550BB7, #830BB7, #B10BB7 and #B70B8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #860BB8 shade: #4D0669, #690890, #850BB7, #A20DDE and #B622F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #860BB8 shade: #860BB8, #B70B1C and #0BB73E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #860BB8 shade: #860BB8, #B7830B and #0BB783

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #860BB8 shade: #860BB8, #B70B1C, #3EB70B and #0BB7A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #860BB8 shade: #860BB8, #B72D0B, #3EB70B and #0B95B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 94 / 0 / 28

HEX #860BB8

RGB 134 11 184

HSL 282.66, 0.89%, 0.38%

LAB 35.53, 68.17, -61.28

 

Complementary color

CMYK 50 / 0 / 71 / 4

HEX #79F447

RGB 121 244 71

HSL 102.66, 0.89%, 0.62%

LAB 86.61, -63.37, 68.93

 

CMYK 22 / 94 / 0 / 30

HEX #8B0BB3

RGB 139 11 179

HSL 285.71, 0.88%, 0.37%

LAB 35.95, 67.93, -57.6

 

CMYK 21 / 85 / 0 / 22

HEX #9C1DC6

RGB 156 29 198

HSL 285.09, 0.74%, 0.45%

LAB 41.25, 70.74, -60.05

 

CMYK 20 / 78 / 0 / 15

HEX #AD2FD9

RGB 173 47 217

HSL 284.47, 0.69%, 0.52%

LAB 46.88, 72.31, -61.78

 

CMYK 19 / 72 / 0 / 7

HEX #BE41EC

RGB 190 65 236

HSL 283.86, 0.82%, 0.59%

LAB 52.71, 73.03, -63.01

 

CMYK 19 / 67 / 0 / 0

HEX #CF53FF

RGB 207 83 255

HSL 283.26, 1%, 0.66%

LAB 58.67, 73.19, -63.89

 

CMYK 27 / 94 / 0 / 28

HEX #860BB8

RGB 134 11 184

HSL 282.66, 0.89%, 0.38%

LAB 35.53, 68.17, -61.28

 

CMYK 29 / 100 / 0 / 35

HEX #7500A5

RGB 117 0 165

HSL 282.55, 1%, 0.32%

LAB 30.64, 63.84, -58.02

 

CMYK 32 / 100 / 0 / 43

HEX #640092

RGB 100 0 146

HSL 281.1, 1%, 0.29%

LAB 26.11, 57.97, -53.92

 

CMYK 35 / 100 / 0 / 50

HEX #53007F

RGB 83 0 127

HSL 279.21, 1%, 0.25%

LAB 21.47, 51.96, -49.72

 

CMYK 39 / 100 / 0 / 58

HEX #42006C

RGB 66 0 108

HSL 276.67, 1%, 0.21%

LAB 16.7, 45.8, -45.41

 

CMYK 27 / 94 / 0 / 28

HEX #850BB7

RGB 133 11 183

HSL 282.56, 0.89%, 0.38%

LAB 35.29, 67.84, -61.09

 

CMYK 2 / 94 / 0 / 28

HEX #B40BB7

RGB 180 11 183

HSL 298.95, 0.89%, 0.38%

LAB 43.3, 75.04, -47.75

 

CMYK 0 / 94 / 23 / 28

HEX #B70B8C

RGB 183 11 140

HSL 315, 0.89%, 0.38%

LAB 41.53, 69.71, -24.7

 

CMYK 0 / 94 / 49 / 28

HEX #B70B5D

RGB 183 11 93

HSL 331.4, 0.89%, 0.38%

LAB 39.74, 64.96, 1.96

 

CMYK 0 / 94 / 74 / 28

HEX #B70B2F

RGB 183 11 47

HSL 347.44, 0.89%, 0.38%

LAB 38.75, 62.22, 29.87

 

CMYK 27 / 94 / 0 / 28

HEX #850BB7

RGB 133 11 183

HSL 282.56, 0.89%, 0.38%

LAB 35.29, 67.84, -61.09

 

CMYK 52 / 94 / 0 / 28

HEX #570BB7

RGB 87 11 183

HSL 266.51, 0.89%, 0.38%

LAB 28.6, 62.68, -72.33

 

CMYK 78 / 94 / 0 / 28

HEX #280BB7

RGB 40 11 183

HSL 250.12, 0.89%, 0.38%

LAB 24.03, 59.84, -80.06

 

CMYK 94 / 94 / 0 / 28

HEX #0B0BB7

RGB 11 11 183

HSL 240, 0.89%, 0.38%

LAB 22.76, 59.19, -82.22

 

CMYK 27 / 94 / 0 / 28

HEX #850BB7

RGB 133 11 183

HSL 282.56, 0.89%, 0.38%

LAB 35.29, 67.84, -61.09

 

CMYK 27 / 94 / 0 / 28

HEX #850BB7

RGB 133 11 183

HSL 282.56, 0.89%, 0.38%

LAB 35.29, 67.84, -61.09

 

CMYK 24 / 84 / 0 / 35

HEX #7F1AA7

RGB 127 26 167

HSL 282.98, 0.73%, 0.38%

LAB 34.07, 60.82, -53.57

 

CMYK 21 / 72 / 0 / 40

HEX #782A98

RGB 120 42 152

HSL 282.55, 0.57%, 0.38%

LAB 33.81, 50.88, -44.96

 

CMYK 17 / 57 / 0 / 47

HEX #713A88

RGB 113 58 136

HSL 282.31, 0.4%, 0.38%

LAB 34.63, 37.84, -33.9

 

CMYK 11 / 39 / 0 / 53

HEX #6B4978

RGB 107 73 120

HSL 283.4, 0.24%, 0.38%

LAB 36.46, 23.58, -21.18

 

CMYK 79 / 94 / 0 / 28

HEX #270BB7

RGB 39 11 183

HSL 249.77, 0.89%, 0.38%

LAB 23.97, 59.81, -80.17

 

CMYK 54 / 94 / 0 / 28

HEX #550BB7

RGB 85 11 183

HSL 265.81, 0.89%, 0.38%

LAB 28.35, 62.51, -72.75

 

CMYK 28 / 94 / 0 / 28

HEX #830BB7

RGB 131 11 183

HSL 281.86, 0.89%, 0.38%

LAB 34.97, 67.58, -61.63

 

CMYK 3 / 94 / 0 / 28

HEX #B10BB7

RGB 177 11 183

HSL 297.91, 0.89%, 0.38%

LAB 42.77, 74.54, -48.63

 

CMYK 0 / 94 / 22 / 28

HEX #B70B8F

RGB 183 11 143

HSL 313.95, 0.89%, 0.38%

LAB 41.67, 70.08, -26.31

 

CMYK 27 / 94 / 0 / 59

HEX #4D0669

RGB 77 6 105

HSL 283.03, 0.89%, 0.22%

LAB 18.92, 44.91, -39.75

 

CMYK 27 / 94 / 0 / 44

HEX #690890

RGB 105 8 144

HSL 282.79, 0.89%, 0.3%

LAB 27.27, 56.75, -50.75

 

CMYK 27 / 94 / 0 / 28

HEX #850BB7

RGB 133 11 183

HSL 282.56, 0.89%, 0.38%

LAB 35.29, 67.84, -61.09

 

CMYK 27 / 94 / 0 / 13

HEX #A20DDE

RGB 162 13 222

HSL 282.78, 0.89%, 0.46%

LAB 43.13, 78.74, -70.81

 

CMYK 25 / 86 / 0 / 5

HEX #B622F2

RGB 182 34 242

HSL 282.69, 0.89%, 0.54%

LAB 48.88, 81.72, -72.64

 

CMYK 27 / 94 / 0 / 28

HEX #860BB8

RGB 134 11 184

HSL 282.66, 0.89%, 0.38%

LAB 35.53, 68.17, -61.28

 

CMYK 0 / 94 / 85 / 28

HEX #B70B1C

RGB 183 11 28

HSL 354.07, 0.89%, 0.38%

LAB 38.53, 61.63, 40.75

 

CMYK 94 / 0 / 66 / 28

HEX #0BB73E

RGB 11 183 62

HSL 137.79, 0.89%, 0.38%

LAB 65.19, -63.13, 49.06

 

CMYK 27 / 94 / 0 / 28

HEX #860BB8

RGB 134 11 184

HSL 282.66, 0.89%, 0.38%

LAB 35.53, 68.17, -61.28

 

CMYK 0 / 28 / 94 / 28

HEX #B7830B

RGB 183 131 11

HSL 41.86, 0.89%, 0.38%

LAB 58.34, 11.08, 62.04

 

CMYK 94 / 0 / 28 / 28

HEX #0BB783

RGB 11 183 131

HSL 161.86, 0.89%, 0.38%

LAB 66.2, -51.21, 15.72

 

CMYK 27 / 94 / 0 / 28

HEX #860BB8

RGB 134 11 184

HSL 282.66, 0.89%, 0.38%

LAB 35.53, 68.17, -61.28

 

CMYK 0 / 94 / 85 / 28

HEX #B70B1C

RGB 183 11 28

HSL 354.07, 0.89%, 0.38%

LAB 38.53, 61.63, 40.75

 

CMYK 66 / 0 / 94 / 28

HEX #3EB70B

RGB 62 183 11

HSL 102.21, 0.89%, 0.38%

LAB 65.68, -59.83, 64.49

 

CMYK 94 / 0 / 9 / 28

HEX #0BB7A6

RGB 11 183 166

HSL 174.07, 0.89%, 0.38%

LAB 67.04, -42.12, -2.29

 

CMYK 27 / 94 / 0 / 28

HEX #860BB8

RGB 134 11 184

HSL 282.66, 0.89%, 0.38%

LAB 35.53, 68.17, -61.28

 

CMYK 0 / 75 / 94 / 28

HEX #B72D0B

RGB 183 45 11

HSL 11.86, 0.89%, 0.38%

LAB 41.17, 53.58, 50.14

 

CMYK 66 / 0 / 94 / 28

HEX #3EB70B

RGB 62 183 11

HSL 102.21, 0.89%, 0.38%

LAB 65.68, -59.83, 64.49

 

CMYK 94 / 19 / 0 / 28

HEX #0B95B7

RGB 11 149 183

HSL 191.86, 0.89%, 0.38%

LAB 57.06, -20.36, -26.88

 

Description

Color code: HEX #860BB8 | qconv.com Color code: HEX #860BB8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 11 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 11 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 94 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 94% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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