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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86064C it is the complementary color #79F9B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86064C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86064C shade: #8B0647, #9C185A, #AD2A6D, #BE3C80 and #CF4E93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86064C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86064C shade: #86064C, #750039, #640026, #530013 and #420000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86064C shade: #84064B, #840629, #840607 and #840606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86064C shade: #84064B, #84066D, #790684, #570684 and #350684

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86064C shade matches the following richer shades: #84064B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86064C shade: #84064B, #78114A, #6D1C49, #622848 and #573347

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86064C shade: #790684, #84066D, #84064B, #84062A and #840608

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86064C shade: #35021E, #5C0434, #84064B, #AB0861 and #D20A77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86064C shade: #86064C, #845806 and #067D84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86064C shade: #86064C, #4B8406 and #064B84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86064C shade: #86064C, #845806, #06843F and #063284

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86064C shade: #86064C, #847D06, #06843F and #060C84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 43 / 47

HEX #86064C

RGB 134 6 76

HSL 327.19, 0.91%, 0.27%

LAB 28.7, 52.48, -4.38

 

Complementary color

CMYK 51 / 0 / 28 / 2

HEX #79F9B3

RGB 121 249 179

HSL 147.19, 0.91%, 0.73%

LAB 89.43, -51.07, 22.96

 

CMYK 0 / 96 / 49 / 45

HEX #8B0647

RGB 139 6 71

HSL 330.68, 0.92%, 0.28%

LAB 29.6, 53.24, 0.42

 

CMYK 0 / 85 / 42 / 39

HEX #9C185A

RGB 156 24 90

HSL 330, 0.73%, 0.35%

LAB 34.92, 55.91, -3.83

 

CMYK 0 / 76 / 37 / 32

HEX #AD2A6D

RGB 173 42 109

HSL 329.31, 0.61%, 0.42%

LAB 40.65, 57.25, -7.03

 

CMYK 0 / 68 / 33 / 25

HEX #BE3C80

RGB 190 60 128

HSL 328.62, 0.52%, 0.49%

LAB 46.63, 57.71, -9.47

 

CMYK 0 / 62 / 29 / 19

HEX #CF4E93

RGB 207 78 147

HSL 327.91, 0.57%, 0.56%

LAB 52.75, 57.62, -11.38

 

CMYK 0 / 96 / 43 / 47

HEX #86064C

RGB 134 6 76

HSL 327.19, 0.91%, 0.27%

LAB 28.7, 52.48, -4.38

 

CMYK 0 / 100 / 51 / 54

HEX #750039

RGB 117 0 57

HSL 330.77, 1%, 0.23%

LAB 23.93, 47.71, 1.09

 

CMYK 0 / 100 / 62 / 61

HEX #640026

RGB 100 0 38

HSL 337.2, 1%, 0.2%

LAB 19.43, 41.91, 7.55

 

CMYK 0 / 100 / 77 / 67

HEX #530013

RGB 83 0 19

HSL 346.27, 1%, 0.16%

LAB 14.88, 36.13, 14.41

 

CMYK 0 / 100 / 100 / 74

HEX #420000

RGB 66 0 0

HSL 0, 1%, 0.13%

LAB 10.25, 30.37, 16.16

 

CMYK 0 / 95 / 43 / 48

HEX #84064B

RGB 132 6 75

HSL 327.14, 0.91%, 0.27%

LAB 28.23, 51.9, -4.45

 

CMYK 0 / 95 / 69 / 48

HEX #840629

RGB 132 6 41

HSL 343.33, 0.91%, 0.27%

LAB 27.29, 49.32, 17.23

 

CMYK 0 / 95 / 95 / 48

HEX #840607

RGB 132 6 7

HSL 359.52, 0.91%, 0.27%

LAB 26.88, 48.18, 36.78

 

CMYK 0 / 95 / 95 / 48

HEX #840606

RGB 132 6 6

HSL 0, 0.91%, 0.27%

LAB 26.87, 48.16, 37.18

 

CMYK 0 / 95 / 43 / 48

HEX #84064B

RGB 132 6 75

HSL 327.14, 0.91%, 0.27%

LAB 28.23, 51.9, -4.45

 

CMYK 0 / 95 / 17 / 48

HEX #84066D

RGB 132 6 109

HSL 310.95, 0.91%, 0.27%

LAB 29.76, 55.93, -24.4

 

CMYK 8 / 95 / 0 / 48

HEX #790684

RGB 121 6 132

HSL 294.76, 0.91%, 0.27%

LAB 29.06, 57.41, -40.24

 

CMYK 34 / 95 / 0 / 48

HEX #570684

RGB 87 6 132

HSL 278.57, 0.91%, 0.27%

LAB 23.08, 52.15, -50.23

 

CMYK 60 / 95 / 0 / 48

HEX #350684

RGB 53 6 132

HSL 262.38, 0.91%, 0.27%

LAB 18.16, 48.46, -58.51

 

CMYK 0 / 95 / 43 / 48

HEX #84064B

RGB 132 6 75

HSL 327.14, 0.91%, 0.27%

LAB 28.23, 51.9, -4.45

 

CMYK 0 / 95 / 43 / 48

HEX #84064B

RGB 132 6 75

HSL 327.14, 0.91%, 0.27%

LAB 28.23, 51.9, -4.45

 

CMYK 0 / 86 / 38 / 53

HEX #78114A

RGB 120 17 74

HSL 326.8, 0.75%, 0.27%

LAB 26.41, 46.6, -6.76

 

CMYK 0 / 74 / 33 / 57

HEX #6D1C49

RGB 109 28 73

HSL 326.67, 0.59%, 0.27%

LAB 25.45, 39.76, -7.75

 

CMYK 0 / 59 / 27 / 62

HEX #622848

RGB 98 40 72

HSL 326.9, 0.42%, 0.27%

LAB 25.51, 30.32, -7.19

 

CMYK 0 / 41 / 18 / 66

HEX #573347

RGB 87 51 71

HSL 326.67, 0.26%, 0.27%

LAB 26.3, 19.51, -5.51

 

CMYK 8 / 95 / 0 / 48

HEX #790684

RGB 121 6 132

HSL 294.76, 0.91%, 0.27%

LAB 29.06, 57.41, -40.24

 

CMYK 0 / 95 / 17 / 48

HEX #84066D

RGB 132 6 109

HSL 310.95, 0.91%, 0.27%

LAB 29.76, 55.93, -24.4

 

CMYK 0 / 95 / 43 / 48

HEX #84064B

RGB 132 6 75

HSL 327.14, 0.91%, 0.27%

LAB 28.23, 51.9, -4.45

 

CMYK 0 / 95 / 68 / 48

HEX #84062A

RGB 132 6 42

HSL 342.86, 0.91%, 0.27%

LAB 27.31, 49.37, 16.58

 

CMYK 0 / 95 / 94 / 48

HEX #840608

RGB 132 6 8

HSL 359.05, 0.91%, 0.27%

LAB 26.89, 48.2, 36.37

 

CMYK 0 / 96 / 43 / 79

HEX #35021E

RGB 53 2 30

HSL 327.06, 0.93%, 0.11%

LAB 8.08, 27.6, -4.32

 

CMYK 0 / 96 / 43 / 64

HEX #5C0434

RGB 92 4 52

HSL 327.27, 0.92%, 0.19%

LAB 18.41, 39.99, -4.17

 

CMYK 0 / 95 / 43 / 48

HEX #84064B

RGB 132 6 75

HSL 327.14, 0.91%, 0.27%

LAB 28.23, 51.9, -4.45

 

CMYK 0 / 95 / 43 / 33

HEX #AB0861

RGB 171 8 97

HSL 327.24, 0.91%, 0.35%

LAB 37.29, 62.86, -4.48

 

CMYK 0 / 95 / 43 / 18

HEX #D20A77

RGB 210 10 119

HSL 327.3, 0.91%, 0.43%

LAB 45.98, 73.36, -4.54

 

CMYK 0 / 96 / 43 / 47

HEX #86064C

RGB 134 6 76

HSL 327.19, 0.91%, 0.27%

LAB 28.7, 52.48, -4.38

 

CMYK 0 / 33 / 95 / 48

HEX #845806

RGB 132 88 6

HSL 39.05, 0.91%, 0.27%

LAB 41.05, 11.95, 47.59

 

CMYK 95 / 5 / 0 / 48

HEX #067D84

RGB 6 125 132

HSL 183.33, 0.91%, 0.27%

LAB 47.46, -25.7, -12.04

 

CMYK 0 / 96 / 43 / 47

HEX #86064C

RGB 134 6 76

HSL 327.19, 0.91%, 0.27%

LAB 28.7, 52.48, -4.38

 

CMYK 43 / 0 / 95 / 48

HEX #4B8406

RGB 75 132 6

HSL 87.14, 0.91%, 0.27%

LAB 49.51, -37.34, 52.15

 

CMYK 95 / 43 / 0 / 48

HEX #064B84

RGB 6 75 132

HSL 207.14, 0.91%, 0.27%

LAB 31.2, 3.67, -37.34

 

CMYK 0 / 96 / 43 / 47

HEX #86064C

RGB 134 6 76

HSL 327.19, 0.91%, 0.27%

LAB 28.7, 52.48, -4.38

 

CMYK 0 / 33 / 95 / 48

HEX #845806

RGB 132 88 6

HSL 39.05, 0.91%, 0.27%

LAB 41.05, 11.95, 47.59

 

CMYK 95 / 0 / 52 / 48

HEX #06843F

RGB 6 132 63

HSL 147.14, 0.91%, 0.27%

LAB 48.13, -46.67, 28.67

 

CMYK 95 / 62 / 0 / 48

HEX #063284

RGB 6 50 132

HSL 219.05, 0.91%, 0.27%

LAB 23.62, 21.19, -49.6

 

CMYK 0 / 96 / 43 / 47

HEX #86064C

RGB 134 6 76

HSL 327.19, 0.91%, 0.27%

LAB 28.7, 52.48, -4.38

 

CMYK 0 / 5 / 95 / 48

HEX #847D06

RGB 132 125 6

HSL 56.67, 0.91%, 0.27%

LAB 51.37, -9.31, 55.32

 

CMYK 95 / 0 / 52 / 48

HEX #06843F

RGB 6 132 63

HSL 147.14, 0.91%, 0.27%

LAB 48.13, -46.67, 28.67

 

CMYK 95 / 91 / 0 / 48

HEX #060C84

RGB 6 12 132

HSL 237.14, 0.91%, 0.27%

LAB 15.32, 44.16, -63.33

 

Description

Color code: HEX #86064C | qconv.com Color code: HEX #86064C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 6 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 6 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 43 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 43% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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