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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #860577 it is the complementary color #79FA88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #860577. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #860577 shade: #8B0572, #9C1785, #AD2998, #BE3BAB and #CF4DBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #860577. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #860577 shade: #860577, #750064, #640051, #53003E and #42002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #860577 shade: #850576, #850553, #850531, #85050E and #850505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #860577 shade: #850576, #710585, #4F0585, #2C0585 and #0A0585

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #860577 shade matches the following richer shades: #850576

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #860577 shade: #850576, #7A106D, #6F1B65, #63265C and #583154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #860577 shade: #4D0585, #700585, #850578, #850556 and #850534

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #860577 shade: #35022F, #5D0353, #850576, #AD0699 and #D508BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #860577 shade: #860577, #852B05 and #05855E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #860577 shade: #860577, #788505 and #057885

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #860577 shade: #860577, #852B05, #058512 and #055E85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #860577 shade: #860577, #855205, #058512 and #053885

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 11 / 47

HEX #860577

RGB 134 5 119

HSL 306.98, 0.93%, 0.27%

LAB 30.66, 57.9, -29.34

 

Complementary color

CMYK 52 / 0 / 46 / 2

HEX #79FA88

RGB 121 250 136

HSL 126.98, 0.93%, 0.73%

LAB 89.02, -58.66, 43.86

 

CMYK 0 / 96 / 18 / 45

HEX #8B0572

RGB 139 5 114

HSL 311.19, 0.93%, 0.28%

LAB 31.38, 58.2, -24.97

 

CMYK 0 / 85 / 15 / 39

HEX #9C1785

RGB 156 23 133

HSL 310.38, 0.74%, 0.35%

LAB 36.69, 61.32, -28.32

 

CMYK 0 / 76 / 12 / 32

HEX #AD2998

RGB 173 41 152

HSL 309.55, 0.62%, 0.42%

LAB 42.36, 63.11, -30.82

 

CMYK 0 / 69 / 10 / 25

HEX #BE3BAB

RGB 190 59 171

HSL 308.7, 0.53%, 0.49%

LAB 48.28, 63.93, -32.68

 

CMYK 0 / 63 / 8 / 19

HEX #CF4DBE

RGB 207 77 190

HSL 307.85, 0.58%, 0.56%

LAB 54.33, 64.14, -34.09

 

CMYK 0 / 96 / 11 / 47

HEX #860577

RGB 134 5 119

HSL 306.98, 0.93%, 0.27%

LAB 30.66, 57.9, -29.34

 

CMYK 0 / 100 / 15 / 54

HEX #750064

RGB 117 0 100

HSL 308.72, 1%, 0.23%

LAB 25.87, 52.68, -24.9

 

CMYK 0 / 100 / 19 / 61

HEX #640051

RGB 100 0 81

HSL 311.4, 1%, 0.2%

LAB 21.22, 46.53, -19.83

 

CMYK 0 / 100 / 25 / 67

HEX #53003E

RGB 83 0 62

HSL 315.18, 1%, 0.16%

LAB 16.44, 40.21, -14.46

 

CMYK 0 / 100 / 35 / 74

HEX #42002B

RGB 66 0 43

HSL 320.91, 1%, 0.13%

LAB 11.5, 33.69, -8.67

 

CMYK 0 / 96 / 11 / 48

HEX #850576

RGB 133 5 118

HSL 307.03, 0.93%, 0.27%

LAB 30.41, 57.56, -29.12

 

CMYK 0 / 96 / 38 / 48

HEX #850553

RGB 133 5 83

HSL 323.44, 0.93%, 0.27%

LAB 28.69, 53.13, -9.06

 

CMYK 0 / 96 / 63 / 48

HEX #850531

RGB 133 5 49

HSL 339.38, 0.93%, 0.27%

LAB 27.62, 50.22, 12.29

 

CMYK 0 / 96 / 89 / 48

HEX #85050E

RGB 133 5 14

HSL 355.78, 0.93%, 0.27%

LAB 27.09, 48.76, 34.01

 

CMYK 0 / 96 / 96 / 48

HEX #850505

RGB 133 5 5

HSL 0, 0.93%, 0.27%

LAB 27.03, 48.6, 37.81

 

CMYK 0 / 96 / 11 / 48

HEX #850576

RGB 133 5 118

HSL 307.03, 0.93%, 0.27%

LAB 30.41, 57.56, -29.12

 

CMYK 15 / 96 / 0 / 48

HEX #710585

RGB 113 5 133

HSL 290.63, 0.93%, 0.27%

LAB 27.61, 56.42, -43.28

 

CMYK 41 / 96 / 0 / 48

HEX #4F0585

RGB 79 5 133

HSL 274.69, 0.93%, 0.27%

LAB 21.81, 51.58, -52.98

 

CMYK 67 / 96 / 0 / 48

HEX #2C0585

RGB 44 5 133

HSL 258.28, 0.93%, 0.27%

LAB 17.17, 48.38, -60.81

 

CMYK 92 / 96 / 0 / 48

HEX #0A0585

RGB 10 5 133

HSL 242.34, 0.93%, 0.27%

LAB 14.77, 47.08, -64.87

 

CMYK 0 / 96 / 11 / 48

HEX #850576

RGB 133 5 118

HSL 307.03, 0.93%, 0.27%

LAB 30.41, 57.56, -29.12

 

CMYK 0 / 96 / 11 / 48

HEX #850576

RGB 133 5 118

HSL 307.03, 0.93%, 0.27%

LAB 30.41, 57.56, -29.12

 

CMYK 0 / 87 / 11 / 52

HEX #7A106D

RGB 122 16 109

HSL 307.36, 0.77%, 0.27%

LAB 28.41, 52.02, -26.66

 

CMYK 0 / 76 / 9 / 56

HEX #6F1B65

RGB 111 27 101

HSL 307.14, 0.61%, 0.27%

LAB 27.03, 44.91, -23.81

 

CMYK 0 / 62 / 7 / 61

HEX #63265C

RGB 99 38 92

HSL 306.89, 0.45%, 0.27%

LAB 26.19, 35.15, -19.39

 

CMYK 0 / 44 / 5 / 65

HEX #583154

RGB 88 49 84

HSL 306.15, 0.28%, 0.27%

LAB 26.48, 23.67, -13.82

 

CMYK 42 / 96 / 0 / 48

HEX #4D0585

RGB 77 5 133

HSL 273.75, 0.93%, 0.27%

LAB 21.5, 51.35, -53.5

 

CMYK 16 / 96 / 0 / 48

HEX #700585

RGB 112 5 133

HSL 290.16, 0.93%, 0.27%

LAB 27.43, 56.26, -43.59

 

CMYK 0 / 96 / 10 / 48

HEX #850578

RGB 133 5 120

HSL 306.09, 0.93%, 0.27%

LAB 30.52, 57.86, -30.21

 

CMYK 0 / 96 / 35 / 48

HEX #850556

RGB 133 5 86

HSL 322.03, 0.93%, 0.27%

LAB 28.82, 53.45, -10.86

 

CMYK 0 / 96 / 61 / 48

HEX #850534

RGB 133 5 52

HSL 337.97, 0.93%, 0.27%

LAB 27.69, 50.42, 10.35

 

CMYK 0 / 96 / 11 / 79

HEX #35022F

RGB 53 2 47

HSL 307.06, 0.93%, 0.11%

LAB 9.04, 30.19, -15.71

 

CMYK 0 / 97 / 11 / 64

HEX #5D0353

RGB 93 3 83

HSL 306.67, 0.94%, 0.19%

LAB 20.11, 44.62, -23.03

 

CMYK 0 / 96 / 11 / 48

HEX #850576

RGB 133 5 118

HSL 307.03, 0.93%, 0.27%

LAB 30.41, 57.56, -29.12

 

CMYK 0 / 97 / 12 / 32

HEX #AD0699

RGB 173 6 153

HSL 307.19, 0.93%, 0.35%

LAB 40.11, 69.96, -34.99

 

CMYK 0 / 96 / 11 / 16

HEX #D508BD

RGB 213 8 189

HSL 307.02, 0.93%, 0.43%

LAB 49.49, 81.86, -41.06

 

CMYK 0 / 96 / 11 / 47

HEX #860577

RGB 134 5 119

HSL 306.98, 0.93%, 0.27%

LAB 30.66, 57.9, -29.34

 

CMYK 0 / 68 / 96 / 48

HEX #852B05

RGB 133 43 5

HSL 17.81, 0.93%, 0.27%

LAB 31.17, 37.07, 41.09

 

CMYK 96 / 0 / 29 / 48

HEX #05855E

RGB 5 133 94

HSL 161.72, 0.93%, 0.27%

LAB 49.03, -40.6, 12.54

 

CMYK 0 / 96 / 11 / 47

HEX #860577

RGB 134 5 119

HSL 306.98, 0.93%, 0.27%

LAB 30.66, 57.9, -29.34

 

CMYK 10 / 0 / 96 / 48

HEX #788505

RGB 120 133 5

HSL 66.09, 0.93%, 0.27%

LAB 52.71, -19.15, 56.09

 

CMYK 96 / 10 / 0 / 48

HEX #057885

RGB 5 120 133

HSL 186.09, 0.93%, 0.27%

LAB 45.85, -22.84, -15.07

 

CMYK 0 / 96 / 11 / 47

HEX #860577

RGB 134 5 119

HSL 306.98, 0.93%, 0.27%

LAB 30.66, 57.9, -29.34

 

CMYK 0 / 68 / 96 / 48

HEX #852B05

RGB 133 43 5

HSL 17.81, 0.93%, 0.27%

LAB 31.17, 37.07, 41.09

 

CMYK 96 / 0 / 86 / 48

HEX #058512

RGB 5 133 18

HSL 126.09, 0.93%, 0.27%

LAB 48.07, -52.06, 47.65

 

CMYK 96 / 29 / 0 / 48

HEX #055E85

RGB 5 94 133

HSL 198.28, 0.93%, 0.27%

LAB 37.36, -8.16, -28.2

 

CMYK 0 / 96 / 11 / 47

HEX #860577

RGB 134 5 119

HSL 306.98, 0.93%, 0.27%

LAB 30.66, 57.9, -29.34

 

CMYK 0 / 38 / 96 / 48

HEX #855205

RGB 133 82 5

HSL 36.09, 0.93%, 0.27%

LAB 39.63, 15.93, 46.91

 

CMYK 96 / 0 / 86 / 48

HEX #058512

RGB 5 133 18

HSL 126.09, 0.93%, 0.27%

LAB 48.07, -52.06, 47.65

 

CMYK 96 / 58 / 0 / 48

HEX #053885

RGB 5 56 133

HSL 216.09, 0.93%, 0.27%

LAB 25.42, 17.28, -47.29

 

Description

Color code: HEX #860577 | qconv.com Color code: HEX #860577 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 5 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 5 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 11 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 11% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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