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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85F374 it is the complementary color #7A0C8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85F374. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85F374 shade: #8AF36F, #9BFF82, #ACFF95, #BDFFA8 and #CEFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85F374. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85F374 shade: #85F374, #74E161, #63CF4E, #52BD3B and #41AB28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85F374 shade: #83F372, #A6F372, #C9F372, #EBF372 and #F3D772

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85F374 shade: #83F372, #72F384, #72F3A6, #72F3C9 and #72F3EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85F374 shade matches the following richer shades: #83F372

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85F374 shade: #83F372, #8DE67F, #96DA8B, #9FCE97 and #A8C1A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85F374 shade: #CAF372, #A8F372, #86F372, #72F381 and #72F3A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85F374 shade: #41EC26, #62EF4C, #83F372, #A5F698 and #C6F9BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85F374 shade: #85F374, #72ECF3 and #F372B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85F374 shade: #85F374, #7286F3 and #F37286

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85F374 shade: #85F374, #72ECF3, #DF72F3 and #F37972

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85F374 shade: #85F374, #72C6F3, #DF72F3 and #F39F72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 52 / 5

HEX #85F374

RGB 133 243 116

HSL 111.97, 0.84%, 0.7%

LAB 87.17, -55.35, 51.09

 

Complementary color

CMYK 12 / 91 / 0 / 45

HEX #7A0C8B

RGB 122 12 139

HSL 291.97, 0.84%, 0.3%

LAB 30.07, 57.83, -42.97

 

CMYK 43 / 0 / 54 / 5

HEX #8AF36F

RGB 138 243 111

HSL 107.73, 0.85%, 0.69%

LAB 87.32, -54.47, 53.6

 

CMYK 39 / 0 / 49 / 0

HEX #9BFF82

RGB 155 255 130

HSL 108, 1%, 0.75%

LAB 91.73, -52.02, 50.36

 

CMYK 33 / 0 / 42 / 0

HEX #ACFF95

RGB 172 255 149

HSL 106.98, 1%, 0.79%

LAB 92.78, -44.29, 42.79

 

CMYK 26 / 0 / 34 / 0

HEX #BDFFA8

RGB 189 255 168

HSL 105.52, 1%, 0.83%

LAB 93.95, -36.12, 35.15

 

CMYK 19 / 0 / 27 / 0

HEX #CEFFBB

RGB 206 255 187

HSL 103.24, 1%, 0.87%

LAB 95.26, -27.63, 27.54

 

CMYK 45 / 0 / 52 / 5

HEX #85F374

RGB 133 243 116

HSL 111.97, 0.84%, 0.7%

LAB 87.17, -55.35, 51.09

 

CMYK 48 / 0 / 57 / 12

HEX #74E161

RGB 116 225 97

HSL 111.09, 0.68%, 0.63%

LAB 80.98, -55.28, 52.25

 

CMYK 52 / 0 / 62 / 19

HEX #63CF4E

RGB 99 207 78

HSL 110.23, 0.57%, 0.56%

LAB 74.72, -55.06, 53.3

 

CMYK 57 / 0 / 69 / 26

HEX #52BD3B

RGB 82 189 59

HSL 109.38, 0.52%, 0.49%

LAB 68.39, -54.6, 54.12

 

CMYK 62 / 0 / 77 / 33

HEX #41AB28

RGB 65 171 40

HSL 108.55, 0.62%, 0.41%

LAB 62, -53.8, 54.47

 

CMYK 46 / 0 / 53 / 5

HEX #83F372

RGB 131 243 114

HSL 112.09, 0.84%, 0.7%

LAB 87.07, -56.15, 51.87

 

CMYK 32 / 0 / 53 / 5

HEX #A6F372

RGB 166 243 114

HSL 95.81, 0.84%, 0.7%

LAB 88.65, -45.27, 54.14

 

CMYK 17 / 0 / 53 / 5

HEX #C9F372

RGB 201 243 114

HSL 79.53, 0.84%, 0.7%

LAB 90.66, -32.79, 57.01

 

CMYK 3 / 0 / 53 / 5

HEX #EBF372

RGB 235 243 114

HSL 63.72, 0.84%, 0.7%

LAB 93, -19.72, 60.33

 

CMYK 0 / 12 / 53 / 5

HEX #F3D772

RGB 243 215 114

HSL 46.98, 0.84%, 0.7%

LAB 86.44, -2.62, 52.82

 

CMYK 46 / 0 / 53 / 5

HEX #83F372

RGB 131 243 114

HSL 112.09, 0.84%, 0.7%

LAB 87.07, -56.15, 51.87

 

CMYK 53 / 0 / 46 / 5

HEX #72F384

RGB 114 243 132

HSL 128.37, 0.84%, 0.7%

LAB 86.67, -58.26, 42.76

 

CMYK 53 / 0 / 32 / 5

HEX #72F3A6

RGB 114 243 166

HSL 144.19, 0.84%, 0.7%

LAB 87.21, -52.66, 26.52

 

CMYK 53 / 0 / 17 / 5

HEX #72F3C9

RGB 114 243 201

HSL 160.47, 0.84%, 0.7%

LAB 87.92, -45.56, 9.46

 

CMYK 53 / 0 / 3 / 5

HEX #72F3EC

RGB 114 243 236

HSL 176.74, 0.84%, 0.7%

LAB 88.8, -37.26, -7.52

 

CMYK 46 / 0 / 53 / 5

HEX #83F372

RGB 131 243 114

HSL 112.09, 0.84%, 0.7%

LAB 87.07, -56.15, 51.87

 

CMYK 46 / 0 / 53 / 5

HEX #83F372

RGB 131 243 114

HSL 112.09, 0.84%, 0.7%

LAB 87.07, -56.15, 51.87

 

CMYK 39 / 0 / 45 / 10

HEX #8DE67F

RGB 141 230 127

HSL 111.84, 0.67%, 0.7%

LAB 83.86, -46.24, 41.85

 

CMYK 31 / 0 / 36 / 15

HEX #96DA8B

RGB 150 218 139

HSL 111.65, 0.52%, 0.7%

LAB 81.01, -36.38, 32.26

 

CMYK 23 / 0 / 27 / 19

HEX #9FCE97

RGB 159 206 151

HSL 111.27, 0.36%, 0.7%

LAB 78.31, -25.83, 22.49

 

CMYK 13 / 0 / 15 / 24

HEX #A8C1A4

RGB 168 193 164

HSL 111.72, 0.19%, 0.7%

LAB 75.54, -13.98, 11.78

 

CMYK 17 / 0 / 53 / 5

HEX #CAF372

RGB 202 243 114

HSL 79.07, 0.84%, 0.7%

LAB 90.72, -32.42, 57.1

 

CMYK 31 / 0 / 53 / 5

HEX #A8F372

RGB 168 243 114

HSL 94.88, 0.84%, 0.7%

LAB 88.75, -44.59, 54.29

 

CMYK 45 / 0 / 53 / 5

HEX #86F372

RGB 134 243 114

HSL 110.7, 0.84%, 0.7%

LAB 87.19, -55.3, 52.04

 

CMYK 53 / 0 / 47 / 5

HEX #72F381

RGB 114 243 129

HSL 126.98, 0.84%, 0.7%

LAB 86.63, -58.69, 44.16

 

CMYK 53 / 0 / 33 / 5

HEX #72F3A4

RGB 114 243 164

HSL 143.26, 0.84%, 0.7%

LAB 87.17, -53.03, 27.49

 

CMYK 72 / 0 / 84 / 7

HEX #41EC26

RGB 65 236 38

HSL 111.82, 0.84%, 0.54%

LAB 82.52, -74.91, 74.12

 

CMYK 59 / 0 / 68 / 6

HEX #62EF4C

RGB 98 239 76

HSL 111.9, 0.84%, 0.62%

LAB 84.41, -67.02, 64.6

 

CMYK 46 / 0 / 53 / 5

HEX #83F372

RGB 131 243 114

HSL 112.09, 0.84%, 0.7%

LAB 87.07, -56.15, 51.87

 

CMYK 33 / 0 / 38 / 4

HEX #A5F698

RGB 165 246 152

HSL 111.7, 0.84%, 0.78%

LAB 89.94, -42.17, 37.58

 

CMYK 20 / 0 / 24 / 2

HEX #C6F9BE

RGB 198 249 190

HSL 111.86, 0.83%, 0.86%

LAB 93.22, -27, 23.15

 

CMYK 45 / 0 / 52 / 5

HEX #85F374

RGB 133 243 116

HSL 111.97, 0.84%, 0.7%

LAB 87.17, -55.35, 51.09

 

CMYK 53 / 3 / 0 / 5

HEX #72ECF3

RGB 114 236 243

HSL 183.26, 0.84%, 0.7%

LAB 87.02, -32.2, -13.84

 

CMYK 0 / 53 / 24 / 5

HEX #F372B9

RGB 243 114 185

HSL 326.98, 0.84%, 0.7%

LAB 65.43, 57.26, -13.75

 

CMYK 45 / 0 / 52 / 5

HEX #85F374

RGB 133 243 116

HSL 111.97, 0.84%, 0.7%

LAB 87.17, -55.35, 51.09

 

CMYK 53 / 45 / 0 / 5

HEX #7286F3

RGB 114 134 243

HSL 230.7, 0.84%, 0.7%

LAB 59.07, 22.98, -57.12

 

CMYK 0 / 53 / 45 / 5

HEX #F37286

RGB 243 114 134

HSL 350.7, 0.84%, 0.7%

LAB 64.01, 51.32, 13.24

 

CMYK 45 / 0 / 52 / 5

HEX #85F374

RGB 133 243 116

HSL 111.97, 0.84%, 0.7%

LAB 87.17, -55.35, 51.09

 

CMYK 53 / 3 / 0 / 5

HEX #72ECF3

RGB 114 236 243

HSL 183.26, 0.84%, 0.7%

LAB 87.02, -32.2, -13.84

 

CMYK 8 / 53 / 0 / 5

HEX #DF72F3

RGB 223 114 243

HSL 290.7, 0.84%, 0.7%

LAB 65.12, 60.94, -46.88

 

CMYK 0 / 50 / 53 / 5

HEX #F37972

RGB 243 121 114

HSL 3.26, 0.84%, 0.7%

LAB 64.92, 46.14, 25.82

 

CMYK 45 / 0 / 52 / 5

HEX #85F374

RGB 133 243 116

HSL 111.97, 0.84%, 0.7%

LAB 87.17, -55.35, 51.09

 

CMYK 53 / 19 / 0 / 5

HEX #72C6F3

RGB 114 198 243

HSL 200.93, 0.84%, 0.7%

LAB 76.34, -13.24, -30.05

 

CMYK 8 / 53 / 0 / 5

HEX #DF72F3

RGB 223 114 243

HSL 290.7, 0.84%, 0.7%

LAB 65.12, 60.94, -46.88

 

CMYK 0 / 35 / 53 / 5

HEX #F39F72

RGB 243 159 114

HSL 20.93, 0.84%, 0.7%

LAB 72.94, 26.64, 36.23

 

Description

Color code: HEX #85F374 | qconv.com Color code: HEX #85F374 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 243 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 243 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 52 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 52% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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