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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85F26D it is the complementary color #7A0D92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85F26D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85F26D shade: #8AF268, #9BFF7B, #ACFF8E, #BDFFA1 and #CEFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85F26D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85F26D shade: #85F26D, #74E05A, #63CE47, #52BC34 and #41AA21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85F26D shade: #86F26E, #A9F26E, #CDF26E, #F1F26E and #F2D06E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85F26D shade: #86F26E, #6EF279, #6EF29D, #6EF2C1 and #6EF2E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85F26D shade matches the following richer shades: #86F26E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85F26D shade: #86F26E, #8EE67A, #96D987, #9ECC94 and #A6BFA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85F26D shade: #CDF26E, #A9F26E, #86F26E, #6EF279 and #6EF29C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85F26D shade: #46EC22, #66EF48, #86F26E, #A5F694 and #C5F9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85F26D shade: #85F26D, #6EF0F2 and #F26EBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85F26D shade: #85F26D, #6E86F2 and #F26E86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85F26D shade: #85F26D, #6EF0F2, #DA6EF2 and #F2706E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85F26D shade: #85F26D, #6EC8F2, #DA6EF2 and #F2986E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 55 / 5

HEX #85F26D

RGB 133 242 109

HSL 109.17, 0.84%, 0.69%

LAB 86.8, -55.76, 53.84

 

Complementary color

CMYK 16 / 91 / 0 / 43

HEX #7A0D92

RGB 122 13 146

HSL 289.17, 0.84%, 0.31%

LAB 30.64, 58.92, -46.38

 

CMYK 43 / 0 / 57 / 5

HEX #8AF268

RGB 138 242 104

HSL 105.22, 0.84%, 0.68%

LAB 86.95, -54.83, 56.3

 

CMYK 39 / 0 / 52 / 0

HEX #9BFF7B

RGB 155 255 123

HSL 105.45, 1%, 0.74%

LAB 91.65, -52.84, 53.49

 

CMYK 33 / 0 / 44 / 0

HEX #ACFF8E

RGB 172 255 142

HSL 104.07, 1%, 0.78%

LAB 92.68, -45.2, 46.05

 

CMYK 26 / 0 / 37 / 0

HEX #BDFFA1

RGB 189 255 161

HSL 102.13, 1%, 0.82%

LAB 93.85, -37.11, 38.48

 

CMYK 19 / 0 / 29 / 0

HEX #CEFFB4

RGB 206 255 180

HSL 99.2, 1%, 0.85%

LAB 95.13, -28.68, 30.9

 

CMYK 45 / 0 / 55 / 5

HEX #85F26D

RGB 133 242 109

HSL 109.17, 0.84%, 0.69%

LAB 86.8, -55.76, 53.84

 

CMYK 48 / 0 / 60 / 12

HEX #74E05A

RGB 116 224 90

HSL 108.36, 0.68%, 0.62%

LAB 80.61, -55.64, 54.92

 

CMYK 52 / 0 / 66 / 19

HEX #63CE47

RGB 99 206 71

HSL 107.56, 0.58%, 0.54%

LAB 74.35, -55.35, 55.83

 

CMYK 56 / 0 / 72 / 26

HEX #52BC34

RGB 82 188 52

HSL 106.76, 0.57%, 0.47%

LAB 68.03, -54.8, 56.41

 

CMYK 62 / 0 / 81 / 33

HEX #41AA21

RGB 65 170 33

HSL 105.99, 0.67%, 0.4%

LAB 61.64, -53.89, 56.35

 

CMYK 45 / 0 / 55 / 5

HEX #86F26E

RGB 134 242 110

HSL 109.09, 0.84%, 0.69%

LAB 86.85, -55.36, 53.46

 

CMYK 30 / 0 / 55 / 5

HEX #A9F26E

RGB 169 242 110

HSL 93.18, 0.84%, 0.69%

LAB 88.48, -44.23, 55.79

 

CMYK 15 / 0 / 55 / 5

HEX #CDF26E

RGB 205 242 110

HSL 76.82, 0.84%, 0.69%

LAB 90.6, -31.18, 58.79

 

CMYK 0 / 0 / 55 / 5

HEX #F1F26E

RGB 241 242 110

HSL 60.45, 0.84%, 0.69%

LAB 93.16, -17.18, 62.4

 

CMYK 0 / 14 / 55 / 5

HEX #F2D06E

RGB 242 208 110

HSL 44.55, 0.84%, 0.69%

LAB 84.54, 0.23, 52.45

 

CMYK 45 / 0 / 55 / 5

HEX #86F26E

RGB 134 242 110

HSL 109.09, 0.84%, 0.69%

LAB 86.85, -55.36, 53.46

 

CMYK 55 / 0 / 50 / 5

HEX #6EF279

RGB 110 242 121

HSL 125, 0.84%, 0.69%

LAB 86.11, -60.39, 47.28

 

CMYK 55 / 0 / 35 / 5

HEX #6EF29D

RGB 110 242 157

HSL 141.36, 0.84%, 0.69%

LAB 86.63, -54.79, 30.29

 

CMYK 55 / 0 / 20 / 5

HEX #6EF2C1

RGB 110 242 193

HSL 157.73, 0.84%, 0.69%

LAB 87.32, -47.72, 12.76

 

CMYK 55 / 0 / 5 / 5

HEX #6EF2E5

RGB 110 242 229

HSL 174.09, 0.84%, 0.69%

LAB 88.2, -39.34, -4.76

 

CMYK 45 / 0 / 55 / 5

HEX #86F26E

RGB 134 242 110

HSL 109.09, 0.84%, 0.69%

LAB 86.85, -55.36, 53.46

 

CMYK 45 / 0 / 55 / 5

HEX #86F26E

RGB 134 242 110

HSL 109.09, 0.84%, 0.69%

LAB 86.85, -55.36, 53.46

 

CMYK 38 / 0 / 47 / 10

HEX #8EE67A

RGB 142 230 122

HSL 108.89, 0.68%, 0.69%

LAB 83.84, -46.59, 44.26

 

CMYK 31 / 0 / 38 / 15

HEX #96D987

RGB 150 217 135

HSL 109.02, 0.52%, 0.69%

LAB 80.66, -36.52, 33.84

 

CMYK 23 / 0 / 27 / 20

HEX #9ECC94

RGB 158 204 148

HSL 109.29, 0.35%, 0.69%

LAB 77.63, -25.69, 23.13

 

CMYK 13 / 0 / 16 / 25

HEX #A6BFA1

RGB 166 191 161

HSL 110, 0.19%, 0.69%

LAB 74.79, -14.18, 12.32

 

CMYK 15 / 0 / 55 / 5

HEX #CDF26E

RGB 205 242 110

HSL 76.82, 0.84%, 0.69%

LAB 90.6, -31.18, 58.79

 

CMYK 30 / 0 / 55 / 5

HEX #A9F26E

RGB 169 242 110

HSL 93.18, 0.84%, 0.69%

LAB 88.48, -44.23, 55.79

 

CMYK 45 / 0 / 55 / 5

HEX #86F26E

RGB 134 242 110

HSL 109.09, 0.84%, 0.69%

LAB 86.85, -55.36, 53.46

 

CMYK 55 / 0 / 50 / 5

HEX #6EF279

RGB 110 242 121

HSL 125, 0.84%, 0.69%

LAB 86.11, -60.39, 47.28

 

CMYK 55 / 0 / 36 / 5

HEX #6EF29C

RGB 110 242 156

HSL 140.91, 0.84%, 0.69%

LAB 86.61, -54.97, 30.77

 

CMYK 70 / 0 / 86 / 7

HEX #46EC22

RGB 70 236 34

HSL 109.31, 0.84%, 0.53%

LAB 82.6, -74.24, 75.08

 

CMYK 57 / 0 / 70 / 6

HEX #66EF48

RGB 102 239 72

HSL 109.22, 0.84%, 0.61%

LAB 84.5, -66.41, 66.2

 

CMYK 45 / 0 / 55 / 5

HEX #86F26E

RGB 134 242 110

HSL 109.09, 0.84%, 0.69%

LAB 86.85, -55.36, 53.46

 

CMYK 33 / 0 / 40 / 4

HEX #A5F694

RGB 165 246 148

HSL 109.59, 0.84%, 0.77%

LAB 89.88, -42.74, 39.48

 

CMYK 21 / 0 / 26 / 2

HEX #C5F9B9

RGB 197 249 185

HSL 108.75, 0.84%, 0.85%

LAB 93.07, -28.13, 25.48

 

CMYK 45 / 0 / 55 / 5

HEX #85F26D

RGB 133 242 109

HSL 109.17, 0.84%, 0.69%

LAB 86.8, -55.76, 53.84

 

CMYK 55 / 1 / 0 / 5

HEX #6EF0F2

RGB 110 240 242

HSL 180.91, 0.84%, 0.69%

LAB 87.99, -35.1, -11.87

 

CMYK 0 / 55 / 23 / 5

HEX #F26EBB

RGB 242 110 187

HSL 325, 0.84%, 0.69%

LAB 64.66, 59.07, -16.06

 

CMYK 45 / 0 / 55 / 5

HEX #85F26D

RGB 133 242 109

HSL 109.17, 0.84%, 0.69%

LAB 86.8, -55.76, 53.84

 

CMYK 55 / 45 / 0 / 5

HEX #6E86F2

RGB 110 134 242

HSL 229.09, 0.84%, 0.69%

LAB 58.77, 21.84, -57.06

 

CMYK 0 / 55 / 45 / 5

HEX #F26E86

RGB 242 110 134

HSL 349.09, 0.84%, 0.69%

LAB 63.14, 52.87, 11.99

 

CMYK 45 / 0 / 55 / 5

HEX #85F26D

RGB 133 242 109

HSL 109.17, 0.84%, 0.69%

LAB 86.8, -55.76, 53.84

 

CMYK 55 / 1 / 0 / 5

HEX #6EF0F2

RGB 110 240 242

HSL 180.91, 0.84%, 0.69%

LAB 87.99, -35.1, -11.87

 

CMYK 10 / 55 / 0 / 5

HEX #DA6EF2

RGB 218 110 242

HSL 289.09, 0.84%, 0.69%

LAB 63.73, 61.36, -48.56

 

CMYK 0 / 54 / 55 / 5

HEX #F2706E

RGB 242 112 110

HSL 0.91, 0.84%, 0.69%

LAB 63, 49.82, 25.51

 

CMYK 45 / 0 / 55 / 5

HEX #85F26D

RGB 133 242 109

HSL 109.17, 0.84%, 0.69%

LAB 86.8, -55.76, 53.84

 

CMYK 55 / 17 / 0 / 5

HEX #6EC8F2

RGB 110 200 242

HSL 199.09, 0.84%, 0.69%

LAB 76.7, -15.4, -28.96

 

CMYK 10 / 55 / 0 / 5

HEX #DA6EF2

RGB 218 110 242

HSL 289.09, 0.84%, 0.69%

LAB 63.73, 61.36, -48.56

 

CMYK 0 / 37 / 55 / 5

HEX #F2986E

RGB 242 152 110

HSL 19.09, 0.84%, 0.69%

LAB 71.19, 29.59, 36.11

 

Description

Color code: HEX #85F26D | qconv.com Color code: HEX #85F26D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 242 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 242 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 55 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 55% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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