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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85F0BF it is the complementary color #7A0F40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85F0BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85F0BF shade: #8AF0BA, #9BFFCD, #ACFFE0, #BDFFF3 and #CEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85F0BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85F0BF shade: #85F0BF, #74DEAC, #63CC99, #52BA86 and #41A873

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85F0BF shade: #84F0BF, #84F0A2, #84F085, #A1F084 and #BEF084

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85F0BF shade: #84F0BF, #84F0DC, #84E7F0, #84CAF0 and #84ADF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85F0BF shade matches the following richer shades: #84F0BF and #79FBC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85F0BF shade: #84F0BF, #90E5BE, #9BDABD, #A6CEBC and #B1C3BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85F0BF shade: #84F084, #84F0A1, #84F0BE, #84F0DA and #84E9F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85F0BF shade: #3BE798, #60EBAB, #84F0BF, #A9F4D2 and #CEF9E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85F0BF shade: #85F0BF, #84A1F0 and #F09384

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85F0BF shade: #85F0BF, #BE84F0 and #F0BE84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85F0BF shade: #85F0BF, #84A1F0, #F084B7 and #F0D384

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85F0BF shade: #85F0BF, #8884F0, #F084B7 and #ECF084

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 20 / 6

HEX #85F0BF

RGB 133 240 191

HSL 152.52, 0.78%, 0.73%

LAB 87.52, -41.94, 14.18

 

Complementary color

CMYK 0 / 88 / 48 / 52

HEX #7A0F40

RGB 122 15 64

HSL 332.52, 0.78%, 0.27%

LAB 26.3, 46.59, -0.12

 

CMYK 43 / 0 / 23 / 6

HEX #8AF0BA

RGB 138 240 186

HSL 148.24, 0.77%, 0.74%

LAB 87.62, -41.64, 16.94

 

CMYK 39 / 0 / 20 / 0

HEX #9BFFCD

RGB 155 255 205

HSL 150, 1%, 0.8%

LAB 92.97, -40.07, 14.79

 

CMYK 33 / 0 / 12 / 0

HEX #ACFFE0

RGB 172 255 224

HSL 157.59, 1%, 0.84%

LAB 94.17, -31.61, 6.84

 

CMYK 26 / 0 / 5 / 0

HEX #BDFFF3

RGB 189 255 243

HSL 169.09, 1%, 0.87%

LAB 95.5, -22.87, -0.92

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 45 / 0 / 20 / 6

HEX #85F0BF

RGB 133 240 191

HSL 152.52, 0.78%, 0.73%

LAB 87.52, -41.94, 14.18

 

CMYK 48 / 0 / 23 / 13

HEX #74DEAC

RGB 116 222 172

HSL 151.7, 0.62%, 0.66%

LAB 81.26, -42.12, 15.2

 

CMYK 51 / 0 / 25 / 20

HEX #63CC99

RGB 99 204 153

HSL 150.86, 0.51%, 0.59%

LAB 74.91, -42.27, 16.28

 

CMYK 56 / 0 / 28 / 27

HEX #52BA86

RGB 82 186 134

HSL 150, 0.43%, 0.53%

LAB 68.48, -42.35, 17.47

 

CMYK 61 / 0 / 32 / 34

HEX #41A873

RGB 65 168 115

HSL 149.13, 0.44%, 0.46%

LAB 61.97, -42.31, 18.76

 

CMYK 45 / 0 / 20 / 6

HEX #84F0BF

RGB 132 240 191

HSL 152.78, 0.78%, 0.73%

LAB 87.48, -42.19, 14.12

 

CMYK 45 / 0 / 33 / 6

HEX #84F0A2

RGB 132 240 162

HSL 136.67, 0.78%, 0.73%

LAB 86.92, -47.66, 28.27

 

CMYK 45 / 0 / 45 / 6

HEX #84F085

RGB 132 240 133

HSL 120.56, 0.78%, 0.73%

LAB 86.46, -52.22, 42.15

 

CMYK 33 / 0 / 45 / 6

HEX #A1F084

RGB 161 240 132

HSL 103.89, 0.78%, 0.73%

LAB 87.76, -43.54, 44.54

 

CMYK 21 / 0 / 45 / 6

HEX #BEF084

RGB 190 240 132

HSL 87.78, 0.78%, 0.73%

LAB 89.36, -33.59, 46.89

 

CMYK 45 / 0 / 20 / 6

HEX #84F0BF

RGB 132 240 191

HSL 152.78, 0.78%, 0.73%

LAB 87.48, -42.19, 14.12

 

CMYK 45 / 0 / 8 / 6

HEX #84F0DC

RGB 132 240 220

HSL 168.89, 0.78%, 0.73%

LAB 88.16, -35.88, -0.03

 

CMYK 45 / 4 / 0 / 6

HEX #84E7F0

RGB 132 231 240

HSL 185, 0.78%, 0.73%

LAB 86.18, -26.78, -13.45

 

CMYK 45 / 16 / 0 / 6

HEX #84CAF0

RGB 132 202 240

HSL 201.11, 0.78%, 0.73%

LAB 78.13, -12.15, -25.61

 

CMYK 45 / 28 / 0 / 6

HEX #84ADF0

RGB 132 173 240

HSL 217.22, 0.78%, 0.73%

LAB 70.23, 3.58, -37.79

 

CMYK 45 / 0 / 20 / 6

HEX #84F0BF

RGB 132 240 191

HSL 152.78, 0.78%, 0.73%

LAB 87.48, -42.19, 14.12

 

CMYK 52 / 0 / 24 / 2

HEX #79FBC0

RGB 121 251 192

HSL 152.77, 0.94%, 0.73%

LAB 90.26, -49.35, 17.46

 

CMYK 45 / 0 / 20 / 6

HEX #84F0BF

RGB 132 240 191

HSL 152.78, 0.78%, 0.73%

LAB 87.48, -42.19, 14.12

 

CMYK 37 / 0 / 17 / 10

HEX #90E5BE

RGB 144 229 190

HSL 152.47, 0.62%, 0.73%

LAB 84.84, -34.22, 10.97

 

CMYK 29 / 0 / 13 / 15

HEX #9BDABD

RGB 155 218 189

HSL 152.38, 0.46%, 0.73%

LAB 82.26, -26, 7.89

 

CMYK 19 / 0 / 9 / 19

HEX #A6CEBC

RGB 166 206 188

HSL 153, 0.29%, 0.73%

LAB 79.55, -16.8, 4.6

 

CMYK 9 / 0 / 4 / 24

HEX #B1C3BB

RGB 177 195 187

HSL 153.33, 0.13%, 0.73%

LAB 77.26, -7.67, 1.91

 

CMYK 45 / 0 / 45 / 6

HEX #84F084

RGB 132 240 132

HSL 120, 0.78%, 0.73%

LAB 86.45, -52.36, 42.62

 

CMYK 45 / 0 / 33 / 6

HEX #84F0A1

RGB 132 240 161

HSL 136.11, 0.78%, 0.73%

LAB 86.9, -47.83, 28.76

 

CMYK 45 / 0 / 21 / 6

HEX #84F0BE

RGB 132 240 190

HSL 152.22, 0.78%, 0.73%

LAB 87.46, -42.39, 14.61

 

CMYK 45 / 0 / 9 / 6

HEX #84F0DA

RGB 132 240 218

HSL 167.78, 0.78%, 0.73%

LAB 88.11, -36.34, 0.95

 

CMYK 45 / 3 / 0 / 6

HEX #84E9F0

RGB 132 233 240

HSL 183.89, 0.78%, 0.73%

LAB 86.74, -27.75, -12.61

 

CMYK 74 / 0 / 34 / 9

HEX #3BE798

RGB 59 231 152

HSL 152.44, 0.78%, 0.57%

LAB 82.03, -60.61, 26.43

 

CMYK 59 / 0 / 27 / 8

HEX #60EBAB

RGB 96 235 171

HSL 152.37, 0.78%, 0.65%

LAB 84.4, -52.29, 20.01

 

CMYK 45 / 0 / 20 / 6

HEX #84F0BF

RGB 132 240 191

HSL 152.78, 0.78%, 0.73%

LAB 87.48, -42.19, 14.12

 

CMYK 31 / 0 / 14 / 4

HEX #A9F4D2

RGB 169 244 210

HSL 152.8, 0.77%, 0.81%

LAB 90.68, -30.1, 9.05

 

CMYK 17 / 0 / 8 / 2

HEX #CEF9E5

RGB 206 249 229

HSL 152.09, 0.78%, 0.89%

LAB 94.54, -17.58, 5.03

 

CMYK 45 / 0 / 20 / 6

HEX #85F0BF

RGB 133 240 191

HSL 152.52, 0.78%, 0.73%

LAB 87.52, -41.94, 14.18

 

CMYK 45 / 33 / 0 / 6

HEX #84A1F0

RGB 132 161 240

HSL 223.89, 0.78%, 0.73%

LAB 67.04, 10.37, -42.78

 

CMYK 0 / 39 / 45 / 6

HEX #F09384

RGB 240 147 132

HSL 8.33, 0.78%, 0.73%

LAB 70.22, 33.43, 22.86

 

CMYK 45 / 0 / 20 / 6

HEX #85F0BF

RGB 133 240 191

HSL 152.52, 0.78%, 0.73%

LAB 87.52, -41.94, 14.18

 

CMYK 21 / 45 / 0 / 6

HEX #BE84F0

RGB 190 132 240

HSL 272.22, 0.78%, 0.73%

LAB 64.76, 42.23, -46.04

 

CMYK 0 / 21 / 45 / 6

HEX #F0BE84

RGB 240 190 132

HSL 32.22, 0.78%, 0.73%

LAB 80.19, 10.74, 36.06

 

CMYK 45 / 0 / 20 / 6

HEX #85F0BF

RGB 133 240 191

HSL 152.52, 0.78%, 0.73%

LAB 87.52, -41.94, 14.18

 

CMYK 45 / 33 / 0 / 6

HEX #84A1F0

RGB 132 161 240

HSL 223.89, 0.78%, 0.73%

LAB 67.04, 10.37, -42.78

 

CMYK 0 / 45 / 24 / 6

HEX #F084B7

RGB 240 132 183

HSL 331.67, 0.78%, 0.73%

LAB 68.35, 47.28, -8.29

 

CMYK 0 / 12 / 45 / 6

HEX #F0D384

RGB 240 211 132

HSL 43.89, 0.78%, 0.73%

LAB 85.39, -0.18, 42.71

 

CMYK 45 / 0 / 20 / 6

HEX #85F0BF

RGB 133 240 191

HSL 152.52, 0.78%, 0.73%

LAB 87.52, -41.94, 14.18

 

CMYK 43 / 45 / 0 / 6

HEX #8884F0

RGB 136 132 240

HSL 242.22, 0.78%, 0.73%

LAB 59.91, 28.18, -54.02

 

CMYK 0 / 45 / 24 / 6

HEX #F084B7

RGB 240 132 183

HSL 331.67, 0.78%, 0.73%

LAB 68.35, 47.28, -8.29

 

CMYK 2 / 0 / 45 / 6

HEX #ECF084

RGB 236 240 132

HSL 62.22, 0.78%, 0.73%

LAB 92.49, -16.3, 51.46

 

Description

Color code: HEX #85F0BF | qconv.com Color code: HEX #85F0BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 240 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 240 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 20 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 20% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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