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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85ED20 it is the complementary color #7A12DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85ED20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85ED20 shade: #8AED1B, #9BFF2E, #ACFF41, #BDFF54 and #CEFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85ED20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85ED20 shade: #85ED20, #74DB0D, #63C900, #52B700 and #41A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85ED20 shade: #86ED21, #BDED21, #EDE721, #EDB021 and #ED7921

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85ED20 shade: #86ED21, #4FED21, #21ED2B, #21ED62 and #21ED99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85ED20 shade matches the following richer shades: #86ED21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85ED20 shade: #86ED21, #86DA35, #86C648, #87B35B and #879F6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85ED20 shade: #EDE621, #BDED21, #87ED21, #51ED21 and #21ED28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85ED20 shade: #5DAE0E, #71D411, #86ED21, #9BF047 and #AFF36E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85ED20 shade: #85ED20, #21EDB0 and #ED21D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85ED20 shade: #85ED20, #2187ED and #ED2187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85ED20 shade: #85ED20, #21EDB0, #8721ED and #ED215E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85ED20 shade: #85ED20, #21EDED, #8721ED and #ED2121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 86 / 7

HEX #85ED20

RGB 133 237 32

HSL 90.44, 0.85%, 0.53%

LAB 84.82, -59.21, 78.15

 

Complementary color

CMYK 45 / 92 / 0 / 13

HEX #7A12DF

RGB 122 18 223

HSL 270.44, 0.85%, 0.47%

LAB 37.66, 73.66, -80.58

 

CMYK 42 / 0 / 89 / 7

HEX #8AED1B

RGB 138 237 27

HSL 88.29, 0.85%, 0.52%

LAB 85.02, -57.76, 79.29

 

CMYK 39 / 0 / 82 / 0

HEX #9BFF2E

RGB 155 255 46

HSL 88.71, 1%, 0.59%

LAB 91.09, -58.59, 81.01

 

CMYK 33 / 0 / 75 / 0

HEX #ACFF41

RGB 172 255 65

HSL 86.21, 1%, 0.63%

LAB 91.99, -52.04, 76.95

 

CMYK 26 / 0 / 67 / 0

HEX #BDFF54

RGB 189 255 84

HSL 83.16, 1%, 0.66%

LAB 93.01, -44.91, 71.79

 

CMYK 19 / 0 / 60 / 0

HEX #CEFF67

RGB 206 255 103

HSL 79.34, 1%, 0.7%

LAB 94.15, -37.31, 65.83

 

CMYK 44 / 0 / 86 / 7

HEX #85ED20

RGB 133 237 32

HSL 90.44, 0.85%, 0.53%

LAB 84.82, -59.21, 78.15

 

CMYK 47 / 0 / 94 / 14

HEX #74DB0D

RGB 116 219 13

HSL 90, 0.89%, 0.45%

LAB 78.7, -58.16, 75.63

 

CMYK 51 / 0 / 100 / 21

HEX #63C900

RGB 99 201 0

HSL 90.45, 1%, 0.39%

LAB 72.51, -56.81, 71.72

 

CMYK 55 / 0 / 100 / 28

HEX #52B700

RGB 82 183 0

HSL 93.11, 1%, 0.36%

LAB 66.26, -55.14, 66.54

 

CMYK 61 / 0 / 100 / 35

HEX #41A500

RGB 65 165 0

HSL 96.36, 1%, 0.32%

LAB 59.92, -53.28, 61.3

 

CMYK 43 / 0 / 86 / 7

HEX #86ED21

RGB 134 237 33

HSL 90.29, 0.85%, 0.53%

LAB 84.87, -58.86, 78.02

 

CMYK 20 / 0 / 86 / 7

HEX #BDED21

RGB 189 237 33

HSL 74.12, 0.85%, 0.53%

LAB 87.73, -39.35, 81.58

 

CMYK 0 / 3 / 86 / 7

HEX #EDE721

RGB 237 231 33

HSL 58.24, 0.85%, 0.53%

LAB 89.52, -17.08, 84.45

 

CMYK 0 / 26 / 86 / 7

HEX #EDB021

RGB 237 176 33

HSL 42.06, 0.85%, 0.53%

LAB 75.55, 10.94, 73.2

 

CMYK 0 / 49 / 86 / 7

HEX #ED7921

RGB 237 121 33

HSL 25.88, 0.85%, 0.53%

LAB 63.17, 39.71, 63.2

 

CMYK 43 / 0 / 86 / 7

HEX #86ED21

RGB 134 237 33

HSL 90.29, 0.85%, 0.53%

LAB 84.87, -58.86, 78.02

 

CMYK 67 / 0 / 86 / 7

HEX #4FED21

RGB 79 237 33

HSL 106.47, 0.85%, 0.53%

LAB 83.09, -72.95, 75.79

 

CMYK 86 / 0 / 82 / 7

HEX #21ED2B

RGB 33 237 43

HSL 122.94, 0.85%, 0.53%

LAB 82.41, -78.74, 72.68

 

CMYK 86 / 0 / 59 / 7

HEX #21ED62

RGB 33 237 98

HSL 139.12, 0.85%, 0.53%

LAB 82.79, -74, 53.45

 

CMYK 86 / 0 / 35 / 7

HEX #21ED99

RGB 33 237 153

HSL 155.29, 0.85%, 0.53%

LAB 83.54, -65.1, 27.91

 

CMYK 43 / 0 / 86 / 7

HEX #86ED21

RGB 134 237 33

HSL 90.29, 0.85%, 0.53%

LAB 84.87, -58.86, 78.02

 

CMYK 43 / 0 / 86 / 7

HEX #86ED21

RGB 134 237 33

HSL 90.29, 0.85%, 0.53%

LAB 84.87, -58.86, 78.02

 

CMYK 39 / 0 / 76 / 15

HEX #86DA35

RGB 134 218 53

HSL 90.55, 0.69%, 0.53%

LAB 79.31, -50.59, 67.91

 

CMYK 32 / 0 / 64 / 22

HEX #86C648

RGB 134 198 72

HSL 90.48, 0.53%, 0.53%

LAB 73.5, -40.87, 54.94

 

CMYK 25 / 0 / 49 / 30

HEX #87B35B

RGB 135 179 91

HSL 90, 0.37%, 0.53%

LAB 68.13, -29.93, 39.98

 

CMYK 15 / 0 / 30 / 38

HEX #879F6F

RGB 135 159 111

HSL 90, 0.2%, 0.53%

LAB 62.59, -17.28, 22.36

 

CMYK 0 / 3 / 86 / 7

HEX #EDE621

RGB 237 230 33

HSL 57.94, 0.85%, 0.53%

LAB 89.26, -16.6, 84.24

 

CMYK 20 / 0 / 86 / 7

HEX #BDED21

RGB 189 237 33

HSL 74.12, 0.85%, 0.53%

LAB 87.73, -39.35, 81.58

 

CMYK 43 / 0 / 86 / 7

HEX #87ED21

RGB 135 237 33

HSL 90, 0.85%, 0.53%

LAB 84.91, -58.55, 78.07

 

CMYK 66 / 0 / 86 / 7

HEX #51ED21

RGB 81 237 33

HSL 105.88, 0.85%, 0.53%

LAB 83.14, -72.56, 75.85

 

CMYK 86 / 0 / 83 / 7

HEX #21ED28

RGB 33 237 40

HSL 122.06, 0.85%, 0.53%

LAB 82.4, -78.89, 73.4

 

CMYK 47 / 0 / 92 / 32

HEX #5DAE0E

RGB 93 174 14

HSL 90.38, 0.85%, 0.37%

LAB 63.86, -48.18, 62.99

 

CMYK 47 / 0 / 92 / 17

HEX #71D411

RGB 113 212 17

HSL 90.46, 0.85%, 0.45%

LAB 76.46, -56.39, 73.27

 

CMYK 43 / 0 / 86 / 7

HEX #86ED21

RGB 134 237 33

HSL 90.29, 0.85%, 0.53%

LAB 84.87, -58.86, 78.02

 

CMYK 35 / 0 / 70 / 6

HEX #9BF047

RGB 155 240 71

HSL 90.18, 0.85%, 0.61%

LAB 86.87, -51.37, 69.65

 

CMYK 28 / 0 / 55 / 5

HEX #AFF36E

RGB 175 243 110

HSL 90.68, 0.85%, 0.69%

LAB 89.08, -42.58, 56.57

 

CMYK 44 / 0 / 86 / 7

HEX #85ED20

RGB 133 237 32

HSL 90.44, 0.85%, 0.53%

LAB 84.82, -59.21, 78.15

 

CMYK 86 / 0 / 26 / 7

HEX #21EDB0

RGB 33 237 176

HSL 162.06, 0.85%, 0.53%

LAB 83.98, -60.2, 16.66

 

CMYK 0 / 86 / 8 / 7

HEX #ED21D9

RGB 237 33 217

HSL 305.88, 0.85%, 0.53%

LAB 56.19, 86.99, -46.29

 

CMYK 44 / 0 / 86 / 7

HEX #85ED20

RGB 133 237 32

HSL 90.44, 0.85%, 0.53%

LAB 84.82, -59.21, 78.15

 

CMYK 86 / 43 / 0 / 7

HEX #2187ED

RGB 33 135 237

HSL 210, 0.85%, 0.53%

LAB 55.85, 8.83, -59.12

 

CMYK 0 / 86 / 43 / 7

HEX #ED2187

RGB 237 33 135

HSL 330, 0.85%, 0.53%

LAB 52.78, 77.75, -3.64

 

CMYK 44 / 0 / 86 / 7

HEX #85ED20

RGB 133 237 32

HSL 90.44, 0.85%, 0.53%

LAB 84.82, -59.21, 78.15

 

CMYK 86 / 0 / 26 / 7

HEX #21EDB0

RGB 33 237 176

HSL 162.06, 0.85%, 0.53%

LAB 83.98, -60.2, 16.66

 

CMYK 43 / 86 / 0 / 7

HEX #8721ED

RGB 135 33 237

HSL 270, 0.85%, 0.53%

LAB 41.77, 74.81, -81.72

 

CMYK 0 / 86 / 60 / 7

HEX #ED215E

RGB 237 33 94

HSL 342.06, 0.85%, 0.53%

LAB 51.72, 74.77, 19.68

 

CMYK 44 / 0 / 86 / 7

HEX #85ED20

RGB 133 237 32

HSL 90.44, 0.85%, 0.53%

LAB 84.82, -59.21, 78.15

 

CMYK 86 / 0 / 0 / 7

HEX #21EDED

RGB 33 237 237

HSL 180, 0.85%, 0.53%

LAB 85.51, -44.41, -13.11

 

CMYK 43 / 86 / 0 / 7

HEX #8721ED

RGB 135 33 237

HSL 270, 0.85%, 0.53%

LAB 41.77, 74.81, -81.72

 

CMYK 0 / 86 / 86 / 7

HEX #ED2121

RGB 237 33 33

HSL 0, 0.85%, 0.53%

LAB 50.92, 72.44, 53.27

 

Description

Color code: HEX #85ED20 | qconv.com Color code: HEX #85ED20 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 237 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 237 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 86 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 86% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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