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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85ECE5 it is the complementary color #7A131A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85ECE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85ECE5 shade: #8AECE0, #9BFEF3, #ACFFFF, #BDFFFF and #CEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85ECE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85ECE5 shade: #85ECE5, #74DAD2, #63C8BF, #52B6AC and #41A499

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85ECE5 shade: #83EBE4, #83EBC8, #83EBAC, #83EB90 and #92EB83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85ECE5 shade: #83EBE4, #83D6EB, #83BAEB, #839EEB and #8383EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85ECE5 shade matches the following richer shades: #83EBE4 and #77F7EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85ECE5 shade: #83EBE4, #8FE0DA, #9AD4D0, #A6C9C6 and #B1BDBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85ECE5 shade: #83EBAB, #83EBC7, #83EBE3, #83D8EB and #83BCEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85ECE5 shade: #3CE0D5, #5FE6DD, #83EBE4, #A7F1EC and #CAF6F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85ECE5 shade: #85ECE5, #8F83EB and #EBB983

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85ECE5 shade: #85ECE5, #E383EB and #EBE383

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85ECE5 shade: #85ECE5, #8F83EB, #EB838C and #DFEB83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85ECE5 shade: #85ECE5, #AE83EB, #EB838C and #C0EB83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 3 / 7

HEX #85ECE5

RGB 133 236 229

HSL 175.92, 0.73%, 0.72%

LAB 87.31, -31.66, -5.99

 

Complementary color

CMYK 0 / 84 / 79 / 52

HEX #7A131A

RGB 122 19 26

HSL 355.92, 0.73%, 0.28%

LAB 25.8, 42.96, 24.82

 

CMYK 42 / 0 / 5 / 7

HEX #8AECE0

RGB 138 236 224

HSL 172.65, 0.72%, 0.73%

LAB 87.38, -31.65, -3.24

 

CMYK 39 / 0 / 4 / 0

HEX #9BFEF3

RGB 155 254 243

HSL 173.33, 0.98%, 0.8%

LAB 93.59, -31.55, -3.91

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 26 / 0 / 0 / 0

HEX #BDFFFF

RGB 189 255 255

HSL 180, 1%, 0.87%

LAB 95.81, -20.34, -6.65

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 44 / 0 / 3 / 7

HEX #85ECE5

RGB 133 236 229

HSL 175.92, 0.73%, 0.72%

LAB 87.31, -31.66, -5.99

 

CMYK 47 / 0 / 4 / 15

HEX #74DAD2

RGB 116 218 210

HSL 175.29, 0.58%, 0.65%

LAB 81.02, -31.68, -5.3

 

CMYK 51 / 0 / 5 / 22

HEX #63C8BF

RGB 99 200 191

HSL 174.65, 0.48%, 0.59%

LAB 74.65, -31.65, -4.56

 

CMYK 55 / 0 / 5 / 29

HEX #52B6AC

RGB 82 182 172

HSL 174, 0.41%, 0.52%

LAB 68.19, -31.56, -3.77

 

CMYK 60 / 0 / 7 / 36

HEX #41A499

RGB 65 164 153

HSL 173.33, 0.43%, 0.45%

LAB 61.63, -31.37, -2.9

 

CMYK 44 / 0 / 3 / 8

HEX #83EBE4

RGB 131 235 228

HSL 175.96, 0.72%, 0.72%

LAB 86.92, -31.89, -6.04

 

CMYK 44 / 0 / 15 / 8

HEX #83EBC8

RGB 131 235 200

HSL 159.81, 0.72%, 0.72%

LAB 86.21, -38.31, 7.62

 

CMYK 44 / 0 / 27 / 8

HEX #83EBAC

RGB 131 235 172

HSL 143.65, 0.72%, 0.72%

LAB 85.62, -43.97, 21.36

 

CMYK 44 / 0 / 39 / 8

HEX #83EB90

RGB 131 235 144

HSL 127.5, 0.72%, 0.72%

LAB 85.13, -48.8, 34.98

 

CMYK 38 / 0 / 44 / 8

HEX #92EB83

RGB 146 235 131

HSL 111.35, 0.72%, 0.72%

LAB 85.59, -46.29, 42.14

 

CMYK 44 / 0 / 3 / 8

HEX #83EBE4

RGB 131 235 228

HSL 175.96, 0.72%, 0.72%

LAB 86.92, -31.89, -6.04

 

CMYK 44 / 9 / 0 / 8

HEX #83D6EB

RGB 131 214 235

HSL 192.12, 0.72%, 0.72%

LAB 81.25, -19.88, -18.22

 

CMYK 44 / 21 / 0 / 8

HEX #83BAEB

RGB 131 186 235

HSL 208.27, 0.72%, 0.72%

LAB 73.51, -5.23, -30.02

 

CMYK 44 / 33 / 0 / 8

HEX #839EEB

RGB 131 158 235

HSL 224.42, 0.72%, 0.72%

LAB 65.96, 10.41, -41.73

 

CMYK 44 / 44 / 0 / 8

HEX #8383EB

RGB 131 131 235

HSL 240, 0.72%, 0.72%

LAB 59.03, 26.15, -52.69

 

CMYK 44 / 0 / 3 / 8

HEX #83EBE4

RGB 131 235 228

HSL 175.96, 0.72%, 0.72%

LAB 86.92, -31.89, -6.04

 

CMYK 52 / 0 / 4 / 3

HEX #77F7EE

RGB 119 247 238

HSL 175.78, 0.89%, 0.72%

LAB 90.14, -37.6, -6.55

 

CMYK 44 / 0 / 3 / 8

HEX #83EBE4

RGB 131 235 228

HSL 175.96, 0.72%, 0.72%

LAB 86.92, -31.89, -6.04

 

CMYK 36 / 0 / 3 / 12

HEX #8FE0DA

RGB 143 224 218

HSL 175.56, 0.57%, 0.72%

LAB 84.08, -26.03, -4.91

 

CMYK 27 / 0 / 2 / 17

HEX #9AD4D0

RGB 154 212 208

HSL 175.86, 0.4%, 0.72%

LAB 81.02, -19.32, -4.03

 

CMYK 17 / 0 / 1 / 21

HEX #A6C9C6

RGB 166 201 198

HSL 174.86, 0.24%, 0.72%

LAB 78.44, -12.21, -2.39

 

CMYK 6 / 0 / 1 / 26

HEX #B1BDBC

RGB 177 189 188

HSL 175, 0.08%, 0.72%

LAB 75.68, -4.32, -0.93

 

CMYK 44 / 0 / 27 / 8

HEX #83EBAB

RGB 131 235 171

HSL 143.08, 0.72%, 0.72%

LAB 85.6, -44.16, 21.85

 

CMYK 44 / 0 / 15 / 8

HEX #83EBC7

RGB 131 235 199

HSL 159.23, 0.72%, 0.72%

LAB 86.19, -38.52, 8.11

 

CMYK 44 / 0 / 3 / 8

HEX #83EBE3

RGB 131 235 227

HSL 175.38, 0.72%, 0.72%

LAB 86.89, -32.13, -5.56

 

CMYK 44 / 8 / 0 / 8

HEX #83D8EB

RGB 131 216 235

HSL 190.96, 0.72%, 0.72%

LAB 81.8, -20.89, -17.38

 

CMYK 44 / 20 / 0 / 8

HEX #83BCEB

RGB 131 188 235

HSL 207.12, 0.72%, 0.72%

LAB 74.06, -6.31, -29.17

 

CMYK 73 / 0 / 5 / 12

HEX #3CE0D5

RGB 60 224 213

HSL 175.98, 0.73%, 0.56%

LAB 81.33, -43.2, -6.6

 

CMYK 59 / 0 / 4 / 10

HEX #5FE6DD

RGB 95 230 221

HSL 176, 0.73%, 0.64%

LAB 84.09, -38.69, -6.67

 

CMYK 44 / 0 / 3 / 8

HEX #83EBE4

RGB 131 235 228

HSL 175.96, 0.72%, 0.72%

LAB 86.92, -31.89, -6.04

 

CMYK 31 / 0 / 2 / 5

HEX #A7F1EC

RGB 167 241 236

HSL 175.95, 0.73%, 0.8%

LAB 90.41, -23.78, -4.9

 

CMYK 18 / 0 / 1 / 4

HEX #CAF6F3

RGB 202 246 243

HSL 175.91, 0.71%, 0.88%

LAB 93.86, -14.6, -3.24

 

CMYK 44 / 0 / 3 / 7

HEX #85ECE5

RGB 133 236 229

HSL 175.92, 0.73%, 0.72%

LAB 87.31, -31.66, -5.99

 

CMYK 39 / 44 / 0 / 8

HEX #8F83EB

RGB 143 131 235

HSL 246.92, 0.72%, 0.72%

LAB 59.95, 29.08, -51.16

 

CMYK 0 / 21 / 44 / 8

HEX #EBB983

RGB 235 185 131

HSL 31.15, 0.72%, 0.72%

LAB 78.46, 11.27, 34.24

 

CMYK 44 / 0 / 3 / 7

HEX #85ECE5

RGB 133 236 229

HSL 175.92, 0.73%, 0.72%

LAB 87.31, -31.66, -5.99

 

CMYK 3 / 44 / 0 / 8

HEX #E383EB

RGB 227 131 235

HSL 295.38, 0.72%, 0.72%

LAB 68.43, 52.19, -37.24

 

CMYK 0 / 3 / 44 / 8

HEX #EBE383

RGB 235 227 131

HSL 55.38, 0.72%, 0.72%

LAB 89.04, -10.36, 47.66

 

CMYK 44 / 0 / 3 / 7

HEX #85ECE5

RGB 133 236 229

HSL 175.92, 0.73%, 0.72%

LAB 87.31, -31.66, -5.99

 

CMYK 39 / 44 / 0 / 8

HEX #8F83EB

RGB 143 131 235

HSL 246.92, 0.72%, 0.72%

LAB 59.95, 29.08, -51.16

 

CMYK 0 / 44 / 40 / 8

HEX #EB838C

RGB 235 131 140

HSL 354.81, 0.72%, 0.72%

LAB 66.36, 40.71, 12.97

 

CMYK 5 / 0 / 44 / 8

HEX #DFEB83

RGB 223 235 131

HSL 66.92, 0.72%, 0.72%

LAB 90.2, -18.99, 48.9

 

CMYK 44 / 0 / 3 / 7

HEX #85ECE5

RGB 133 236 229

HSL 175.92, 0.73%, 0.72%

LAB 87.31, -31.66, -5.99

 

CMYK 26 / 44 / 0 / 8

HEX #AE83EB

RGB 174 131 235

HSL 264.81, 0.72%, 0.72%

LAB 62.7, 37.23, -46.63

 

CMYK 0 / 44 / 40 / 8

HEX #EB838C

RGB 235 131 140

HSL 354.81, 0.72%, 0.72%

LAB 66.36, 40.71, 12.97

 

CMYK 18 / 0 / 44 / 8

HEX #C0EB83

RGB 192 235 131

HSL 84.81, 0.72%, 0.72%

LAB 88.09, -30.66, 45.82

 

Description

Color code: HEX #85ECE5 | qconv.com Color code: HEX #85ECE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 236 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 236 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 3 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 3% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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