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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85EB80 it is the complementary color #7A147F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85EB80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85EB80 shade: #8AEB7B, #9BFD8E, #ACFFA1, #BDFFB4 and #CEFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85EB80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85EB80 shade: #85EB80, #74D96D, #63C75A, #52B547 and #41A334

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85EB80 shade: #84EB7F, #A1EB7F, #BEEB7F, #DBEB7F and #EBDE7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85EB80 shade: #84EB7F, #7FEB97, #7FEBB4, #7FEBD1 and #7FE8EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85EB80 shade matches the following richer shades: #84EB7F and #79F773

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85EB80 shade: #84EB7F, #8FDF8B, #9AD397, #A5C7A3 and #AFBBAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85EB80 shade: #BEEB7F, #A1EB7F, #84EB7F, #7FEB96 and #7FEBB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85EB80 shade: #40E038, #62E55B, #84EB7F, #A6F1A3 and #C9F6C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85EB80 shade: #85EB80, #7FDBEB and #EB7FB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85EB80 shade: #85EB80, #7F84EB and #EB7F84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85EB80 shade: #85EB80, #7FDBEB, #E67FEB and #EB8F7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85EB80 shade: #85EB80, #7FBAEB, #E67FEB and #EBB07F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 46 / 8

HEX #85EB80

RGB 133 235 128

HSL 117.2, 0.73%, 0.71%

LAB 84.98, -50.58, 42.71

 

Complementary color

CMYK 4 / 84 / 0 / 50

HEX #7A147F

RGB 122 20 127

HSL 297.2, 0.73%, 0.29%

LAB 29.84, 54, -35.84

 

CMYK 41 / 0 / 48 / 8

HEX #8AEB7B

RGB 138 235 123

HSL 111.96, 0.74%, 0.7%

LAB 85.12, -49.78, 45.35

 

CMYK 39 / 0 / 44 / 1

HEX #9BFD8E

RGB 155 253 142

HSL 112.97, 0.97%, 0.77%

LAB 91.31, -49.65, 44.15

 

CMYK 33 / 0 / 37 / 0

HEX #ACFFA1

RGB 172 255 161

HSL 112.98, 1%, 0.82%

LAB 92.95, -42.61, 37.14

 

CMYK 26 / 0 / 29 / 0

HEX #BDFFB4

RGB 189 255 180

HSL 112.8, 1%, 0.85%

LAB 94.16, -34.33, 29.41

 

CMYK 19 / 0 / 22 / 0

HEX #CEFFC7

RGB 206 255 199

HSL 112.5, 1%, 0.89%

LAB 95.48, -25.74, 21.76

 

CMYK 43 / 0 / 46 / 8

HEX #85EB80

RGB 133 235 128

HSL 117.2, 0.73%, 0.71%

LAB 84.98, -50.58, 42.71

 

CMYK 47 / 0 / 50 / 15

HEX #74D96D

RGB 116 217 109

HSL 116.11, 0.59%, 0.64%

LAB 78.72, -50.66, 43.95

 

CMYK 50 / 0 / 55 / 22

HEX #63C75A

RGB 99 199 90

HSL 115.05, 0.49%, 0.57%

LAB 72.39, -50.62, 45.19

 

CMYK 55 / 0 / 61 / 29

HEX #52B547

RGB 82 181 71

HSL 114, 0.44%, 0.49%

LAB 65.98, -50.41, 46.37

 

CMYK 60 / 0 / 68 / 36

HEX #41A334

RGB 65 163 52

HSL 112.97, 0.52%, 0.42%

LAB 59.49, -49.92, 47.34

 

CMYK 44 / 0 / 46 / 8

HEX #84EB7F

RGB 132 235 127

HSL 117.22, 0.73%, 0.71%

LAB 84.92, -51.01, 43.11

 

CMYK 31 / 0 / 46 / 8

HEX #A1EB7F

RGB 161 235 127

HSL 101.11, 0.73%, 0.71%

LAB 86.27, -41.99, 45.09

 

CMYK 19 / 0 / 46 / 8

HEX #BEEB7F

RGB 190 235 127

HSL 85, 0.73%, 0.71%

LAB 87.92, -31.84, 47.5

 

CMYK 7 / 0 / 46 / 8

HEX #DBEB7F

RGB 219 235 127

HSL 68.89, 0.73%, 0.71%

LAB 89.86, -20.93, 50.33

 

CMYK 0 / 6 / 46 / 8

HEX #EBDE7F

RGB 235 222 127

HSL 52.78, 0.73%, 0.71%

LAB 87.7, -8.24, 47.95

 

CMYK 44 / 0 / 46 / 8

HEX #84EB7F

RGB 132 235 127

HSL 117.22, 0.73%, 0.71%

LAB 84.92, -51.01, 43.11

 

CMYK 46 / 0 / 36 / 8

HEX #7FEB97

RGB 127 235 151

HSL 133.33, 0.73%, 0.71%

LAB 85.08, -48.76, 31.36

 

CMYK 46 / 0 / 23 / 8

HEX #7FEBB4

RGB 127 235 180

HSL 149.44, 0.73%, 0.71%

LAB 85.62, -43.46, 17.19

 

CMYK 46 / 0 / 11 / 8

HEX #7FEBD1

RGB 127 235 209

HSL 165.56, 0.73%, 0.71%

LAB 86.27, -37.28, 2.97

 

CMYK 46 / 1 / 0 / 8

HEX #7FE8EB

RGB 127 232 235

HSL 181.67, 0.73%, 0.71%

LAB 86.12, -29.65, -10.93

 

CMYK 44 / 0 / 46 / 8

HEX #84EB7F

RGB 132 235 127

HSL 117.22, 0.73%, 0.71%

LAB 84.92, -51.01, 43.11

 

CMYK 51 / 0 / 53 / 3

HEX #79F773

RGB 121 247 115

HSL 117.27, 0.89%, 0.71%

LAB 87.88, -60.28, 52.3

 

CMYK 44 / 0 / 46 / 8

HEX #84EB7F

RGB 132 235 127

HSL 117.22, 0.73%, 0.71%

LAB 84.92, -51.01, 43.11

 

CMYK 36 / 0 / 38 / 13

HEX #8FDF8B

RGB 143 223 139

HSL 117.14, 0.57%, 0.71%

LAB 82.1, -40.87, 33.63

 

CMYK 27 / 0 / 28 / 17

HEX #9AD397

RGB 154 211 151

HSL 117, 0.41%, 0.71%

LAB 79.44, -29.91, 23.98

 

CMYK 17 / 0 / 18 / 22

HEX #A5C7A3

RGB 165 199 163

HSL 116.67, 0.24%, 0.71%

LAB 76.98, -18.26, 14.31

 

CMYK 6 / 0 / 6 / 27

HEX #AFBBAF

RGB 175 187 175

HSL 120, 0.08%, 0.71%

LAB 74.67, -6.41, 4.64

 

CMYK 19 / 0 / 46 / 8

HEX #BEEB7F

RGB 190 235 127

HSL 85, 0.73%, 0.71%

LAB 87.92, -31.84, 47.5

 

CMYK 31 / 0 / 46 / 8

HEX #A1EB7F

RGB 161 235 127

HSL 101.11, 0.73%, 0.71%

LAB 86.27, -41.99, 45.09

 

CMYK 44 / 0 / 46 / 8

HEX #84EB7F

RGB 132 235 127

HSL 117.22, 0.73%, 0.71%

LAB 84.92, -51.01, 43.11

 

CMYK 46 / 0 / 36 / 8

HEX #7FEB96

RGB 127 235 150

HSL 132.78, 0.73%, 0.71%

LAB 85.06, -48.93, 31.85

 

CMYK 46 / 0 / 24 / 8

HEX #7FEBB3

RGB 127 235 179

HSL 148.89, 0.73%, 0.71%

LAB 85.6, -43.66, 17.68

 

CMYK 71 / 0 / 75 / 12

HEX #40E038

RGB 64 224 56

HSL 117.14, 0.73%, 0.55%

LAB 78.86, -70.41, 65.72

 

CMYK 57 / 0 / 60 / 10

HEX #62E55B

RGB 98 229 91

HSL 116.96, 0.73%, 0.63%

LAB 81.51, -62.09, 55.34

 

CMYK 44 / 0 / 46 / 8

HEX #84EB7F

RGB 132 235 127

HSL 117.22, 0.73%, 0.71%

LAB 84.92, -51.01, 43.11

 

CMYK 31 / 0 / 32 / 5

HEX #A6F1A3

RGB 166 241 163

HSL 117.69, 0.74%, 0.79%

LAB 88.76, -37.98, 30.52

 

CMYK 18 / 0 / 20 / 4

HEX #C9F6C6

RGB 201 246 198

HSL 116.25, 0.73%, 0.87%

LAB 92.75, -23.26, 18.43

 

CMYK 43 / 0 / 46 / 8

HEX #85EB80

RGB 133 235 128

HSL 117.2, 0.73%, 0.71%

LAB 84.98, -50.58, 42.71

 

CMYK 46 / 7 / 0 / 8

HEX #7FDBEB

RGB 127 219 235

HSL 188.89, 0.73%, 0.71%

LAB 82.47, -23.31, -16.39

 

CMYK 0 / 46 / 25 / 8

HEX #EB7FB0

RGB 235 127 176

HSL 332.78, 0.73%, 0.71%

LAB 66.5, 47.17, -7.17

 

CMYK 43 / 0 / 46 / 8

HEX #85EB80

RGB 133 235 128

HSL 117.2, 0.73%, 0.71%

LAB 84.98, -50.58, 42.71

 

CMYK 46 / 44 / 0 / 8

HEX #7F84EB

RGB 127 132 235

HSL 237.22, 0.73%, 0.71%

LAB 58.99, 24.62, -52.77

 

CMYK 0 / 46 / 44 / 8

HEX #EB7F84

RGB 235 127 132

HSL 357.22, 0.73%, 0.71%

LAB 65.36, 41.9, 16.1

 

CMYK 43 / 0 / 46 / 8

HEX #85EB80

RGB 133 235 128

HSL 117.2, 0.73%, 0.71%

LAB 84.98, -50.58, 42.71

 

CMYK 46 / 7 / 0 / 8

HEX #7FDBEB

RGB 127 219 235

HSL 188.89, 0.73%, 0.71%

LAB 82.47, -23.31, -16.39

 

CMYK 2 / 46 / 0 / 8

HEX #E67FEB

RGB 230 127 235

HSL 297.22, 0.73%, 0.71%

LAB 68.02, 55.05, -37.85

 

CMYK 0 / 39 / 46 / 8

HEX #EB8F7F

RGB 235 143 127

HSL 8.89, 0.73%, 0.71%

LAB 68.63, 33.13, 23.37

 

CMYK 43 / 0 / 46 / 8

HEX #85EB80

RGB 133 235 128

HSL 117.2, 0.73%, 0.71%

LAB 84.98, -50.58, 42.71

 

CMYK 46 / 21 / 0 / 8

HEX #7FBAEB

RGB 127 186 235

HSL 207.22, 0.73%, 0.71%

LAB 73.3, -6.2, -30.35

 

CMYK 2 / 46 / 0 / 8

HEX #E67FEB

RGB 230 127 235

HSL 297.22, 0.73%, 0.71%

LAB 68.02, 55.05, -37.85

 

CMYK 0 / 25 / 46 / 8

HEX #EBB07F

RGB 235 176 127

HSL 27.22, 0.73%, 0.71%

LAB 76.22, 15.64, 33.42

 

Description

Color code: HEX #85EB80 | qconv.com Color code: HEX #85EB80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 235 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 235 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 46 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 46% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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