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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85E72D it is the complementary color #7A18D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85E72D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85E72D shade: #8AE728, #9BF93B, #ACFF4E, #BDFF61 and #CEFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85E72D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85E72D shade: #85E72D, #74D51A, #63C307, #52B100 and #419F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85E72D shade: #85E62D, #B7E62D, #E6E42D, #E6B22D and #E6802D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85E72D shade: #85E62D, #53E62D, #2DE639, #2DE66B and #2DE69D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85E72D shade matches the following richer shades: #85E62D and #84F91A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85E72D shade: #85E62D, #86D340, #87C053, #88AD66 and #899A79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85E72D shade: #E6E32D, #B8E62D, #87E62D, #55E62D and #2DE636

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85E72D shade: #5CAD14, #70D219, #85E62D, #9AEB52 and #B0EF77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85E72D shade: #85E72D, #2DE6B2 and #E62DD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85E72D shade: #85E72D, #2D87E6 and #E62D87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85E72D shade: #85E72D, #2DE6B2, #8D2DE6 and #E62D62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85E72D shade: #85E72D, #2DE3E6, #8D2DE6 and #E6302D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 81 / 9

HEX #85E72D

RGB 133 231 45

HSL 91.61, 0.79%, 0.54%

LAB 83.09, -56.44, 73.71

 

Complementary color

CMYK 42 / 89 / 0 / 18

HEX #7A18D2

RGB 122 24 210

HSL 271.61, 0.79%, 0.46%

LAB 36.83, 69.63, -74.46

 

CMYK 40 / 0 / 83 / 9

HEX #8AE728

RGB 138 231 40

HSL 89.21, 0.8%, 0.53%

LAB 83.29, -55.03, 75.21

 

CMYK 38 / 0 / 76 / 2

HEX #9BF93B

RGB 155 249 59

HSL 89.68, 0.94%, 0.6%

LAB 89.41, -55.68, 76.02

 

CMYK 33 / 0 / 69 / 0

HEX #ACFF4E

RGB 172 255 78

HSL 88.14, 1%, 0.65%

LAB 92.06, -51.28, 72.7

 

CMYK 26 / 0 / 62 / 0

HEX #BDFF61

RGB 189 255 97

HSL 85.06, 1%, 0.69%

LAB 93.1, -43.98, 66.85

 

CMYK 19 / 0 / 55 / 0

HEX #CEFF74

RGB 206 255 116

HSL 81.15, 1%, 0.73%

LAB 94.27, -36.23, 60.4

 

CMYK 42 / 0 / 81 / 9

HEX #85E72D

RGB 133 231 45

HSL 91.61, 0.79%, 0.54%

LAB 83.09, -56.44, 73.71

 

CMYK 46 / 0 / 88 / 16

HEX #74D51A

RGB 116 213 26

HSL 91.12, 0.78%, 0.47%

LAB 76.91, -55.61, 72.26

 

CMYK 49 / 0 / 96 / 24

HEX #63C307

RGB 99 195 7

HSL 90.64, 0.93%, 0.4%

LAB 70.66, -54.48, 69.5

 

CMYK 54 / 0 / 100 / 31

HEX #52B100

RGB 82 177 0

HSL 92.2, 1%, 0.35%

LAB 64.35, -52.97, 65.04

 

CMYK 59 / 0 / 100 / 38

HEX #419F00

RGB 65 159 0

HSL 95.47, 1%, 0.31%

LAB 57.96, -51.15, 59.76

 

CMYK 42 / 0 / 80 / 10

HEX #85E62D

RGB 133 230 45

HSL 91.46, 0.79%, 0.54%

LAB 82.79, -56.05, 73.44

 

CMYK 20 / 0 / 80 / 10

HEX #B7E62D

RGB 183 230 45

HSL 75.24, 0.79%, 0.54%

LAB 85.43, -38.19, 76.8

 

CMYK 0 / 1 / 80 / 10

HEX #E6E42D

RGB 230 228 45

HSL 59.35, 0.79%, 0.54%

LAB 88.21, -18.24, 80.51

 

CMYK 0 / 23 / 80 / 10

HEX #E6B22D

RGB 230 178 45

HSL 43.14, 0.79%, 0.54%

LAB 75.36, 7.2, 69.35

 

CMYK 0 / 44 / 80 / 10

HEX #E6802D

RGB 230 128 45

HSL 26.92, 0.79%, 0.54%

LAB 63.71, 33.66, 58.9

 

CMYK 42 / 0 / 80 / 10

HEX #85E62D

RGB 133 230 45

HSL 91.46, 0.79%, 0.54%

LAB 82.79, -56.05, 73.44

 

CMYK 64 / 0 / 80 / 10

HEX #53E62D

RGB 83 230 45

HSL 107.68, 0.79%, 0.54%

LAB 81.08, -69.41, 71.25

 

CMYK 80 / 0 / 75 / 10

HEX #2DE639

RGB 45 230 57

HSL 123.89, 0.79%, 0.54%

LAB 80.43, -74.77, 66.85

 

CMYK 80 / 0 / 53 / 10

HEX #2DE66B

RGB 45 230 107

HSL 140.11, 0.79%, 0.54%

LAB 80.86, -69.53, 47.1

 

CMYK 80 / 0 / 32 / 10

HEX #2DE69D

RGB 45 230 157

HSL 156.32, 0.79%, 0.54%

LAB 81.61, -60.78, 23.25

 

CMYK 42 / 0 / 80 / 10

HEX #85E62D

RGB 133 230 45

HSL 91.46, 0.79%, 0.54%

LAB 82.79, -56.05, 73.44

 

CMYK 47 / 0 / 90 / 2

HEX #84F91A

RGB 132 249 26

HSL 91.48, 0.95%, 0.54%

LAB 88.32, -64.1, 82.09

 

CMYK 42 / 0 / 80 / 10

HEX #85E62D

RGB 133 230 45

HSL 91.46, 0.79%, 0.54%

LAB 82.79, -56.05, 73.44

 

CMYK 36 / 0 / 70 / 17

HEX #86D340

RGB 134 211 64

HSL 91.43, 0.63%, 0.54%

LAB 77.3, -47.03, 62.13

 

CMYK 30 / 0 / 57 / 25

HEX #87C053

RGB 135 192 83

HSL 91.38, 0.46%, 0.54%

LAB 71.88, -36.83, 48.28

 

CMYK 21 / 0 / 41 / 32

HEX #88AD66

RGB 136 173 102

HSL 91.27, 0.3%, 0.54%

LAB 66.58, -25.27, 32.44

 

CMYK 11 / 0 / 21 / 40

HEX #899A79

RGB 137 154 121

HSL 90.91, 0.14%, 0.54%

LAB 61.49, -12.27, 15.35

 

CMYK 0 / 1 / 80 / 10

HEX #E6E32D

RGB 230 227 45

HSL 59.03, 0.79%, 0.54%

LAB 87.94, -17.75, 80.29

 

CMYK 20 / 0 / 80 / 10

HEX #B8E62D

RGB 184 230 45

HSL 74.92, 0.79%, 0.54%

LAB 85.49, -37.81, 76.88

 

CMYK 41 / 0 / 80 / 10

HEX #87E62D

RGB 135 230 45

HSL 90.81, 0.79%, 0.54%

LAB 82.88, -55.41, 73.55

 

CMYK 63 / 0 / 80 / 10

HEX #55E62D

RGB 85 230 45

HSL 107.03, 0.79%, 0.54%

LAB 81.13, -68.98, 71.31

 

CMYK 80 / 0 / 77 / 10

HEX #2DE636

RGB 45 230 54

HSL 122.92, 0.79%, 0.54%

LAB 80.41, -74.98, 67.78

 

CMYK 47 / 0 / 88 / 32

HEX #5CAD14

RGB 92 173 20

HSL 91.76, 0.79%, 0.38%

LAB 63.52, -47.94, 61.62

 

CMYK 47 / 0 / 88 / 18

HEX #70D219

RGB 112 210 25

HSL 91.78, 0.79%, 0.46%

LAB 75.83, -55.74, 71.47

 

CMYK 42 / 0 / 80 / 10

HEX #85E62D

RGB 133 230 45

HSL 91.46, 0.79%, 0.54%

LAB 82.79, -56.05, 73.44

 

CMYK 34 / 0 / 65 / 8

HEX #9AEB52

RGB 154 235 82

HSL 91.76, 0.79%, 0.62%

LAB 85.45, -48.87, 64.05

 

CMYK 26 / 0 / 50 / 6

HEX #B0EF77

RGB 176 239 119

HSL 91.5, 0.79%, 0.7%

LAB 88.11, -39.55, 51.32

 

CMYK 42 / 0 / 81 / 9

HEX #85E72D

RGB 133 231 45

HSL 91.61, 0.79%, 0.54%

LAB 83.09, -56.44, 73.71

 

CMYK 80 / 0 / 23 / 10

HEX #2DE6B2

RGB 45 230 178

HSL 163.14, 0.79%, 0.54%

LAB 82.04, -56.13, 12.9

 

CMYK 0 / 80 / 9 / 10

HEX #E62DD1

RGB 230 45 209

HSL 306.81, 0.79%, 0.54%

LAB 55.38, 82.24, -43.09

 

CMYK 42 / 0 / 81 / 9

HEX #85E72D

RGB 133 231 45

HSL 91.61, 0.79%, 0.54%

LAB 83.09, -56.44, 73.71

 

CMYK 80 / 41 / 0 / 10

HEX #2D87E6

RGB 45 135 230

HSL 210.81, 0.79%, 0.54%

LAB 55.68, 7.17, -55.48

 

CMYK 0 / 80 / 41 / 10

HEX #E62D87

RGB 230 45 135

HSL 330.81, 0.79%, 0.54%

LAB 52.34, 73.59, -4.42

 

CMYK 42 / 0 / 81 / 9

HEX #85E72D

RGB 133 231 45

HSL 91.61, 0.79%, 0.54%

LAB 83.09, -56.44, 73.71

 

CMYK 80 / 0 / 23 / 10

HEX #2DE6B2

RGB 45 230 178

HSL 163.14, 0.79%, 0.54%

LAB 82.04, -56.13, 12.9

 

CMYK 39 / 80 / 0 / 10

HEX #8D2DE6

RGB 141 45 230

HSL 271.14, 0.79%, 0.54%

LAB 43.14, 70.51, -75.47

 

CMYK 0 / 80 / 57 / 10

HEX #E62D62

RGB 230 45 98

HSL 342.81, 0.79%, 0.54%

LAB 51.36, 70.66, 16.54

 

CMYK 42 / 0 / 81 / 9

HEX #85E72D

RGB 133 231 45

HSL 91.61, 0.79%, 0.54%

LAB 83.09, -56.44, 73.71

 

CMYK 80 / 1 / 0 / 10

HEX #2DE3E6

RGB 45 227 230

HSL 180.97, 0.79%, 0.54%

LAB 82.49, -41.19, -13.92

 

CMYK 39 / 80 / 0 / 10

HEX #8D2DE6

RGB 141 45 230

HSL 271.14, 0.79%, 0.54%

LAB 43.14, 70.51, -75.47

 

CMYK 0 / 79 / 80 / 10

HEX #E6302D

RGB 230 48 45

HSL 0.97, 0.79%, 0.54%

LAB 50.83, 67.42, 46.74

 

Description

Color code: HEX #85E72D | qconv.com Color code: HEX #85E72D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 231 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 231 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 81 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 81% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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