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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85DF3E it is the complementary color #7A20C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85DF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85DF3E shade: #8ADF39, #9BF14C, #ACFF5F, #BDFF72 and #CEFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85DF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85DF3E shade: #85DF3E, #74CD2B, #63BB18, #52A905 and #419700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85DF3E shade: #85DF3E, #B0DF3E, #DCDF3E, #DFB73E and #DF8B3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85DF3E shade: #85DF3E, #59DF3E, #3EDF4D, #3EDF79 and #3EDFA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85DF3E shade matches the following richer shades: #85DF3E and #83F12B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85DF3E shade: #85DF3E, #87CD50, #89BB62, #8BA974 and #8D9686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85DF3E shade: #DCDF3E, #B1DF3E, #86DF3E, #5BDF3E and #3EDF4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85DF3E shade: #5CAE1C, #6FD222, #85DF3E, #9BE561 and #B2EB84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85DF3E shade: #85DF3E, #3EDFB7 and #DF3EC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85DF3E shade: #85DF3E, #3E86DF and #DF3E86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85DF3E shade: #85DF3E, #3EDFB7, #963EDF and #DF3E66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85DF3E shade: #85DF3E, #3ED7DF, #963EDF and #DF463E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 72 / 13

HEX #85DF3E

RGB 133 223 62

HSL 93.54, 0.72%, 0.56%

LAB 80.8, -52.39, 66.37

 

Complementary color

CMYK 37 / 83 / 0 / 24

HEX #7A20C1

RGB 122 32 193

HSL 273.54, 0.72%, 0.44%

LAB 36.02, 63.78, -65.86

 

CMYK 38 / 0 / 74 / 13

HEX #8ADF39

RGB 138 223 57

HSL 90.72, 0.72%, 0.55%

LAB 81, -51.04, 68.32

 

CMYK 36 / 0 / 68 / 5

HEX #9BF14C

RGB 155 241 76

HSL 91.27, 0.85%, 0.62%

LAB 87.19, -51.45, 68.18

 

CMYK 33 / 0 / 63 / 0

HEX #ACFF5F

RGB 172 255 95

HSL 91.13, 1%, 0.69%

LAB 92.18, -50.06, 66.4

 

CMYK 26 / 0 / 55 / 0

HEX #BDFF72

RGB 189 255 114

HSL 88.09, 1%, 0.72%

LAB 93.26, -42.53, 59.85

 

CMYK 19 / 0 / 48 / 0

HEX #CEFF85

RGB 206 255 133

HSL 84.1, 1%, 0.76%

LAB 94.46, -34.58, 52.91

 

CMYK 40 / 0 / 72 / 13

HEX #85DF3E

RGB 133 223 62

HSL 93.54, 0.72%, 0.56%

LAB 80.8, -52.39, 66.37

 

CMYK 43 / 0 / 79 / 20

HEX #74CD2B

RGB 116 205 43

HSL 92.96, 0.65%, 0.49%

LAB 74.54, -51.84, 66.14

 

CMYK 47 / 0 / 87 / 27

HEX #63BB18

RGB 99 187 24

HSL 92.39, 0.77%, 0.41%

LAB 68.21, -51.04, 64.95

 

CMYK 51 / 0 / 97 / 34

HEX #52A905

RGB 82 169 5

HSL 91.83, 0.94%, 0.34%

LAB 61.81, -49.89, 62.36

 

CMYK 57 / 0 / 100 / 41

HEX #419700

RGB 65 151 0

HSL 94.17, 1%, 0.3%

LAB 55.34, -48.25, 57.69

 

CMYK 40 / 0 / 72 / 13

HEX #85DF3E

RGB 133 223 62

HSL 93.54, 0.72%, 0.56%

LAB 80.8, -52.39, 66.37

 

CMYK 21 / 0 / 72 / 13

HEX #B0DF3E

RGB 176 223 62

HSL 77.52, 0.72%, 0.56%

LAB 83.1, -37, 69.41

 

CMYK 1 / 0 / 72 / 13

HEX #DCDF3E

RGB 220 223 62

HSL 61.12, 0.72%, 0.56%

LAB 86.18, -19.33, 73.43

 

CMYK 0 / 18 / 72 / 13

HEX #DFB73E

RGB 223 183 62

HSL 45.09, 0.72%, 0.56%

LAB 76.01, 2.23, 63.7

 

CMYK 0 / 38 / 72 / 13

HEX #DF8B3E

RGB 223 139 62

HSL 28.7, 0.72%, 0.56%

LAB 65.36, 25.67, 52.89

 

CMYK 40 / 0 / 72 / 13

HEX #85DF3E

RGB 133 223 62

HSL 93.54, 0.72%, 0.56%

LAB 80.8, -52.39, 66.37

 

CMYK 60 / 0 / 72 / 13

HEX #59DF3E

RGB 89 223 62

HSL 109.94, 0.72%, 0.56%

LAB 79.18, -64.71, 64.21

 

CMYK 72 / 0 / 65 / 13

HEX #3EDF4D

RGB 62 223 77

HSL 125.59, 0.72%, 0.56%

LAB 78.66, -68.66, 57.79

 

CMYK 72 / 0 / 46 / 13

HEX #3EDF79

RGB 62 223 121

HSL 141.99, 0.72%, 0.56%

LAB 79.14, -62.91, 38.3

 

CMYK 72 / 0 / 26 / 13

HEX #3EDFA5

RGB 62 223 165

HSL 158.39, 0.72%, 0.56%

LAB 79.91, -54.44, 16.77

 

CMYK 40 / 0 / 72 / 13

HEX #85DF3E

RGB 133 223 62

HSL 93.54, 0.72%, 0.56%

LAB 80.8, -52.39, 66.37

 

CMYK 46 / 0 / 82 / 5

HEX #83F12B

RGB 131 241 43

HSL 93.33, 0.88%, 0.56%

LAB 85.96, -60.93, 76.76

 

CMYK 40 / 0 / 72 / 13

HEX #85DF3E

RGB 133 223 62

HSL 93.54, 0.72%, 0.56%

LAB 80.8, -52.39, 66.37

 

CMYK 34 / 0 / 61 / 20

HEX #87CD50

RGB 135 205 80

HSL 93.6, 0.56%, 0.56%

LAB 75.7, -42.86, 53.96

 

CMYK 27 / 0 / 48 / 27

HEX #89BB62

RGB 137 187 98

HSL 93.71, 0.4%, 0.56%

LAB 70.69, -32.14, 39.67

 

CMYK 18 / 0 / 31 / 34

HEX #8BA974

RGB 139 169 116

HSL 93.96, 0.24%, 0.56%

LAB 65.85, -20.14, 24.06

 

CMYK 6 / 0 / 11 / 41

HEX #8D9686

RGB 141 150 134

HSL 93.75, 0.07%, 0.56%

LAB 60.95, -6.32, 7.33

 

CMYK 1 / 0 / 72 / 13

HEX #DCDF3E

RGB 220 223 62

HSL 61.12, 0.72%, 0.56%

LAB 86.18, -19.33, 73.43

 

CMYK 21 / 0 / 72 / 13

HEX #B1DF3E

RGB 177 223 62

HSL 77.14, 0.72%, 0.56%

LAB 83.16, -36.61, 69.49

 

CMYK 40 / 0 / 72 / 13

HEX #86DF3E

RGB 134 223 62

HSL 93.17, 0.72%, 0.56%

LAB 80.85, -52.06, 66.43

 

CMYK 59 / 0 / 72 / 13

HEX #5BDF3E

RGB 91 223 62

HSL 109.19, 0.72%, 0.56%

LAB 79.24, -64.24, 64.29

 

CMYK 72 / 0 / 66 / 13

HEX #3EDF4B

RGB 62 223 75

HSL 124.84, 0.72%, 0.56%

LAB 78.64, -68.85, 58.57

 

CMYK 47 / 0 / 84 / 32

HEX #5CAE1C

RGB 92 174 28

HSL 93.7, 0.72%, 0.4%

LAB 63.86, -48.03, 60.11

 

CMYK 47 / 0 / 84 / 18

HEX #6FD222

RGB 111 210 34

HSL 93.75, 0.72%, 0.48%

LAB 75.82, -55.74, 69.57

 

CMYK 40 / 0 / 72 / 13

HEX #85DF3E

RGB 133 223 62

HSL 93.54, 0.72%, 0.56%

LAB 80.8, -52.39, 66.37

 

CMYK 32 / 0 / 58 / 10

HEX #9BE561

RGB 155 229 97

HSL 93.64, 0.72%, 0.64%

LAB 83.9, -44.7, 56.07

 

CMYK 24 / 0 / 44 / 8

HEX #B2EB84

RGB 178 235 132

HSL 93.2, 0.72%, 0.72%

LAB 87.26, -35.56, 44.12

 

CMYK 40 / 0 / 72 / 13

HEX #85DF3E

RGB 133 223 62

HSL 93.54, 0.72%, 0.56%

LAB 80.8, -52.39, 66.37

 

CMYK 72 / 0 / 18 / 13

HEX #3EDFB7

RGB 62 223 183

HSL 165.09, 0.72%, 0.56%

LAB 80.3, -50.27, 7.83

 

CMYK 0 / 72 / 11 / 13

HEX #DF3EC7

RGB 223 62 199

HSL 308.94, 0.72%, 0.56%

LAB 55.34, 74.75, -37.52

 

CMYK 40 / 0 / 72 / 13

HEX #85DF3E

RGB 133 223 62

HSL 93.54, 0.72%, 0.56%

LAB 80.8, -52.39, 66.37

 

CMYK 72 / 40 / 0 / 13

HEX #3E86DF

RGB 62 134 223

HSL 213.17, 0.72%, 0.56%

LAB 55.48, 7.16, -51.86

 

CMYK 0 / 72 / 40 / 13

HEX #DF3E86

RGB 223 62 134

HSL 333.17, 0.72%, 0.56%

LAB 52.79, 66.78, -3.3

 

CMYK 40 / 0 / 72 / 13

HEX #85DF3E

RGB 133 223 62

HSL 93.54, 0.72%, 0.56%

LAB 80.8, -52.39, 66.37

 

CMYK 72 / 0 / 18 / 13

HEX #3EDFB7

RGB 62 223 183

HSL 165.09, 0.72%, 0.56%

LAB 80.3, -50.27, 7.83

 

CMYK 33 / 72 / 0 / 13

HEX #963EDF

RGB 150 62 223

HSL 272.8, 0.72%, 0.56%

LAB 45.98, 64.01, -66.81

 

CMYK 0 / 72 / 54 / 13

HEX #DF3E66

RGB 223 62 102

HSL 345.09, 0.72%, 0.56%

LAB 51.94, 64, 14.71

 

CMYK 40 / 0 / 72 / 13

HEX #85DF3E

RGB 133 223 62

HSL 93.54, 0.72%, 0.56%

LAB 80.8, -52.39, 66.37

 

CMYK 72 / 4 / 0 / 13

HEX #3ED7DF

RGB 62 215 223

HSL 182.98, 0.72%, 0.56%

LAB 79.01, -36.08, -15.39

 

CMYK 33 / 72 / 0 / 13

HEX #963EDF

RGB 150 62 223

HSL 272.8, 0.72%, 0.56%

LAB 45.98, 64.01, -66.81

 

CMYK 0 / 69 / 72 / 13

HEX #DF463E

RGB 223 70 62

HSL 2.98, 0.72%, 0.56%

LAB 52.3, 58.74, 38.68

 

Description

Color code: HEX #85DF3E | qconv.com Color code: HEX #85DF3E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 223 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 223 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 72% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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