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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85DD95 it is the complementary color #7A226A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85DD95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85DD95 shade: #8ADD90, #9BEFA3, #ACFFB6, #BDFFC9 and #CEFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85DD95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85DD95 shade: #85DD95, #74CB82, #63B96F, #52A75C and #419549

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85DD95 shade: #84DC94, #8BDC84, #A3DC84, #BBDC84 and #D3DC84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85DD95 shade: #84DC94, #84DCAC, #84DCC4, #84DCDB and #84C5DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85DD95 shade matches the following richer shades: #84DC94, #77E98C and #6AF684

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85DD95 shade: #84DC94, #90CF9C, #9DC3A4, #AAB6AC and #B7A9B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85DD95 shade: #A4DC84, #8DDC84, #84DC92, #84DCAA and #84DCC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85DD95 shade: #43CA5C, #63D378, #84DC94, #A4E5B0 and #C4EECC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85DD95 shade: #85DD95, #84BCDC and #DC8498

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85DD95 shade: #85DD95, #9284DC and #DC9284

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85DD95 shade: #85DD95, #84BCDC, #DC84CD and #DCA484

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85DD95 shade: #85DD95, #84A1DC, #DC84CD and #DCBF84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 33 / 13

HEX #85DD95

RGB 133 221 149

HSL 130.91, 0.56%, 0.69%

LAB 81.22, -41.4, 27.26

 

Complementary color

CMYK 0 / 72 / 13 / 52

HEX #7A226A

RGB 122 34 106

HSL 310.91, 0.56%, 0.31%

LAB 30.21, 45.94, -21.91

 

CMYK 38 / 0 / 35 / 13

HEX #8ADD90

RGB 138 221 144

HSL 124.34, 0.55%, 0.7%

LAB 81.36, -40.74, 30.06

 

CMYK 35 / 0 / 32 / 6

HEX #9BEFA3

RGB 155 239 163

HSL 125.71, 0.72%, 0.77%

LAB 87.65, -40.49, 28.93

 

CMYK 33 / 0 / 29 / 0

HEX #ACFFB6

RGB 172 255 182

HSL 127.23, 1%, 0.84%

LAB 93.31, -39.35, 27.1

 

CMYK 26 / 0 / 21 / 0

HEX #BDFFC9

RGB 189 255 201

HSL 130.91, 1%, 0.87%

LAB 94.55, -30.88, 19.3

 

CMYK 19 / 0 / 14 / 0

HEX #CEFFDC

RGB 206 255 220

HSL 137.14, 1%, 0.9%

LAB 95.92, -22.15, 11.64

 

CMYK 40 / 0 / 33 / 13

HEX #85DD95

RGB 133 221 149

HSL 130.91, 0.56%, 0.69%

LAB 81.22, -41.4, 27.26

 

CMYK 43 / 0 / 36 / 20

HEX #74CB82

RGB 116 203 130

HSL 129.66, 0.46%, 0.63%

LAB 74.85, -41.63, 28.44

 

CMYK 46 / 0 / 40 / 27

HEX #63B96F

RGB 99 185 111

HSL 128.37, 0.38%, 0.56%

LAB 68.39, -41.83, 29.7

 

CMYK 51 / 0 / 45 / 35

HEX #52A75C

RGB 82 167 92

HSL 127.06, 0.34%, 0.49%

LAB 61.83, -41.94, 31.03

 

CMYK 56 / 0 / 51 / 42

HEX #419549

RGB 65 149 73

HSL 125.71, 0.39%, 0.42%

LAB 55.17, -41.92, 32.43

 

CMYK 40 / 0 / 33 / 14

HEX #84DC94

RGB 132 220 148

HSL 130.91, 0.56%, 0.69%

LAB 80.87, -41.42, 27.29

 

CMYK 37 / 0 / 40 / 14

HEX #8BDC84

RGB 139 220 132

HSL 115.23, 0.56%, 0.69%

LAB 80.93, -41.84, 35.6

 

CMYK 26 / 0 / 40 / 14

HEX #A3DC84

RGB 163 220 132

HSL 98.86, 0.56%, 0.69%

LAB 82.18, -33.91, 37.47

 

CMYK 15 / 0 / 40 / 14

HEX #BBDC84

RGB 187 220 132

HSL 82.5, 0.56%, 0.69%

LAB 83.66, -25.27, 39.66

 

CMYK 4 / 0 / 40 / 14

HEX #D3DC84

RGB 211 220 132

HSL 66.14, 0.56%, 0.69%

LAB 85.35, -16.15, 42.16

 

CMYK 40 / 0 / 33 / 14

HEX #84DC94

RGB 132 220 148

HSL 130.91, 0.56%, 0.69%

LAB 80.87, -41.42, 27.29

 

CMYK 40 / 0 / 22 / 14

HEX #84DCAC

RGB 132 220 172

HSL 147.27, 0.56%, 0.69%

LAB 81.33, -37.02, 15.4

 

CMYK 40 / 0 / 11 / 14

HEX #84DCC4

RGB 132 220 196

HSL 163.64, 0.56%, 0.69%

LAB 81.88, -31.99, 3.48

 

CMYK 40 / 0 / 0 / 14

HEX #84DCDB

RGB 132 220 219

HSL 179.32, 0.56%, 0.69%

LAB 82.49, -26.64, -7.84

 

CMYK 40 / 10 / 0 / 14

HEX #84C5DC

RGB 132 197 220

HSL 195.68, 0.56%, 0.69%

LAB 76.07, -14.82, -17.98

 

CMYK 40 / 0 / 33 / 14

HEX #84DC94

RGB 132 220 148

HSL 130.91, 0.56%, 0.69%

LAB 80.87, -41.42, 27.29

 

CMYK 49 / 0 / 40 / 9

HEX #77E98C

RGB 119 233 140

HSL 131.05, 0.72%, 0.69%

LAB 84.01, -51.84, 35.44

 

CMYK 57 / 0 / 46 / 4

HEX #6AF684

RGB 106 246 132

HSL 131.14, 0.89%, 0.69%

LAB 87.31, -61.28, 43.51

 

CMYK 40 / 0 / 33 / 14

HEX #84DC94

RGB 132 220 148

HSL 130.91, 0.56%, 0.69%

LAB 80.87, -41.42, 27.29

 

CMYK 30 / 0 / 25 / 19

HEX #90CF9C

RGB 144 207 156

HSL 131.43, 0.4%, 0.69%

LAB 77.85, -30.4, 19.08

 

CMYK 19 / 0 / 16 / 24

HEX #9DC3A4

RGB 157 195 164

HSL 131.05, 0.24%, 0.69%

LAB 75.38, -18.79, 11.45

 

CMYK 7 / 0 / 5 / 29

HEX #AAB6AC

RGB 170 182 172

HSL 130, 0.08%, 0.69%

LAB 72.88, -6.07, 3.64

 

CMYK 0 / 8 / 2 / 28

HEX #B7A9B4

RGB 183 169 180

HSL 312.86, 0.09%, 0.69%

LAB 70.69, 7.04, -3.82

 

CMYK 25 / 0 / 40 / 14

HEX #A4DC84

RGB 164 220 132

HSL 98.18, 0.56%, 0.69%

LAB 82.24, -33.56, 37.56

 

CMYK 36 / 0 / 40 / 14

HEX #8DDC84

RGB 141 220 132

HSL 113.86, 0.56%, 0.69%

LAB 81.02, -41.21, 35.74

 

CMYK 40 / 0 / 34 / 14

HEX #84DC92

RGB 132 220 146

HSL 129.55, 0.56%, 0.69%

LAB 80.83, -41.76, 28.27

 

CMYK 40 / 0 / 23 / 14

HEX #84DCAA

RGB 132 220 170

HSL 145.91, 0.56%, 0.69%

LAB 81.29, -37.41, 16.39

 

CMYK 40 / 0 / 12 / 14

HEX #84DCC2

RGB 132 220 194

HSL 162.27, 0.56%, 0.69%

LAB 81.83, -32.43, 4.47

 

CMYK 67 / 0 / 54 / 21

HEX #43CA5C

RGB 67 202 92

HSL 131.11, 0.56%, 0.53%

LAB 72.37, -58.97, 43.99

 

CMYK 53 / 0 / 43 / 17

HEX #63D378

RGB 99 211 120

HSL 131.25, 0.56%, 0.61%

LAB 76.43, -51.21, 35.52

 

CMYK 40 / 0 / 33 / 14

HEX #84DC94

RGB 132 220 148

HSL 130.91, 0.56%, 0.69%

LAB 80.87, -41.42, 27.29

 

CMYK 28 / 0 / 23 / 10

HEX #A4E5B0

RGB 164 229 176

HSL 131.08, 0.56%, 0.77%

LAB 85.54, -30.92, 19.42

 

CMYK 18 / 0 / 14 / 7

HEX #C4EECC

RGB 196 238 204

HSL 131.43, 0.55%, 0.85%

LAB 90.43, -19.98, 12.01

 

CMYK 40 / 0 / 33 / 13

HEX #85DD95

RGB 133 221 149

HSL 130.91, 0.56%, 0.69%

LAB 81.22, -41.4, 27.26

 

CMYK 40 / 15 / 0 / 14

HEX #84BCDC

RGB 132 188 220

HSL 201.82, 0.56%, 0.69%

LAB 73.57, -10.09, -21.78

 

CMYK 0 / 40 / 31 / 14

HEX #DC8498

RGB 220 132 152

HSL 346.36, 0.56%, 0.69%

LAB 64.95, 36.2, 3.92

 

CMYK 40 / 0 / 33 / 13

HEX #85DD95

RGB 133 221 149

HSL 130.91, 0.56%, 0.69%

LAB 81.22, -41.4, 27.26

 

CMYK 34 / 40 / 0 / 14

HEX #9284DC

RGB 146 132 220

HSL 249.55, 0.56%, 0.69%

LAB 59.69, 25.25, -43.2

 

CMYK 0 / 34 / 40 / 14

HEX #DC9284

RGB 220 146 132

HSL 9.55, 0.56%, 0.69%

LAB 67.61, 26.3, 18.9

 

CMYK 40 / 0 / 33 / 13

HEX #85DD95

RGB 133 221 149

HSL 130.91, 0.56%, 0.69%

LAB 81.22, -41.4, 27.26

 

CMYK 40 / 15 / 0 / 14

HEX #84BCDC

RGB 132 188 220

HSL 201.82, 0.56%, 0.69%

LAB 73.57, -10.09, -21.78

 

CMYK 0 / 40 / 7 / 14

HEX #DC84CD

RGB 220 132 205

HSL 310.23, 0.56%, 0.69%

LAB 66.62, 44.23, -23.47

 

CMYK 0 / 25 / 40 / 14

HEX #DCA484

RGB 220 164 132

HSL 21.82, 0.56%, 0.69%

LAB 71.85, 16.61, 24.68

 

CMYK 40 / 0 / 33 / 13

HEX #85DD95

RGB 133 221 149

HSL 130.91, 0.56%, 0.69%

LAB 81.22, -41.4, 27.26

 

CMYK 40 / 27 / 0 / 14

HEX #84A1DC

RGB 132 161 220

HSL 220.23, 0.56%, 0.69%

LAB 66.18, 4.75, -33.12

 

CMYK 0 / 40 / 7 / 14

HEX #DC84CD

RGB 220 132 205

HSL 310.23, 0.56%, 0.69%

LAB 66.62, 44.23, -23.47

 

CMYK 0 / 13 / 40 / 14

HEX #DCBF84

RGB 220 191 132

HSL 40.23, 0.56%, 0.69%

LAB 78.55, 2.23, 33.56

 

Description

Color code: HEX #85DD95 | qconv.com Color code: HEX #85DD95 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 221 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 221 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 33 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 33% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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