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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85DBF500 it is the complementary color #7A240A00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85DBF500. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85DBF500 shade: #8ADBF000, #9BEDFF00, #ACFFFF00, #BDFFFF00 and #CEFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85DBF500. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85DBF500 shade: #85DBF500, #74C9E200, #63B7CF00, #52A5BC00 and #4193A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85DBF500 shade: #84DBF5, #84BCF5, #849EF5, #8984F5 and #A784F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85DBF500 shade: #84DBF5, #84BCF5, #849EF5 and #8484F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85DBF500 shade matches the following richer shades: #84DBF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85DBF500 shade: #84DBF5, #8FD5EA, #9ACFE0, #A5CAD5 and #AFC4CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85DBF500 shade: #84F5D1, #84F5EF, #84DDF5, #84BFF5 and #84A1F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85DBF500 shade: #38C4EF, #5ED0F2, #84DBF5, #ABE6F8 and #D1F1FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85DBF500 shade: #85DBF5, #B384F5 and #F5E084

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85DBF500 shade: #85DBF5, #F584DD and #DDF584

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85DBF500 shade: #85DBF5, #B384F5, #F59D84 and #C6F584

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85DBF500 shade: #85DBF5, #D584F5, #F59D84 and #A4F584

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #85DBF500

RGBA 133 219 245 0

HSLA 193.93, 0.85%, 0.74%, 0

LABA 83.04, -19.32, -20.81, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #7A240A00

RGBA 122 36 10 0

HSLA 13.93, 0.85%, 0.26%, 0

LABA 27.9, 36.2, 35.6, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8ADBF000

RGBA 138 219 240 0

HSLA 192.35, 0.77%, 0.74%, 0

LABA 83.1, -19.44, -18.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9BEDFF00

RGBA 155 237 255 0

HSLA 190.8, 1%, 0.8%, 0

LABA 89.28, -20.5, -16.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ACFFFF00

RGBA 172 255 255 0

HSLA 180, 1%, 0.84%, 0

LABA 94.95, -24.96, -8.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BDFFFF00

RGBA 189 255 255 0

HSLA 180, 1%, 0.87%, 0

LABA 95.81, -20.34, -6.65, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CEFFFF00

RGBA 206 255 255 0

HSLA 180, 1%, 0.9%, 0

LABA 96.76, -15.42, -5.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #85DBF500

RGBA 133 219 245 0

HSLA 193.93, 0.85%, 0.74%, 0

LABA 83.04, -19.32, -20.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #74C9E200

RGBA 116 201 226 0

HSLA 193.64, 0.65%, 0.67%, 0

LABA 76.67, -19.14, -20.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #63B7CF00

RGBA 99 183 207 0

HSLA 193.33, 0.53%, 0.6%, 0

LABA 70.19, -18.89, -19.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #52A5BC00

RGBA 82 165 188 0

HSLA 193.02, 0.44%, 0.53%, 0

LABA 63.62, -18.56, -19.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4193A900

RGBA 65 147 169 0

HSLA 192.69, 0.44%, 0.46%, 0

LABA 56.93, -18.1, -19.02, 0

 

CMYK 46 / 11 / 0 / 4

HEX #84DBF5

RGB 132 219 245

HSL 193.81, 0.85%, 0.74%

LAB 83, -19.55, -20.88

 

CMYK 46 / 23 / 0 / 4

HEX #84BCF5

RGB 132 188 245

HSL 210.27, 0.85%, 0.74%

LAB 74.49, -3.29, -33.91

 

CMYK 46 / 36 / 0 / 4

HEX #849EF5

RGB 132 158 245

HSL 226.19, 0.85%, 0.74%

LAB 66.48, 13.53, -46.39

 

CMYK 44 / 46 / 0 / 4

HEX #8984F5

RGB 137 132 245

HSL 242.65, 0.85%, 0.74%

LAB 60.26, 29.84, -56.23

 

CMYK 32 / 46 / 0 / 4

HEX #A784F5

RGB 167 132 245

HSL 258.58, 0.85%, 0.74%

LAB 62.77, 37.25, -52.09

 

CMYK 46 / 11 / 0 / 4

HEX #84DBF5

RGB 132 219 245

HSL 193.81, 0.85%, 0.74%

LAB 83, -19.55, -20.88

 

CMYK 46 / 23 / 0 / 4

HEX #84BCF5

RGB 132 188 245

HSL 210.27, 0.85%, 0.74%

LAB 74.49, -3.29, -33.91

 

CMYK 46 / 36 / 0 / 4

HEX #849EF5

RGB 132 158 245

HSL 226.19, 0.85%, 0.74%

LAB 66.48, 13.53, -46.39

 

CMYK 46 / 46 / 0 / 4

HEX #8484F5

RGB 132 132 245

HSL 240, 0.85%, 0.74%

LAB 59.89, 28.69, -56.84

 

CMYK 46 / 11 / 0 / 4

HEX #84DBF5

RGB 132 219 245

HSL 193.81, 0.85%, 0.74%

LAB 83, -19.55, -20.88

 

CMYK 46 / 11 / 0 / 4

HEX #84DBF5

RGB 132 219 245

HSL 193.81, 0.85%, 0.74%

LAB 83, -19.55, -20.88

 

CMYK 39 / 9 / 0 / 8

HEX #8FD5EA

RGB 143 213 234

HSL 193.85, 0.68%, 0.74%

LAB 81.49, -16.68, -17.26

 

CMYK 31 / 8 / 0 / 12

HEX #9ACFE0

RGB 154 207 224

HSL 194.57, 0.53%, 0.74%

LAB 80.11, -13.1, -13.94

 

CMYK 23 / 5 / 0 / 16

HEX #A5CAD5

RGB 165 202 213

HSL 193.75, 0.36%, 0.74%

LAB 79.07, -9.82, -9.53

 

CMYK 13 / 3 / 0 / 21

HEX #AFC4CA

RGB 175 196 202

HSL 193.33, 0.2%, 0.74%

LAB 77.79, -5.88, -5.43

 

CMYK 46 / 0 / 15 / 4

HEX #84F5D1

RGB 132 245 209

HSL 160.88, 0.85%, 0.74%

LAB 89.31, -40.62, 7.37

 

CMYK 46 / 0 / 2 / 4

HEX #84F5EF

RGB 132 245 239

HSL 176.81, 0.85%, 0.74%

LAB 90.06, -33.69, -7.14

 

CMYK 46 / 10 / 0 / 4

HEX #84DDF5

RGB 132 221 245

HSL 192.74, 0.85%, 0.74%

LAB 83.55, -20.55, -20.04

 

CMYK 46 / 22 / 0 / 4

HEX #84BFF5

RGB 132 191 245

HSL 208.67, 0.85%, 0.74%

LAB 75.3, -4.92, -32.65

 

CMYK 46 / 34 / 0 / 4

HEX #84A1F5

RGB 132 161 245

HSL 224.6, 0.85%, 0.74%

LAB 67.27, 11.81, -45.16

 

CMYK 77 / 18 / 0 / 6

HEX #38C4EF

RGB 56 196 239

HSL 194.1, 0.85%, 0.58%

LAB 73.9, -22.59, -31.78

 

CMYK 61 / 14 / 0 / 5

HEX #5ED0F2

RGB 94 208 242

HSL 193.78, 0.85%, 0.66%

LAB 78.4, -22.49, -26.4

 

CMYK 46 / 11 / 0 / 4

HEX #84DBF5

RGB 132 219 245

HSL 193.81, 0.85%, 0.74%

LAB 83, -19.55, -20.88

 

CMYK 31 / 7 / 0 / 3

HEX #ABE6F8

RGB 171 230 248

HSL 194.03, 0.85%, 0.82%

LAB 87.98, -14.49, -14.76

 

CMYK 17 / 4 / 0 / 2

HEX #D1F1FB

RGB 209 241 251

HSL 194.29, 0.84%, 0.9%

LAB 93.2, -8.33, -8.31

 

CMYK 46 / 11 / 0 / 4

HEX #85DBF5

RGB 133 219 245

HSL 193.93, 0.85%, 0.74%

LAB 83.04, -19.32, -20.81

 

CMYK 27 / 46 / 0 / 4

HEX #B384F5

RGB 179 132 245

HSL 264.96, 0.85%, 0.74%

LAB 63.9, 40.4, -50.22

 

CMYK 0 / 9 / 46 / 4

HEX #F5E084

RGB 245 224 132

HSL 48.85, 0.85%, 0.74%

LAB 89.11, -4.81, 47.45

 

CMYK 46 / 11 / 0 / 4

HEX #85DBF5

RGB 133 219 245

HSL 193.93, 0.85%, 0.74%

LAB 83.04, -19.32, -20.81

 

CMYK 0 / 46 / 10 / 4

HEX #F584DD

RGB 245 132 221

HSL 312.74, 0.85%, 0.74%

LAB 70.27, 54.57, -26.49

 

CMYK 10 / 0 / 46 / 4

HEX #DDF584

RGB 221 245 132

HSL 72.74, 0.85%, 0.74%

LAB 92.73, -24.47, 51.49

 

CMYK 46 / 11 / 0 / 4

HEX #85DBF5

RGB 133 219 245

HSL 193.93, 0.85%, 0.74%

LAB 83.04, -19.32, -20.81

 

CMYK 27 / 46 / 0 / 4

HEX #B384F5

RGB 179 132 245

HSL 264.96, 0.85%, 0.74%

LAB 63.9, 40.4, -50.22

 

CMYK 0 / 36 / 46 / 4

HEX #F59D84

RGB 245 157 132

HSL 13.27, 0.85%, 0.74%

LAB 73.02, 30.1, 26.73

 

CMYK 19 / 0 / 46 / 4

HEX #C6F584

RGB 198 245 132

HSL 84.96, 0.85%, 0.74%

LAB 91.22, -33, 49.31

 

CMYK 46 / 11 / 0 / 4

HEX #85DBF5

RGB 133 219 245

HSL 193.93, 0.85%, 0.74%

LAB 83.04, -19.32, -20.81

 

CMYK 13 / 46 / 0 / 4

HEX #D584F5

RGB 213 132 245

HSL 283.01, 0.85%, 0.74%

LAB 67.46, 49.66, -44.38

 

CMYK 0 / 36 / 46 / 4

HEX #F59D84

RGB 245 157 132

HSL 13.27, 0.85%, 0.74%

LAB 73.02, 30.1, 26.73

 

CMYK 33 / 0 / 46 / 4

HEX #A4F584

RGB 164 245 132

HSL 103.01, 0.85%, 0.74%

LAB 89.33, -44.73, 46.54

 

Description

Color code: HEX #85DBF500 | qconv.com Color code: HEX #85DBF500 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 219 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 219 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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