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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85D862 it is the complementary color #7A279D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85D862. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85D862 shade: #8AD85D, #9BEA70, #ACFC83, #BDFF96 and #CEFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85D862. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85D862 shade: #85D862, #74C64F, #63B43C, #52A229 and #419016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85D862 shade: #86D864, #A6D864, #C5D864, #D8CC64 and #D8AD64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85D862 shade: #86D864, #67D864, #64D880, #64D8A0 and #64D8BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85D862 shade matches the following richer shades: #86D864, #80E854 and #7AF845

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85D862 shade: #86D864, #8DC974, #93B983, #9AA993 and #A09AA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85D862 shade: #C5D864, #A6D864, #87D864, #68D864 and #64D87F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85D862 shade: #58BB2F, #6DD043, #86D864, #A0E085 and #BAE9A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85D862 shade: #85D862, #64D8CD and #D864B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85D862 shade: #85D862, #6487D8 and #D86487

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85D862 shade: #85D862, #64D8CD, #B564D8 and #D86470

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85D862 shade: #85D862, #64C1D8, #B564D8 and #D87B64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 55 / 15

HEX #85D862

RGB 133 216 98

HSL 102.2, 0.6%, 0.62%

LAB 79.03, -46.4, 49.69

 

Complementary color

CMYK 22 / 75 / 0 / 38

HEX #7A279D

RGB 122 39 157

HSL 282.2, 0.6%, 0.38%

LAB 34.03, 53.57, -47.63

 

CMYK 36 / 0 / 57 / 15

HEX #8AD85D

RGB 138 216 93

HSL 98.05, 0.61%, 0.61%

LAB 79.22, -45.29, 52.25

 

CMYK 34 / 0 / 52 / 8

HEX #9BEA70

RGB 155 234 112

HSL 98.85, 0.74%, 0.68%

LAB 85.5, -45.3, 51.17

 

CMYK 32 / 0 / 48 / 1

HEX #ACFC83

RGB 172 252 131

HSL 99.67, 0.95%, 0.75%

LAB 91.7, -45.25, 50.04

 

CMYK 26 / 0 / 41 / 0

HEX #BDFF96

RGB 189 255 150

HSL 97.71, 1%, 0.79%

LAB 93.68, -38.56, 43.65

 

CMYK 19 / 0 / 34 / 0

HEX #CEFFA9

RGB 206 255 169

HSL 94.19, 1%, 0.83%

LAB 94.95, -30.23, 36.16

 

CMYK 38 / 0 / 55 / 15

HEX #85D862

RGB 133 216 98

HSL 102.2, 0.6%, 0.62%

LAB 79.03, -46.4, 49.69

 

CMYK 41 / 0 / 60 / 22

HEX #74C64F

RGB 116 198 79

HSL 101.34, 0.51%, 0.54%

LAB 72.67, -46.34, 50.75

 

CMYK 45 / 0 / 67 / 29

HEX #63B43C

RGB 99 180 60

HSL 100.5, 0.5%, 0.47%

LAB 66.23, -46.13, 51.61

 

CMYK 49 / 0 / 75 / 36

HEX #52A229

RGB 82 162 41

HSL 99.67, 0.6%, 0.4%

LAB 59.7, -45.7, 52.05

 

CMYK 55 / 0 / 85 / 44

HEX #419016

RGB 65 144 22

HSL 98.85, 0.73%, 0.33%

LAB 53.09, -44.91, 51.6

 

CMYK 38 / 0 / 54 / 15

HEX #86D864

RGB 134 216 100

HSL 102.41, 0.6%, 0.62%

LAB 79.1, -45.86, 48.86

 

CMYK 23 / 0 / 54 / 15

HEX #A6D864

RGB 166 216 100

HSL 85.86, 0.6%, 0.62%

LAB 80.82, -34.72, 51.31

 

CMYK 9 / 0 / 54 / 15

HEX #C5D864

RGB 197 216 100

HSL 69.83, 0.6%, 0.62%

LAB 82.86, -22.82, 54.21

 

CMYK 0 / 6 / 54 / 15

HEX #D8CC64

RGB 216 204 100

HSL 53.79, 0.6%, 0.62%

LAB 81.13, -9.17, 52.58

 

CMYK 0 / 20 / 54 / 15

HEX #D8AD64

RGB 216 173 100

HSL 37.76, 0.6%, 0.62%

LAB 73.16, 7.01, 43.11

 

CMYK 38 / 0 / 54 / 15

HEX #86D864

RGB 134 216 100

HSL 102.41, 0.6%, 0.62%

LAB 79.1, -45.86, 48.86

 

CMYK 52 / 0 / 54 / 15

HEX #67D864

RGB 103 216 100

HSL 118.45, 0.6%, 0.62%

LAB 77.83, -54.96, 47.03

 

CMYK 54 / 0 / 41 / 15

HEX #64D880

RGB 100 216 128

HSL 134.48, 0.6%, 0.62%

LAB 78.1, -51.68, 33.64

 

CMYK 54 / 0 / 26 / 15

HEX #64D8A0

RGB 100 216 160

HSL 151.03, 0.6%, 0.62%

LAB 78.67, -45.78, 17.82

 

CMYK 54 / 0 / 12 / 15

HEX #64D8BF

RGB 100 216 191

HSL 167.07, 0.6%, 0.62%

LAB 79.38, -38.87, 2.36

 

CMYK 38 / 0 / 54 / 15

HEX #86D864

RGB 134 216 100

HSL 102.41, 0.6%, 0.62%

LAB 79.1, -45.86, 48.86

 

CMYK 45 / 0 / 64 / 9

HEX #80E854

RGB 128 232 84

HSL 102.16, 0.76%, 0.62%

LAB 83.41, -55.82, 60.7

 

CMYK 51 / 0 / 72 / 3

HEX #7AF845

RGB 122 248 69

HSL 102.23, 0.93%, 0.62%

LAB 87.82, -64.68, 70.85

 

CMYK 38 / 0 / 54 / 15

HEX #86D864

RGB 134 216 100

HSL 102.41, 0.6%, 0.62%

LAB 79.1, -45.86, 48.86

 

CMYK 30 / 0 / 42 / 21

HEX #8DC974

RGB 141 201 116

HSL 102.35, 0.44%, 0.62%

LAB 75.26, -34.91, 36.41

 

CMYK 21 / 0 / 29 / 27

HEX #93B983

RGB 147 185 131

HSL 102.22, 0.28%, 0.62%

LAB 71.24, -22.93, 23.36

 

CMYK 9 / 0 / 13 / 34

HEX #9AA993

RGB 154 169 147

HSL 100.91, 0.11%, 0.62%

LAB 67.54, -9.45, 9.58

 

CMYK 2 / 6 / 0 / 36

HEX #A09AA3

RGB 160 154 163

HSL 280, 0.05%, 0.62%

LAB 64.35, 3.9, -3.92

 

CMYK 9 / 0 / 54 / 15

HEX #C5D864

RGB 197 216 100

HSL 69.83, 0.6%, 0.62%

LAB 82.86, -22.82, 54.21

 

CMYK 23 / 0 / 54 / 15

HEX #A6D864

RGB 166 216 100

HSL 85.86, 0.6%, 0.62%

LAB 80.82, -34.72, 51.31

 

CMYK 38 / 0 / 54 / 15

HEX #87D864

RGB 135 216 100

HSL 101.9, 0.6%, 0.62%

LAB 79.15, -45.53, 48.92

 

CMYK 52 / 0 / 54 / 15

HEX #68D864

RGB 104 216 100

HSL 117.93, 0.6%, 0.62%

LAB 77.86, -54.7, 47.08

 

CMYK 54 / 0 / 41 / 15

HEX #64D87F

RGB 100 216 127

HSL 133.97, 0.6%, 0.62%

LAB 78.08, -51.84, 34.12

 

CMYK 53 / 0 / 75 / 27

HEX #58BB2F

RGB 88 187 47

HSL 102.43, 0.6%, 0.46%

LAB 67.89, -53.17, 58.12

 

CMYK 48 / 0 / 68 / 18

HEX #6DD043

RGB 109 208 67

HSL 102.13, 0.6%, 0.54%

LAB 75.31, -53.6, 58.57

 

CMYK 38 / 0 / 54 / 15

HEX #86D864

RGB 134 216 100

HSL 102.41, 0.6%, 0.62%

LAB 79.1, -45.86, 48.86

 

CMYK 29 / 0 / 41 / 12

HEX #A0E085

RGB 160 224 133

HSL 102.2, 0.59%, 0.7%

LAB 83.17, -36.63, 38.2

 

CMYK 20 / 0 / 29 / 9

HEX #BAE9A6

RGB 186 233 166

HSL 102.09, 0.6%, 0.78%

LAB 87.71, -27.2, 27.77

 

CMYK 38 / 0 / 55 / 15

HEX #85D862

RGB 133 216 98

HSL 102.2, 0.6%, 0.62%

LAB 79.03, -46.4, 49.69

 

CMYK 54 / 0 / 5 / 15

HEX #64D8CD

RGB 100 216 205

HSL 174.31, 0.6%, 0.62%

LAB 79.74, -35.42, -4.58

 

CMYK 0 / 54 / 16 / 15

HEX #D864B5

RGB 216 100 181

HSL 318.1, 0.6%, 0.62%

LAB 59.02, 55.09, -21.55

 

CMYK 38 / 0 / 55 / 15

HEX #85D862

RGB 133 216 98

HSL 102.2, 0.6%, 0.62%

LAB 79.03, -46.4, 49.69

 

CMYK 54 / 38 / 0 / 15

HEX #6487D8

RGB 100 135 216

HSL 221.9, 0.6%, 0.62%

LAB 57.07, 10.92, -45.31

 

CMYK 0 / 54 / 38 / 15

HEX #D86487

RGB 216 100 135

HSL 341.9, 0.6%, 0.62%

LAB 57.52, 48.99, 2.89

 

CMYK 38 / 0 / 55 / 15

HEX #85D862

RGB 133 216 98

HSL 102.2, 0.6%, 0.62%

LAB 79.03, -46.4, 49.69

 

CMYK 54 / 0 / 5 / 15

HEX #64D8CD

RGB 100 216 205

HSL 174.31, 0.6%, 0.62%

LAB 79.74, -35.42, -4.58

 

CMYK 16 / 54 / 0 / 15

HEX #B564D8

RGB 181 100 216

HSL 281.9, 0.6%, 0.62%

LAB 55.98, 51.52, -46.58

 

CMYK 0 / 54 / 48 / 15

HEX #D86470

RGB 216 100 112

HSL 353.79, 0.6%, 0.62%

LAB 56.96, 46.61, 15.53

 

CMYK 38 / 0 / 55 / 15

HEX #85D862

RGB 133 216 98

HSL 102.2, 0.6%, 0.62%

LAB 79.03, -46.4, 49.69

 

CMYK 54 / 11 / 0 / 15

HEX #64C1D8

RGB 100 193 216

HSL 191.9, 0.6%, 0.62%

LAB 73.42, -21.27, -19.97

 

CMYK 16 / 54 / 0 / 15

HEX #B564D8

RGB 181 100 216

HSL 281.9, 0.6%, 0.62%

LAB 55.98, 51.52, -46.58

 

CMYK 0 / 43 / 54 / 15

HEX #D87B64

RGB 216 123 100

HSL 11.9, 0.6%, 0.62%

LAB 61.38, 33.84, 28.32

 

Description

Color code: HEX #85D862 | qconv.com Color code: HEX #85D862 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 216 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 216 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 55 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 55% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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