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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85D83A it is the complementary color #7A27C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85D83A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85D83A shade: #8AD835, #9BEA48, #ACFC5B, #BDFF6E and #CEFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85D83A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85D83A shade: #85D83A, #74C627, #63B414, #52A201 and #419000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85D83A shade: #86D83B, #B0D83B, #D8D63B, #D8AC3B and #D8813B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85D83A shade: #86D83B, #5BD83B, #3BD845, #3BD870 and #3BD89A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85D83A shade matches the following richer shades: #86D83B, #85EB28 and #84FE15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85D83A shade: #86D83B, #87C54E, #88B261, #899F74 and #8A8C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85D83A shade: #D8D63B, #B1D83B, #87D83B, #5DD83B and #3BD843

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85D83A shade: #5DA120, #71C427, #86D83B, #9BDF5E and #B0E680

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85D83A shade: #85D83A, #3BD8AC and #D83BC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85D83A shade: #85D83A, #3B87D8 and #D83B87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85D83A shade: #85D83A, #3BD8AC, #8C3BD8 and #D83B68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85D83A shade: #85D83A, #3BD6D8, #8C3BD8 and #D83E3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 73 / 15

HEX #85D83A

RGB 133 216 58

HSL 91.52, 0.67%, 0.54%

LAB 78.7, -49.82, 65.65

 

Complementary color

CMYK 38 / 80 / 0 / 23

HEX #7A27C5

RGB 122 39 197

HSL 271.52, 0.67%, 0.46%

LAB 37.15, 62.38, -66.36

 

CMYK 36 / 0 / 75 / 15

HEX #8AD835

RGB 138 216 53

HSL 88.71, 0.68%, 0.53%

LAB 78.91, -48.41, 67.59

 

CMYK 34 / 0 / 69 / 8

HEX #9BEA48

RGB 155 234 72

HSL 89.26, 0.79%, 0.6%

LAB 85.14, -48.84, 67.54

 

CMYK 32 / 0 / 64 / 1

HEX #ACFC5B

RGB 172 252 91

HSL 89.81, 0.96%, 0.67%

LAB 91.3, -49.12, 67.03

 

CMYK 26 / 0 / 57 / 0

HEX #BDFF6E

RGB 189 255 110

HSL 87.31, 1%, 0.72%

LAB 93.22, -42.9, 61.54

 

CMYK 19 / 0 / 49 / 0

HEX #CEFF81

RGB 206 255 129

HSL 83.33, 1%, 0.75%

LAB 94.41, -34.99, 54.7

 

CMYK 38 / 0 / 73 / 15

HEX #85D83A

RGB 133 216 58

HSL 91.52, 0.67%, 0.54%

LAB 78.7, -49.82, 65.65

 

CMYK 41 / 0 / 80 / 22

HEX #74C627

RGB 116 198 39

HSL 90.94, 0.67%, 0.46%

LAB 72.39, -49.26, 65.29

 

CMYK 45 / 0 / 89 / 29

HEX #63B414

RGB 99 180 20

HSL 90.38, 0.8%, 0.39%

LAB 66.02, -48.43, 63.86

 

CMYK 49 / 0 / 99 / 36

HEX #52A201

RGB 82 162 1

HSL 89.81, 0.99%, 0.32%

LAB 59.56, -47.3, 61.13

 

CMYK 55 / 0 / 100 / 44

HEX #419000

RGB 65 144 0

HSL 92.92, 1%, 0.28%

LAB 53.03, -45.63, 55.87

 

CMYK 38 / 0 / 73 / 15

HEX #86D83B

RGB 134 216 59

HSL 91.34, 0.67%, 0.54%

LAB 78.75, -49.42, 65.38

 

CMYK 19 / 0 / 73 / 15

HEX #B0D83B

RGB 176 216 59

HSL 75.29, 0.67%, 0.54%

LAB 81.1, -33.97, 68.48

 

CMYK 0 / 1 / 73 / 15

HEX #D8D63B

RGB 216 214 59

HSL 59.24, 0.67%, 0.54%

LAB 83.45, -16.7, 71.74

 

CMYK 0 / 20 / 73 / 15

HEX #D8AC3B

RGB 216 172 59

HSL 43.18, 0.67%, 0.54%

LAB 72.51, 4.88, 61.18

 

CMYK 0 / 40 / 73 / 15

HEX #D8813B

RGB 216 129 59

HSL 26.75, 0.67%, 0.54%

LAB 62.18, 27.96, 50.68

 

CMYK 38 / 0 / 73 / 15

HEX #86D83B

RGB 134 216 59

HSL 91.34, 0.67%, 0.54%

LAB 78.75, -49.42, 65.38

 

CMYK 58 / 0 / 73 / 15

HEX #5BD83B

RGB 91 216 59

HSL 107.77, 0.67%, 0.54%

LAB 77.07, -62.03, 63.15

 

CMYK 73 / 0 / 68 / 15

HEX #3BD845

RGB 59 216 69

HSL 123.82, 0.67%, 0.54%

LAB 76.36, -67.66, 58.47

 

CMYK 73 / 0 / 48 / 15

HEX #3BD870

RGB 59 216 112

HSL 140.25, 0.67%, 0.54%

LAB 76.81, -62.33, 39.75

 

CMYK 73 / 0 / 29 / 15

HEX #3BD89A

RGB 59 216 154

HSL 156.31, 0.67%, 0.54%

LAB 77.5, -54.51, 19.2

 

CMYK 38 / 0 / 73 / 15

HEX #86D83B

RGB 134 216 59

HSL 91.34, 0.67%, 0.54%

LAB 78.75, -49.42, 65.38

 

CMYK 43 / 0 / 83 / 8

HEX #85EB28

RGB 133 235 40

HSL 91.38, 0.83%, 0.54%

LAB 84.25, -58.18, 75.98

 

CMYK 48 / 0 / 92 / 0

HEX #84FE15

RGB 132 254 21

HSL 91.42, 0.99%, 0.54%

LAB 89.79, -66.01, 83.98

 

CMYK 38 / 0 / 73 / 15

HEX #86D83B

RGB 134 216 59

HSL 91.34, 0.67%, 0.54%

LAB 78.75, -49.42, 65.38

 

CMYK 31 / 0 / 60 / 23

HEX #87C54E

RGB 135 197 78

HSL 91.26, 0.51%, 0.54%

LAB 73.31, -39.54, 52.16

 

CMYK 24 / 0 / 46 / 30

HEX #88B261

RGB 136 178 97

HSL 91.11, 0.34%, 0.54%

LAB 67.97, -28.35, 36.79

 

CMYK 14 / 0 / 27 / 38

HEX #899F74

RGB 137 159 116

HSL 90.7, 0.18%, 0.54%

LAB 62.82, -15.74, 19.95

 

CMYK 1 / 0 / 4 / 45

HEX #8A8C87

RGB 138 140 135

HSL 84, 0.02%, 0.54%

LAB 57.95, -1.7, 2.4

 

CMYK 0 / 1 / 73 / 15

HEX #D8D63B

RGB 216 214 59

HSL 59.24, 0.67%, 0.54%

LAB 83.45, -16.7, 71.74

 

CMYK 18 / 0 / 73 / 15

HEX #B1D83B

RGB 177 216 59

HSL 74.9, 0.67%, 0.54%

LAB 81.17, -33.58, 68.57

 

CMYK 38 / 0 / 73 / 15

HEX #87D83B

RGB 135 216 59

HSL 90.96, 0.67%, 0.54%

LAB 78.8, -49.08, 65.44

 

CMYK 57 / 0 / 73 / 15

HEX #5DD83B

RGB 93 216 59

HSL 107.01, 0.67%, 0.54%

LAB 77.13, -61.54, 63.23

 

CMYK 73 / 0 / 69 / 15

HEX #3BD843

RGB 59 216 67

HSL 123.06, 0.67%, 0.54%

LAB 76.34, -67.84, 59.23

 

CMYK 42 / 0 / 80 / 37

HEX #5DA120

RGB 93 161 32

HSL 91.63, 0.67%, 0.38%

LAB 59.82, -42.24, 55.33

 

CMYK 42 / 0 / 80 / 23

HEX #71C427

RGB 113 196 39

HSL 91.72, 0.67%, 0.46%

LAB 71.65, -49.45, 64.56

 

CMYK 38 / 0 / 73 / 15

HEX #86D83B

RGB 134 216 59

HSL 91.34, 0.67%, 0.54%

LAB 78.75, -49.42, 65.38

 

CMYK 30 / 0 / 58 / 13

HEX #9BDF5E

RGB 155 223 94

HSL 91.63, 0.67%, 0.62%

LAB 82.14, -42.39, 55.38

 

CMYK 23 / 0 / 44 / 10

HEX #B0E680

RGB 176 230 128

HSL 91.76, 0.67%, 0.7%

LAB 85.7, -34.46, 44.07

 

CMYK 38 / 0 / 73 / 15

HEX #85D83A

RGB 133 216 58

HSL 91.52, 0.67%, 0.54%

LAB 78.7, -49.82, 65.65

 

CMYK 73 / 0 / 20 / 15

HEX #3BD8AC

RGB 59 216 172

HSL 163.18, 0.67%, 0.54%

LAB 77.89, -50.43, 10.21

 

CMYK 0 / 73 / 8 / 15

HEX #D83BC6

RGB 216 59 198

HSL 306.88, 0.67%, 0.54%

LAB 53.82, 73.99, -39.41

 

CMYK 38 / 0 / 73 / 15

HEX #85D83A

RGB 133 216 58

HSL 91.52, 0.67%, 0.54%

LAB 78.7, -49.82, 65.65

 

CMYK 73 / 38 / 0 / 15

HEX #3B87D8

RGB 59 135 216

HSL 210.96, 0.67%, 0.54%

LAB 55.29, 3.65, -48.24

 

CMYK 0 / 73 / 38 / 15

HEX #D83B87

RGB 216 59 135

HSL 330.96, 0.67%, 0.54%

LAB 51.24, 66, -6.33

 

CMYK 38 / 0 / 73 / 15

HEX #85D83A

RGB 133 216 58

HSL 91.52, 0.67%, 0.54%

LAB 78.7, -49.82, 65.65

 

CMYK 73 / 0 / 20 / 15

HEX #3BD8AC

RGB 59 216 172

HSL 163.18, 0.67%, 0.54%

LAB 77.89, -50.43, 10.21

 

CMYK 35 / 73 / 0 / 15

HEX #8C3BD8

RGB 140 59 216

HSL 270.96, 0.67%, 0.54%

LAB 43.74, 61.88, -66.51

 

CMYK 0 / 73 / 52 / 15

HEX #D83B68

RGB 216 59 104

HSL 342.8, 0.67%, 0.54%

LAB 50.37, 63.15, 11.12

 

CMYK 38 / 0 / 73 / 15

HEX #85D83A

RGB 133 216 58

HSL 91.52, 0.67%, 0.54%

LAB 78.7, -49.82, 65.65

 

CMYK 73 / 1 / 0 / 15

HEX #3BD6D8

RGB 59 214 216

HSL 180.76, 0.67%, 0.54%

LAB 78.45, -37.98, -12.49

 

CMYK 35 / 73 / 0 / 15

HEX #8C3BD8

RGB 140 59 216

HSL 270.96, 0.67%, 0.54%

LAB 43.74, 61.88, -66.51

 

CMYK 0 / 71 / 73 / 15

HEX #D83E3B

RGB 216 62 59

HSL 1.15, 0.67%, 0.54%

LAB 49.93, 59.37, 37.33

 

Description

Color code: HEX #85D83A | qconv.com Color code: HEX #85D83A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 216 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 216 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 73 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 73% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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