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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85D824 it is the complementary color #7A27DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85D824. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85D824 shade: #8AD81F, #9BEA32, #ACFC45, #BDFF58 and #CEFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85D824. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85D824 shade: #85D824, #74C611, #63B400, #52A200 and #419000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85D824 shade: #84D624, #B4D624, #D6C824, #D69824 and #D66824

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85D824 shade: #84D624, #54D624, #24D624, #24D654 and #24D684

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85D824 shade matches the following richer shades: #84D624 and #85EA10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85D824 shade: #84D624, #82C138, #81AD4D, #7F9961 and #7E8575

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85D824 shade: #D6C724, #B5D624, #86D624, #57D624 and #27D624

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85D824 shade: #588F18, #6EB21E, #84D624, #98DF44 and #ABE567

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85D824 shade: #85D824, #24D698 and #D624CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85D824 shade: #85D824, #2486D6 and #D62486

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85D824 shade: #85D824, #24D698, #7424D6 and #D62462

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85D824 shade: #85D824, #24D6CD, #7424D6 and #D6242D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 83 / 15

HEX #85D824

RGB 133 216 36

HSL 87.67, 0.71%, 0.49%

LAB 78.59, -50.9, 71.92

 

Complementary color

CMYK 44 / 82 / 0 / 14

HEX #7A27DB

RGB 122 39 219

HSL 267.67, 0.71%, 0.51%

LAB 39.08, 67.43, -75.95

 

CMYK 36 / 0 / 86 / 15

HEX #8AD81F

RGB 138 216 31

HSL 85.3, 0.75%, 0.48%

LAB 78.82, -49.35, 73.31

 

CMYK 34 / 0 / 79 / 8

HEX #9BEA32

RGB 155 234 50

HSL 85.76, 0.81%, 0.56%

LAB 85.02, -50.06, 74.51

 

CMYK 32 / 0 / 73 / 1

HEX #ACFC45

RGB 172 252 69

HSL 86.23, 0.97%, 0.63%

LAB 91.15, -50.59, 74.87

 

CMYK 26 / 0 / 65 / 0

HEX #BDFF58

RGB 189 255 88

HSL 83.71, 1%, 0.67%

LAB 93.03, -44.64, 70.31

 

CMYK 19 / 0 / 58 / 0

HEX #CEFF6B

RGB 206 255 107

HSL 79.86, 1%, 0.71%

LAB 94.19, -36.99, 64.19

 

CMYK 38 / 0 / 83 / 15

HEX #85D824

RGB 133 216 36

HSL 87.67, 0.71%, 0.49%

LAB 78.59, -50.9, 71.92

 

CMYK 41 / 0 / 91 / 22

HEX #74C611

RGB 116 198 17

HSL 87.18, 0.84%, 0.42%

LAB 72.32, -50.01, 69.93

 

CMYK 45 / 0 / 100 / 29

HEX #63B400

RGB 99 180 0

HSL 87, 1%, 0.35%

LAB 65.98, -48.86, 66.61

 

CMYK 49 / 0 / 100 / 36

HEX #52A200

RGB 82 162 0

HSL 89.63, 1%, 0.32%

LAB 59.56, -47.32, 61.28

 

CMYK 55 / 0 / 100 / 44

HEX #419000

RGB 65 144 0

HSL 92.92, 1%, 0.28%

LAB 53.03, -45.63, 55.87

 

CMYK 38 / 0 / 83 / 16

HEX #84D624

RGB 132 214 36

HSL 87.64, 0.71%, 0.49%

LAB 77.95, -50.43, 71.33

 

CMYK 16 / 0 / 83 / 16

HEX #B4D624

RGB 180 214 36

HSL 71.46, 0.71%, 0.49%

LAB 80.7, -32.4, 74.79

 

CMYK 0 / 7 / 83 / 16

HEX #D6C824

RGB 214 200 36

HSL 55.28, 0.71%, 0.49%

LAB 79.46, -11.36, 74.78

 

CMYK 0 / 29 / 83 / 16

HEX #D69824

RGB 214 152 36

HSL 39.1, 0.71%, 0.49%

LAB 67.19, 13.86, 64.4

 

CMYK 0 / 51 / 83 / 16

HEX #D66824

RGB 214 104 36

HSL 22.92, 0.71%, 0.49%

LAB 56.41, 39.31, 55.06

 

CMYK 38 / 0 / 83 / 16

HEX #84D624

RGB 132 214 36

HSL 87.64, 0.71%, 0.49%

LAB 77.95, -50.43, 71.33

 

CMYK 61 / 0 / 83 / 16

HEX #54D624

RGB 84 214 36

HSL 103.82, 0.71%, 0.49%

LAB 76.13, -64.35, 69.03

 

CMYK 83 / 0 / 83 / 16

HEX #24D624

RGB 36 214 36

HSL 120, 0.71%, 0.49%

LAB 75.2, -72.35, 67.83

 

CMYK 83 / 0 / 61 / 16

HEX #24D654

RGB 36 214 84

HSL 136.18, 0.71%, 0.49%

LAB 75.52, -68.35, 51.21

 

CMYK 83 / 0 / 38 / 16

HEX #24D684

RGB 36 214 132

HSL 152.36, 0.71%, 0.49%

LAB 76.15, -60.83, 28.77

 

CMYK 38 / 0 / 83 / 16

HEX #84D624

RGB 132 214 36

HSL 87.64, 0.71%, 0.49%

LAB 77.95, -50.43, 71.33

 

CMYK 43 / 0 / 93 / 8

HEX #85EA10

RGB 133 234 16

HSL 87.8, 0.87%, 0.49%

LAB 83.9, -58.45, 79.79

 

CMYK 38 / 0 / 83 / 16

HEX #84D624

RGB 132 214 36

HSL 87.64, 0.71%, 0.49%

LAB 77.95, -50.43, 71.33

 

CMYK 33 / 0 / 71 / 24

HEX #82C138

RGB 130 193 56

HSL 87.59, 0.55%, 0.49%

LAB 71.67, -41.33, 59.31

 

CMYK 25 / 0 / 55 / 32

HEX #81AD4D

RGB 129 173 77

HSL 87.5, 0.38%, 0.49%

LAB 65.82, -30.88, 43.97

 

CMYK 17 / 0 / 37 / 40

HEX #7F9961

RGB 127 153 97

HSL 87.86, 0.22%, 0.49%

LAB 60.03, -19.33, 26.5

 

CMYK 5 / 0 / 12 / 48

HEX #7E8575

RGB 126 133 117

HSL 86.25, 0.06%, 0.49%

LAB 54.55, -5.69, 7.74

 

CMYK 0 / 7 / 83 / 16

HEX #D6C724

RGB 214 199 36

HSL 54.94, 0.71%, 0.49%

LAB 79.2, -10.85, 74.56

 

CMYK 15 / 0 / 83 / 16

HEX #B5D624

RGB 181 214 36

HSL 71.12, 0.71%, 0.49%

LAB 80.76, -32, 74.87

 

CMYK 37 / 0 / 83 / 16

HEX #86D624

RGB 134 214 36

HSL 86.97, 0.71%, 0.49%

LAB 78.05, -49.75, 71.46

 

CMYK 59 / 0 / 83 / 16

HEX #57D624

RGB 87 214 36

HSL 102.81, 0.71%, 0.49%

LAB 76.22, -63.64, 69.14

 

CMYK 82 / 0 / 83 / 16

HEX #27D624

RGB 39 214 36

HSL 118.99, 0.71%, 0.49%

LAB 75.23, -72.03, 67.88

 

CMYK 38 / 0 / 83 / 44

HEX #588F18

RGB 88 143 24

HSL 87.73, 0.71%, 0.33%

LAB 53.8, -36.72, 52.07

 

CMYK 38 / 0 / 83 / 30

HEX #6EB21E

RGB 110 178 30

HSL 87.57, 0.71%, 0.41%

LAB 65.94, -43.51, 61.77

 

CMYK 38 / 0 / 83 / 16

HEX #84D624

RGB 132 214 36

HSL 87.64, 0.71%, 0.49%

LAB 77.95, -50.43, 71.33

 

CMYK 32 / 0 / 70 / 13

HEX #98DF44

RGB 152 223 68

HSL 87.48, 0.71%, 0.57%

LAB 81.77, -45.53, 65.51

 

CMYK 25 / 0 / 55 / 10

HEX #ABE567

RGB 171 229 103

HSL 87.62, 0.71%, 0.65%

LAB 84.83, -38.49, 54.7

 

CMYK 38 / 0 / 83 / 15

HEX #85D824

RGB 133 216 36

HSL 87.67, 0.71%, 0.49%

LAB 78.59, -50.9, 71.92

 

CMYK 83 / 0 / 29 / 16

HEX #24D698

RGB 36 214 152

HSL 159.1, 0.71%, 0.49%

LAB 76.52, -56.69, 18.83

 

CMYK 0 / 83 / 4 / 16

HEX #D624CD

RGB 214 36 205

HSL 303.03, 0.71%, 0.49%

LAB 51.8, 80.52, -46.65

 

CMYK 38 / 0 / 83 / 15

HEX #85D824

RGB 133 216 36

HSL 87.67, 0.71%, 0.49%

LAB 78.59, -50.9, 71.92

 

CMYK 83 / 37 / 0 / 16

HEX #2486D6

RGB 36 134 214

HSL 206.97, 0.71%, 0.49%

LAB 54.32, 1.02, -48.69

 

CMYK 0 / 83 / 37 / 16

HEX #D62486

RGB 214 36 134

HSL 326.97, 0.71%, 0.49%

LAB 48.61, 71.74, -9.7

 

CMYK 38 / 0 / 83 / 15

HEX #85D824

RGB 133 216 36

HSL 87.67, 0.71%, 0.49%

LAB 78.59, -50.9, 71.92

 

CMYK 83 / 0 / 29 / 16

HEX #24D698

RGB 36 214 152

HSL 159.1, 0.71%, 0.49%

LAB 76.52, -56.69, 18.83

 

CMYK 46 / 83 / 0 / 16

HEX #7424D6

RGB 116 36 214

HSL 266.97, 0.71%, 0.49%

LAB 37.54, 66.5, -75.64

 

CMYK 0 / 83 / 54 / 16

HEX #D62462

RGB 214 36 98

HSL 339.1, 0.71%, 0.49%

LAB 47.55, 68.66, 10.78

 

CMYK 38 / 0 / 83 / 15

HEX #85D824

RGB 133 216 36

HSL 87.67, 0.71%, 0.49%

LAB 78.59, -50.9, 71.92

 

CMYK 83 / 0 / 4 / 16

HEX #24D6CD

RGB 36 214 205

HSL 176.97, 0.71%, 0.49%

LAB 77.8, -43.25, -7.6

 

CMYK 46 / 83 / 0 / 16

HEX #7424D6

RGB 116 36 214

HSL 266.97, 0.71%, 0.49%

LAB 37.54, 66.5, -75.64

 

CMYK 0 / 83 / 79 / 16

HEX #D6242D

RGB 214 36 45

HSL 356.97, 0.71%, 0.49%

LAB 46.64, 65.97, 41.5

 

Description

Color code: HEX #85D824 | qconv.com Color code: HEX #85D824 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 216 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 216 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 83 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 83% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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