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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85D306 it is the complementary color #7A2CF9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85D306. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85D306 shade: #8AD301, #9BE514, #ACF727, #BDFF3A and #CEFF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85D306. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85D306 shade: #85D306, #74C100, #63AF00, #529D00 and #418B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85D306 shade: #86D507, #BED507, #D5B407, #D57C07 and #D54507

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85D306 shade: #86D507, #4FD507, #17D507, #07D52E and #07D565

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85D306 shade matches the following richer shades: #86D507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85D306 shade: #86D507, #82C318, #7EB12A, #7A9F3C and #758E4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85D306 shade: #D5B207, #C0D507, #89D507, #52D507 and #1BD507

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85D306 shade: #548504, #6DAD05, #86D507, #9EF80D and #AEF935

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85D306 shade: #85D306, #07D57B and #CE07D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85D306 shade: #85D306, #0789D5 and #D50789

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85D306 shade: #85D306, #07D57B, #5207D5 and #D50760

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85D306 shade: #85D306, #07D5B9, #5207D5 and #D50722

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 97 / 17

HEX #85D306

RGB 133 211 6

HSL 82.83, 0.94%, 0.43%

LAB 77.03, -49.59, 75.29

 

Complementary color

CMYK 51 / 82 / 0 / 2

HEX #7A2CF9

RGB 122 44 249

HSL 262.83, 0.94%, 0.57%

LAB 42.43, 72.84, -87.46

 

CMYK 35 / 0 / 100 / 17

HEX #8AD301

RGB 138 211 1

HSL 80.86, 0.99%, 0.42%

LAB 77.28, -47.88, 76.08

 

CMYK 32 / 0 / 91 / 10

HEX #9BE514

RGB 155 229 20

HSL 81.24, 0.84%, 0.49%

LAB 83.47, -48.94, 79.39

 

CMYK 30 / 0 / 84 / 3

HEX #ACF727

RGB 172 247 39

HSL 81.63, 0.93%, 0.56%

LAB 89.6, -49.82, 81.58

 

CMYK 26 / 0 / 77 / 0

HEX #BDFF3A

RGB 189 255 58

HSL 80.1, 1%, 0.61%

LAB 92.86, -46.32, 80.15

 

CMYK 19 / 0 / 70 / 0

HEX #CEFF4D

RGB 206 255 77

HSL 76.52, 1%, 0.65%

LAB 93.96, -39.05, 75.58

 

CMYK 37 / 0 / 97 / 17

HEX #85D306

RGB 133 211 6

HSL 82.83, 0.94%, 0.43%

LAB 77.03, -49.59, 75.29

 

CMYK 40 / 0 / 100 / 24

HEX #74C100

RGB 116 193 0

HSL 83.94, 1%, 0.38%

LAB 70.77, -48.3, 70.67

 

CMYK 43 / 0 / 100 / 31

HEX #63AF00

RGB 99 175 0

HSL 86.06, 1%, 0.34%

LAB 64.41, -46.87, 65.39

 

CMYK 48 / 0 / 100 / 38

HEX #529D00

RGB 82 157 0

HSL 88.66, 1%, 0.31%

LAB 57.95, -45.36, 60.02

 

CMYK 53 / 0 / 100 / 45

HEX #418B00

RGB 65 139 0

HSL 91.94, 1%, 0.27%

LAB 51.37, -43.71, 54.57

 

CMYK 37 / 0 / 97 / 16

HEX #86D507

RGB 134 213 7

HSL 83.01, 0.94%, 0.43%

LAB 77.68, -50.03, 75.73

 

CMYK 11 / 0 / 97 / 16

HEX #BED507

RGB 190 213 7

HSL 66.7, 0.94%, 0.43%

LAB 81.04, -28.4, 79.79

 

CMYK 0 / 15 / 97 / 16

HEX #D5B407

RGB 213 180 7

HSL 50.39, 0.94%, 0.43%

LAB 74.06, -2, 75.44

 

CMYK 0 / 42 / 97 / 16

HEX #D57C07

RGB 213 124 7

HSL 34.08, 0.94%, 0.43%

LAB 60.41, 27.97, 65.87

 

CMYK 0 / 68 / 97 / 16

HEX #D54507

RGB 213 69 7

HSL 18.06, 0.94%, 0.43%

LAB 50, 54.46, 59.35

 

CMYK 37 / 0 / 97 / 16

HEX #86D507

RGB 134 213 7

HSL 83.01, 0.94%, 0.43%

LAB 77.68, -50.03, 75.73

 

CMYK 63 / 0 / 97 / 16

HEX #4FD507

RGB 79 213 7

HSL 99.03, 0.94%, 0.43%

LAB 75.62, -65.98, 73.21

 

CMYK 89 / 0 / 97 / 16

HEX #17D507

RGB 23 213 7

HSL 115.34, 0.94%, 0.43%

LAB 74.69, -74.06, 72.07

 

CMYK 97 / 0 / 78 / 16

HEX #07D52E

RGB 7 213 46

HSL 131.36, 0.94%, 0.43%

LAB 74.72, -73.36, 64.6

 

CMYK 97 / 0 / 53 / 16

HEX #07D565

RGB 7 213 101

HSL 147.38, 0.94%, 0.43%

LAB 75.19, -67.51, 42.95

 

CMYK 37 / 0 / 97 / 16

HEX #86D507

RGB 134 213 7

HSL 83.01, 0.94%, 0.43%

LAB 77.68, -50.03, 75.73

 

CMYK 37 / 0 / 97 / 16

HEX #86D507

RGB 134 213 7

HSL 83.01, 0.94%, 0.43%

LAB 77.68, -50.03, 75.73

 

CMYK 33 / 0 / 88 / 24

HEX #82C318

RGB 130 195 24

HSL 82.81, 0.78%, 0.43%

LAB 72.12, -43.67, 68.86

 

CMYK 29 / 0 / 76 / 31

HEX #7EB12A

RGB 126 177 42

HSL 82.67, 0.62%, 0.43%

LAB 66.56, -36.58, 59.12

 

CMYK 23 / 0 / 62 / 38

HEX #7A9F3C

RGB 122 159 60

HSL 82.42, 0.45%, 0.43%

LAB 61.01, -28.52, 46.29

 

CMYK 18 / 0 / 45 / 44

HEX #758E4E

RGB 117 142 78

HSL 83.44, 0.29%, 0.43%

LAB 55.76, -20.17, 31.12

 

CMYK 0 / 16 / 97 / 16

HEX #D5B207

RGB 213 178 7

HSL 49.81, 0.94%, 0.43%

LAB 73.55, -0.96, 75.07

 

CMYK 10 / 0 / 97 / 16

HEX #C0D507

RGB 192 213 7

HSL 66.12, 0.94%, 0.43%

LAB 81.19, -27.57, 79.96

 

CMYK 36 / 0 / 97 / 16

HEX #89D507

RGB 137 213 7

HSL 82.14, 0.94%, 0.43%

LAB 77.83, -48.98, 75.91

 

CMYK 62 / 0 / 97 / 16

HEX #52D507

RGB 82 213 7

HSL 98.16, 0.94%, 0.43%

LAB 75.7, -65.3, 73.31

 

CMYK 87 / 0 / 97 / 16

HEX #1BD507

RGB 27 213 7

HSL 114.17, 0.94%, 0.43%

LAB 74.72, -73.77, 72.11

 

CMYK 37 / 0 / 97 / 48

HEX #548504

RGB 84 133 4

HSL 82.79, 0.94%, 0.27%

LAB 50.3, -34.48, 53.35

 

CMYK 37 / 0 / 97 / 32

HEX #6DAD05

RGB 109 173 5

HSL 82.86, 0.94%, 0.35%

LAB 64.28, -42.44, 64.84

 

CMYK 37 / 0 / 97 / 16

HEX #86D507

RGB 134 213 7

HSL 83.01, 0.94%, 0.43%

LAB 77.68, -50.03, 75.73

 

CMYK 36 / 0 / 95 / 3

HEX #9EF80D

RGB 158 248 13

HSL 82.98, 0.94%, 0.51%

LAB 89.13, -55.68, 84.75

 

CMYK 30 / 0 / 79 / 2

HEX #AEF935

RGB 174 249 53

HSL 82.96, 0.94%, 0.59%

LAB 90.32, -49.43, 78.91

 

CMYK 37 / 0 / 97 / 17

HEX #85D306

RGB 133 211 6

HSL 82.83, 0.94%, 0.43%

LAB 77.03, -49.59, 75.29

 

CMYK 97 / 0 / 42 / 16

HEX #07D57B

RGB 7 213 123

HSL 153.79, 0.94%, 0.43%

LAB 75.49, -63.83, 32.46

 

CMYK 3 / 97 / 0 / 16

HEX #CE07D5

RGB 206 7 213

HSL 297.96, 0.94%, 0.43%

LAB 49.59, 84.13, -54.85

 

CMYK 37 / 0 / 97 / 17

HEX #85D306

RGB 133 211 6

HSL 82.83, 0.94%, 0.43%

LAB 77.03, -49.59, 75.29

 

CMYK 97 / 36 / 0 / 16

HEX #0789D5

RGB 7 137 213

HSL 202.14, 0.94%, 0.43%

LAB 54.8, -2.71, -47.38

 

CMYK 0 / 97 / 36 / 16

HEX #D50789

RGB 213 7 137

HSL 322.14, 0.94%, 0.43%

LAB 47.11, 75.92, -13.8

 

CMYK 37 / 0 / 97 / 17

HEX #85D306

RGB 133 211 6

HSL 82.83, 0.94%, 0.43%

LAB 77.03, -49.59, 75.29

 

CMYK 97 / 0 / 42 / 16

HEX #07D57B

RGB 7 213 123

HSL 153.79, 0.94%, 0.43%

LAB 75.49, -63.83, 32.46

 

CMYK 62 / 97 / 0 / 16

HEX #5207D5

RGB 82 7 213

HSL 261.84, 0.94%, 0.43%

LAB 31.23, 69.98, -85.61

 

CMYK 0 / 97 / 55 / 16

HEX #D50760

RGB 213 7 96

HSL 334.08, 0.94%, 0.43%

LAB 45.83, 72.52, 9.59

 

CMYK 37 / 0 / 97 / 17

HEX #85D306

RGB 133 211 6

HSL 82.83, 0.94%, 0.43%

LAB 77.03, -49.59, 75.29

 

CMYK 97 / 0 / 13 / 16

HEX #07D5B9

RGB 7 213 185

HSL 171.84, 0.94%, 0.43%

LAB 76.76, -49.7, 1.58

 

CMYK 62 / 97 / 0 / 16

HEX #5207D5

RGB 82 7 213

HSL 261.84, 0.94%, 0.43%

LAB 31.23, 69.98, -85.61

 

CMYK 0 / 97 / 84 / 16

HEX #D50722

RGB 213 7 34

HSL 352.14, 0.94%, 0.43%

LAB 44.82, 69.76, 45.62

 

Description

Color code: HEX #85D306 | qconv.com Color code: HEX #85D306 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 211 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 211 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 97 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 97% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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