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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85CF14 it is the complementary color #7A30EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85CF14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85CF14 shade: #8ACF0F, #9BE122, #ACF335, #BDFF48 and #CEFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85CF14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85CF14 shade: #85CF14, #74BD01, #63AB00, #529900 and #418700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85CF14 shade: #86D115, #B9D115, #D1B615, #D18315 and #D15015

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85CF14 shade: #86D115, #54D115, #21D115, #15D13B and #15D16E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85CF14 shade matches the following richer shades: #86D115 and #8AE302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85CF14 shade: #86D115, #83BE27, #7FAC3A, #7B994C and #77875F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85CF14 shade: #D1B515, #BBD115, #89D115, #57D115 and #24D115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85CF14 shade: #56860D, #6EAB11, #86D115, #9CE925 and #ADED4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85CF14 shade: #85CF14, #15D182 and #CE15D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85CF14 shade: #85CF14, #1589D1 and #D11589

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85CF14 shade: #85CF14, #15D182, #5D15D1 and #D11563

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85CF14 shade: #85CF14, #15D1BB, #5D15D1 and #D1152B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 90 / 19

HEX #85CF14

RGB 133 207 20

HSL 83.74, 0.82%, 0.45%

LAB 75.86, -47.72, 72.72

 

Complementary color

CMYK 48 / 80 / 0 / 8

HEX #7A30EB

RGB 122 48 235

HSL 263.74, 0.82%, 0.55%

LAB 41.61, 68.05, -80.91

 

CMYK 33 / 0 / 93 / 19

HEX #8ACF0F

RGB 138 207 15

HSL 81.56, 0.86%, 0.44%

LAB 76.11, -46.02, 73.73

 

CMYK 31 / 0 / 85 / 12

HEX #9BE122

RGB 155 225 34

HSL 81.99, 0.76%, 0.51%

LAB 82.34, -46.93, 76.05

 

CMYK 29 / 0 / 78 / 5

HEX #ACF335

RGB 172 243 53

HSL 82.42, 0.89%, 0.58%

LAB 88.51, -47.63, 77.21

 

CMYK 26 / 0 / 72 / 0

HEX #BDFF48

RGB 189 255 72

HSL 81.64, 1%, 0.64%

LAB 92.93, -45.63, 75.93

 

CMYK 19 / 0 / 64 / 0

HEX #CEFF5B

RGB 206 255 91

HSL 77.93, 1%, 0.68%

LAB 94.05, -38.18, 70.54

 

CMYK 36 / 0 / 90 / 19

HEX #85CF14

RGB 133 207 20

HSL 83.74, 0.82%, 0.45%

LAB 75.86, -47.72, 72.72

 

CMYK 39 / 0 / 99 / 26

HEX #74BD01

RGB 116 189 1

HSL 83.3, 0.99%, 0.37%

LAB 69.55, -46.66, 69.61

 

CMYK 42 / 0 / 100 / 33

HEX #63AB00

RGB 99 171 0

HSL 85.26, 1%, 0.34%

LAB 63.16, -45.26, 64.41

 

CMYK 46 / 0 / 100 / 40

HEX #529900

RGB 82 153 0

HSL 87.84, 1%, 0.3%

LAB 56.66, -43.77, 59.01

 

CMYK 52 / 0 / 100 / 47

HEX #418700

RGB 65 135 0

HSL 91.11, 1%, 0.26%

LAB 50.04, -42.15, 53.52

 

CMYK 36 / 0 / 90 / 18

HEX #86D115

RGB 134 209 21

HSL 83.94, 0.82%, 0.45%

LAB 76.51, -48.16, 73.12

 

CMYK 11 / 0 / 90 / 18

HEX #B9D115

RGB 185 209 21

HSL 67.66, 0.82%, 0.45%

LAB 79.6, -28.38, 76.9

 

CMYK 0 / 13 / 90 / 18

HEX #D1B615

RGB 209 182 21

HSL 51.38, 0.82%, 0.45%

LAB 74.23, -4.62, 73.52

 

CMYK 0 / 37 / 90 / 18

HEX #D18315

RGB 209 131 21

HSL 35.11, 0.82%, 0.45%

LAB 61.52, 22.7, 63.75

 

CMYK 0 / 62 / 90 / 18

HEX #D15015

RGB 209 80 21

HSL 18.83, 0.82%, 0.45%

LAB 51.09, 48.57, 55.95

 

CMYK 36 / 0 / 90 / 18

HEX #86D115

RGB 134 209 21

HSL 83.94, 0.82%, 0.45%

LAB 76.51, -48.16, 73.12

 

CMYK 60 / 0 / 90 / 18

HEX #54D115

RGB 84 209 21

HSL 99.89, 0.82%, 0.45%

LAB 74.53, -63.21, 70.67

 

CMYK 84 / 0 / 90 / 18

HEX #21D115

RGB 33 209 21

HSL 116.17, 0.82%, 0.45%

LAB 73.53, -71.81, 69.42

 

CMYK 90 / 0 / 72 / 18

HEX #15D13B

RGB 21 209 59

HSL 132.13, 0.82%, 0.45%

LAB 73.59, -70.6, 59.2

 

CMYK 90 / 0 / 47 / 18

HEX #15D16E

RGB 21 209 110

HSL 148.4, 0.82%, 0.45%

LAB 74.12, -64.18, 37.25

 

CMYK 36 / 0 / 90 / 18

HEX #86D115

RGB 134 209 21

HSL 83.94, 0.82%, 0.45%

LAB 76.51, -48.16, 73.12

 

CMYK 39 / 0 / 99 / 11

HEX #8AE302

RGB 138 227 2

HSL 83.73, 0.98%, 0.45%

LAB 82.03, -54.31, 79.67

 

CMYK 36 / 0 / 90 / 18

HEX #86D115

RGB 134 209 21

HSL 83.94, 0.82%, 0.45%

LAB 76.51, -48.16, 73.12

 

CMYK 31 / 0 / 79 / 25

HEX #83BE27

RGB 131 190 39

HSL 83.44, 0.66%, 0.45%

LAB 70.73, -40.6, 64.05

 

CMYK 26 / 0 / 66 / 33

HEX #7FAC3A

RGB 127 172 58

HSL 83.68, 0.5%, 0.45%

LAB 65.22, -32.87, 51.8

 

CMYK 20 / 0 / 50 / 40

HEX #7B994C

RGB 123 153 76

HSL 83.38, 0.34%, 0.45%

LAB 59.45, -23.59, 36.8

 

CMYK 12 / 0 / 30 / 47

HEX #77875F

RGB 119 135 95

HSL 84, 0.17%, 0.45%

LAB 54.11, -13.27, 19.64

 

CMYK 0 / 13 / 90 / 18

HEX #D1B515

RGB 209 181 21

HSL 51.06, 0.82%, 0.45%

LAB 73.97, -4.1, 73.31

 

CMYK 11 / 0 / 90 / 18

HEX #BBD115

RGB 187 209 21

HSL 67.02, 0.82%, 0.45%

LAB 79.74, -27.56, 77.08

 

CMYK 34 / 0 / 90 / 18

HEX #89D115

RGB 137 209 21

HSL 82.98, 0.82%, 0.45%

LAB 76.66, -47.09, 73.31

 

CMYK 58 / 0 / 90 / 18

HEX #57D115

RGB 87 209 21

HSL 98.94, 0.82%, 0.45%

LAB 74.62, -62.48, 70.78

 

CMYK 83 / 0 / 90 / 18

HEX #24D115

RGB 36 209 21

HSL 115.21, 0.82%, 0.45%

LAB 73.57, -71.51, 69.46

 

CMYK 36 / 0 / 90 / 47

HEX #56860D

RGB 86 134 13

HSL 83.8, 0.82%, 0.29%

LAB 50.75, -33.9, 52.09

 

CMYK 36 / 0 / 90 / 33

HEX #6EAB11

RGB 110 171 17

HSL 83.77, 0.82%, 0.37%

LAB 63.74, -40.98, 62.72

 

CMYK 36 / 0 / 90 / 18

HEX #86D115

RGB 134 209 21

HSL 83.94, 0.82%, 0.45%

LAB 76.51, -48.16, 73.12

 

CMYK 33 / 0 / 84 / 9

HEX #9CE925

RGB 156 233 37

HSL 83.57, 0.82%, 0.53%

LAB 84.73, -49.8, 77.48

 

CMYK 27 / 0 / 68 / 7

HEX #ADED4B

RGB 173 237 75

HSL 83.7, 0.82%, 0.61%

LAB 86.98, -43.53, 68.62

 

CMYK 36 / 0 / 90 / 19

HEX #85CF14

RGB 133 207 20

HSL 83.74, 0.82%, 0.45%

LAB 75.86, -47.72, 72.72

 

CMYK 90 / 0 / 38 / 18

HEX #15D182

RGB 21 209 130

HSL 154.79, 0.82%, 0.45%

LAB 74.43, -60.53, 27.48

 

CMYK 1 / 90 / 0 / 18

HEX #CE15D1

RGB 206 21 209

HSL 299.04, 0.82%, 0.45%

LAB 49.81, 82.17, -52.2

 

CMYK 36 / 0 / 90 / 19

HEX #85CF14

RGB 133 207 20

HSL 83.74, 0.82%, 0.45%

LAB 75.86, -47.72, 72.72

 

CMYK 90 / 34 / 0 / 18

HEX #1589D1

RGB 21 137 209

HSL 202.98, 0.82%, 0.45%

LAB 54.71, -3.67, -45.26

 

CMYK 0 / 90 / 34 / 18

HEX #D11589

RGB 209 21 137

HSL 322.98, 0.82%, 0.45%

LAB 46.84, 73.6, -14.28

 

CMYK 36 / 0 / 90 / 19

HEX #85CF14

RGB 133 207 20

HSL 83.74, 0.82%, 0.45%

LAB 75.86, -47.72, 72.72

 

CMYK 90 / 0 / 38 / 18

HEX #15D182

RGB 21 209 130

HSL 154.79, 0.82%, 0.45%

LAB 74.43, -60.53, 27.48

 

CMYK 56 / 90 / 0 / 18

HEX #5D15D1

RGB 93 21 209

HSL 262.98, 0.82%, 0.45%

LAB 32.85, 67.19, -80.57

 

CMYK 0 / 90 / 53 / 18

HEX #D11563

RGB 209 21 99

HSL 335.11, 0.82%, 0.45%

LAB 45.62, 70.27, 7.31

 

CMYK 36 / 0 / 90 / 19

HEX #85CF14

RGB 133 207 20

HSL 83.74, 0.82%, 0.45%

LAB 75.86, -47.72, 72.72

 

CMYK 90 / 0 / 11 / 18

HEX #15D1BB

RGB 21 209 187

HSL 172.98, 0.82%, 0.45%

LAB 75.67, -47, -1.09

 

CMYK 56 / 90 / 0 / 18

HEX #5D15D1

RGB 93 21 209

HSL 262.98, 0.82%, 0.45%

LAB 32.85, 67.19, -80.57

 

CMYK 0 / 90 / 79 / 18

HEX #D1152B

RGB 209 21 43

HSL 352.98, 0.82%, 0.45%

LAB 44.61, 67.42, 40.22

 

Description

Color code: HEX #85CF14 | qconv.com Color code: HEX #85CF14 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 207 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 207 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 90 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 90% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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