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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85C4D3 it is the complementary color #7A3B2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85C4D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85C4D3 shade: #8AC4CE, #9BD6E1, #ACE8F4, #BDFAFF and #CEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85C4D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85C4D3 shade: #85C4D3, #74B2C0, #63A0AD, #528E9A and #417C87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85C4D3 shade: #83C3D2, #83AED2, #8399D2, #8383D2 and #9983D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85C4D3 shade: #83C3D2, #83AED2, #8399D2 and #8383D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85C4D3 shade matches the following richer shades: #83C3D2, #76CCE0, #68D4EE and #5ADCFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85C4D3 shade: #83C3D2, #91BBC5, #9FB2B7, #ACAAAA and #BAA29C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85C4D3 shade: #83D2B7, #83D2CC, #83C4D2, #83AFD2 and #839AD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85C4D3 shade: #47A6BD, #65B5C7, #83C3D2, #A2D2DD and #C0E1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85C4D3 shade: #85C4D3, #A283D2 and #D2C183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85C4D3 shade: #85C4D3, #D283C4 and #C4D283

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85C4D3 shade: #85C4D3, #A283D2, #D29283 and #B4D283

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85C4D3 shade: #85C4D3, #B983D2, #D29283 and #9CD283

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 7 / 0 / 17

HEX #85C4D3

RGB 133 196 211

HSL 191.54, 0.47%, 0.67%

LAB 75.56, -16.33, -13.89

 

Complementary color

CMYK 0 / 52 / 64 / 52

HEX #7A3B2C

RGB 122 59 44

HSL 11.54, 0.47%, 0.33%

LAB 32.8, 26.03, 21.85

 

CMYK 33 / 5 / 0 / 19

HEX #8AC4CE

RGB 138 196 206

HSL 188.82, 0.41%, 0.67%

LAB 75.66, -16.2, -11

 

CMYK 31 / 5 / 0 / 12

HEX #9BD6E1

RGB 155 214 225

HSL 189.43, 0.54%, 0.75%

LAB 82.11, -16.17, -11.48

 

CMYK 30 / 5 / 0 / 4

HEX #ACE8F4

RGB 172 232 244

HSL 190, 0.77%, 0.82%

LAB 88.46, -16.14, -11.95

 

CMYK 26 / 2 / 0 / 0

HEX #BDFAFF

RGB 189 250 255

HSL 184.55, 1%, 0.87%

LAB 94.49, -17.88, -8.61

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 37 / 7 / 0 / 17

HEX #85C4D3

RGB 133 196 211

HSL 191.54, 0.47%, 0.67%

LAB 75.56, -16.33, -13.89

 

CMYK 40 / 7 / 0 / 25

HEX #74B2C0

RGB 116 178 192

HSL 191.05, 0.38%, 0.6%

LAB 69.01, -16.3, -13.43

 

CMYK 43 / 8 / 0 / 32

HEX #63A0AD

RGB 99 160 173

HSL 190.54, 0.31%, 0.53%

LAB 62.35, -16.24, -12.95

 

CMYK 47 / 8 / 0 / 40

HEX #528E9A

RGB 82 142 154

HSL 190, 0.31%, 0.46%

LAB 55.56, -16.15, -12.45

 

CMYK 52 / 8 / 0 / 47

HEX #417C87

RGB 65 124 135

HSL 189.43, 0.35%, 0.39%

LAB 48.62, -15.99, -11.92

 

CMYK 38 / 7 / 0 / 18

HEX #83C3D2

RGB 131 195 210

HSL 191.39, 0.47%, 0.67%

LAB 75.14, -16.59, -13.98

 

CMYK 38 / 17 / 0 / 18

HEX #83AED2

RGB 131 174 210

HSL 207.34, 0.47%, 0.67%

LAB 69.29, -5.44, -22.84

 

CMYK 38 / 27 / 0 / 18

HEX #8399D2

RGB 131 153 210

HSL 223.29, 0.47%, 0.67%

LAB 63.56, 6.3, -31.66

 

CMYK 38 / 38 / 0 / 18

HEX #8383D2

RGB 131 131 210

HSL 240, 0.47%, 0.67%

LAB 57.76, 19.09, -40.71

 

CMYK 27 / 38 / 0 / 18

HEX #9983D2

RGB 153 131 210

HSL 256.71, 0.47%, 0.67%

LAB 59.58, 25.25, -37.73

 

CMYK 38 / 7 / 0 / 18

HEX #83C3D2

RGB 131 195 210

HSL 191.39, 0.47%, 0.67%

LAB 75.14, -16.59, -13.98

 

CMYK 38 / 17 / 0 / 18

HEX #83AED2

RGB 131 174 210

HSL 207.34, 0.47%, 0.67%

LAB 69.29, -5.44, -22.84

 

CMYK 38 / 27 / 0 / 18

HEX #8399D2

RGB 131 153 210

HSL 223.29, 0.47%, 0.67%

LAB 63.56, 6.3, -31.66

 

CMYK 38 / 38 / 0 / 18

HEX #8383D2

RGB 131 131 210

HSL 240, 0.47%, 0.67%

LAB 57.76, 19.09, -40.71

 

CMYK 38 / 7 / 0 / 18

HEX #83C3D2

RGB 131 195 210

HSL 191.39, 0.47%, 0.67%

LAB 75.14, -16.59, -13.98

 

CMYK 47 / 9 / 0 / 12

HEX #76CCE0

RGB 118 204 224

HSL 191.32, 0.63%, 0.67%

LAB 77.53, -20.75, -18

 

CMYK 56 / 11 / 0 / 7

HEX #68D4EE

RGB 104 212 238

HSL 191.64, 0.8%, 0.67%

LAB 79.73, -23.84, -22.22

 

CMYK 64 / 12 / 0 / 2

HEX #5ADCFB

RGB 90 220 251

HSL 191.55, 0.95%, 0.67%

LAB 82.01, -26.47, -25.69

 

CMYK 38 / 7 / 0 / 18

HEX #83C3D2

RGB 131 195 210

HSL 191.39, 0.47%, 0.67%

LAB 75.14, -16.59, -13.98

 

CMYK 26 / 5 / 0 / 23

HEX #91BBC5

RGB 145 187 197

HSL 191.54, 0.31%, 0.67%

LAB 73.28, -11.62, -9.62

 

CMYK 13 / 3 / 0 / 28

HEX #9FB2B7

RGB 159 178 183

HSL 192.5, 0.14%, 0.67%

LAB 71.3, -5.51, -4.78

 

CMYK 0 / 1 / 1 / 33

HEX #ACAAAA

RGB 172 170 170

HSL 0, 0.01%, 0.67%

LAB 69.77, 0.72, 0.24

 

CMYK 0 / 13 / 16 / 27

HEX #BAA29C

RGB 186 162 156

HSL 12, 0.18%, 0.67%

LAB 68.52, 7.78, 6.34

 

CMYK 38 / 0 / 13 / 18

HEX #83D2B7

RGB 131 210 183

HSL 159.49, 0.47%, 0.67%

LAB 78.66, -30.36, 5.75

 

CMYK 38 / 0 / 3 / 18

HEX #83D2CC

RGB 131 210 204

HSL 175.44, 0.47%, 0.67%

LAB 79.2, -25.61, -4.7

 

CMYK 38 / 7 / 0 / 18

HEX #83C4D2

RGB 131 196 210

HSL 190.63, 0.47%, 0.67%

LAB 75.43, -17.11, -13.56

 

CMYK 38 / 17 / 0 / 18

HEX #83AFD2

RGB 131 175 210

HSL 206.58, 0.47%, 0.67%

LAB 69.57, -5.99, -22.42

 

CMYK 38 / 27 / 0 / 18

HEX #839AD2

RGB 131 154 210

HSL 222.53, 0.47%, 0.67%

LAB 63.83, 5.73, -31.24

 

CMYK 62 / 12 / 0 / 26

HEX #47A6BD

RGB 71 166 189

HSL 191.69, 0.47%, 0.51%

LAB 63.58, -20.87, -20.16

 

CMYK 49 / 9 / 0 / 22

HEX #65B5C7

RGB 101 181 199

HSL 191.02, 0.47%, 0.59%

LAB 69.43, -19.66, -16.72

 

CMYK 38 / 7 / 0 / 18

HEX #83C3D2

RGB 131 195 210

HSL 191.39, 0.47%, 0.67%

LAB 75.14, -16.59, -13.98

 

CMYK 27 / 5 / 0 / 13

HEX #A2D2DD

RGB 162 210 221

HSL 191.19, 0.46%, 0.75%

LAB 81.29, -13.05, -10.53

 

CMYK 17 / 3 / 0 / 9

HEX #C0E1E8

RGB 192 225 232

HSL 190.5, 0.47%, 0.83%

LAB 87.43, -9.33, -7.05

 

CMYK 37 / 7 / 0 / 17

HEX #85C4D3

RGB 133 196 211

HSL 191.54, 0.47%, 0.67%

LAB 75.56, -16.33, -13.89

 

CMYK 23 / 38 / 0 / 18

HEX #A283D2

RGB 162 131 210

HSL 263.54, 0.47%, 0.67%

LAB 60.4, 27.88, -36.39

 

CMYK 0 / 8 / 38 / 18

HEX #D2C183

RGB 210 193 131

HSL 47.09, 0.47%, 0.67%

LAB 78.16, -2.91, 33.41

 

CMYK 37 / 7 / 0 / 17

HEX #85C4D3

RGB 133 196 211

HSL 191.54, 0.47%, 0.67%

LAB 75.56, -16.33, -13.89

 

CMYK 0 / 38 / 7 / 18

HEX #D283C4

RGB 210 131 196

HSL 310.63, 0.47%, 0.67%

LAB 64.9, 40.01, -21.16

 

CMYK 7 / 0 / 38 / 18

HEX #C4D283

RGB 196 210 131

HSL 70.63, 0.47%, 0.67%

LAB 81.55, -17.09, 37.58

 

CMYK 37 / 7 / 0 / 17

HEX #85C4D3

RGB 133 196 211

HSL 191.54, 0.47%, 0.67%

LAB 75.56, -16.33, -13.89

 

CMYK 23 / 38 / 0 / 18

HEX #A283D2

RGB 162 131 210

HSL 263.54, 0.47%, 0.67%

LAB 60.4, 27.88, -36.39

 

CMYK 0 / 30 / 38 / 18

HEX #D29283

RGB 210 146 131

HSL 11.39, 0.47%, 0.67%

LAB 66.44, 22.3, 17.68

 

CMYK 14 / 0 / 38 / 18

HEX #B4D283

RGB 180 210 131

HSL 82.78, 0.47%, 0.67%

LAB 80.42, -23.15, 35.91

 

CMYK 37 / 7 / 0 / 17

HEX #85C4D3

RGB 133 196 211

HSL 191.54, 0.47%, 0.67%

LAB 75.56, -16.33, -13.89

 

CMYK 12 / 38 / 0 / 18

HEX #B983D2

RGB 185 131 210

HSL 281.01, 0.47%, 0.67%

LAB 62.68, 34.81, -32.67

 

CMYK 0 / 30 / 38 / 18

HEX #D29283

RGB 210 146 131

HSL 11.39, 0.47%, 0.67%

LAB 66.44, 22.3, 17.68

 

CMYK 26 / 0 / 38 / 18

HEX #9CD283

RGB 156 210 131

HSL 101.01, 0.47%, 0.67%

LAB 78.93, -31.82, 33.67

 

Description

Color code: HEX #85C4D3 | qconv.com Color code: HEX #85C4D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 196 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 196 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 7 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 7% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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