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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85B711 it is the complementary color #7A48EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85B711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85B711 shade: #8AB70C, #9BC91F, #ACDB32, #BDED45 and #CEFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85B711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85B711 shade: #85B711, #74A500, #639300, #528100 and #416F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85B711 shade: #84B611, #B1B611, #B68F11, #B66211 and #B63611

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85B711 shade: #84B611, #58B611, #2BB611, #11B623 and #11B650

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85B711 shade matches the following richer shades: #84B611 and #8BC601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85B711 shade: #84B611, #7EA621, #779631, #718641 and #6B7651

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85B711 shade: #B68F11, #B0B611, #84B611, #58B611 and #2CB611

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85B711 shade: #4D6A0A, #69900D, #84B611, #A0DC14 and #B2EC2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85B711 shade: #85B711, #11B663 and #A511B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85B711 shade: #85B711, #1184B6 and #B61184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85B711 shade: #85B711, #11B663, #4211B6 and #B61163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85B711 shade: #85B711, #11B695, #4211B6 and #B61132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 91 / 28

HEX #85B711

RGB 133 183 17

HSL 78.07, 0.83%, 0.39%

LAB 68.67, -37.48, 67.31

 

Complementary color

CMYK 49 / 70 / 0 / 7

HEX #7A48EE

RGB 122 72 238

HSL 258.07, 0.83%, 0.61%

LAB 45.56, 58.3, -76.13

 

CMYK 25 / 0 / 93 / 28

HEX #8AB70C

RGB 138 183 12

HSL 75.79, 0.88%, 0.38%

LAB 68.97, -35.61, 68.39

 

CMYK 23 / 0 / 85 / 21

HEX #9BC91F

RGB 155 201 31

HSL 76.24, 0.73%, 0.45%

LAB 75.35, -36.57, 70.72

 

CMYK 21 / 0 / 77 / 14

HEX #ACDB32

RGB 172 219 50

HSL 76.69, 0.7%, 0.53%

LAB 81.66, -37.33, 71.76

 

CMYK 20 / 0 / 71 / 7

HEX #BDED45

RGB 189 237 69

HSL 77.14, 0.82%, 0.6%

LAB 87.88, -37.92, 71.98

 

CMYK 19 / 0 / 65 / 0

HEX #CEFF58

RGB 206 255 88

HSL 77.6, 1%, 0.67%

LAB 94.03, -38.38, 71.67

 

CMYK 27 / 0 / 91 / 28

HEX #85B711

RGB 133 183 17

HSL 78.07, 0.83%, 0.39%

LAB 68.67, -37.48, 67.31

 

CMYK 30 / 0 / 100 / 35

HEX #74A500

RGB 116 165 0

HSL 77.82, 1%, 0.32%

LAB 62.19, -36.4, 64.05

 

CMYK 33 / 0 / 100 / 42

HEX #639300

RGB 99 147 0

HSL 79.59, 1%, 0.29%

LAB 55.6, -35, 58.57

 

CMYK 36 / 0 / 100 / 49

HEX #528100

RGB 82 129 0

HSL 81.86, 1%, 0.25%

LAB 48.88, -33.57, 52.97

 

CMYK 41 / 0 / 100 / 56

HEX #416F00

RGB 65 111 0

HSL 84.86, 1%, 0.22%

LAB 41.99, -32.07, 47.24

 

CMYK 27 / 0 / 91 / 29

HEX #84B611

RGB 132 182 17

HSL 78.18, 0.83%, 0.39%

LAB 68.32, -37.43, 66.99

 

CMYK 3 / 0 / 91 / 29

HEX #B1B611

RGB 177 182 17

HSL 61.82, 0.83%, 0.39%

LAB 71.45, -18.69, 70.82

 

CMYK 0 / 21 / 91 / 29

HEX #B68F11

RGB 182 143 17

HSL 45.82, 0.83%, 0.39%

LAB 61.33, 4.1, 63.13

 

CMYK 0 / 46 / 91 / 29

HEX #B66211

RGB 182 98 17

HSL 29.45, 0.83%, 0.39%

LAB 50.36, 28.94, 54.74

 

CMYK 0 / 70 / 91 / 29

HEX #B63611

RGB 182 54 17

HSL 13.45, 0.83%, 0.39%

LAB 42.19, 50.06, 48.68

 

CMYK 27 / 0 / 91 / 29

HEX #84B611

RGB 132 182 17

HSL 78.18, 0.83%, 0.39%

LAB 68.32, -37.43, 66.99

 

CMYK 52 / 0 / 91 / 29

HEX #58B611

RGB 88 182 17

HSL 94.18, 0.83%, 0.39%

LAB 66.19, -52.7, 64.36

 

CMYK 76 / 0 / 91 / 29

HEX #2BB611

RGB 43 182 17

HSL 110.55, 0.83%, 0.39%

LAB 64.97, -62.81, 62.85

 

CMYK 91 / 0 / 81 / 29

HEX #11B623

RGB 17 182 35

HSL 126.55, 0.83%, 0.39%

LAB 64.72, -64.78, 58.36

 

CMYK 91 / 0 / 56 / 29

HEX #11B650

RGB 17 182 80

HSL 142.91, 0.83%, 0.39%

LAB 65.08, -60.22, 40.79

 

CMYK 27 / 0 / 91 / 29

HEX #84B611

RGB 132 182 17

HSL 78.18, 0.83%, 0.39%

LAB 68.32, -37.43, 66.99

 

CMYK 30 / 0 / 99 / 22

HEX #8BC601

RGB 139 198 1

HSL 77.97, 0.99%, 0.39%

LAB 73.47, -42.03, 73.16

 

CMYK 27 / 0 / 91 / 29

HEX #84B611

RGB 132 182 17

HSL 78.18, 0.83%, 0.39%

LAB 68.32, -37.43, 66.99

 

CMYK 24 / 0 / 80 / 35

HEX #7EA621

RGB 126 166 33

HSL 78.05, 0.67%, 0.39%

LAB 63.19, -31.97, 58.8

 

CMYK 21 / 0 / 67 / 41

HEX #779631

RGB 119 150 49

HSL 78.42, 0.51%, 0.39%

LAB 58, -26.24, 47.8

 

CMYK 16 / 0 / 51 / 47

HEX #718641

RGB 113 134 65

HSL 78.26, 0.35%, 0.39%

LAB 52.89, -19.19, 34.36

 

CMYK 9 / 0 / 31 / 54

HEX #6B7651

RGB 107 118 81

HSL 77.84, 0.19%, 0.39%

LAB 47.85, -10.99, 19.06

 

CMYK 0 / 21 / 91 / 29

HEX #B68F11

RGB 182 143 17

HSL 45.82, 0.83%, 0.39%

LAB 61.33, 4.1, 63.13

 

CMYK 3 / 0 / 91 / 29

HEX #B0B611

RGB 176 182 17

HSL 62.18, 0.83%, 0.39%

LAB 71.37, -19.12, 70.72

 

CMYK 27 / 0 / 91 / 29

HEX #84B611

RGB 132 182 17

HSL 78.18, 0.83%, 0.39%

LAB 68.32, -37.43, 66.99

 

CMYK 52 / 0 / 91 / 29

HEX #58B611

RGB 88 182 17

HSL 94.18, 0.83%, 0.39%

LAB 66.19, -52.7, 64.36

 

CMYK 76 / 0 / 91 / 29

HEX #2CB611

RGB 44 182 17

HSL 110.18, 0.83%, 0.39%

LAB 64.99, -62.66, 62.87

 

CMYK 27 / 0 / 91 / 58

HEX #4D6A0A

RGB 77 106 10

HSL 78.13, 0.83%, 0.23%

LAB 41.07, -24.43, 44.34

 

CMYK 27 / 0 / 91 / 44

HEX #69900D

RGB 105 144 13

HSL 77.86, 0.83%, 0.31%

LAB 55.05, -30.92, 56.13

 

CMYK 27 / 0 / 91 / 29

HEX #84B611

RGB 132 182 17

HSL 78.18, 0.83%, 0.39%

LAB 68.32, -37.43, 66.99

 

CMYK 27 / 0 / 91 / 14

HEX #A0DC14

RGB 160 220 20

HSL 78, 0.83%, 0.47%

LAB 81.13, -43.3, 77.61

 

CMYK 25 / 0 / 81 / 7

HEX #B2EC2E

RGB 178 236 46

HSL 78.32, 0.83%, 0.55%

LAB 86.83, -42.71, 77.67

 

CMYK 27 / 0 / 91 / 28

HEX #85B711

RGB 133 183 17

HSL 78.07, 0.83%, 0.39%

LAB 68.67, -37.48, 67.31

 

CMYK 91 / 0 / 46 / 29

HEX #11B663

RGB 17 182 99

HSL 149.82, 0.83%, 0.39%

LAB 65.34, -57.16, 31.61

 

CMYK 9 / 91 / 0 / 29

HEX #A511B6

RGB 165 17 182

HSL 293.82, 0.83%, 0.39%

LAB 40.86, 71.65, -51.22

 

CMYK 27 / 0 / 91 / 28

HEX #85B711

RGB 133 183 17

HSL 78.07, 0.83%, 0.39%

LAB 68.67, -37.48, 67.31

 

CMYK 91 / 27 / 0 / 29

HEX #1184B6

RGB 17 132 182

HSL 198.18, 0.83%, 0.39%

LAB 51.84, -11.09, -34.43

 

CMYK 0 / 91 / 27 / 29

HEX #B61184

RGB 182 17 132

HSL 318.18, 0.83%, 0.39%

LAB 41.24, 67.81, -20.26

 

CMYK 27 / 0 / 91 / 28

HEX #85B711

RGB 133 183 17

HSL 78.07, 0.83%, 0.39%

LAB 68.67, -37.48, 67.31

 

CMYK 91 / 0 / 46 / 29

HEX #11B663

RGB 17 182 99

HSL 149.82, 0.83%, 0.39%

LAB 65.34, -57.16, 31.61

 

CMYK 64 / 91 / 0 / 29

HEX #4211B6

RGB 66 17 182

HSL 257.82, 0.83%, 0.39%

LAB 26.55, 59.43, -75.2

 

CMYK 0 / 91 / 46 / 29

HEX #B61163

RGB 182 17 99

HSL 330.18, 0.83%, 0.39%

LAB 39.99, 64.45, -1.51

 

CMYK 27 / 0 / 91 / 28

HEX #85B711

RGB 133 183 17

HSL 78.07, 0.83%, 0.39%

LAB 68.67, -37.48, 67.31

 

CMYK 91 / 0 / 18 / 29

HEX #11B695

RGB 17 182 149

HSL 168, 0.83%, 0.39%

LAB 66.32, -46.08, 6.05

 

CMYK 64 / 91 / 0 / 29

HEX #4211B6

RGB 66 17 182

HSL 257.82, 0.83%, 0.39%

LAB 26.55, 59.43, -75.2

 

CMYK 0 / 91 / 73 / 29

HEX #B61132

RGB 182 17 50

HSL 348, 0.83%, 0.39%

LAB 38.86, 61.28, 28.09

 

Description

Color code: HEX #85B711 | qconv.com Color code: HEX #85B711 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 183 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 183 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 91 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 91% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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