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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85AEFD3F it is the complementary color #7A51023F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85AEFD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85AEFD3F shade: #8AAEF83F, #9BC0FF3F, #ACD2FF3F, #BDE4FF3F and #CEF6FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85AEFD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85AEFD3F shade: #85AEFD3F, #749CEA3F, #638AD73F, #5278C43F and #4166B13F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85AEFD3F shade: #86AFFD, #868FFD, #9E86FD, #BE86FD and #DE86FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85AEFD3F shade: #86AFFD, #868FFD and #8686FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85AEFD3F shade matches the following richer shades: #86AFFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85AEFD3F shade: #86AFFD, #90B2F3, #9AB5E9, #A4B8DF and #AEBCD6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85AEFD3F shade: #86EFFD, #86D0FD, #86B0FD, #8690FD and #9C86FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85AEFD3F shade: #3579FC, #5E94FD, #86AFFD, #AFCAFE and #D8E5FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85AEFD3F shade: #85AEFD, #EB86FD and #DFFD86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85AEFD3F shade: #85AEFD, #FD86B0 and #B0FD86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85AEFD3F shade: #85AEFD, #EB86FD, #FDD486 and #98FD86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85AEFD3F shade: #85AEFD, #FD86EB, #FDD486 and #86FD98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 8 / 0 / 0

HEX #85AEFD3F

RGBA 133 174 253 0.25

HSLA 219.5, 0.97%, 0.76%, 0.25

LABA 71.11, 6.98, -43.47, 0.25

 

Complementary color

CMYK 0 / 8 / 25 / 13

HEX #7A51023F

RGBA 122 81 2 0.25

HSLA 39.5, 0.97%, 0.24%, 0.25

LABA 37.89, 11.22, 45.9, 0.25

 

CMYK 11 / 7 / 0 / 1

HEX #8AAEF83F

RGBA 138 174 248 0.25

HSLA 220.36, 0.89%, 0.76%, 0.25

LABA 71.18, 6.74, -40.63, 0.25

 

CMYK 10 / 6 / 0 / 0

HEX #9BC0FF3F

RGBA 155 192 255 0.25

HSLA 217.8, 1%, 0.8%, 0.25

LABA 77.21, 2.96, -34.96, 0.25

 

CMYK 8 / 4 / 0 / 0

HEX #ACD2FF3F

RGBA 172 210 255 0.25

HSLA 212.53, 1%, 0.84%, 0.25

LABA 82.96, -2.18, -26.05, 0.25

 

CMYK 6 / 3 / 0 / 0

HEX #BDE4FF3F

RGBA 189 228 255 0.25

HSLA 204.55, 1%, 0.87%, 0.25

LABA 88.7, -6.78, -17.26, 0.25

 

CMYK 5 / 1 / 0 / 0

HEX #CEF6FF3F

RGBA 206 246 255 0.25

HSLA 191.02, 1%, 0.9%, 0.25

LABA 94.42, -10.94, -8.6, 0.25

 

CMYK 12 / 8 / 0 / 0

HEX #85AEFD3F

RGBA 133 174 253 0.25

HSLA 219.5, 0.97%, 0.76%, 0.25

LABA 71.11, 6.98, -43.47, 0.25

 

CMYK 13 / 8 / 0 / 2

HEX #749CEA3F

RGBA 116 156 234 0.25

HSLA 219.66, 0.74%, 0.69%, 0.25

LABA 64.51, 7.72, -43.53, 0.25

 

CMYK 13 / 9 / 0 / 4

HEX #638AD73F

RGBA 99 138 215 0.25

HSLA 219.83, 0.59%, 0.62%, 0.25

LABA 57.79, 8.6, -43.62, 0.25

 

CMYK 15 / 10 / 0 / 6

HEX #5278C43F

RGBA 82 120 196 0.25

HSLA 220, 0.49%, 0.55%, 0.25

LABA 50.93, 9.67, -43.75, 0.25

 

CMYK 16 / 11 / 0 / 8

HEX #4166B13F

RGBA 65 102 177 0.25

HSLA 220.18, 0.46%, 0.47%, 0.25

LABA 43.95, 11.01, -43.92, 0.25

 

CMYK 47 / 31 / 0 / 1

HEX #86AFFD

RGB 134 175 253

HSL 219.33, 0.97%, 0.76%

LAB 71.43, 6.65, -42.97

 

CMYK 47 / 43 / 0 / 1

HEX #868FFD

RGB 134 143 253

HSL 235.46, 0.97%, 0.76%

LAB 63.18, 25.04, -55.99

 

CMYK 38 / 47 / 0 / 1

HEX #9E86FD

RGB 158 134 253

HSL 252.1, 0.97%, 0.76%

LAB 62.85, 35.92, -56.4

 

CMYK 25 / 47 / 0 / 1

HEX #BE86FD

RGB 190 134 253

HSL 268.24, 0.97%, 0.76%

LAB 65.82, 44.09, -51.51

 

CMYK 12 / 47 / 0 / 1

HEX #DE86FD

RGB 222 134 253

HSL 284.37, 0.97%, 0.76%

LAB 69.24, 52.72, -45.89

 

CMYK 47 / 31 / 0 / 1

HEX #86AFFD

RGB 134 175 253

HSL 219.33, 0.97%, 0.76%

LAB 71.43, 6.65, -42.97

 

CMYK 47 / 43 / 0 / 1

HEX #868FFD

RGB 134 143 253

HSL 235.46, 0.97%, 0.76%

LAB 63.18, 25.04, -55.99

 

CMYK 47 / 47 / 0 / 1

HEX #8686FD

RGB 134 134 253

HSL 240, 0.97%, 0.76%

LAB 60.97, 30.3, -59.52

 

CMYK 47 / 31 / 0 / 1

HEX #86AFFD

RGB 134 175 253

HSL 219.33, 0.97%, 0.76%

LAB 71.43, 6.65, -42.97

 

CMYK 47 / 31 / 0 / 1

HEX #86AFFD

RGB 134 175 253

HSL 219.33, 0.97%, 0.76%

LAB 71.43, 6.65, -42.97

 

CMYK 41 / 27 / 0 / 5

HEX #90B2F3

RGB 144 178 243

HSL 219.39, 0.8%, 0.76%

LAB 72.39, 4.62, -36.02

 

CMYK 34 / 22 / 0 / 9

HEX #9AB5E9

RGB 154 181 233

HSL 219.49, 0.64%, 0.76%

LAB 73.42, 3, -28.96

 

CMYK 26 / 17 / 0 / 13

HEX #A4B8DF

RGB 164 184 223

HSL 219.66, 0.48%, 0.76%

LAB 74.51, 1.78, -21.8

 

CMYK 19 / 12 / 0 / 16

HEX #AEBCD6

RGB 174 188 214

HSL 219, 0.33%, 0.76%

LAB 75.96, 0.62, -14.66

 

CMYK 47 / 6 / 0 / 1

HEX #86EFFD

RGB 134 239 253

HSL 187.06, 0.97%, 0.76%

LAB 88.87, -26.9, -16.22

 

CMYK 47 / 18 / 0 / 1

HEX #86D0FD

RGB 134 208 253

HSL 202.69, 0.97%, 0.76%

LAB 80.33, -11.28, -29.18

 

CMYK 47 / 30 / 0 / 1

HEX #86B0FD

RGB 134 176 253

HSL 218.82, 0.97%, 0.76%

LAB 71.7, 6.09, -42.55

 

CMYK 47 / 43 / 0 / 1

HEX #8690FD

RGB 134 144 253

HSL 234.96, 0.97%, 0.76%

LAB 63.43, 24.46, -55.59

 

CMYK 38 / 47 / 0 / 1

HEX #9C86FD

RGB 156 134 253

HSL 251.09, 0.97%, 0.76%

LAB 62.68, 35.43, -56.68

 

CMYK 79 / 52 / 0 / 1

HEX #3579FC

RGB 53 121 252

HSL 219.5, 0.97%, 0.6%

LAB 53.45, 24.71, -71.29

 

CMYK 63 / 42 / 0 / 1

HEX #5E94FD

RGB 94 148 253

HSL 219.62, 0.98%, 0.68%

LAB 62.21, 14.07, -57.67

 

CMYK 47 / 31 / 0 / 1

HEX #86AFFD

RGB 134 175 253

HSL 219.33, 0.97%, 0.76%

LAB 71.43, 6.65, -42.97

 

CMYK 31 / 20 / 0 / 0

HEX #AFCAFE

RGB 175 202 254

HSL 219.49, 0.98%, 0.84%

LAB 81.02, 2.68, -28.46

 

CMYK 15 / 10 / 0 / 0

HEX #D8E5FE

RGB 216 229 254

HSL 219.47, 0.95%, 0.92%

LAB 90.69, 0.6, -13.57

 

CMYK 47 / 31 / 0 / 1

HEX #85AEFD

RGB 133 174 253

HSL 219.5, 0.97%, 0.76%

LAB 71.11, 6.98, -43.47

 

CMYK 7 / 47 / 0 / 1

HEX #EB86FD

RGB 235 134 253

HSL 290.92, 0.97%, 0.76%

LAB 70.74, 56.28, -43.43

 

CMYK 12 / 0 / 47 / 1

HEX #DFFD86

RGB 223 253 134

HSL 75.13, 0.97%, 0.76%

LAB 95.02, -27.29, 53.38

 

CMYK 47 / 31 / 0 / 1

HEX #85AEFD

RGB 133 174 253

HSL 219.5, 0.97%, 0.76%

LAB 71.11, 6.98, -43.47

 

CMYK 0 / 47 / 30 / 1

HEX #FD86B0

RGB 253 134 176

HSL 338.82, 0.97%, 0.76%

LAB 70.22, 49.67, -1.41

 

CMYK 30 / 0 / 47 / 1

HEX #B0FD86

RGB 176 253 134

HSL 98.82, 0.97%, 0.76%

LAB 92.22, -44.01, 49.32

 

CMYK 47 / 31 / 0 / 1

HEX #85AEFD

RGB 133 174 253

HSL 219.5, 0.97%, 0.76%

LAB 71.11, 6.98, -43.47

 

CMYK 7 / 47 / 0 / 1

HEX #EB86FD

RGB 235 134 253

HSL 290.92, 0.97%, 0.76%

LAB 70.74, 56.28, -43.43

 

CMYK 0 / 16 / 47 / 1

HEX #FDD486

RGB 253 212 134

HSL 39.33, 0.97%, 0.76%

LAB 86.85, 4.67, 43.79

 

CMYK 40 / 0 / 47 / 1

HEX #98FD86

RGB 152 253 134

HSL 110.92, 0.97%, 0.76%

LAB 91.07, -51.6, 47.64

 

CMYK 47 / 31 / 0 / 1

HEX #85AEFD

RGB 133 174 253

HSL 219.5, 0.97%, 0.76%

LAB 71.11, 6.98, -43.47

 

CMYK 0 / 47 / 7 / 1

HEX #FD86EB

RGB 253 134 235

HSL 309.08, 0.97%, 0.76%

LAB 72.18, 58.21, -31.17

 

CMYK 0 / 16 / 47 / 1

HEX #FDD486

RGB 253 212 134

HSL 39.33, 0.97%, 0.76%

LAB 86.85, 4.67, 43.79

 

CMYK 47 / 0 / 40 / 1

HEX #86FD98

RGB 134 253 152

HSL 129.08, 0.97%, 0.76%

LAB 90.59, -54.14, 38.17

 

Description

Color code: HEX #85AEFD3F | qconv.com Color code: HEX #85AEFD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 174 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 174 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 8 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 8% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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