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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85ABC6 it is the complementary color #7A5439. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85ABC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85ABC6 shade: #8AABC1, #9BBDD4, #ACCFE7, #BDE1FA and #CEF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85ABC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85ABC6 shade: #85ABC6, #7499B3, #6387A0, #52758D and #41637A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85ABC6 shade: #86ABC6, #869AC6, #8689C6, #9486C6 and #A586C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85ABC6 shade: #86ABC6, #869AC6, #8689C6 and #8686C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85ABC6 shade matches the following richer shades: #86ABC6, #77AED4, #69B0E3 and #5AB3F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85ABC6 shade: #86ABC6, #94A9B7, #A3A6A9, #B1A49B and #BFA18C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85ABC6 shade: #86C6BD, #86BDC6, #86ACC6, #869BC6 and #868AC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85ABC6 shade: #5084A9, #6A98B9, #86ABC6, #A2BFD3 and #BED2E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85ABC6 shade: #85ABC6, #AC86C6 and #C6C686

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85ABC6 shade: #85ABC6, #C686AC and #ACC686

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85ABC6 shade: #85ABC6, #AC86C6, #C69F86 and #9FC686

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85ABC6 shade: #85ABC6, #BF86C6, #C69F86 and #8CC686

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 14 / 0 / 22

HEX #85ABC6

RGB 133 171 198

HSL 204.92, 0.36%, 0.65%

LAB 68.16, -6.34, -17.93

 

Complementary color

CMYK 0 / 31 / 53 / 52

HEX #7A5439

RGB 122 84 57

HSL 24.92, 0.36%, 0.35%

LAB 39.2, 12.46, 22.04

 

CMYK 28 / 11 / 0 / 24

HEX #8AABC1

RGB 138 171 193

HSL 204, 0.31%, 0.65%

LAB 68.3, -6.11, -14.93

 

CMYK 27 / 11 / 0 / 17

HEX #9BBDD4

RGB 155 189 212

HSL 204.21, 0.4%, 0.72%

LAB 74.9, -6.19, -15.3

 

CMYK 26 / 10 / 0 / 9

HEX #ACCFE7

RGB 172 207 231

HSL 204.41, 0.55%, 0.79%

LAB 81.38, -6.28, -15.67

 

CMYK 24 / 10 / 0 / 2

HEX #BDE1FA

RGB 189 225 250

HSL 204.59, 0.86%, 0.86%

LAB 87.76, -6.36, -16.04

 

CMYK 19 / 5 / 0 / 0

HEX #CEF3FF

RGB 206 243 255

HSL 194.69, 1%, 0.9%

LAB 93.64, -9.42, -9.75

 

CMYK 33 / 14 / 0 / 22

HEX #85ABC6

RGB 133 171 198

HSL 204.92, 0.36%, 0.65%

LAB 68.16, -6.34, -17.93

 

CMYK 35 / 15 / 0 / 30

HEX #7499B3

RGB 116 153 179

HSL 204.76, 0.29%, 0.58%

LAB 61.44, -6.2, -17.62

 

CMYK 38 / 16 / 0 / 37

HEX #6387A0

RGB 99 135 160

HSL 204.59, 0.24%, 0.51%

LAB 54.57, -6.03, -17.31

 

CMYK 42 / 17 / 0 / 45

HEX #52758D

RGB 82 117 141

HSL 204.41, 0.26%, 0.44%

LAB 47.55, -5.83, -17.01

 

CMYK 47 / 19 / 0 / 52

HEX #41637A

RGB 65 99 122

HSL 204.21, 0.3%, 0.37%

LAB 40.33, -5.56, -16.73

 

CMYK 32 / 14 / 0 / 22

HEX #86ABC6

RGB 134 171 198

HSL 205.31, 0.36%, 0.65%

LAB 68.22, -6.05, -17.84

 

CMYK 32 / 22 / 0 / 22

HEX #869AC6

RGB 134 154 198

HSL 221.25, 0.36%, 0.65%

LAB 63.55, 3.4, -24.95

 

CMYK 32 / 31 / 0 / 22

HEX #8689C6

RGB 134 137 198

HSL 237.19, 0.36%, 0.65%

LAB 59.01, 13.18, -31.97

 

CMYK 25 / 32 / 0 / 22

HEX #9486C6

RGB 148 134 198

HSL 253.13, 0.36%, 0.65%

LAB 59.36, 19.07, -31.33

 

CMYK 17 / 32 / 0 / 22

HEX #A586C6

RGB 165 134 198

HSL 269.06, 0.36%, 0.65%

LAB 60.89, 24.32, -28.84

 

CMYK 32 / 14 / 0 / 22

HEX #86ABC6

RGB 134 171 198

HSL 205.31, 0.36%, 0.65%

LAB 68.22, -6.05, -17.84

 

CMYK 32 / 22 / 0 / 22

HEX #869AC6

RGB 134 154 198

HSL 221.25, 0.36%, 0.65%

LAB 63.55, 3.4, -24.95

 

CMYK 32 / 31 / 0 / 22

HEX #8689C6

RGB 134 137 198

HSL 237.19, 0.36%, 0.65%

LAB 59.01, 13.18, -31.97

 

CMYK 32 / 32 / 0 / 22

HEX #8686C6

RGB 134 134 198

HSL 240, 0.36%, 0.65%

LAB 58.22, 14.93, -33.2

 

CMYK 32 / 14 / 0 / 22

HEX #86ABC6

RGB 134 171 198

HSL 205.31, 0.36%, 0.65%

LAB 68.22, -6.05, -17.84

 

CMYK 44 / 18 / 0 / 17

HEX #77AED4

RGB 119 174 212

HSL 204.52, 0.52%, 0.65%

LAB 68.71, -8.04, -24.88

 

CMYK 54 / 22 / 0 / 11

HEX #69B0E3

RGB 105 176 227

HSL 205.08, 0.69%, 0.65%

LAB 69.18, -8.05, -32.44

 

CMYK 63 / 26 / 0 / 5

HEX #5AB3F1

RGB 90 179 241

HSL 204.64, 0.84%, 0.65%

LAB 70.01, -8.26, -38.83

 

CMYK 32 / 14 / 0 / 22

HEX #86ABC6

RGB 134 171 198

HSL 205.31, 0.36%, 0.65%

LAB 68.22, -6.05, -17.84

 

CMYK 19 / 8 / 0 / 28

HEX #94A9B7

RGB 148 169 183

HSL 204, 0.2%, 0.65%

LAB 68.09, -4.24, -9.64

 

CMYK 4 / 2 / 0 / 34

HEX #A3A6A9

RGB 163 166 169

HSL 210, 0.03%, 0.65%

LAB 67.96, -0.48, -1.93

 

CMYK 0 / 7 / 12 / 31

HEX #B1A49B

RGB 177 164 155

HSL 24.55, 0.12%, 0.65%

LAB 68.22, 3.15, 6.36

 

CMYK 0 / 16 / 27 / 25

HEX #BFA18C

RGB 191 161 140

HSL 24.71, 0.28%, 0.65%

LAB 68.36, 7.82, 15.04

 

CMYK 32 / 0 / 5 / 22

HEX #86C6BD

RGB 134 198 189

HSL 171.56, 0.36%, 0.65%

LAB 75.53, -22.32, -2.01

 

CMYK 32 / 5 / 0 / 22

HEX #86BDC6

RGB 134 189 198

HSL 188.44, 0.36%, 0.65%

LAB 73.25, -15.62, -10.28

 

CMYK 32 / 13 / 0 / 22

HEX #86ACC6

RGB 134 172 198

HSL 204.38, 0.36%, 0.65%

LAB 68.5, -6.59, -17.42

 

CMYK 32 / 22 / 0 / 22

HEX #869BC6

RGB 134 155 198

HSL 220.31, 0.36%, 0.65%

LAB 63.83, 2.83, -24.53

 

CMYK 32 / 30 / 0 / 22

HEX #868AC6

RGB 134 138 198

HSL 236.25, 0.36%, 0.65%

LAB 59.27, 12.6, -31.57

 

CMYK 53 / 22 / 0 / 34

HEX #5084A9

RGB 80 132 169

HSL 204.94, 0.36%, 0.49%

LAB 53.03, -6.62, -24.96

 

CMYK 43 / 18 / 0 / 27

HEX #6A98B9

RGB 106 152 185

HSL 205.06, 0.36%, 0.57%

LAB 60.8, -6.76, -22.02

 

CMYK 32 / 14 / 0 / 22

HEX #86ABC6

RGB 134 171 198

HSL 205.31, 0.36%, 0.65%

LAB 68.22, -6.05, -17.84

 

CMYK 23 / 9 / 0 / 17

HEX #A2BFD3

RGB 162 191 211

HSL 204.49, 0.36%, 0.73%

LAB 75.85, -5.38, -13.28

 

CMYK 15 / 6 / 0 / 12

HEX #BED2E0

RGB 190 210 224

HSL 204.71, 0.35%, 0.81%

LAB 83.14, -3.86, -9.19

 

CMYK 33 / 14 / 0 / 22

HEX #85ABC6

RGB 133 171 198

HSL 204.92, 0.36%, 0.65%

LAB 68.16, -6.34, -17.93

 

CMYK 13 / 32 / 0 / 22

HEX #AC86C6

RGB 172 134 198

HSL 275.63, 0.36%, 0.65%

LAB 61.57, 26.52, -27.75

 

CMYK 0 / 0 / 32 / 22

HEX #C6C686

RGB 198 198 134

HSL 60, 0.36%, 0.65%

LAB 78.53, -9.87, 32.15

 

CMYK 33 / 14 / 0 / 22

HEX #85ABC6

RGB 133 171 198

HSL 204.92, 0.36%, 0.65%

LAB 68.16, -6.34, -17.93

 

CMYK 0 / 32 / 13 / 22

HEX #C686AC

RGB 198 134 172

HSL 324.38, 0.36%, 0.65%

LAB 63.37, 30.25, -10.05

 

CMYK 13 / 0 / 32 / 22

HEX #ACC686

RGB 172 198 134

HSL 84.38, 0.36%, 0.65%

LAB 76.61, -19.81, 29.25

 

CMYK 33 / 14 / 0 / 22

HEX #85ABC6

RGB 133 171 198

HSL 204.92, 0.36%, 0.65%

LAB 68.16, -6.34, -17.93

 

CMYK 13 / 32 / 0 / 22

HEX #AC86C6

RGB 172 134 198

HSL 275.63, 0.36%, 0.65%

LAB 61.57, 26.52, -27.75

 

CMYK 0 / 20 / 32 / 22

HEX #C69F86

RGB 198 159 134

HSL 23.44, 0.36%, 0.65%

LAB 68.4, 10.85, 18.52

 

CMYK 20 / 0 / 32 / 22

HEX #9FC686

RGB 159 198 134

HSL 96.56, 0.36%, 0.65%

LAB 75.75, -24.58, 27.96

 

CMYK 33 / 14 / 0 / 22

HEX #85ABC6

RGB 133 171 198

HSL 204.92, 0.36%, 0.65%

LAB 68.16, -6.34, -17.93

 

CMYK 4 / 32 / 0 / 22

HEX #BF86C6

RGB 191 134 198

HSL 293.44, 0.36%, 0.65%

LAB 63.51, 32.61, -24.59

 

CMYK 0 / 20 / 32 / 22

HEX #C69F86

RGB 198 159 134

HSL 23.44, 0.36%, 0.65%

LAB 68.4, 10.85, 18.52

 

CMYK 29 / 0 / 32 / 22

HEX #8CC686

RGB 140 198 134

HSL 114.38, 0.36%, 0.65%

LAB 74.63, -31.18, 26.26

 

Description

Color code: HEX #85ABC6 | qconv.com Color code: HEX #85ABC6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 171 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 171 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 14 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 14% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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