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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #859BDD it is the complementary color #7A6422. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #859BDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #859BDD shade: #8A9BD8, #9BADEB, #ACBFFE, #BDD1FF and #CEE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #859BDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #859BDD shade: #859BDD, #7489CA, #6377B7, #5265A4 and #415391

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #859BDD shade: #849ADC, #8584DC, #9D84DC, #B584DC and #CD84DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #859BDD shade: #849ADC and #8484DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #859BDD shade matches the following richer shades: #849ADC, #7793E9 and #6A8DF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #859BDD shade: #849ADC, #90A0CF, #9DA7C3, #AAADB6 and #B7B3A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #859BDD shade: #84C9DC, #84B1DC, #849ADC, #8584DC and #9D84DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #859BDD shade: #4365CA, #637FD3, #849ADC, #A4B4E5 and #C4CFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #859BDD shade: #859BDD, #D884DC and #BDDC84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #859BDD shade: #859BDD, #DC849A and #9ADC84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #859BDD shade: #859BDD, #D884DC, #DCC684 and #88DC84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #859BDD shade: #859BDD, #DC84C6, #DCC684 and #84DC9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 30 / 0 / 13

HEX #859BDD

RGB 133 155 221

HSL 225, 0.56%, 0.69%

LAB 64.68, 8.71, -36

 

Complementary color

CMYK 0 / 18 / 72 / 52

HEX #7A6422

RGB 122 100 34

HSL 45, 0.56%, 0.31%

LAB 43.31, 1.11, 39.19

 

CMYK 36 / 28 / 0 / 15

HEX #8A9BD8

RGB 138 155 216

HSL 226.92, 0.5%, 0.69%

LAB 64.81, 8.7, -33.02

 

CMYK 34 / 26 / 0 / 8

HEX #9BADEB

RGB 155 173 235

HSL 226.5, 0.67%, 0.76%

LAB 71.46, 8.23, -33.06

 

CMYK 32 / 25 / 0 / 0

HEX #ACBFFE

RGB 172 191 254

HSL 226.1, 0.98%, 0.84%

LAB 77.99, 7.81, -33.14

 

CMYK 26 / 18 / 0 / 0

HEX #BDD1FF

RGB 189 209 255

HSL 221.82, 1%, 0.87%

LAB 83.78, 3.17, -24.7

 

CMYK 19 / 11 / 0 / 0

HEX #CEE3FF

RGB 206 227 255

HSL 214.29, 1%, 0.9%

LAB 89.52, -1.23, -15.9

 

CMYK 40 / 30 / 0 / 13

HEX #859BDD

RGB 133 155 221

HSL 225, 0.56%, 0.69%

LAB 64.68, 8.71, -36

 

CMYK 43 / 32 / 0 / 21

HEX #7489CA

RGB 116 137 202

HSL 225.35, 0.45%, 0.62%

LAB 57.91, 9.32, -36.04

 

CMYK 46 / 35 / 0 / 28

HEX #6377B7

RGB 99 119 183

HSL 225.71, 0.37%, 0.55%

LAB 51, 10.05, -36.12

 

CMYK 50 / 38 / 0 / 36

HEX #5265A4

RGB 82 101 164

HSL 226.1, 0.33%, 0.48%

LAB 43.92, 10.93, -36.26

 

CMYK 55 / 43 / 0 / 43

HEX #415391

RGB 65 83 145

HSL 226.5, 0.38%, 0.41%

LAB 36.66, 12.05, -36.46

 

CMYK 40 / 30 / 0 / 14

HEX #849ADC

RGB 132 154 220

HSL 225, 0.56%, 0.69%

LAB 64.31, 8.74, -36.04

 

CMYK 40 / 40 / 0 / 14

HEX #8584DC

RGB 133 132 220

HSL 240.68, 0.56%, 0.69%

LAB 58.65, 21.8, -44.9

 

CMYK 29 / 40 / 0 / 14

HEX #9D84DC

RGB 157 132 220

HSL 257.05, 0.56%, 0.69%

LAB 60.64, 28.3, -41.64

 

CMYK 18 / 40 / 0 / 14

HEX #B584DC

RGB 181 132 220

HSL 273.41, 0.56%, 0.69%

LAB 62.92, 35.22, -37.9

 

CMYK 7 / 40 / 0 / 14

HEX #CD84DC

RGB 205 132 220

HSL 289.77, 0.56%, 0.69%

LAB 65.47, 42.36, -33.73

 

CMYK 40 / 30 / 0 / 14

HEX #849ADC

RGB 132 154 220

HSL 225, 0.56%, 0.69%

LAB 64.31, 8.74, -36.04

 

CMYK 40 / 40 / 0 / 14

HEX #8484DC

RGB 132 132 220

HSL 240, 0.56%, 0.69%

LAB 58.58, 21.54, -45.03

 

CMYK 40 / 30 / 0 / 14

HEX #849ADC

RGB 132 154 220

HSL 225, 0.56%, 0.69%

LAB 64.31, 8.74, -36.04

 

CMYK 49 / 37 / 0 / 9

HEX #7793E9

RGB 119 147 233

HSL 225.26, 0.72%, 0.69%

LAB 62.23, 13.33, -46.55

 

CMYK 57 / 43 / 0 / 4

HEX #6A8DF6

RGB 106 141 246

HSL 225, 0.89%, 0.69%

LAB 60.58, 18.14, -56.4

 

CMYK 40 / 30 / 0 / 14

HEX #849ADC

RGB 132 154 220

HSL 225, 0.56%, 0.69%

LAB 64.31, 8.74, -36.04

 

CMYK 30 / 23 / 0 / 19

HEX #90A0CF

RGB 144 160 207

HSL 224.76, 0.4%, 0.69%

LAB 66.19, 5.23, -25.85

 

CMYK 19 / 14 / 0 / 24

HEX #9DA7C3

RGB 157 167 195

HSL 224.21, 0.24%, 0.69%

LAB 68.57, 2.45, -15.5

 

CMYK 7 / 5 / 0 / 29

HEX #AAADB6

RGB 170 173 182

HSL 225, 0.08%, 0.69%

LAB 70.74, 0.7, -4.97

 

CMYK 0 / 2 / 8 / 28

HEX #B7B3A9

RGB 183 179 169

HSL 42.86, 0.09%, 0.69%

LAB 73.01, -0.37, 5.59

 

CMYK 40 / 9 / 0 / 14

HEX #84C9DC

RGB 132 201 220

HSL 192.95, 0.56%, 0.69%

LAB 77.19, -16.89, -16.3

 

CMYK 40 / 20 / 0 / 14

HEX #84B1DC

RGB 132 177 220

HSL 209.32, 0.56%, 0.69%

LAB 70.54, -4.16, -26.41

 

CMYK 40 / 30 / 0 / 14

HEX #849ADC

RGB 132 154 220

HSL 225, 0.56%, 0.69%

LAB 64.31, 8.74, -36.04

 

CMYK 40 / 40 / 0 / 14

HEX #8584DC

RGB 133 132 220

HSL 240.68, 0.56%, 0.69%

LAB 58.65, 21.8, -44.9

 

CMYK 29 / 40 / 0 / 14

HEX #9D84DC

RGB 157 132 220

HSL 257.05, 0.56%, 0.69%

LAB 60.64, 28.3, -41.64

 

CMYK 67 / 50 / 0 / 21

HEX #4365CA

RGB 67 101 202

HSL 224.89, 0.56%, 0.53%

LAB 45.31, 20.88, -56.23

 

CMYK 53 / 40 / 0 / 17

HEX #637FD3

RGB 99 127 211

HSL 225, 0.56%, 0.61%

LAB 54.59, 13.91, -46.42

 

CMYK 40 / 30 / 0 / 14

HEX #849ADC

RGB 132 154 220

HSL 225, 0.56%, 0.69%

LAB 64.31, 8.74, -36.04

 

CMYK 28 / 21 / 0 / 10

HEX #A4B4E5

RGB 164 180 229

HSL 225.23, 0.56%, 0.77%

LAB 73.67, 5.41, -26.34

 

CMYK 18 / 13 / 0 / 7

HEX #C4CFEE

RGB 196 207 238

HSL 224.29, 0.55%, 0.85%

LAB 83.2, 2.56, -16.51

 

CMYK 40 / 30 / 0 / 13

HEX #859BDD

RGB 133 155 221

HSL 225, 0.56%, 0.69%

LAB 64.68, 8.71, -36

 

CMYK 2 / 40 / 0 / 14

HEX #D884DC

RGB 216 132 220

HSL 297.27, 0.56%, 0.69%

LAB 66.72, 45.67, -31.7

 

CMYK 14 / 0 / 40 / 14

HEX #BDDC84

RGB 189 220 132

HSL 81.14, 0.56%, 0.69%

LAB 83.79, -24.53, 39.86

 

CMYK 40 / 30 / 0 / 13

HEX #859BDD

RGB 133 155 221

HSL 225, 0.56%, 0.69%

LAB 64.68, 8.71, -36

 

CMYK 0 / 40 / 30 / 14

HEX #DC849A

RGB 220 132 154

HSL 345, 0.56%, 0.69%

LAB 65, 36.46, 2.86

 

CMYK 30 / 0 / 40 / 14

HEX #9ADC84

RGB 154 220 132

HSL 105, 0.56%, 0.69%

LAB 81.69, -36.98, 36.73

 

CMYK 40 / 30 / 0 / 13

HEX #859BDD

RGB 133 155 221

HSL 225, 0.56%, 0.69%

LAB 64.68, 8.71, -36

 

CMYK 2 / 40 / 0 / 14

HEX #D884DC

RGB 216 132 220

HSL 297.27, 0.56%, 0.69%

LAB 66.72, 45.67, -31.7

 

CMYK 0 / 10 / 40 / 14

HEX #DCC684

RGB 220 198 132

HSL 45, 0.56%, 0.69%

LAB 80.33, -1.43, 35.88

 

CMYK 38 / 0 / 40 / 14

HEX #88DC84

RGB 136 220 132

HSL 117.27, 0.56%, 0.69%

LAB 80.79, -42.77, 35.39

 

CMYK 40 / 30 / 0 / 13

HEX #859BDD

RGB 133 155 221

HSL 225, 0.56%, 0.69%

LAB 64.68, 8.71, -36

 

CMYK 0 / 40 / 10 / 14

HEX #DC84C6

RGB 220 132 198

HSL 315, 0.56%, 0.69%

LAB 66.36, 43.05, -19.94

 

CMYK 0 / 10 / 40 / 14

HEX #DCC684

RGB 220 198 132

HSL 45, 0.56%, 0.69%

LAB 80.33, -1.43, 35.88

 

CMYK 40 / 0 / 30 / 14

HEX #84DC9A

RGB 132 220 154

HSL 135, 0.56%, 0.69%

LAB 80.97, -40.38, 24.33

 

Description

Color code: HEX #859BDD | qconv.com Color code: HEX #859BDD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 155 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 155 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 30 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 30% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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