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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #859B05 it is the complementary color #7A64FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #859B05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #859B05 shade: #8A9B00, #9BAD13, #ACBF26, #BDD139 and #CEE34C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #859B05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #859B05 shade: #859B05, #748900, #637700, #526500 and #415300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #859B05 shade: #849905, #998705, #995F05, #993705 and #990F05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #859B05 shade: #849905, #5B9905, #339905, #0B9905 and #059926

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #859B05 shade matches the following richer shades: #849905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #859B05 shade: #849905, #7B8D12, #71801E, #68732B and #5F6638

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #859B05 shade: #995E05, #998605, #869905, #5E9905 and #369905

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #859B05 shade: #3F4902, #617104, #849905, #A6C106 and #C8E907

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #859B05 shade: #859B05, #059936 and #720599

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #859B05 shade: #859B05, #058699 and #990586

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #859B05 shade: #859B05, #059936, #190599 and #990568

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #859B05 shade: #859B05, #059963, #190599 and #99053B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 97 / 39

HEX #859B05

RGB 133 155 5

HSL 68.8, 0.94%, 0.31%

LAB 60.28, -24.53, 62.36

 

Complementary color

CMYK 51 / 60 / 0 / 2

HEX #7A64FA

RGB 122 100 250

HSL 248.8, 0.94%, 0.69%

LAB 52.01, 46.67, -72.34

 

CMYK 11 / 0 / 100 / 39

HEX #8A9B00

RGB 138 155 0

HSL 66.58, 1%, 0.3%

LAB 60.65, -22.43, 63.53

 

CMYK 10 / 0 / 89 / 32

HEX #9BAD13

RGB 155 173 19

HSL 67.01, 0.8%, 0.38%

LAB 67.2, -23.67, 66.38

 

CMYK 10 / 0 / 80 / 25

HEX #ACBF26

RGB 172 191 38

HSL 67.45, 0.67%, 0.45%

LAB 73.66, -24.71, 67.95

 

CMYK 10 / 0 / 73 / 18

HEX #BDD139

RGB 189 209 57

HSL 67.89, 0.62%, 0.52%

LAB 80.02, -25.55, 68.42

 

CMYK 9 / 0 / 67 / 11

HEX #CEE34C

RGB 206 227 76

HSL 68.34, 0.73%, 0.59%

LAB 86.3, -26.24, 68.22

 

CMYK 14 / 0 / 97 / 39

HEX #859B05

RGB 133 155 5

HSL 68.8, 0.94%, 0.31%

LAB 60.28, -24.53, 62.36

 

CMYK 15 / 0 / 100 / 46

HEX #748900

RGB 116 137 0

HSL 69.2, 1%, 0.27%

LAB 53.6, -23.09, 57.53

 

CMYK 17 / 0 / 100 / 53

HEX #637700

RGB 99 119 0

HSL 70.08, 1%, 0.23%

LAB 46.77, -21.54, 51.84

 

CMYK 19 / 0 / 100 / 60

HEX #526500

RGB 82 101 0

HSL 71.29, 1%, 0.2%

LAB 39.75, -19.97, 46

 

CMYK 22 / 0 / 100 / 67

HEX #415300

RGB 65 83 0

HSL 73.01, 1%, 0.16%

LAB 32.5, -18.37, 39.96

 

CMYK 14 / 0 / 97 / 40

HEX #849905

RGB 132 153 5

HSL 68.51, 0.94%, 0.31%

LAB 59.62, -23.97, 61.81

 

CMYK 0 / 12 / 97 / 40

HEX #998705

RGB 153 135 5

HSL 52.7, 0.94%, 0.31%

LAB 56.2, -5.01, 60.01

 

CMYK 0 / 38 / 97 / 40

HEX #995F05

RGB 153 95 5

HSL 36.49, 0.94%, 0.31%

LAB 45.59, 17.65, 52.36

 

CMYK 0 / 64 / 97 / 40

HEX #993705

RGB 153 55 5

HSL 20.27, 0.94%, 0.31%

LAB 36.96, 39.08, 46.62

 

CMYK 0 / 90 / 97 / 40

HEX #990F05

RGB 153 15 5

HSL 4.05, 0.94%, 0.31%

LAB 32.09, 52.53, 43.66

 

CMYK 14 / 0 / 97 / 40

HEX #849905

RGB 132 153 5

HSL 68.51, 0.94%, 0.31%

LAB 59.62, -23.97, 61.81

 

CMYK 41 / 0 / 97 / 40

HEX #5B9905

RGB 91 153 5

HSL 85.14, 0.94%, 0.31%

LAB 57.09, -40.52, 58.75

 

CMYK 67 / 0 / 97 / 40

HEX #339905

RGB 51 153 5

HSL 101.35, 0.94%, 0.31%

LAB 55.58, -52.36, 56.9

 

CMYK 93 / 0 / 97 / 40

HEX #0B9905

RGB 11 153 5

HSL 117.57, 0.94%, 0.31%

LAB 54.93, -58.04, 56.1

 

CMYK 97 / 0 / 75 / 40

HEX #059926

RGB 5 153 38

HSL 133.38, 0.94%, 0.31%

LAB 55.03, -56.69, 47.89

 

CMYK 14 / 0 / 97 / 40

HEX #849905

RGB 132 153 5

HSL 68.51, 0.94%, 0.31%

LAB 59.62, -23.97, 61.81

 

CMYK 14 / 0 / 97 / 40

HEX #849905

RGB 132 153 5

HSL 68.51, 0.94%, 0.31%

LAB 59.62, -23.97, 61.81

 

CMYK 13 / 0 / 87 / 45

HEX #7B8D12

RGB 123 141 18

HSL 68.78, 0.77%, 0.31%

LAB 55.38, -21.61, 55.87

 

CMYK 12 / 0 / 77 / 50

HEX #71801E

RGB 113 128 30

HSL 69.18, 0.62%, 0.31%

LAB 50.74, -18.89, 47.89

 

CMYK 10 / 0 / 63 / 55

HEX #68732B

RGB 104 115 43

HSL 69.17, 0.46%, 0.31%

LAB 46.15, -15.14, 37.46

 

CMYK 7 / 0 / 45 / 60

HEX #5F6638

RGB 95 102 56

HSL 69.13, 0.29%, 0.31%

LAB 41.57, -10.64, 25.04

 

CMYK 0 / 39 / 97 / 40

HEX #995E05

RGB 153 94 5

HSL 36.08, 0.94%, 0.31%

LAB 45.34, 18.22, 52.19

 

CMYK 0 / 12 / 97 / 40

HEX #998605

RGB 153 134 5

HSL 52.3, 0.94%, 0.31%

LAB 55.92, -4.46, 59.81

 

CMYK 12 / 0 / 97 / 40

HEX #869905

RGB 134 153 5

HSL 67.7, 0.94%, 0.31%

LAB 59.76, -23.1, 61.99

 

CMYK 39 / 0 / 97 / 40

HEX #5E9905

RGB 94 153 5

HSL 83.92, 0.94%, 0.31%

LAB 57.24, -39.43, 58.94

 

CMYK 65 / 0 / 97 / 40

HEX #369905

RGB 54 153 5

HSL 100.14, 0.94%, 0.31%

LAB 55.66, -51.67, 57

 

CMYK 14 / 0 / 97 / 71

HEX #3F4902

RGB 63 73 2

HSL 68.45, 0.95%, 0.15%

LAB 28.97, -13.72, 36.39

 

CMYK 14 / 0 / 96 / 56

HEX #617104

RGB 97 113 4

HSL 68.81, 0.93%, 0.23%

LAB 44.75, -19.23, 49.33

 

CMYK 14 / 0 / 97 / 40

HEX #849905

RGB 132 153 5

HSL 68.51, 0.94%, 0.31%

LAB 59.62, -23.97, 61.81

 

CMYK 14 / 0 / 97 / 24

HEX #A6C106

RGB 166 193 6

HSL 68.66, 0.94%, 0.39%

LAB 73.71, -28.9, 73.56

 

CMYK 14 / 0 / 97 / 9

HEX #C8E907

RGB 200 233 7

HSL 68.76, 0.94%, 0.47%

LAB 87.28, -33.62, 84.83

 

CMYK 14 / 0 / 97 / 39

HEX #859B05

RGB 133 155 5

HSL 68.8, 0.94%, 0.31%

LAB 60.28, -24.53, 62.36

 

CMYK 97 / 0 / 65 / 40

HEX #059936

RGB 5 153 54

HSL 139.86, 0.94%, 0.31%

LAB 55.16, -55.04, 41.41

 

CMYK 25 / 97 / 0 / 40

HEX #720599

RGB 114 5 153

HSL 284.19, 0.94%, 0.31%

LAB 29.38, 60.32, -52.8

 

CMYK 14 / 0 / 97 / 39

HEX #859B05

RGB 133 155 5

HSL 68.8, 0.94%, 0.31%

LAB 60.28, -24.53, 62.36

 

CMYK 97 / 12 / 0 / 40

HEX #058699

RGB 5 134 153

HSL 187.7, 0.94%, 0.31%

LAB 51.13, -23.2, -18.76

 

CMYK 0 / 97 / 12 / 40

HEX #990586

RGB 153 5 134

HSL 307.7, 0.94%, 0.31%

LAB 35.21, 63.7, -31.33

 

CMYK 14 / 0 / 97 / 39

HEX #859B05

RGB 133 155 5

HSL 68.8, 0.94%, 0.31%

LAB 60.28, -24.53, 62.36

 

CMYK 97 / 0 / 65 / 40

HEX #059936

RGB 5 153 54

HSL 139.86, 0.94%, 0.31%

LAB 55.16, -55.04, 41.41

 

CMYK 84 / 97 / 0 / 40

HEX #190599

RGB 25 5 153

HSL 248.11, 0.94%, 0.31%

LAB 18.43, 52.92, -71.23

 

CMYK 0 / 97 / 32 / 40

HEX #990568

RGB 153 5 104

HSL 319.86, 0.94%, 0.31%

LAB 33.73, 59.92, -14.69

 

CMYK 14 / 0 / 97 / 39

HEX #859B05

RGB 133 155 5

HSL 68.8, 0.94%, 0.31%

LAB 60.28, -24.53, 62.36

 

CMYK 97 / 0 / 35 / 40

HEX #059963

RGB 5 153 99

HSL 158.11, 0.94%, 0.31%

LAB 55.8, -47.29, 19.01

 

CMYK 84 / 97 / 0 / 40

HEX #190599

RGB 25 5 153

HSL 248.11, 0.94%, 0.31%

LAB 18.43, 52.92, -71.23

 

CMYK 0 / 97 / 61 / 40

HEX #99053B

RGB 153 5 59

HSL 338.11, 0.94%, 0.31%

LAB 32.25, 55.96, 12.59

 

Description

Color code: HEX #859B05 | qconv.com Color code: HEX #859B05 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 155 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 155 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 97 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 97% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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