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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #859514 it is the complementary color #7A6AEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #859514. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #859514 shade: #8A950F, #9BA722, #ACB935, #BDCB48 and #CEDD5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #859514. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #859514 shade: #859514, #748301, #637100, #525F00 and #414D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #859514 shade: #849414, #948114, #945F14, #943C14 and #941A14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #859514 shade: #849414, #629414, #3F9414, #1D9414 and #14942E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #859514 shade matches the following richer shades: #849414 and #8EA207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #859514 shade: #849414, #7A8622, #70792F, #666B3D and #5B5E4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #859514 shade: #945F14, #948114, #859414, #639414 and #419414

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #859514 shade: #434B0A, #64700F, #849414, #A5B819 and #C5DD1E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #859514 shade: #859514, #14943D and #701494

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #859514 shade: #859514, #148594 and #941485

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #859514 shade: #859514, #14943D, #231494 and #94146C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #859514 shade: #859514, #149463, #231494 and #941445

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 87 / 42

HEX #859514

RGB 133 149 20

HSL 67.44, 0.76%, 0.33%

LAB 58.54, -21.21, 58.36

 

Complementary color

CMYK 48 / 55 / 0 / 8

HEX #7A6AEB

RGB 122 106 235

HSL 247.44, 0.76%, 0.67%

LAB 52.34, 38.84, -63.44

 

CMYK 7 / 0 / 90 / 42

HEX #8A950F

RGB 138 149 15

HSL 64.93, 0.82%, 0.32%

LAB 58.91, -19.12, 59.87

 

CMYK 7 / 0 / 80 / 35

HEX #9BA722

RGB 155 167 34

HSL 65.41, 0.66%, 0.39%

LAB 65.53, -20.23, 61.38

 

CMYK 7 / 0 / 71 / 27

HEX #ACB935

RGB 172 185 53

HSL 65.91, 0.55%, 0.47%

LAB 72.04, -21.1, 61.68

 

CMYK 7 / 0 / 65 / 20

HEX #BDCB48

RGB 189 203 72

HSL 66.41, 0.56%, 0.54%

LAB 78.46, -21.81, 61.3

 

CMYK 7 / 0 / 59 / 13

HEX #CEDD5B

RGB 206 221 91

HSL 66.92, 0.66%, 0.61%

LAB 84.79, -22.37, 60.55

 

CMYK 11 / 0 / 87 / 42

HEX #859514

RGB 133 149 20

HSL 67.44, 0.76%, 0.33%

LAB 58.54, -21.21, 58.36

 

CMYK 11 / 0 / 99 / 49

HEX #748301

RGB 116 131 1

HSL 66.92, 0.98%, 0.26%

LAB 51.78, -20.01, 55.98

 

CMYK 12 / 0 / 100 / 56

HEX #637100

RGB 99 113 0

HSL 67.43, 1%, 0.22%

LAB 44.89, -18.42, 50.43

 

CMYK 14 / 0 / 100 / 63

HEX #525F00

RGB 82 95 0

HSL 68.21, 1%, 0.19%

LAB 37.8, -16.77, 44.53

 

CMYK 16 / 0 / 100 / 70

HEX #414D00

RGB 65 77 0

HSL 69.35, 1%, 0.15%

LAB 30.48, -15.08, 38.44

 

CMYK 11 / 0 / 86 / 42

HEX #849414

RGB 132 148 20

HSL 67.5, 0.76%, 0.33%

LAB 58.17, -21.14, 58.01

 

CMYK 0 / 13 / 86 / 42

HEX #948114

RGB 148 129 20

HSL 51.09, 0.76%, 0.33%

LAB 54.08, -3.72, 55.16

 

CMYK 0 / 36 / 86 / 42

HEX #945F14

RGB 148 95 20

HSL 35.16, 0.76%, 0.33%

LAB 44.98, 15.67, 47.55

 

CMYK 0 / 59 / 86 / 42

HEX #943C14

RGB 148 60 20

HSL 18.75, 0.76%, 0.33%

LAB 37.07, 35.01, 40.79

 

CMYK 0 / 82 / 86 / 42

HEX #941A14

RGB 148 26 20

HSL 2.81, 0.76%, 0.33%

LAB 32, 48.78, 36.36

 

CMYK 11 / 0 / 86 / 42

HEX #849414

RGB 132 148 20

HSL 67.5, 0.76%, 0.33%

LAB 58.17, -21.14, 58.01

 

CMYK 34 / 0 / 86 / 42

HEX #629414

RGB 98 148 20

HSL 83.44, 0.76%, 0.33%

LAB 55.91, -35.32, 55.2

 

CMYK 57 / 0 / 86 / 42

HEX #3F9414

RGB 63 148 20

HSL 99.84, 0.76%, 0.33%

LAB 54.33, -47.09, 53.2

 

CMYK 80 / 0 / 86 / 42

HEX #1D9414

RGB 29 148 20

HSL 115.78, 0.76%, 0.33%

LAB 53.48, -54.2, 52.12

 

CMYK 86 / 0 / 69 / 42

HEX #14942E

RGB 20 148 46

HSL 132.19, 0.76%, 0.33%

LAB 53.52, -53.28, 43.17

 

CMYK 11 / 0 / 86 / 42

HEX #849414

RGB 132 148 20

HSL 67.5, 0.76%, 0.33%

LAB 58.17, -21.14, 58.01

 

CMYK 12 / 0 / 96 / 36

HEX #8EA207

RGB 142 162 7

HSL 67.74, 0.92%, 0.33%

LAB 63.02, -24.06, 64.47

 

CMYK 11 / 0 / 86 / 42

HEX #849414

RGB 132 148 20

HSL 67.5, 0.76%, 0.33%

LAB 58.17, -21.14, 58.01

 

CMYK 9 / 0 / 75 / 47

HEX #7A8622

RGB 122 134 34

HSL 67.2, 0.6%, 0.33%

LAB 53.28, -17.79, 49.1

 

CMYK 7 / 0 / 61 / 53

HEX #70792F

RGB 112 121 47

HSL 67.3, 0.44%, 0.33%

LAB 48.67, -14.47, 38.5

 

CMYK 5 / 0 / 43 / 58

HEX #666B3D

RGB 102 107 61

HSL 66.52, 0.27%, 0.33%

LAB 43.77, -9.75, 25.1

 

CMYK 3 / 0 / 20 / 63

HEX #5B5E4B

RGB 91 94 75

HSL 69.47, 0.11%, 0.33%

LAB 39.13, -4.9, 10.52

 

CMYK 0 / 36 / 86 / 42

HEX #945F14

RGB 148 95 20

HSL 35.16, 0.76%, 0.33%

LAB 44.98, 15.67, 47.55

 

CMYK 0 / 13 / 86 / 42

HEX #948114

RGB 148 129 20

HSL 51.09, 0.76%, 0.33%

LAB 54.08, -3.72, 55.16

 

CMYK 10 / 0 / 86 / 42

HEX #859414

RGB 133 148 20

HSL 67.03, 0.76%, 0.33%

LAB 58.24, -20.7, 58.11

 

CMYK 33 / 0 / 86 / 42

HEX #639414

RGB 99 148 20

HSL 82.97, 0.76%, 0.33%

LAB 55.97, -34.94, 55.27

 

CMYK 56 / 0 / 86 / 42

HEX #419414

RGB 65 148 20

HSL 98.91, 0.76%, 0.33%

LAB 54.4, -46.52, 53.29

 

CMYK 11 / 0 / 87 / 71

HEX #434B0A

RGB 67 75 10

HSL 67.38, 0.76%, 0.17%

LAB 30.03, -12.49, 34.42

 

CMYK 11 / 0 / 87 / 56

HEX #64700F

RGB 100 112 15

HSL 67.42, 0.76%, 0.25%

LAB 44.71, -17, 46.84

 

CMYK 11 / 0 / 86 / 42

HEX #849414

RGB 132 148 20

HSL 67.5, 0.76%, 0.33%

LAB 58.17, -21.14, 58.01

 

CMYK 10 / 0 / 86 / 28

HEX #A5B819

RGB 165 184 25

HSL 67.17, 0.76%, 0.41%

LAB 71.11, -24.65, 68.71

 

CMYK 11 / 0 / 86 / 13

HEX #C5DD1E

RGB 197 221 30

HSL 67.54, 0.76%, 0.49%

LAB 83.8, -28.92, 79.11

 

CMYK 11 / 0 / 87 / 42

HEX #859514

RGB 133 149 20

HSL 67.44, 0.76%, 0.33%

LAB 58.54, -21.21, 58.36

 

CMYK 86 / 0 / 59 / 42

HEX #14943D

RGB 20 148 61

HSL 139.22, 0.76%, 0.33%

LAB 53.67, -51.43, 36.43

 

CMYK 24 / 86 / 0 / 42

HEX #701494

RGB 112 20 148

HSL 283.13, 0.76%, 0.33%

LAB 29.62, 56.11, -49.34

 

CMYK 11 / 0 / 87 / 42

HEX #859514

RGB 133 149 20

HSL 67.44, 0.76%, 0.33%

LAB 58.54, -21.21, 58.36

 

CMYK 86 / 10 / 0 / 42

HEX #148594

RGB 20 133 148

HSL 187.03, 0.76%, 0.33%

LAB 50.76, -23.56, -16.41

 

CMYK 0 / 86 / 10 / 42

HEX #941485

RGB 148 20 133

HSL 307.03, 0.76%, 0.33%

LAB 34.98, 60.27, -31.12

 

CMYK 11 / 0 / 87 / 42

HEX #859514

RGB 133 149 20

HSL 67.44, 0.76%, 0.33%

LAB 58.54, -21.21, 58.36

 

CMYK 86 / 0 / 59 / 42

HEX #14943D

RGB 20 148 61

HSL 139.22, 0.76%, 0.33%

LAB 53.67, -51.43, 36.43

 

CMYK 76 / 86 / 0 / 42

HEX #231494

RGB 35 20 148

HSL 247.03, 0.76%, 0.33%

LAB 20.03, 46.94, -65.47

 

CMYK 0 / 86 / 27 / 42

HEX #94146C

RGB 148 20 108

HSL 318.75, 0.76%, 0.33%

LAB 33.73, 56.87, -17.34

 

CMYK 11 / 0 / 87 / 42

HEX #859514

RGB 133 149 20

HSL 67.44, 0.76%, 0.33%

LAB 58.54, -21.21, 58.36

 

CMYK 86 / 0 / 33 / 42

HEX #149463

RGB 20 148 99

HSL 157.03, 0.76%, 0.33%

LAB 54.27, -44.41, 16.94

 

CMYK 76 / 86 / 0 / 42

HEX #231494

RGB 35 20 148

HSL 247.03, 0.76%, 0.33%

LAB 20.03, 46.94, -65.47

 

CMYK 0 / 86 / 53 / 42

HEX #941445

RGB 148 20 69

HSL 337.03, 0.76%, 0.33%

LAB 32.32, 52.86, 5.9

 

Description

Color code: HEX #859514 | qconv.com Color code: HEX #859514 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 149 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 149 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 87 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 87% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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