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Color name
HEX #858F12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #858F12 it is the complementary color #7A70ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #858F12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #858F12 shade: #8A8F0D, #9BA120, #ACB333, #BDC546 and #CED759

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #858F12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #858F12 shade: #858F12, #747D00, #636B00, #525900 and #414700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #858F12 shade: #879112, #917912, #915712, #913412 and #911212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #858F12 shade: #879112, #659112, #429112, #209112 and #129126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #858F12 shade matches the following richer shades: #879112 and #929E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #858F12 shade: #879112, #7C841F, #71772C, #666A3A and #5B5C47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #858F12 shade: #915612, #917812, #899112, #679112 and #459112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #858F12 shade: #434809, #656D0D, #879112, #A9B616 and #CBDB1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #858F12 shade: #858F12, #129134 and #671291

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #858F12 shade: #858F12, #128991 and #911289

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #858F12 shade: #858F12, #129134, #1A1291 and #91126F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #858F12 shade: #858F12, #12915A, #1A1291 and #911249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 87 / 44

HEX #858F12

RGB 133 143 18

HSL 64.8, 0.78%, 0.32%

LAB 56.76, -18.19, 57.33

 

Complementary color

CMYK 49 / 53 / 0 / 7

HEX #7A70ED

RGB 122 112 237

HSL 244.8, 0.78%, 0.68%

LAB 53.86, 35.91, -62.11

 

CMYK 3 / 0 / 91 / 44

HEX #8A8F0D

RGB 138 143 13

HSL 62.31, 0.83%, 0.31%

LAB 57.15, -16.06, 58.83

 

CMYK 4 / 0 / 80 / 37

HEX #9BA120

RGB 155 161 32

HSL 62.79, 0.67%, 0.38%

LAB 63.81, -17.25, 60.43

 

CMYK 4 / 0 / 72 / 30

HEX #ACB333

RGB 172 179 51

HSL 63.28, 0.56%, 0.45%

LAB 70.35, -18.2, 60.75

 

CMYK 4 / 0 / 64 / 23

HEX #BDC546

RGB 189 197 70

HSL 63.78, 0.52%, 0.52%

LAB 76.8, -18.97, 60.37

 

CMYK 4 / 0 / 59 / 16

HEX #CED759

RGB 206 215 89

HSL 64.29, 0.61%, 0.6%

LAB 83.15, -19.59, 59.6

 

CMYK 7 / 0 / 87 / 44

HEX #858F12

RGB 133 143 18

HSL 64.8, 0.78%, 0.32%

LAB 56.76, -18.19, 57.33

 

CMYK 7 / 0 / 100 / 51

HEX #747D00

RGB 116 125 0

HSL 64.32, 1%, 0.25%

LAB 49.95, -16.9, 54.81

 

CMYK 7 / 0 / 100 / 58

HEX #636B00

RGB 99 107 0

HSL 64.49, 1%, 0.21%

LAB 43.02, -15.2, 49.04

 

CMYK 8 / 0 / 100 / 65

HEX #525900

RGB 82 89 0

HSL 64.72, 1%, 0.17%

LAB 35.87, -13.46, 43.09

 

CMYK 8 / 0 / 100 / 72

HEX #414700

RGB 65 71 0

HSL 65.07, 1%, 0.14%

LAB 28.46, -11.66, 36.87

 

CMYK 7 / 0 / 88 / 43

HEX #879112

RGB 135 145 18

HSL 64.72, 0.78%, 0.32%

LAB 57.51, -18.33, 58.01

 

CMYK 0 / 17 / 88 / 43

HEX #917912

RGB 145 121 18

HSL 48.66, 0.78%, 0.32%

LAB 51.54, -0.71, 53.46

 

CMYK 0 / 40 / 88 / 43

HEX #915712

RGB 145 87 18

HSL 32.6, 0.78%, 0.32%

LAB 42.58, 18.86, 46.06

 

CMYK 0 / 64 / 88 / 43

HEX #913412

RGB 145 52 18

HSL 16.06, 0.78%, 0.32%

LAB 35.04, 37.7, 39.73

 

CMYK 0 / 88 / 88 / 43

HEX #911212

RGB 145 18 18

HSL 0, 0.78%, 0.32%

LAB 30.63, 49.86, 35.97

 

CMYK 7 / 0 / 88 / 43

HEX #879112

RGB 135 145 18

HSL 64.72, 0.78%, 0.32%

LAB 57.51, -18.33, 58.01

 

CMYK 30 / 0 / 88 / 43

HEX #659112

RGB 101 145 18

HSL 80.79, 0.78%, 0.32%

LAB 55.14, -32.85, 55.06

 

CMYK 54 / 0 / 88 / 43

HEX #429112

RGB 66 145 18

HSL 97.32, 0.78%, 0.32%

LAB 53.44, -45.17, 52.94

 

CMYK 78 / 0 / 88 / 43

HEX #209112

RGB 32 145 18

HSL 113.39, 0.78%, 0.32%

LAB 52.51, -52.9, 51.76

 

CMYK 88 / 0 / 74 / 43

HEX #129126

RGB 18 145 38

HSL 129.45, 0.78%, 0.32%

LAB 52.42, -53.3, 45.27

 

CMYK 7 / 0 / 88 / 43

HEX #879112

RGB 135 145 18

HSL 64.72, 0.78%, 0.32%

LAB 57.51, -18.33, 58.01

 

CMYK 8 / 0 / 97 / 38

HEX #929E05

RGB 146 158 5

HSL 64.71, 0.94%, 0.32%

LAB 62.15, -20.34, 64.21

 

CMYK 7 / 0 / 88 / 43

HEX #879112

RGB 135 145 18

HSL 64.72, 0.78%, 0.32%

LAB 57.51, -18.33, 58.01

 

CMYK 6 / 0 / 77 / 48

HEX #7C841F

RGB 124 132 31

HSL 64.75, 0.62%, 0.32%

LAB 52.83, -16, 49.82

 

CMYK 5 / 0 / 63 / 53

HEX #71772C

RGB 113 119 44

HSL 64.8, 0.46%, 0.32%

LAB 48.12, -13.18, 39.35

 

CMYK 4 / 0 / 45 / 58

HEX #666A3A

RGB 102 106 58

HSL 65, 0.29%, 0.32%

LAB 43.42, -9.54, 26.35

 

CMYK 1 / 0 / 23 / 64

HEX #5B5C47

RGB 91 92 71

HSL 62.86, 0.13%, 0.32%

LAB 38.43, -4.4, 11.99

 

CMYK 0 / 41 / 88 / 43

HEX #915612

RGB 145 86 18

HSL 32.13, 0.78%, 0.32%

LAB 42.34, 19.43, 45.86

 

CMYK 0 / 17 / 88 / 43

HEX #917812

RGB 145 120 18

HSL 48.19, 0.78%, 0.32%

LAB 51.26, -0.15, 53.24

 

CMYK 6 / 0 / 88 / 43

HEX #899112

RGB 137 145 18

HSL 63.78, 0.78%, 0.32%

LAB 57.67, -17.43, 58.21

 

CMYK 29 / 0 / 88 / 43

HEX #679112

RGB 103 145 18

HSL 79.84, 0.78%, 0.32%

LAB 55.26, -32.05, 55.21

 

CMYK 52 / 0 / 88 / 43

HEX #459112

RGB 69 145 18

HSL 95.91, 0.78%, 0.32%

LAB 53.56, -44.27, 53.08

 

CMYK 7 / 0 / 88 / 72

HEX #434809

RGB 67 72 9

HSL 64.76, 0.78%, 0.16%

LAB 29.03, -10.79, 33.87

 

CMYK 7 / 0 / 88 / 57

HEX #656D0D

RGB 101 109 13

HSL 65, 0.79%, 0.24%

LAB 43.85, -14.98, 46.67

 

CMYK 7 / 0 / 88 / 43

HEX #879112

RGB 135 145 18

HSL 64.72, 0.78%, 0.32%

LAB 57.51, -18.33, 58.01

 

CMYK 7 / 0 / 88 / 29

HEX #A9B616

RGB 169 182 22

HSL 64.88, 0.78%, 0.4%

LAB 70.84, -22.04, 69.2

 

CMYK 7 / 0 / 88 / 14

HEX #CBDB1B

RGB 203 219 27

HSL 65, 0.78%, 0.48%

LAB 83.67, -25.57, 79.73

 

CMYK 7 / 0 / 87 / 44

HEX #858F12

RGB 133 143 18

HSL 64.8, 0.78%, 0.32%

LAB 56.76, -18.19, 57.33

 

CMYK 88 / 0 / 64 / 43

HEX #129134

RGB 18 145 52

HSL 136.06, 0.78%, 0.32%

LAB 52.54, -51.8, 39.41

 

CMYK 29 / 88 / 0 / 43

HEX #671291

RGB 103 18 145

HSL 280.16, 0.78%, 0.32%

LAB 27.74, 54.55, -50.62

 

CMYK 7 / 0 / 87 / 44

HEX #858F12

RGB 133 143 18

HSL 64.8, 0.78%, 0.32%

LAB 56.76, -18.19, 57.33

 

CMYK 88 / 6 / 0 / 43

HEX #128991

RGB 18 137 145

HSL 183.78, 0.78%, 0.32%

LAB 51.91, -26.75, -12.92

 

CMYK 0 / 88 / 6 / 43

HEX #911289

RGB 145 18 137

HSL 303.78, 0.78%, 0.32%

LAB 34.52, 60.67, -34.38

 

CMYK 7 / 0 / 87 / 44

HEX #858F12

RGB 133 143 18

HSL 64.8, 0.78%, 0.32%

LAB 56.76, -18.19, 57.33

 

CMYK 88 / 0 / 64 / 43

HEX #129134

RGB 18 145 52

HSL 136.06, 0.78%, 0.32%

LAB 52.54, -51.8, 39.41

 

CMYK 82 / 88 / 0 / 43

HEX #1A1291

RGB 26 18 145

HSL 243.78, 0.78%, 0.32%

LAB 18.79, 46.38, -65.68

 

CMYK 0 / 88 / 23 / 43

HEX #91126F

RGB 145 18 111

HSL 316.06, 0.78%, 0.32%

LAB 33.14, 56.98, -20.22

 

CMYK 7 / 0 / 87 / 44

HEX #858F12

RGB 133 143 18

HSL 64.8, 0.78%, 0.32%

LAB 56.76, -18.19, 57.33

 

CMYK 88 / 0 / 38 / 43

HEX #12915A

RGB 18 145 90

HSL 154.02, 0.78%, 0.32%

LAB 53.08, -45.39, 20.35

 

CMYK 82 / 88 / 0 / 43

HEX #1A1291

RGB 26 18 145

HSL 243.78, 0.78%, 0.32%

LAB 18.79, 46.38, -65.68

 

CMYK 0 / 88 / 50 / 43

HEX #911249

RGB 145 18 73

HSL 334.02, 0.78%, 0.32%

LAB 31.65, 52.84, 2.23

 

Description

Color code: HEX #858F12 | qconv.com Color code: HEX #858F12 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 143 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 143 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 87 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 87% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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