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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #858C99 it is the complementary color #7A7366. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #858C99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #858C99 shade: #8A8C94, #9B9EA7, #ACB0BA, #BDC2CD and #CED4E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #858C99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #858C99 shade: #858C99, #747A86, #636873, #525660 and #41444D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #858C99 shade: #858C99, #858699, #898599, #8E8599 and #938599

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #858C99 shade: #858C99, #858699 and #858599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #858C99 shade matches the following richer shades: #858C99, #7386AB, #6081BD, #4E7BCF and #3C76E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #858C99 shade: #858C99, #979187, #A99775, #BB9C62 and #CDA250

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #858C99 shade: #859799, #859199, #858C99, #858699 and #888599

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #858C99 shade: #5C636F, #6F7785, #858C99, #9BA1AC and #B2B6BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #858C99 shade: #858C99, #968599 and #949985

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #858C99 shade: #858C99, #99858C and #8C9985

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #858C99 shade: #858C99, #968599, #999285 and #889985

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #858C99 shade: #858C99, #998596, #999285 and #859988

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 8 / 0 / 40

HEX #858C99

RGB 133 140 153

HSL 219, 0.09%, 0.56%

LAB 58.08, 0.21, -7.78

 

Complementary color

CMYK 0 / 6 / 16 / 52

HEX #7A7366

RGB 122 115 102

HSL 39, 0.09%, 0.44%

LAB 48.71, 0.32, 8.16

 

CMYK 7 / 5 / 0 / 42

HEX #8A8C94

RGB 138 140 148

HSL 228, 0.04%, 0.56%

LAB 58.32, 0.89, -4.51

 

CMYK 7 / 5 / 0 / 35

HEX #9B9EA7

RGB 155 158 167

HSL 225, 0.06%, 0.63%

LAB 65.13, 0.72, -5.06

 

CMYK 8 / 5 / 0 / 27

HEX #ACB0BA

RGB 172 176 186

HSL 222.86, 0.09%, 0.7%

LAB 71.8, 0.56, -5.59

 

CMYK 8 / 5 / 0 / 20

HEX #BDC2CD

RGB 189 194 205

HSL 221.25, 0.14%, 0.77%

LAB 78.35, 0.4, -6.11

 

CMYK 8 / 5 / 0 / 12

HEX #CED4E0

RGB 206 212 224

HSL 220, 0.23%, 0.84%

LAB 84.79, 0.25, -6.62

 

CMYK 13 / 8 / 0 / 40

HEX #858C99

RGB 133 140 153

HSL 219, 0.09%, 0.56%

LAB 58.08, 0.21, -7.78

 

CMYK 13 / 9 / 0 / 47

HEX #747A86

RGB 116 122 134

HSL 220, 0.07%, 0.49%

LAB 51.1, 0.37, -7.3

 

CMYK 14 / 10 / 0 / 55

HEX #636873

RGB 99 104 115

HSL 221.25, 0.07%, 0.42%

LAB 43.93, 0.54, -6.81

 

CMYK 15 / 10 / 0 / 62

HEX #525660

RGB 82 86 96

HSL 222.86, 0.08%, 0.35%

LAB 36.54, 0.73, -6.32

 

CMYK 16 / 12 / 0 / 70

HEX #41444D

RGB 65 68 77

HSL 225, 0.08%, 0.28%

LAB 28.89, 0.93, -5.83

 

CMYK 13 / 8 / 0 / 40

HEX #858C99

RGB 133 140 153

HSL 219, 0.09%, 0.56%

LAB 58.08, 0.21, -7.78

 

CMYK 13 / 12 / 0 / 40

HEX #858699

RGB 133 134 153

HSL 237, 0.09%, 0.56%

LAB 56.42, 3.63, -10.25

 

CMYK 10 / 13 / 0 / 40

HEX #898599

RGB 137 133 153

HSL 252, 0.09%, 0.56%

LAB 56.48, 5.6, -10.13

 

CMYK 7 / 13 / 0 / 40

HEX #8E8599

RGB 142 133 153

HSL 267, 0.09%, 0.56%

LAB 56.91, 7.36, -9.45

 

CMYK 4 / 13 / 0 / 40

HEX #938599

RGB 147 133 153

HSL 282, 0.09%, 0.56%

LAB 57.35, 9.14, -8.74

 

CMYK 13 / 8 / 0 / 40

HEX #858C99

RGB 133 140 153

HSL 219, 0.09%, 0.56%

LAB 58.08, 0.21, -7.78

 

CMYK 13 / 12 / 0 / 40

HEX #858699

RGB 133 134 153

HSL 237, 0.09%, 0.56%

LAB 56.42, 3.63, -10.25

 

CMYK 13 / 13 / 0 / 40

HEX #858599

RGB 133 133 153

HSL 240, 0.09%, 0.56%

LAB 56.15, 4.21, -10.66

 

CMYK 13 / 8 / 0 / 40

HEX #858C99

RGB 133 140 153

HSL 219, 0.09%, 0.56%

LAB 58.08, 0.21, -7.78

 

CMYK 33 / 22 / 0 / 33

HEX #7386AB

RGB 115 134 171

HSL 219.64, 0.25%, 0.56%

LAB 55.72, 2.19, -21.79

 

CMYK 49 / 32 / 0 / 26

HEX #6081BD

RGB 96 129 189

HSL 218.71, 0.41%, 0.56%

LAB 53.88, 5.13, -35.05

 

CMYK 62 / 41 / 0 / 19

HEX #4E7BCF

RGB 78 123 207

HSL 219.07, 0.57%, 0.56%

LAB 52.16, 10.78, -48.08

 

CMYK 73 / 48 / 0 / 11

HEX #3C76E2

RGB 60 118 226

HSL 219.04, 0.74%, 0.56%

LAB 51.16, 17.83, -60.47

 

CMYK 13 / 8 / 0 / 40

HEX #858C99

RGB 133 140 153

HSL 219, 0.09%, 0.56%

LAB 58.08, 0.21, -7.78

 

CMYK 0 / 4 / 11 / 41

HEX #979187

RGB 151 145 135

HSL 37.5, 0.07%, 0.56%

LAB 60.41, 0.39, 6.09

 

CMYK 0 / 11 / 31 / 34

HEX #A99775

RGB 169 151 117

HSL 39.23, 0.23%, 0.56%

LAB 63.22, 1.37, 20.37

 

CMYK 0 / 17 / 48 / 27

HEX #BB9C62

RGB 187 156 98

HSL 39.1, 0.4%, 0.56%

LAB 65.92, 3.85, 34.55

 

CMYK 0 / 21 / 61 / 20

HEX #CDA250

RGB 205 162 80

HSL 39.36, 0.56%, 0.56%

LAB 69.04, 6.72, 47.86

 

CMYK 13 / 1 / 0 / 40

HEX #859799

RGB 133 151 153

HSL 186, 0.09%, 0.56%

LAB 61.15, -5.95, -3.22

 

CMYK 13 / 5 / 0 / 40

HEX #859199

RGB 133 145 153

HSL 204, 0.09%, 0.56%

LAB 59.47, -2.61, -5.71

 

CMYK 13 / 8 / 0 / 40

HEX #858C99

RGB 133 140 153

HSL 219, 0.09%, 0.56%

LAB 58.08, 0.21, -7.78

 

CMYK 13 / 12 / 0 / 40

HEX #858699

RGB 133 134 153

HSL 237, 0.09%, 0.56%

LAB 56.42, 3.63, -10.25

 

CMYK 11 / 13 / 0 / 40

HEX #888599

RGB 136 133 153

HSL 249, 0.09%, 0.56%

LAB 56.4, 5.25, -10.26

 

CMYK 17 / 11 / 0 / 56

HEX #5C636F

RGB 92 99 111

HSL 217.89, 0.09%, 0.4%

LAB 41.76, 0.07, -7.69

 

CMYK 17 / 11 / 0 / 48

HEX #6F7785

RGB 111 119 133

HSL 218.18, 0.09%, 0.48%

LAB 49.82, 0.13, -8.66

 

CMYK 13 / 8 / 0 / 40

HEX #858C99

RGB 133 140 153

HSL 219, 0.09%, 0.56%

LAB 58.08, 0.21, -7.78

 

CMYK 10 / 6 / 0 / 33

HEX #9BA1AC

RGB 155 161 172

HSL 218.82, 0.09%, 0.64%

LAB 66.09, 0.1, -6.44

 

CMYK 6 / 4 / 0 / 25

HEX #B2B6BE

RGB 178 182 190

HSL 220, 0.08%, 0.72%

LAB 73.96, 0.16, -4.55

 

CMYK 13 / 8 / 0 / 40

HEX #858C99

RGB 133 140 153

HSL 219, 0.09%, 0.56%

LAB 58.08, 0.21, -7.78

 

CMYK 2 / 13 / 0 / 40

HEX #968599

RGB 150 133 153

HSL 291, 0.09%, 0.56%

LAB 57.62, 10.21, -8.31

 

CMYK 3 / 0 / 13 / 40

HEX #949985

RGB 148 153 133

HSL 75, 0.09%, 0.56%

LAB 62.31, -5.51, 9.9

 

CMYK 13 / 8 / 0 / 40

HEX #858C99

RGB 133 140 153

HSL 219, 0.09%, 0.56%

LAB 58.08, 0.21, -7.78

 

CMYK 0 / 13 / 8 / 40

HEX #99858C

RGB 153 133 140

HSL 339, 0.09%, 0.56%

LAB 57.5, 8.82, -0.96

 

CMYK 8 / 0 / 13 / 40

HEX #8C9985

RGB 140 153 133

HSL 99, 0.09%, 0.56%

LAB 61.7, -8.51, 8.94

 

CMYK 13 / 8 / 0 / 40

HEX #858C99

RGB 133 140 153

HSL 219, 0.09%, 0.56%

LAB 58.08, 0.21, -7.78

 

CMYK 2 / 13 / 0 / 40

HEX #968599

RGB 150 133 153

HSL 291, 0.09%, 0.56%

LAB 57.62, 10.21, -8.31

 

CMYK 0 / 5 / 13 / 40

HEX #999285

RGB 153 146 133

HSL 39, 0.09%, 0.56%

LAB 60.8, 0.25, 7.81

 

CMYK 11 / 0 / 13 / 40

HEX #889985

RGB 136 153 133

HSL 111, 0.09%, 0.56%

LAB 61.4, -9.99, 8.48

 

CMYK 13 / 8 / 0 / 40

HEX #858C99

RGB 133 140 153

HSL 219, 0.09%, 0.56%

LAB 58.08, 0.21, -7.78

 

CMYK 0 / 13 / 2 / 40

HEX #998596

RGB 153 133 150

HSL 309, 0.09%, 0.56%

LAB 57.8, 10.71, -6.28

 

CMYK 0 / 5 / 13 / 40

HEX #999285

RGB 153 146 133

HSL 39, 0.09%, 0.56%

LAB 60.8, 0.25, 7.81

 

CMYK 13 / 0 / 11 / 40

HEX #859988

RGB 133 153 136

HSL 129, 0.09%, 0.56%

LAB 61.26, -10.51, 6.56

 

Description

Color code: HEX #858C99 | qconv.com Color code: HEX #858C99 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 140 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 140 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 8 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 8% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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