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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #858BD2 it is the complementary color #7A742D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #858BD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #858BD2 shade: #8A8BCD, #9B9DE0, #ACAFF3, #BDC1FF and #CED3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #858BD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #858BD2 shade: #858BD2, #7479BF, #6367AC, #525599 and #414386

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #858BD2 shade: #848AD2, #9384D2, #A884D2, #BD84D2 and #D284D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #858BD2 shade: #848AD2 and #8484D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #858BD2 shade matches the following richer shades: #848AD2, #777FDF, #6973ED and #5B68FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #858BD2 shade: #848AD2, #9296C4, #9FA1B6, #ADADA9 and #BBB89B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #858BD2 shade: #84B4D2, #849FD2, #848BD2, #9284D2 and #A784D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #858BD2 shade: #4851BB, #666EC6, #848AD2, #A2A7DD and #C0C3E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #858BD2 shade: #858BD2, #D284C9 and #AAD284

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #858BD2 shade: #858BD2, #D2848B and #8BD284

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #858BD2 shade: #858BD2, #D284C9, #D2CB84 and #84D28D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #858BD2 shade: #858BD2, #D284B1, #D2CB84 and #84D2A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 34 / 0 / 18

HEX #858BD2

RGB 133 139 210

HSL 235.32, 0.46%, 0.67%

LAB 59.98, 14.94, -37.21

 

Complementary color

CMYK 0 / 5 / 63 / 52

HEX #7A742D

RGB 122 116 45

HSL 55.32, 0.46%, 0.33%

LAB 48.03, -7.33, 39.01

 

CMYK 33 / 32 / 0 / 20

HEX #8A8BCD

RGB 138 139 205

HSL 239.1, 0.4%, 0.67%

LAB 60.14, 15, -34.14

 

CMYK 31 / 30 / 0 / 12

HEX #9B9DE0

RGB 155 157 224

HSL 238.26, 0.53%, 0.74%

LAB 66.87, 14.43, -34.14

 

CMYK 29 / 28 / 0 / 5

HEX #ACAFF3

RGB 172 175 243

HSL 237.46, 0.75%, 0.81%

LAB 73.48, 13.91, -34.18

 

CMYK 26 / 24 / 0 / 0

HEX #BDC1FF

RGB 189 193 255

HSL 236.36, 1%, 0.87%

LAB 79.72, 11.79, -30.92

 

CMYK 19 / 17 / 0 / 0

HEX #CED3FF

RGB 206 211 255

HSL 233.88, 1%, 0.9%

LAB 85.47, 7.18, -22.02

 

CMYK 37 / 34 / 0 / 18

HEX #858BD2

RGB 133 139 210

HSL 235.32, 0.46%, 0.67%

LAB 59.98, 14.94, -37.21

 

CMYK 39 / 37 / 0 / 25

HEX #7479BF

RGB 116 121 191

HSL 236, 0.37%, 0.6%

LAB 53.11, 15.67, -37.31

 

CMYK 42 / 40 / 0 / 33

HEX #6367AC

RGB 99 103 172

HSL 236.71, 0.31%, 0.53%

LAB 46.09, 16.53, -37.46

 

CMYK 46 / 44 / 0 / 40

HEX #525599

RGB 82 85 153

HSL 237.46, 0.3%, 0.46%

LAB 38.88, 17.56, -37.68

 

CMYK 51 / 50 / 0 / 47

HEX #414386

RGB 65 67 134

HSL 238.26, 0.35%, 0.39%

LAB 31.48, 18.83, -37.98

 

CMYK 37 / 34 / 0 / 18

HEX #848AD2

RGB 132 138 210

HSL 235.38, 0.46%, 0.67%

LAB 59.65, 15.25, -37.74

 

CMYK 30 / 37 / 0 / 18

HEX #9384D2

RGB 147 132 210

HSL 251.54, 0.46%, 0.67%

LAB 59.3, 22.94, -38.2

 

CMYK 20 / 37 / 0 / 18

HEX #A884D2

RGB 168 132 210

HSL 267.69, 0.46%, 0.67%

LAB 61.2, 29.1, -35.09

 

CMYK 10 / 37 / 0 / 18

HEX #BD84D2

RGB 189 132 210

HSL 283.85, 0.46%, 0.67%

LAB 63.32, 35.49, -31.63

 

CMYK 0 / 37 / 0 / 18

HEX #D284D2

RGB 210 132 210

HSL 300, 0.46%, 0.67%

LAB 65.64, 41.99, -27.87

 

CMYK 37 / 34 / 0 / 18

HEX #848AD2

RGB 132 138 210

HSL 235.38, 0.46%, 0.67%

LAB 59.65, 15.25, -37.74

 

CMYK 37 / 37 / 0 / 18

HEX #8484D2

RGB 132 132 210

HSL 240, 0.46%, 0.67%

LAB 58.1, 18.77, -40.18

 

CMYK 37 / 34 / 0 / 18

HEX #848AD2

RGB 132 138 210

HSL 235.38, 0.46%, 0.67%

LAB 59.65, 15.25, -37.74

 

CMYK 47 / 43 / 0 / 13

HEX #777FDF

RGB 119 127 223

HSL 235.38, 0.62%, 0.67%

LAB 56.51, 22.16, -50.04

 

CMYK 56 / 51 / 0 / 7

HEX #6973ED

RGB 105 115 237

HSL 235.45, 0.79%, 0.67%

LAB 53.36, 30.69, -62.97

 

CMYK 64 / 58 / 0 / 2

HEX #5B68FA

RGB 91 104 250

HSL 235.09, 0.94%, 0.67%

LAB 50.72, 39.14, -74.54

 

CMYK 37 / 34 / 0 / 18

HEX #848AD2

RGB 132 138 210

HSL 235.38, 0.46%, 0.67%

LAB 59.65, 15.25, -37.74

 

CMYK 26 / 23 / 0 / 23

HEX #9296C4

RGB 146 150 196

HSL 235.2, 0.3%, 0.67%

LAB 63.27, 8.77, -24.2

 

CMYK 13 / 12 / 0 / 29

HEX #9FA1B6

RGB 159 161 182

HSL 234.78, 0.14%, 0.67%

LAB 66.7, 3.56, -11.07

 

CMYK 0 / 0 / 2 / 32

HEX #ADADA9

RGB 173 173 169

HSL 60, 0.02%, 0.67%

LAB 70.62, -0.74, 2.04

 

CMYK 0 / 2 / 17 / 27

HEX #BBB89B

RGB 187 184 155

HSL 54.38, 0.19%, 0.67%

LAB 74.33, -3.87, 15.13

 

CMYK 37 / 14 / 0 / 18

HEX #84B4D2

RGB 132 180 210

HSL 203.08, 0.46%, 0.67%

LAB 71.01, -8.42, -20.22

 

CMYK 37 / 24 / 0 / 18

HEX #849FD2

RGB 132 159 210

HSL 219.23, 0.46%, 0.67%

LAB 65.24, 3.16, -29.05

 

CMYK 37 / 34 / 0 / 18

HEX #848BD2

RGB 132 139 210

HSL 234.62, 0.46%, 0.67%

LAB 59.91, 14.67, -37.33

 

CMYK 30 / 37 / 0 / 18

HEX #9284D2

RGB 146 132 210

HSL 250.77, 0.46%, 0.67%

LAB 59.22, 22.66, -38.33

 

CMYK 20 / 37 / 0 / 18

HEX #A784D2

RGB 167 132 210

HSL 266.92, 0.46%, 0.67%

LAB 61.11, 28.8, -35.25

 

CMYK 61 / 57 / 0 / 27

HEX #4851BB

RGB 72 81 187

HSL 235.3, 0.46%, 0.51%

LAB 39.33, 29.2, -57.18

 

CMYK 48 / 44 / 0 / 22

HEX #666EC6

RGB 102 110 198

HSL 235, 0.46%, 0.59%

LAB 49.56, 20.87, -47

 

CMYK 37 / 34 / 0 / 18

HEX #848AD2

RGB 132 138 210

HSL 235.38, 0.46%, 0.67%

LAB 59.65, 15.25, -37.74

 

CMYK 27 / 24 / 0 / 13

HEX #A2A7DD

RGB 162 167 221

HSL 234.92, 0.46%, 0.75%

LAB 69.85, 10.09, -27.84

 

CMYK 17 / 16 / 0 / 9

HEX #C0C3E8

RGB 192 195 232

HSL 235.5, 0.47%, 0.83%

LAB 79.65, 6.43, -18.68

 

CMYK 37 / 34 / 0 / 18

HEX #858BD2

RGB 133 139 210

HSL 235.32, 0.46%, 0.67%

LAB 59.98, 14.94, -37.21

 

CMYK 0 / 37 / 4 / 18

HEX #D284C9

RGB 210 132 201

HSL 306.92, 0.46%, 0.67%

LAB 65.3, 40.36, -23.36

 

CMYK 19 / 0 / 37 / 18

HEX #AAD284

RGB 170 210 132

HSL 90.77, 0.46%, 0.67%

LAB 79.79, -26.71, 34.45

 

CMYK 37 / 34 / 0 / 18

HEX #858BD2

RGB 133 139 210

HSL 235.32, 0.46%, 0.67%

LAB 59.98, 14.94, -37.21

 

CMYK 0 / 37 / 34 / 18

HEX #D2848B

RGB 210 132 139

HSL 354.62, 0.46%, 0.67%

LAB 63.4, 30.86, 8.91

 

CMYK 34 / 0 / 37 / 18

HEX #8BD284

RGB 139 210 132

HSL 114.62, 0.46%, 0.67%

LAB 78.02, -37.38, 31.8

 

CMYK 37 / 34 / 0 / 18

HEX #858BD2

RGB 133 139 210

HSL 235.32, 0.46%, 0.67%

LAB 59.98, 14.94, -37.21

 

CMYK 0 / 37 / 4 / 18

HEX #D284C9

RGB 210 132 201

HSL 306.92, 0.46%, 0.67%

LAB 65.3, 40.36, -23.36

 

CMYK 0 / 3 / 37 / 18

HEX #D2CB84

RGB 210 203 132

HSL 54.62, 0.46%, 0.67%

LAB 80.78, -7.97, 36.3

 

CMYK 37 / 0 / 33 / 18

HEX #84D28D

RGB 132 210 141

HSL 126.92, 0.46%, 0.67%

LAB 77.83, -38.14, 26.83

 

CMYK 37 / 34 / 0 / 18

HEX #858BD2

RGB 133 139 210

HSL 235.32, 0.46%, 0.67%

LAB 59.98, 14.94, -37.21

 

CMYK 0 / 37 / 16 / 18

HEX #D284B1

RGB 210 132 177

HSL 325.38, 0.46%, 0.67%

LAB 64.47, 36.3, -11.1

 

CMYK 0 / 3 / 37 / 18

HEX #D2CB84

RGB 210 203 132

HSL 54.62, 0.46%, 0.67%

LAB 80.78, -7.97, 36.3

 

CMYK 37 / 0 / 22 / 18

HEX #84D2A4

RGB 132 210 164

HSL 144.62, 0.46%, 0.67%

LAB 78.27, -33.98, 15.34

 

Description

Color code: HEX #858BD2 | qconv.com Color code: HEX #858BD2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 139 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 139 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 34 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 34% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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