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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #858028 it is the complementary color #7A7FD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #858028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #858028 shade: #8A8023, #9B9236, #ACA449, #BDB65C and #CEC86F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #858028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #858028 shade: #858028, #746E15, #635C02, #524A00 and #413800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #858028 shade: #868028, #866728, #864E28, #863528 and #862828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #858028 shade: #868028, #718628, #588628, #3F8628 and #28862A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #858028 shade matches the following richer shades: #868028, #948D1A and #A29A0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #858028 shade: #868028, #777436, #696744, #5B5B52 and #4D4E60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #858028 shade: #864D28, #866628, #867F28, #738628 and #5A8628

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #858028 shade: #464315, #66621E, #868028, #A59F31 and #C5BD3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #858028 shade: #858028, #288634 and #5A2886

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #858028 shade: #858028, #28867F and #7F2886

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #858028 shade: #858028, #288634, #282E86 and #862879

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #858028 shade: #858028, #288650, #282E86 and #86285D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 70 / 48

HEX #858028

RGB 133 128 40

HSL 56.77, 0.54%, 0.34%

LAB 52.48, -9.26, 46.25

 

Complementary color

CMYK 43 / 41 / 0 / 16

HEX #7A7FD7

RGB 122 127 215

HSL 236.77, 0.54%, 0.66%

LAB 56.31, 20.54, -45.86

 

CMYK 0 / 7 / 75 / 46

HEX #8A8023

RGB 138 128 35

HSL 54.17, 0.6%, 0.34%

LAB 52.91, -7.24, 48.84

 

CMYK 0 / 6 / 65 / 39

HEX #9B9236

RGB 155 146 54

HSL 54.65, 0.48%, 0.41%

LAB 59.7, -8.25, 48.3

 

CMYK 0 / 5 / 58 / 33

HEX #ACA449

RGB 172 164 73

HSL 55.15, 0.4%, 0.48%

LAB 66.37, -9.06, 47.33

 

CMYK 0 / 4 / 51 / 26

HEX #BDB65C

RGB 189 182 92

HSL 55.67, 0.42%, 0.55%

LAB 72.92, -9.7, 46.19

 

CMYK 0 / 3 / 46 / 19

HEX #CEC86F

RGB 206 200 111

HSL 56.21, 0.49%, 0.62%

LAB 79.37, -10.23, 45.01

 

CMYK 0 / 4 / 70 / 48

HEX #858028

RGB 133 128 40

HSL 56.77, 0.54%, 0.34%

LAB 52.48, -9.26, 46.25

 

CMYK 0 / 5 / 82 / 55

HEX #746E15

RGB 116 110 21

HSL 56.21, 0.69%, 0.27%

LAB 45.52, -8.14, 46.29

 

CMYK 0 / 7 / 98 / 61

HEX #635C02

RGB 99 92 2

HSL 55.67, 0.96%, 0.2%

LAB 38.4, -6.7, 45.06

 

CMYK 0 / 10 / 100 / 68

HEX #524A00

RGB 82 74 0

HSL 54.15, 1%, 0.16%

LAB 31.09, -4.7, 39.61

 

CMYK 0 / 14 / 100 / 75

HEX #413800

RGB 65 56 0

HSL 51.69, 1%, 0.13%

LAB 23.51, -2.49, 32.34

 

CMYK 0 / 4 / 70 / 47

HEX #868028

RGB 134 128 40

HSL 56.17, 0.54%, 0.34%

LAB 52.58, -8.8, 46.38

 

CMYK 0 / 23 / 70 / 47

HEX #866728

RGB 134 103 40

HSL 40.21, 0.54%, 0.34%

LAB 45.53, 5.39, 39.08

 

CMYK 0 / 42 / 70 / 47

HEX #864E28

RGB 134 78 40

HSL 24.26, 0.54%, 0.34%

LAB 39.02, 20.06, 31.97

 

CMYK 0 / 60 / 70 / 47

HEX #863528

RGB 134 53 40

HSL 8.3, 0.54%, 0.34%

LAB 33.49, 33.87, 25.6

 

CMYK 0 / 70 / 70 / 47

HEX #862828

RGB 134 40 40

HSL 0, 0.54%, 0.34%

LAB 31.21, 39.99, 22.85

 

CMYK 0 / 4 / 70 / 47

HEX #868028

RGB 134 128 40

HSL 56.17, 0.54%, 0.34%

LAB 52.58, -8.8, 46.38

 

CMYK 16 / 0 / 70 / 47

HEX #718628

RGB 113 134 40

HSL 73.4, 0.54%, 0.34%

LAB 52.64, -21.39, 45.88

 

CMYK 34 / 0 / 70 / 47

HEX #588628

RGB 88 134 40

HSL 89.36, 0.54%, 0.34%

LAB 51.01, -31.67, 43.69

 

CMYK 53 / 0 / 70 / 47

HEX #3F8628

RGB 63 134 40

HSL 105.32, 0.54%, 0.34%

LAB 49.81, -40.31, 42.06

 

CMYK 70 / 0 / 69 / 47

HEX #28862A

RGB 40 134 42

HSL 121.28, 0.54%, 0.34%

LAB 49.09, -45.96, 40.21

 

CMYK 0 / 4 / 70 / 47

HEX #868028

RGB 134 128 40

HSL 56.17, 0.54%, 0.34%

LAB 52.58, -8.8, 46.38

 

CMYK 0 / 5 / 82 / 42

HEX #948D1A

RGB 148 141 26

HSL 56.56, 0.7%, 0.34%

LAB 57.48, -10.09, 56.4

 

CMYK 0 / 5 / 93 / 36

HEX #A29A0C

RGB 162 154 12

HSL 56.8, 0.86%, 0.34%

LAB 62.35, -11, 63.96

 

CMYK 0 / 4 / 70 / 47

HEX #868028

RGB 134 128 40

HSL 56.17, 0.54%, 0.34%

LAB 52.58, -8.8, 46.38

 

CMYK 0 / 3 / 55 / 53

HEX #777436

RGB 119 116 54

HSL 57.23, 0.38%, 0.34%

LAB 47.85, -7.95, 34.22

 

CMYK 0 / 2 / 35 / 59

HEX #696744

RGB 105 103 68

HSL 56.76, 0.21%, 0.34%

LAB 42.95, -5.21, 20.07

 

CMYK 0 / 0 / 10 / 64

HEX #5B5B52

RGB 91 91 82

HSL 60, 0.05%, 0.34%

LAB 38.4, -1.82, 5.19

 

CMYK 20 / 19 / 0 / 62

HEX #4D4E60

RGB 77 78 96

HSL 236.84, 0.11%, 0.34%

LAB 33.71, 3.89, -10.63

 

CMYK 0 / 43 / 70 / 47

HEX #864D28

RGB 134 77 40

HSL 23.62, 0.54%, 0.34%

LAB 38.78, 20.64, 31.7

 

CMYK 0 / 24 / 70 / 47

HEX #866628

RGB 134 102 40

HSL 39.57, 0.54%, 0.34%

LAB 45.25, 5.97, 38.79

 

CMYK 0 / 5 / 70 / 47

HEX #867F28

RGB 134 127 40

HSL 55.53, 0.54%, 0.34%

LAB 52.29, -8.25, 46.08

 

CMYK 14 / 0 / 70 / 47

HEX #738628

RGB 115 134 40

HSL 72.13, 0.54%, 0.34%

LAB 52.78, -20.53, 46.08

 

CMYK 33 / 0 / 70 / 47

HEX #5A8628

RGB 90 134 40

HSL 88.09, 0.54%, 0.34%

LAB 51.13, -30.9, 43.85

 

CMYK 0 / 4 / 70 / 73

HEX #464315

RGB 70 67 21

HSL 56.33, 0.54%, 0.18%

LAB 27.77, -5.53, 27.51

 

CMYK 0 / 4 / 71 / 60

HEX #66621E

RGB 102 98 30

HSL 56.67, 0.55%, 0.26%

LAB 40.66, -7.54, 37.65

 

CMYK 0 / 4 / 70 / 47

HEX #868028

RGB 134 128 40

HSL 56.17, 0.54%, 0.34%

LAB 52.58, -8.8, 46.38

 

CMYK 0 / 4 / 70 / 35

HEX #A59F31

RGB 165 159 49

HSL 56.9, 0.54%, 0.42%

LAB 64.17, -11.04, 55.25

 

CMYK 0 / 4 / 70 / 23

HEX #C5BD3B

RGB 197 189 59

HSL 56.52, 0.54%, 0.5%

LAB 75.19, -12.18, 63.24

 

CMYK 0 / 4 / 70 / 48

HEX #858028

RGB 133 128 40

HSL 56.77, 0.54%, 0.34%

LAB 52.48, -9.26, 46.25

 

CMYK 70 / 0 / 61 / 47

HEX #288634

RGB 40 134 52

HSL 127.66, 0.54%, 0.34%

LAB 49.19, -44.79, 35.67

 

CMYK 33 / 70 / 0 / 47

HEX #5A2886

RGB 90 40 134

HSL 271.91, 0.54%, 0.34%

LAB 27.88, 41.09, -43.65

 

CMYK 0 / 4 / 70 / 48

HEX #858028

RGB 133 128 40

HSL 56.77, 0.54%, 0.34%

LAB 52.48, -9.26, 46.25

 

CMYK 70 / 0 / 5 / 47

HEX #28867F

RGB 40 134 127

HSL 175.53, 0.54%, 0.34%

LAB 50.73, -28.48, -4.16

 

CMYK 5 / 70 / 0 / 47

HEX #7F2886

RGB 127 40 134

HSL 295.53, 0.54%, 0.34%

LAB 33.46, 49.7, -34.39

 

CMYK 0 / 4 / 70 / 48

HEX #858028

RGB 133 128 40

HSL 56.77, 0.54%, 0.34%

LAB 52.48, -9.26, 46.25

 

CMYK 70 / 0 / 61 / 47

HEX #288634

RGB 40 134 52

HSL 127.66, 0.54%, 0.34%

LAB 49.19, -44.79, 35.67

 

CMYK 70 / 66 / 0 / 47

HEX #282E86

RGB 40 46 134

HSL 236.17, 0.54%, 0.34%

LAB 24.08, 28.01, -50.04

 

CMYK 0 / 70 / 10 / 47

HEX #862879

RGB 134 40 121

HSL 308.3, 0.54%, 0.34%

LAB 33.91, 49.18, -25.48

 

CMYK 0 / 4 / 70 / 48

HEX #858028

RGB 133 128 40

HSL 56.77, 0.54%, 0.34%

LAB 52.48, -9.26, 46.25

 

CMYK 70 / 0 / 40 / 47

HEX #288650

RGB 40 134 80

HSL 145.53, 0.54%, 0.34%

LAB 49.59, -40.2, 21.36

 

CMYK 70 / 66 / 0 / 47

HEX #282E86

RGB 40 46 134

HSL 236.17, 0.54%, 0.34%

LAB 24.08, 28.01, -50.04

 

CMYK 0 / 70 / 31 / 47

HEX #86285D

RGB 134 40 93

HSL 326.17, 0.54%, 0.34%

LAB 32.65, 45.02, -9.6

 

Description

Color code: HEX #858028 | qconv.com Color code: HEX #858028 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 128 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 128 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 70 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 70% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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