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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #856FF4CE it is the complementary color #7A900BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #856FF4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #856FF4CE shade: #8A6FEFCE, #9B81FFCE, #AC93FFCE, #BDA5FFCE and #CEB7FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #856FF4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #856FF4CE shade: #856FF4CE, #745DE1CE, #634BCECE, #5239BBCE and #4127A8CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #856FF4CE shade: #8671F4, #AA71F4, #CD71F4, #F171F4 and #F471D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #856FF4CE shade: #8671F4 and #7171F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #856FF4CE shade matches the following richer shades: #8671F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #856FF4CE shade: #8671F4, #8F7DE8, #9789DC, #9F96CF and #A8A2C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #856FF4CE shade: #71A3F4, #7180F4, #8471F4, #A871F4 and #CB71F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #856FF4CE shade: #4524EF, #664AF1, #8671F4, #A797F7 and #C7BDFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #856FF4CE shade: #856FF4, #F471C6 and #92F471

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #856FF4CE shade: #856FF4, #F48471 and #71F484

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #856FF4CE shade: #856FF4, #F471C6, #E1F471 and #71F49F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #856FF4CE shade: #856FF4, #F4719F, #E1F471 and #71F4C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 44 / 0 / 3

HEX #856FF4CE

RGBA 133 111 244 0.81

HSLA 249.92, 0.86%, 0.7%, 0.81

LABA 54.96, 40.85, -64.2, 0.81

 

Complementary color

CMYK 12 / 0 / 75 / 35

HEX #7A900BCE

RGBA 122 144 11 0.81

HSLA 69.92, 0.86%, 0.3%, 0.81

LABA 56.2, -23.74, 57.89, 0.81

 

CMYK 34 / 43 / 0 / 5

HEX #8A6FEFCE

RGBA 138 111 239 0.81

HSLA 252.66, 0.8%, 0.69%, 0.81

LABA 55.08, 40.55, -61.2, 0.81

 

CMYK 32 / 40 / 0 / 0

HEX #9B81FFCE

RGBA 155 129 255 0.81

HSLA 252.38, 1%, 0.75%, 0.81

LABA 61.56, 38.56, -59.58, 0.81

 

CMYK 26 / 34 / 0 / 0

HEX #AC93FFCE

RGBA 172 147 255 0.81

HSLA 253.89, 1%, 0.79%, 0.81

LABA 67.17, 32.63, -50.57, 0.81

 

CMYK 21 / 29 / 0 / 0

HEX #BDA5FFCE

RGBA 189 165 255 0.81

HSLA 256, 1%, 0.82%, 0.81

LABA 72.86, 27.21, -41.54, 0.81

 

CMYK 16 / 23 / 0 / 0

HEX #CEB7FFCE

RGBA 206 183 255 0.81

HSLA 259.17, 1%, 0.86%, 0.81

LABA 78.58, 22.27, -32.55, 0.81

 

CMYK 37 / 44 / 0 / 3

HEX #856FF4CE

RGBA 133 111 244 0.81

HSLA 249.92, 0.86%, 0.7%, 0.81

LABA 54.96, 40.85, -64.2, 0.81

 

CMYK 39 / 48 / 0 / 10

HEX #745DE1CE

RGBA 116 93 225 0.81

HSLA 250.45, 0.69%, 0.62%, 0.81

LABA 48.23, 42.24, -64.47, 0.81

 

CMYK 42 / 52 / 0 / 16

HEX #634BCECE

RGBA 99 75 206 0.81

HSLA 250.99, 0.57%, 0.55%, 0.81

LABA 41.44, 43.75, -64.7, 0.81

 

CMYK 45 / 56 / 0 / 22

HEX #5239BBCE

RGBA 82 57 187 0.81

HSLA 251.54, 0.53%, 0.48%, 0.81

LABA 34.62, 45.33, -64.82, 0.81

 

CMYK 50 / 62 / 0 / 28

HEX #4127A8CE

RGBA 65 39 168 0.81

HSLA 252.09, 0.62%, 0.41%, 0.81

LABA 27.85, 46.82, -64.66, 0.81

 

CMYK 45 / 54 / 0 / 4

HEX #8671F4

RGB 134 113 244

HSL 249.62, 0.86%, 0.7%

LAB 55.49, 39.92, -63.33

 

CMYK 30 / 54 / 0 / 4

HEX #AA71F4

RGB 170 113 244

HSL 266.11, 0.86%, 0.7%

LAB 58.87, 48.23, -57.72

 

CMYK 16 / 54 / 0 / 4

HEX #CD71F4

RGB 205 113 244

HSL 282.14, 0.86%, 0.7%

LAB 62.78, 56.98, -51.27

 

CMYK 1 / 54 / 0 / 4

HEX #F171F4

RGB 241 113 244

HSL 298.63, 0.86%, 0.7%

LAB 67.31, 66.25, -43.82

 

CMYK 0 / 54 / 13 / 4

HEX #F471D4

RGB 244 113 212

HSL 314.66, 0.86%, 0.7%

LAB 66.36, 61.88, -27.5

 

CMYK 45 / 54 / 0 / 4

HEX #8671F4

RGB 134 113 244

HSL 249.62, 0.86%, 0.7%

LAB 55.49, 39.92, -63.33

 

CMYK 54 / 54 / 0 / 4

HEX #7171F4

RGB 113 113 244

HSL 240, 0.86%, 0.7%

LAB 53.87, 35.61, -66.02

 

CMYK 45 / 54 / 0 / 4

HEX #8671F4

RGB 134 113 244

HSL 249.62, 0.86%, 0.7%

LAB 55.49, 39.92, -63.33

 

CMYK 45 / 54 / 0 / 4

HEX #8671F4

RGB 134 113 244

HSL 249.62, 0.86%, 0.7%

LAB 55.49, 39.92, -63.33

 

CMYK 38 / 46 / 0 / 9

HEX #8F7DE8

RGB 143 125 232

HSL 250.09, 0.7%, 0.7%

LAB 58.35, 31.74, -52.03

 

CMYK 31 / 38 / 0 / 14

HEX #9789DC

RGB 151 137 220

HSL 250.12, 0.54%, 0.7%

LAB 61.34, 23.74, -40.58

 

CMYK 23 / 28 / 0 / 19

HEX #9F96CF

RGB 159 150 207

HSL 249.47, 0.37%, 0.7%

LAB 64.71, 15.41, -28.03

 

CMYK 14 / 17 / 0 / 24

HEX #A8A2C3

RGB 168 162 195

HSL 250.91, 0.22%, 0.7%

LAB 68.1, 8.8, -16.13

 

CMYK 54 / 33 / 0 / 4

HEX #71A3F4

RGB 113 163 244

HSL 217.1, 0.86%, 0.7%

LAB 66.7, 6.09, -45.58

 

CMYK 54 / 48 / 0 / 4

HEX #7180F4

RGB 113 128 244

HSL 233.13, 0.86%, 0.7%

LAB 57.54, 26.66, -60.12

 

CMYK 46 / 54 / 0 / 4

HEX #8471F4

RGB 132 113 244

HSL 248.7, 0.86%, 0.7%

LAB 55.33, 39.49, -63.6

 

CMYK 31 / 54 / 0 / 4

HEX #A871F4

RGB 168 113 244

HSL 265.19, 0.86%, 0.7%

LAB 58.66, 47.74, -58.07

 

CMYK 17 / 54 / 0 / 4

HEX #CB71F4

RGB 203 113 244

HSL 281.22, 0.86%, 0.7%

LAB 62.54, 56.47, -51.66

 

CMYK 71 / 85 / 0 / 6

HEX #4524EF

RGB 69 36 239

HSL 249.75, 0.86%, 0.54%

LAB 35.52, 68.57, -93.41

 

CMYK 58 / 69 / 0 / 5

HEX #664AF1

RGB 102 74 241

HSL 250.06, 0.86%, 0.62%

LAB 44.34, 55.1, -79.89

 

CMYK 45 / 54 / 0 / 4

HEX #8671F4

RGB 134 113 244

HSL 249.62, 0.86%, 0.7%

LAB 55.49, 39.92, -63.33

 

CMYK 32 / 39 / 0 / 3

HEX #A797F7

RGB 167 151 247

HSL 250, 0.86%, 0.78%

LAB 67.33, 27.02, -45.99

 

CMYK 20 / 24 / 0 / 2

HEX #C7BDFA

RGB 199 189 250

HSL 249.84, 0.86%, 0.86%

LAB 79.29, 15.79, -28.82

 

CMYK 45 / 55 / 0 / 4

HEX #856FF4

RGB 133 111 244

HSL 249.92, 0.86%, 0.7%

LAB 54.96, 40.85, -64.2

 

CMYK 0 / 54 / 19 / 4

HEX #F471C6

RGB 244 113 198

HSL 321.07, 0.86%, 0.7%

LAB 65.84, 59.82, -20.45

 

CMYK 40 / 0 / 54 / 4

HEX #92F471

RGB 146 244 113

HSL 104.89, 0.86%, 0.7%

LAB 87.97, -52.24, 53.56

 

CMYK 45 / 55 / 0 / 4

HEX #856FF4

RGB 133 111 244

HSL 249.92, 0.86%, 0.7%

LAB 54.96, 40.85, -64.2

 

CMYK 0 / 46 / 54 / 4

HEX #F48471

RGB 244 132 113

HSL 8.7, 0.86%, 0.7%

LAB 67.22, 40.94, 29.44

 

CMYK 54 / 0 / 46 / 4

HEX #71F484

RGB 113 244 132

HSL 128.7, 0.86%, 0.7%

LAB 86.94, -58.89, 43.09

 

CMYK 45 / 55 / 0 / 4

HEX #856FF4

RGB 133 111 244

HSL 249.92, 0.86%, 0.7%

LAB 54.96, 40.85, -64.2

 

CMYK 0 / 54 / 19 / 4

HEX #F471C6

RGB 244 113 198

HSL 321.07, 0.86%, 0.7%

LAB 65.84, 59.82, -20.45

 

CMYK 8 / 0 / 54 / 4

HEX #E1F471

RGB 225 244 113

HSL 68.7, 0.86%, 0.7%

LAB 92.53, -24.19, 60.04

 

CMYK 54 / 0 / 35 / 4

HEX #71F49F

RGB 113 244 159

HSL 141.07, 0.86%, 0.7%

LAB 87.35, -54.56, 30.26

 

CMYK 45 / 55 / 0 / 4

HEX #856FF4

RGB 133 111 244

HSL 249.92, 0.86%, 0.7%

LAB 54.96, 40.85, -64.2

 

CMYK 0 / 54 / 35 / 4

HEX #F4719F

RGB 244 113 159

HSL 338.93, 0.86%, 0.7%

LAB 64.6, 54.78, -0.18

 

CMYK 8 / 0 / 54 / 4

HEX #E1F471

RGB 225 244 113

HSL 68.7, 0.86%, 0.7%

LAB 92.53, -24.19, 60.04

 

CMYK 54 / 0 / 19 / 4

HEX #71F4C6

RGB 113 244 198

HSL 158.93, 0.86%, 0.7%

LAB 88.11, -46.86, 11.29

 

Description

Color code: HEX #856FF4CE | qconv.com Color code: HEX #856FF4CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 111 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 111 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 44 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 44% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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