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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #856CD5CE it is the complementary color #7A932ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #856CD5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #856CD5CE shade: #8A6CD0CE, #9B7EE3CE, #AC90F6CE, #BDA2FFCE and #CEB4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #856CD5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #856CD5CE shade: #856CD5CE, #745AC2CE, #6348AFCE, #52369CCE and #412489CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #856CD5CE shade: #856CD5, #A16CD5, #BE6CD5, #D56CD1 and #D56CB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #856CD5CE shade: #856CD5 and #6C6CD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #856CD5CE shade matches the following richer shades: #856CD5, #7D5DE5 and #754DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #856CD5CE shade: #856CD5, #8D7BC6, #958AB7, #9D9AA8 and #A5A998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #856CD5CE shade: #6C8CD5, #6C6FD5, #846CD5, #A16CD5 and #BD6CD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #856CD5CE shade: #5435BA, #6A4CCC, #856CD5, #A08CDF and #BAACE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #856CD5CE shade: #856CD5, #D56CA8 and #7DD56C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #856CD5CE shade: #856CD5, #D5846C and #6CD584

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #856CD5CE shade: #856CD5, #D56CA8, #BDD56C and #6CD59A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #856CD5CE shade: #856CD5, #D56C88, #BDD56C and #6CD5B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 40 / 0 / 13

HEX #856CD5CE

RGBA 133 108 213 0.81

HSLA 254.29, 0.56%, 0.63%, 0.81

LABA 52.42, 33.98, -50.86, 0.81

 

Complementary color

CMYK 14 / 0 / 58 / 34

HEX #7A932ACE

RGBA 122 147 42 0.81

HSLA 74.29, 0.56%, 0.37%, 0.81

LABA 57.24, -23.98, 49.94, 0.81

 

CMYK 27 / 39 / 0 / 15

HEX #8A6CD0CE

RGBA 138 108 208 0.81

HSLA 258, 0.52%, 0.62%, 0.81

LABA 52.6, 33.92, -47.7, 0.81

 

CMYK 26 / 36 / 0 / 9

HEX #9B7EE3CE

RGBA 155 126 227 0.81

HSLA 257.23, 0.64%, 0.69%, 0.81

LABA 59.38, 32.95, -47.56, 0.81

 

CMYK 24 / 34 / 0 / 3

HEX #AC90F6CE

RGBA 172 144 246 0.81

HSLA 256.47, 0.85%, 0.76%, 0.81

LABA 66.04, 32.07, -47.44, 0.81

 

CMYK 21 / 30 / 0 / 0

HEX #BDA2FFCE

RGBA 189 162 255 0.81

HSLA 257.42, 1%, 0.82%, 0.81

LABA 72.15, 28.88, -42.65, 0.81

 

CMYK 16 / 24 / 0 / 0

HEX #CEB4FFCE

RGBA 206 180 255 0.81

HSLA 260.8, 1%, 0.85%, 0.81

LABA 77.87, 23.91, -33.65, 0.81

 

CMYK 30 / 40 / 0 / 13

HEX #856CD5CE

RGBA 133 108 213 0.81

HSLA 254.29, 0.56%, 0.63%, 0.81

LABA 52.42, 33.98, -50.86, 0.81

 

CMYK 33 / 43 / 0 / 19

HEX #745AC2CE

RGBA 116 90 194 0.81

HSLA 255, 0.46%, 0.56%, 0.81

LABA 45.52, 35.13, -51.08, 0.81

 

CMYK 35 / 48 / 0 / 25

HEX #6348AFCE

RGBA 99 72 175 0.81

HSLA 255.73, 0.42%, 0.48%, 0.81

LABA 38.52, 36.4, -51.31, 0.81

 

CMYK 38 / 53 / 0 / 31

HEX #52369CCE

RGBA 82 54 156 0.81

HSLA 256.47, 0.49%, 0.41%, 0.81

LABA 31.42, 37.77, -51.49, 0.81

 

CMYK 43 / 60 / 0 / 37

HEX #412489CE

RGBA 65 36 137 0.81

HSLA 257.23, 0.58%, 0.34%, 0.81

LABA 24.3, 39.1, -51.49, 0.81

 

CMYK 38 / 49 / 0 / 16

HEX #856CD5

RGB 133 108 213

HSL 254.29, 0.56%, 0.63%

LAB 52.42, 33.98, -50.86

 

CMYK 24 / 49 / 0 / 16

HEX #A16CD5

RGB 161 108 213

HSL 270.29, 0.56%, 0.63%

LAB 55.18, 41.27, -46.3

 

CMYK 11 / 49 / 0 / 16

HEX #BE6CD5

RGB 190 108 213

HSL 286.86, 0.56%, 0.63%

LAB 58.49, 49.23, -40.86

 

CMYK 0 / 49 / 2 / 16

HEX #D56CD1

RGB 213 108 209

HSL 302.29, 0.56%, 0.63%

LAB 61.2, 54.95, -34.15

 

CMYK 0 / 49 / 15 / 16

HEX #D56CB4

RGB 213 108 180

HSL 318.86, 0.56%, 0.63%

LAB 60.04, 50.16, -19.46

 

CMYK 38 / 49 / 0 / 16

HEX #856CD5

RGB 133 108 213

HSL 254.29, 0.56%, 0.63%

LAB 52.42, 33.98, -50.86

 

CMYK 49 / 49 / 0 / 16

HEX #6C6CD5

RGB 108 108 213

HSL 240, 0.56%, 0.63%

LAB 50.35, 28.06, -54.27

 

CMYK 38 / 49 / 0 / 16

HEX #856CD5

RGB 133 108 213

HSL 254.29, 0.56%, 0.63%

LAB 52.42, 33.98, -50.86

 

CMYK 45 / 59 / 0 / 10

HEX #7D5DE5

RGB 125 93 229

HSL 254.12, 0.72%, 0.63%

LAB 49.31, 45.2, -64.95

 

CMYK 52 / 68 / 0 / 4

HEX #754DF4

RGB 117 77 244

HSL 254.37, 0.88%, 0.63%

LAB 46.47, 56.61, -78.03

 

CMYK 38 / 49 / 0 / 16

HEX #856CD5

RGB 133 108 213

HSL 254.29, 0.56%, 0.63%

LAB 52.42, 33.98, -50.86

 

CMYK 29 / 38 / 0 / 22

HEX #8D7BC6

RGB 141 123 198

HSL 254.4, 0.4%, 0.63%

LAB 55.99, 23.4, -36.64

 

CMYK 19 / 25 / 0 / 28

HEX #958AB7

RGB 149 138 183

HSL 254.67, 0.24%, 0.63%

LAB 59.88, 13.5, -22.05

 

CMYK 7 / 8 / 0 / 34

HEX #9D9AA8

RGB 157 154 168

HSL 252.86, 0.07%, 0.63%

LAB 64.25, 3.85, -6.91

 

CMYK 2 / 0 / 10 / 34

HEX #A5A998

RGB 165 169 152

HSL 74.12, 0.09%, 0.63%

LAB 68.49, -4.54, 8.28

 

CMYK 49 / 34 / 0 / 16

HEX #6C8CD5

RGB 108 140 213

HSL 221.71, 0.56%, 0.63%

LAB 58.74, 8.83, -40.96

 

CMYK 49 / 48 / 0 / 16

HEX #6C6FD5

RGB 108 111 213

HSL 238.29, 0.56%, 0.63%

LAB 51.11, 26.24, -53.07

 

CMYK 38 / 49 / 0 / 16

HEX #846CD5

RGB 132 108 213

HSL 253.71, 0.56%, 0.63%

LAB 52.33, 33.73, -51.01

 

CMYK 24 / 49 / 0 / 16

HEX #A16CD5

RGB 161 108 213

HSL 270.29, 0.56%, 0.63%

LAB 55.18, 41.27, -46.3

 

CMYK 11 / 49 / 0 / 16

HEX #BD6CD5

RGB 189 108 213

HSL 286.29, 0.56%, 0.63%

LAB 58.37, 48.96, -41.06

 

CMYK 55 / 72 / 0 / 27

HEX #5435BA

RGB 84 53 186

HSL 253.98, 0.56%, 0.47%

LAB 33.93, 47.52, -65.34

 

CMYK 48 / 63 / 0 / 20

HEX #6A4CCC

RGB 106 76 204

HSL 254.06, 0.56%, 0.55%

LAB 42.14, 43.91, -62.37

 

CMYK 38 / 49 / 0 / 16

HEX #856CD5

RGB 133 108 213

HSL 254.29, 0.56%, 0.63%

LAB 52.42, 33.98, -50.86

 

CMYK 28 / 37 / 0 / 13

HEX #A08CDF

RGB 160 140 223

HSL 254.46, 0.56%, 0.71%

LAB 62.98, 25.31, -39.63

 

CMYK 20 / 26 / 0 / 9

HEX #BAACE8

RGB 186 172 232

HSL 254, 0.57%, 0.79%

LAB 73.4, 17.13, -28.25

HEX #BAACE8

CMYK 38 / 49 / 0 / 16

HEX #856CD5

RGB 133 108 213

HSL 254.29, 0.56%, 0.63%

LAB 52.42, 33.98, -50.86

 

CMYK 0 / 49 / 21 / 16

HEX #D56CA8

RGB 213 108 168

HSL 325.71, 0.56%, 0.63%

LAB 59.62, 48.36, -13.21

 

CMYK 41 / 0 / 49 / 16

HEX #7DD56C

RGB 125 213 108

HSL 110.29, 0.56%, 0.63%

LAB 77.89, -46.47, 43.5

 

CMYK 38 / 49 / 0 / 16

HEX #856CD5

RGB 133 108 213

HSL 254.29, 0.56%, 0.63%

LAB 52.42, 33.98, -50.86

 

CMYK 0 / 38 / 49 / 16

HEX #D5846C

RGB 213 132 108

HSL 13.71, 0.56%, 0.63%

LAB 63.12, 28.59, 26.07

 

CMYK 49 / 0 / 38 / 16

HEX #6CD584

RGB 108 213 132

HSL 133.71, 0.56%, 0.63%

LAB 77.54, -47.78, 30.92

 

CMYK 38 / 49 / 0 / 16

HEX #856CD5

RGB 133 108 213

HSL 254.29, 0.56%, 0.63%

LAB 52.42, 33.98, -50.86

 

CMYK 0 / 49 / 21 / 16

HEX #D56CA8

RGB 213 108 168

HSL 325.71, 0.56%, 0.63%

LAB 59.62, 48.36, -13.21

 

CMYK 11 / 0 / 49 / 16

HEX #BDD56C

RGB 189 213 108

HSL 73.71, 0.56%, 0.63%

LAB 81.56, -23.77, 48.81

 

CMYK 49 / 0 / 28 / 16

HEX #6CD59A

RGB 108 213 154

HSL 146.29, 0.56%, 0.63%

LAB 77.94, -43.78, 20.01

 

CMYK 38 / 49 / 0 / 16

HEX #856CD5

RGB 133 108 213

HSL 254.29, 0.56%, 0.63%

LAB 52.42, 33.98, -50.86

 

CMYK 0 / 49 / 36 / 16

HEX #D56C88

RGB 213 108 136

HSL 344, 0.56%, 0.63%

LAB 58.65, 44.14, 3.88

 

CMYK 11 / 0 / 49 / 16

HEX #BDD56C

RGB 189 213 108

HSL 73.71, 0.56%, 0.63%

LAB 81.56, -23.77, 48.81

 

CMYK 49 / 0 / 13 / 16

HEX #6CD5B9

RGB 108 213 185

HSL 164, 0.56%, 0.63%

LAB 78.62, -37.16, 4.51

 

Description

Color code: HEX #856CD5CE | qconv.com Color code: HEX #856CD5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 108 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 108 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 40 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 40% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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