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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #856C6E it is the complementary color #7A9391. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #856C6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #856C6E shade: #8A6C69, #9B7E7C, #AC908F, #BDA2A2 and #CEB4B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #856C6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #856C6E shade: #856C6E, #745A5B, #634848, #523635 and #412422

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #856C6E shade: #846C6E and #846C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #856C6E shade: #846C6E, #846C74, #846C7B, #846C81 and #806C84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #856C6E shade matches the following richer shades: #846C6E, #97585D, #AB454D, #BE323D and #D11E2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #856C6E shade: #846C6E, #707F7E, #5D938E, #4AA69F and #36B9AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #856C6E shade: #846C7B, #846C74, #846C6E, #84706C and #84776C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #856C6E shade: #564748, #6D595B, #846C6E, #988183 and #AA9899

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #856C6E shade: #856C6E, #81846C and #6C7784

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #856C6E shade: #856C6E, #6E846C and #6C6E84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #856C6E shade: #856C6E, #81846C, #6C8482 and #6F6C84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #856C6E shade: #856C6E, #7A846C, #6C8482 and #766C84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 17 / 48

HEX #856C6E

RGB 133 108 110

HSL 355.2, 0.1%, 0.47%

LAB 48.05, 10.23, 2.62

 

Complementary color

CMYK 17 / 0 / 1 / 42

HEX #7A9391

RGB 122 147 145

HSL 175.2, 0.1%, 0.53%

LAB 59.02, -9.23, -1.9

 

CMYK 0 / 22 / 24 / 46

HEX #8A6C69

RGB 138 108 105

HSL 5.45, 0.14%, 0.48%

LAB 48.45, 11.42, 6.23

 

CMYK 0 / 19 / 20 / 39

HEX #9B7E7C

RGB 155 126 124

HSL 3.87, 0.13%, 0.55%

LAB 55.43, 10.84, 5.3

 

CMYK 0 / 16 / 17 / 33

HEX #AC908F

RGB 172 144 143

HSL 2.07, 0.15%, 0.62%

LAB 62.25, 10.33, 4.45

 

CMYK 0 / 14 / 14 / 26

HEX #BDA2A2

RGB 189 162 162

HSL 0, 0.17%, 0.69%

LAB 68.95, 9.88, 3.66

 

CMYK 0 / 13 / 12 / 19

HEX #CEB4B5

RGB 206 180 181

HSL 357.69, 0.21%, 0.76%

LAB 75.51, 9.48, 2.92

 

CMYK 0 / 19 / 17 / 48

HEX #856C6E

RGB 133 108 110

HSL 355.2, 0.1%, 0.47%

LAB 48.05, 10.23, 2.62

 

CMYK 0 / 22 / 22 / 55

HEX #745A5B

RGB 116 90 91

HSL 357.69, 0.13%, 0.4%

LAB 40.87, 10.82, 3.51

 

CMYK 0 / 27 / 27 / 61

HEX #634848

RGB 99 72 72

HSL 0, 0.16%, 0.34%

LAB 33.47, 11.53, 4.52

 

CMYK 0 / 34 / 35 / 68

HEX #523635

RGB 82 54 53

HSL 2.07, 0.21%, 0.26%

LAB 25.83, 12.4, 5.71

 

CMYK 0 / 45 / 48 / 75

HEX #412422

RGB 65 36 34

HSL 3.87, 0.31%, 0.19%

LAB 17.92, 13.52, 7.23

 

CMYK 0 / 18 / 17 / 48

HEX #846C6E

RGB 132 108 110

HSL 355, 0.1%, 0.47%

LAB 47.95, 9.83, 2.45

 

CMYK 0 / 18 / 18 / 48

HEX #846C6C

RGB 132 108 108

HSL 0, 0.1%, 0.47%

LAB 47.9, 9.49, 3.57

 

CMYK 0 / 18 / 17 / 48

HEX #846C6E

RGB 132 108 110

HSL 355, 0.1%, 0.47%

LAB 47.95, 9.83, 2.45

 

CMYK 0 / 18 / 12 / 48

HEX #846C74

RGB 132 108 116

HSL 340, 0.1%, 0.47%

LAB 48.12, 10.9, -0.88

 

CMYK 0 / 18 / 7 / 48

HEX #846C7B

RGB 132 108 123

HSL 322.5, 0.1%, 0.47%

LAB 48.34, 12.21, -4.74

 

CMYK 0 / 18 / 2 / 48

HEX #846C81

RGB 132 108 129

HSL 307.5, 0.1%, 0.47%

LAB 48.53, 13.39, -8.02

 

CMYK 3 / 18 / 0 / 48

HEX #806C84

RGB 128 108 132

HSL 290, 0.1%, 0.47%

LAB 48.24, 12.52, -10.29

 

CMYK 0 / 18 / 17 / 48

HEX #846C6E

RGB 132 108 110

HSL 355, 0.1%, 0.47%

LAB 47.95, 9.83, 2.45

 

CMYK 0 / 42 / 38 / 41

HEX #97585D

RGB 151 88 93

HSL 355.24, 0.26%, 0.47%

LAB 44.73, 26.57, 8.38

 

CMYK 0 / 60 / 55 / 33

HEX #AB454D

RGB 171 69 77

HSL 355.29, 0.43%, 0.47%

LAB 43.43, 42.51, 16.83

 

CMYK 0 / 74 / 68 / 25

HEX #BE323D

RGB 190 50 61

HSL 355.29, 0.58%, 0.47%

LAB 43.6, 55.65, 27.47

 

CMYK 0 / 86 / 78 / 18

HEX #D11E2D

RGB 209 30 45

HSL 354.97, 0.75%, 0.47%

LAB 45.18, 65.9, 39.68

 

CMYK 0 / 18 / 17 / 48

HEX #846C6E

RGB 132 108 110

HSL 355, 0.1%, 0.47%

LAB 47.95, 9.83, 2.45

 

CMYK 12 / 0 / 1 / 50

HEX #707F7E

RGB 112 127 126

HSL 176, 0.06%, 0.47%

LAB 51.98, -5.7, -1.33

 

CMYK 37 / 0 / 3 / 42

HEX #5D938E

RGB 93 147 142

HSL 174.44, 0.23%, 0.47%

LAB 57.22, -19.05, -3.03

 

CMYK 55 / 0 / 4 / 35

HEX #4AA69F

RGB 74 166 159

HSL 175.43, 0.38%, 0.47%

LAB 62.7, -28.93, -4.66

 

CMYK 71 / 0 / 5 / 27

HEX #36B9AF

RGB 54 185 175

HSL 175.42, 0.55%, 0.47%

LAB 68.44, -36.9, -5.13

 

CMYK 0 / 18 / 7 / 48

HEX #846C7B

RGB 132 108 123

HSL 322.5, 0.1%, 0.47%

LAB 48.34, 12.21, -4.74

 

CMYK 0 / 18 / 12 / 48

HEX #846C74

RGB 132 108 116

HSL 340, 0.1%, 0.47%

LAB 48.12, 10.9, -0.88

 

CMYK 0 / 18 / 17 / 48

HEX #846C6E

RGB 132 108 110

HSL 355, 0.1%, 0.47%

LAB 47.95, 9.83, 2.45

 

CMYK 0 / 15 / 18 / 48

HEX #84706C

RGB 132 112 108

HSL 10, 0.1%, 0.47%

LAB 48.98, 7.14, 5.12

 

CMYK 0 / 10 / 18 / 48

HEX #84776C

RGB 132 119 108

HSL 27.5, 0.1%, 0.47%

LAB 50.9, 3.06, 7.87

 

CMYK 0 / 17 / 16 / 66

HEX #564748

RGB 86 71 72

HSL 356, 0.1%, 0.31%

LAB 31.7, 6.55, 1.78

 

CMYK 0 / 18 / 17 / 57

HEX #6D595B

RGB 109 89 91

HSL 354, 0.1%, 0.39%

LAB 39.83, 8.54, 1.92

 

CMYK 0 / 18 / 17 / 48

HEX #846C6E

RGB 132 108 110

HSL 355, 0.1%, 0.47%

LAB 47.95, 9.83, 2.45

 

CMYK 0 / 15 / 14 / 40

HEX #988183

RGB 152 129 131

HSL 354.78, 0.1%, 0.55%

LAB 56.1, 9.13, 2.18

 

CMYK 0 / 11 / 10 / 33

HEX #AA9899

RGB 170 152 153

HSL 356.67, 0.1%, 0.63%

LAB 64.41, 6.81, 1.89

 

CMYK 0 / 19 / 17 / 48

HEX #856C6E

RGB 133 108 110

HSL 355.2, 0.1%, 0.47%

LAB 48.05, 10.23, 2.62

 

CMYK 2 / 0 / 18 / 48

HEX #81846C

RGB 129 132 108

HSL 67.5, 0.1%, 0.47%

LAB 54.29, -5.54, 12.61

 

CMYK 18 / 10 / 0 / 48

HEX #6C7784

RGB 108 119 132

HSL 212.5, 0.1%, 0.47%

LAB 49.55, -1.15, -8.49

 

CMYK 0 / 19 / 17 / 48

HEX #856C6E

RGB 133 108 110

HSL 355.2, 0.1%, 0.47%

LAB 48.05, 10.23, 2.62

 

CMYK 17 / 0 / 18 / 48

HEX #6E846C

RGB 110 132 108

HSL 115, 0.1%, 0.47%

LAB 52.84, -12.88, 10.36

 

CMYK 18 / 17 / 0 / 48

HEX #6C6E84

RGB 108 110 132

HSL 235, 0.1%, 0.47%

LAB 46.98, 4.17, -12.36

 

CMYK 0 / 19 / 17 / 48

HEX #856C6E

RGB 133 108 110

HSL 355.2, 0.1%, 0.47%

LAB 48.05, 10.23, 2.62

 

CMYK 2 / 0 / 18 / 48

HEX #81846C

RGB 129 132 108

HSL 67.5, 0.1%, 0.47%

LAB 54.29, -5.54, 12.61

 

CMYK 18 / 0 / 2 / 48

HEX #6C8482

RGB 108 132 130

HSL 175, 0.1%, 0.47%

LAB 53.28, -9.03, -1.8

 

CMYK 16 / 18 / 0 / 48

HEX #6F6C84

RGB 111 108 132

HSL 247.5, 0.1%, 0.47%

LAB 46.67, 6.42, -12.8

 

CMYK 0 / 19 / 17 / 48

HEX #856C6E

RGB 133 108 110

HSL 355.2, 0.1%, 0.47%

LAB 48.05, 10.23, 2.62

 

CMYK 8 / 0 / 18 / 48

HEX #7A846C

RGB 122 132 108

HSL 85, 0.1%, 0.47%

LAB 53.73, -8.3, 11.74

 

CMYK 18 / 0 / 2 / 48

HEX #6C8482

RGB 108 132 130

HSL 175, 0.1%, 0.47%

LAB 53.28, -9.03, -1.8

 

CMYK 11 / 18 / 0 / 48

HEX #766C84

RGB 118 108 132

HSL 265, 0.1%, 0.47%

LAB 47.29, 8.9, -11.81

 

Description

Color code: HEX #856C6E | qconv.com Color code: HEX #856C6E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 108 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 108 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 17 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 17% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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