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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #856B2ACE it is the complementary color #7A94D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #856B2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #856B2ACE shade: #8A6B25CE, #9B7D38CE, #AC8F4BCE, #BDA15ECE and #CEB371CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #856B2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #856B2ACE shade: #856B2ACE, #745917CE, #634704CE, #523500CE and #412300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #856B2ACE shade: #846A2A, #84522A, #84392A and #842A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #856B2ACE shade: #846A2A, #84822A, #6D842A, #55842A and #3C842A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #856B2ACE shade matches the following richer shades: #846A2A, #92701C and #A0760E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #856B2ACE shade: #846A2A, #766438, #685E46, #5A5854 and #4C5262

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #856B2ACE shade: #84392A, #84512A, #84692A, #84812A and #6F842A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #856B2ACE shade: #453816, #645120, #846A2A, #A38334 and #C29C3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #856B2ACE shade: #856B2A, #33842A and #452A84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #856B2ACE shade: #856B2A, #2A8469 and #692A84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #856B2ACE shade: #856B2A, #33842A, #2A4584 and #7B2A84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #856B2ACE shade: #856B2A, #2A843C, #2A4584 and #842A72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 55 / 39

HEX #856B2ACE

RGBA 133 107 42 0.81

HSLA 42.86, 0.52%, 0.34%, 0.81

LABA 46.54, 2.72, 39.16, 0.81

 

Complementary color

CMYK 35 / 25 / 0 / 13

HEX #7A94D5CE

RGBA 122 148 213 0.81

HSLA 222.86, 0.52%, 0.66%, 0.81

LABA 61.76, 7.62, -36.17, 0.81

 

CMYK 0 / 18 / 59 / 37

HEX #8A6B25CE

RGBA 138 107 37 0.81

HSLA 41.58, 0.58%, 0.34%, 0.81

LABA 47.04, 4.76, 42.2, 0.81

 

CMYK 0 / 16 / 52 / 32

HEX #9B7D38CE

RGBA 155 125 56 0.81

HSLA 41.82, 0.47%, 0.41%, 0.81

LABA 53.94, 3.48, 41.1, 0.81

 

CMYK 0 / 14 / 46 / 26

HEX #AC8F4BCE

RGBA 172 143 75 0.81

HSLA 42.06, 0.39%, 0.48%, 0.81

LABA 60.71, 2.45, 39.81, 0.81

 

CMYK 0 / 12 / 41 / 21

HEX #BDA15ECE

RGBA 189 161 94 0.81

HSLA 42.32, 0.42%, 0.55%, 0.81

LABA 67.36, 1.6, 38.48, 0.81

 

CMYK 0 / 11 / 37 / 16

HEX #CEB371CE

RGBA 206 179 113 0.81

HSLA 42.58, 0.49%, 0.63%, 0.81

LABA 73.9, 0.89, 37.19, 0.81

 

CMYK 0 / 16 / 55 / 39

HEX #856B2ACE

RGBA 133 107 42 0.81

HSLA 42.86, 0.52%, 0.34%, 0.81

LABA 46.54, 2.72, 39.16, 0.81

 

CMYK 0 / 19 / 65 / 44

HEX #745917CE

RGBA 116 89 23 0.81

HSLA 42.58, 0.67%, 0.27%, 0.81

LABA 39.44, 4.15, 39.97, 0.81

 

CMYK 0 / 23 / 78 / 50

HEX #634704CE

RGBA 99 71 4 0.81

HSLA 42.32, 0.92%, 0.2%, 0.81

LABA 32.19, 6, 39.75, 0.81

 

CMYK 0 / 29 / 81 / 55

HEX #523500CE

RGBA 82 53 0 0.81

HSLA 38.78, 1%, 0.16%, 0.81

LABA 24.77, 8.5, 34.3, 0.81

 

CMYK 0 / 37 / 81 / 60

HEX #412300CE

RGBA 65 35 0 0.81

HSLA 32.31, 1%, 0.13%, 0.81

LABA 17.11, 11.35, 25.18, 0.81

 

CMYK 0 / 20 / 68 / 48

HEX #846A2A

RGB 132 106 42

HSL 42.67, 0.52%, 0.34%

LAB 46.15, 2.83, 38.71

 

CMYK 0 / 38 / 68 / 48

HEX #84522A

RGB 132 82 42

HSL 26.67, 0.52%, 0.34%

LAB 39.76, 16.94, 31.64

 

CMYK 0 / 57 / 68 / 48

HEX #84392A

RGB 132 57 42

HSL 10, 0.52%, 0.34%

LAB 33.98, 31.12, 24.88

 

CMYK 0 / 68 / 68 / 48

HEX #842A2A

RGB 132 42 42

HSL 0, 0.52%, 0.34%

LAB 31.18, 38.52, 21.47

 

CMYK 0 / 20 / 68 / 48

HEX #846A2A

RGB 132 106 42

HSL 42.67, 0.52%, 0.34%

LAB 46.15, 2.83, 38.71

 

CMYK 0 / 2 / 68 / 48

HEX #84822A

RGB 132 130 42

HSL 58.67, 0.52%, 0.34%

LAB 52.99, -10.69, 45.89

 

CMYK 17 / 0 / 68 / 48

HEX #6D842A

RGB 109 132 42

HSL 75.33, 0.52%, 0.34%

LAB 51.75, -21.96, 44.03

 

CMYK 36 / 0 / 68 / 48

HEX #55842A

RGB 85 132 42

HSL 91.33, 0.52%, 0.34%

LAB 50.22, -31.72, 41.95

 

CMYK 55 / 0 / 68 / 48

HEX #3C842A

RGB 60 132 42

HSL 108, 0.52%, 0.34%

LAB 49.04, -40.2, 40.34

 

CMYK 0 / 20 / 68 / 48

HEX #846A2A

RGB 132 106 42

HSL 42.67, 0.52%, 0.34%

LAB 46.15, 2.83, 38.71

 

CMYK 0 / 23 / 81 / 43

HEX #92701C

RGB 146 112 28

HSL 42.71, 0.68%, 0.34%

LAB 49.23, 5.2, 48.34

 

CMYK 0 / 26 / 91 / 37

HEX #A0760E

RGB 160 118 14

HSL 42.74, 0.84%, 0.34%

LAB 52.36, 7.9, 55.78

 

CMYK 0 / 20 / 68 / 48

HEX #846A2A

RGB 132 106 42

HSL 42.67, 0.52%, 0.34%

LAB 46.15, 2.83, 38.71

 

CMYK 0 / 15 / 53 / 54

HEX #766438

RGB 118 100 56

HSL 42.58, 0.36%, 0.34%

LAB 43.14, 0.99, 27.47

 

CMYK 0 / 10 / 33 / 59

HEX #685E46

RGB 104 94 70

HSL 42.35, 0.2%, 0.34%

LAB 40.23, -0.07, 15.25

 

CMYK 0 / 2 / 7 / 65

HEX #5A5854

RGB 90 88 84

HSL 40, 0.03%, 0.34%

LAB 37.47, -0.01, 2.6

 

CMYK 22 / 16 / 0 / 62

HEX #4C5262

RGB 76 82 98

HSL 223.64, 0.13%, 0.34%

LAB 34.91, 1.52, -10.08

 

CMYK 0 / 57 / 68 / 48

HEX #84392A

RGB 132 57 42

HSL 10, 0.52%, 0.34%

LAB 33.98, 31.12, 24.88

 

CMYK 0 / 39 / 68 / 48

HEX #84512A

RGB 132 81 42

HSL 26, 0.52%, 0.34%

LAB 39.51, 17.53, 31.35

 

CMYK 0 / 20 / 68 / 48

HEX #84692A

RGB 132 105 42

HSL 42, 0.52%, 0.34%

LAB 45.87, 3.41, 38.41

 

CMYK 0 / 2 / 68 / 48

HEX #84812A

RGB 132 129 42

HSL 58, 0.52%, 0.34%

LAB 52.7, -10.14, 45.6

 

CMYK 16 / 0 / 68 / 48

HEX #6F842A

RGB 111 132 42

HSL 74, 0.52%, 0.34%

LAB 51.89, -21.1, 44.23

 

CMYK 0 / 19 / 68 / 73

HEX #453816

RGB 69 56 22

HSL 43.4, 0.52%, 0.18%

LAB 24.17, 0.98, 22.97

 

CMYK 0 / 19 / 68 / 61

HEX #645120

RGB 100 81 32

HSL 43.24, 0.52%, 0.26%

LAB 35.4, 1.69, 31.03

 

CMYK 0 / 20 / 68 / 48

HEX #846A2A

RGB 132 106 42

HSL 42.67, 0.52%, 0.34%

LAB 46.15, 2.83, 38.71

 

CMYK 0 / 20 / 68 / 36

HEX #A38334

RGB 163 131 52

HSL 42.7, 0.52%, 0.42%

LAB 56.35, 3.46, 45.88

 

CMYK 0 / 20 / 68 / 24

HEX #C29C3E

RGB 194 156 62

HSL 42.73, 0.52%, 0.5%

LAB 66.21, 4.06, 52.78

 

CMYK 0 / 20 / 68 / 48

HEX #856B2A

RGB 133 107 42

HSL 42.86, 0.52%, 0.34%

LAB 46.54, 2.72, 39.16

 

CMYK 61 / 0 / 68 / 48

HEX #33842A

RGB 51 132 42

HSL 114, 0.52%, 0.34%

LAB 48.73, -42.68, 39.91

 

CMYK 48 / 68 / 0 / 48

HEX #452A84

RGB 69 42 132

HSL 258, 0.52%, 0.34%

LAB 25.52, 34.97, -46.34

 

CMYK 0 / 20 / 68 / 48

HEX #856B2A

RGB 133 107 42

HSL 42.86, 0.52%, 0.34%

LAB 46.54, 2.72, 39.16

 

CMYK 68 / 0 / 20 / 48

HEX #2A8469

RGB 42 132 105

HSL 162, 0.52%, 0.34%

LAB 49.51, -33.27, 6.93

 

CMYK 20 / 68 / 0 / 48

HEX #692A84

RGB 105 42 132

HSL 282, 0.52%, 0.34%

LAB 30.22, 43.1, -38.52

 

CMYK 0 / 20 / 68 / 48

HEX #856B2A

RGB 133 107 42

HSL 42.86, 0.52%, 0.34%

LAB 46.54, 2.72, 39.16

 

CMYK 61 / 0 / 68 / 48

HEX #33842A

RGB 51 132 42

HSL 114, 0.52%, 0.34%

LAB 48.73, -42.68, 39.91

 

CMYK 68 / 48 / 0 / 48

HEX #2A4584

RGB 42 69 132

HSL 222, 0.52%, 0.34%

LAB 30.43, 11.88, -38.51

 

CMYK 7 / 68 / 0 / 48

HEX #7B2A84

RGB 123 42 132

HSL 294, 0.52%, 0.34%

LAB 32.99, 47.51, -33.93

 

CMYK 0 / 20 / 68 / 48

HEX #856B2A

RGB 133 107 42

HSL 42.86, 0.52%, 0.34%

LAB 46.54, 2.72, 39.16

 

CMYK 68 / 0 / 55 / 48

HEX #2A843C

RGB 42 132 60

HSL 132, 0.52%, 0.34%

LAB 48.66, -42.5, 31.02

 

CMYK 68 / 48 / 0 / 48

HEX #2A4584

RGB 42 69 132

HSL 222, 0.52%, 0.34%

LAB 30.43, 11.88, -38.51

 

CMYK 0 / 68 / 14 / 48

HEX #842A72

RGB 132 42 114

HSL 312, 0.52%, 0.34%

LAB 33.51, 46.69, -21.72

 

Description

Color code: HEX #856B2ACE | qconv.com Color code: HEX #856B2ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 107 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 107 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 55 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 55% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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