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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8568CE it is the complementary color #7A9731. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8568CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8568CE shade: #8A68C9, #9B7ADC, #AC8CEF, #BD9EFF and #CEB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8568CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8568CE shade: #8568CE, #7456BB, #6344A8, #523295 and #412082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8568CE shade: #8669CE, #A169CE, #BC69CE, #CE69C5 and #CE69A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8568CE shade: #8669CE, #6A69CE and #6969CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8568CE shade matches the following richer shades: #8669CE, #7F59DE, #7849EE and #7139FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8568CE shade: #8669CE, #8D79BE, #9489AE, #9A999E and #A1A98E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8568CE shade: #6982CE, #6B69CE, #8669CE, #A169CE and #BC69CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8568CE shade: #5938AD, #6D4AC4, #8669CE, #9F88D8 and #B8A7E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8568CE shade: #8568CE, #CE699D and #75CE69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8568CE shade: #8568CE, #CE8669 and #69CE86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8568CE shade: #8568CE, #CE699D, #B2CE69 and #69CE9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8568CE shade: #8568CE, #CE697F, #B2CE69 and #69CEB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 50 / 0 / 19

HEX #8568CE

RGB 133 104 206

HSL 257.06, 0.51%, 0.61%

LAB 51.09, 34.42, -49

 

Complementary color

CMYK 19 / 0 / 68 / 41

HEX #7A9731

RGB 122 151 49

HSL 77.06, 0.51%, 0.39%

LAB 58.5, -25.49, 48.39

 

CMYK 31 / 48 / 0 / 21

HEX #8A68C9

RGB 138 104 201

HSL 261.03, 0.47%, 0.6%

LAB 51.29, 34.42, -45.79

 

CMYK 30 / 45 / 0 / 14

HEX #9B7ADC

RGB 155 122 220

HSL 260.2, 0.58%, 0.67%

LAB 58.09, 33.47, -45.68

 

CMYK 28 / 41 / 0 / 6

HEX #AC8CEF

RGB 172 140 239

HSL 259.39, 0.76%, 0.74%

LAB 64.77, 32.6, -45.59

 

CMYK 26 / 38 / 0 / 0

HEX #BD9EFF

RGB 189 158 255

HSL 259.18, 1%, 0.81%

LAB 71.21, 31.1, -44.12

 

CMYK 19 / 31 / 0 / 0

HEX #CEB0FF

RGB 206 176 255

HSL 262.78, 1%, 0.85%

LAB 76.92, 26.09, -35.12

 

CMYK 35 / 50 / 0 / 19

HEX #8568CE

RGB 133 104 206

HSL 257.06, 0.51%, 0.61%

LAB 51.09, 34.42, -49

 

CMYK 38 / 54 / 0 / 27

HEX #7456BB

RGB 116 86 187

HSL 257.82, 0.43%, 0.54%

LAB 44.17, 35.54, -49.19

 

CMYK 41 / 60 / 0 / 34

HEX #6344A8

RGB 99 68 168

HSL 258.6, 0.42%, 0.46%

LAB 37.14, 36.76, -49.37

 

CMYK 45 / 66 / 0 / 42

HEX #523295

RGB 82 50 149

HSL 259.39, 0.5%, 0.39%

LAB 30.02, 38.03, -49.49

 

CMYK 50 / 75 / 0 / 49

HEX #412082

RGB 65 32 130

HSL 260.2, 0.6%, 0.32%

LAB 22.89, 39.18, -49.4

 

CMYK 35 / 49 / 0 / 19

HEX #8669CE

RGB 134 105 206

HSL 257.23, 0.51%, 0.61%

LAB 51.41, 34.1, -48.47

 

CMYK 22 / 49 / 0 / 19

HEX #A169CE

RGB 161 105 206

HSL 273.27, 0.51%, 0.61%

LAB 54.17, 41.3, -43.92

 

CMYK 9 / 49 / 0 / 19

HEX #BC69CE

RGB 188 105 206

HSL 289.31, 0.51%, 0.61%

LAB 57.32, 48.83, -38.75

 

CMYK 0 / 49 / 4 / 19

HEX #CE69C5

RGB 206 105 197

HSL 305.35, 0.51%, 0.61%

LAB 59.21, 52.32, -30.51

 

CMYK 0 / 49 / 18 / 19

HEX #CE69A9

RGB 206 105 169

HSL 321.98, 0.51%, 0.61%

LAB 58.12, 47.77, -16.14

 

CMYK 35 / 49 / 0 / 19

HEX #8669CE

RGB 134 105 206

HSL 257.23, 0.51%, 0.61%

LAB 51.41, 34.1, -48.47

 

CMYK 49 / 49 / 0 / 19

HEX #6A69CE

RGB 106 105 206

HSL 240.59, 0.51%, 0.61%

LAB 49.04, 27.3, -52.41

 

CMYK 49 / 49 / 0 / 19

HEX #6969CE

RGB 105 105 206

HSL 240, 0.51%, 0.61%

LAB 48.96, 27.07, -52.53

 

CMYK 35 / 49 / 0 / 19

HEX #8669CE

RGB 134 105 206

HSL 257.23, 0.51%, 0.61%

LAB 51.41, 34.1, -48.47

 

CMYK 43 / 60 / 0 / 13

HEX #7F59DE

RGB 127 89 222

HSL 257.14, 0.67%, 0.61%

LAB 48.17, 45.92, -62.81

 

CMYK 50 / 69 / 0 / 7

HEX #7849EE

RGB 120 73 238

HSL 257.09, 0.83%, 0.61%

LAB 45.54, 57.48, -76.17

 

CMYK 56 / 78 / 0 / 0

HEX #7139FF

RGB 113 57 255

HSL 256.97, 1%, 0.61%

LAB 43.74, 68.43, -88.69

 

CMYK 35 / 49 / 0 / 19

HEX #8669CE

RGB 134 105 206

HSL 257.23, 0.51%, 0.61%

LAB 51.41, 34.1, -48.47

 

CMYK 26 / 36 / 0 / 25

HEX #8D79BE

RGB 141 121 190

HSL 257.39, 0.35%, 0.61%

LAB 55.13, 22.56, -33.43

 

CMYK 15 / 21 / 0 / 32

HEX #9489AE

RGB 148 137 174

HSL 257.84, 0.19%, 0.61%

LAB 59.2, 11.69, -17.97

 

CMYK 3 / 3 / 0 / 38

HEX #9A999E

RGB 154 153 158

HSL 252, 0.03%, 0.61%

LAB 63.44, 1.34, -2.49

 

CMYK 5 / 0 / 16 / 34

HEX #A1A98E

RGB 161 169 142

HSL 77.78, 0.14%, 0.61%

LAB 67.95, -7.73, 12.99

 

CMYK 49 / 37 / 0 / 19

HEX #6982CE

RGB 105 130 206

HSL 225.15, 0.51%, 0.61%

LAB 55.51, 11.92, -42.12

 

CMYK 48 / 49 / 0 / 19

HEX #6B69CE

RGB 107 105 206

HSL 241.19, 0.51%, 0.61%

LAB 49.11, 27.52, -52.28

 

CMYK 35 / 49 / 0 / 19

HEX #8669CE

RGB 134 105 206

HSL 257.23, 0.51%, 0.61%

LAB 51.41, 34.1, -48.47

 

CMYK 22 / 49 / 0 / 19

HEX #A169CE

RGB 161 105 206

HSL 273.27, 0.51%, 0.61%

LAB 54.17, 41.3, -43.92

 

CMYK 9 / 49 / 0 / 19

HEX #BC69CE

RGB 188 105 206

HSL 289.31, 0.51%, 0.61%

LAB 57.32, 48.83, -38.75

 

CMYK 49 / 68 / 0 / 32

HEX #5938AD

RGB 89 56 173

HSL 256.92, 0.51%, 0.45%

LAB 33.92, 42.95, -57.63

 

CMYK 44 / 62 / 0 / 23

HEX #6D4AC4

RGB 109 74 196

HSL 257.21, 0.51%, 0.53%

LAB 41.43, 43.37, -58.88

 

CMYK 35 / 49 / 0 / 19

HEX #8669CE

RGB 134 105 206

HSL 257.23, 0.51%, 0.61%

LAB 51.41, 34.1, -48.47

 

CMYK 26 / 37 / 0 / 15

HEX #9F88D8

RGB 159 136 216

HSL 257.25, 0.51%, 0.69%

LAB 61.6, 25.59, -37.89

 

CMYK 19 / 26 / 0 / 11

HEX #B8A7E2

RGB 184 167 226

HSL 257.29, 0.5%, 0.77%

LAB 71.77, 17.94, -27.49

 

CMYK 35 / 50 / 0 / 19

HEX #8568CE

RGB 133 104 206

HSL 257.06, 0.51%, 0.61%

LAB 51.09, 34.42, -49

 

CMYK 0 / 49 / 24 / 19

HEX #CE699D

RGB 206 105 157

HSL 329.11, 0.51%, 0.61%

LAB 57.71, 46.01, -9.81

 

CMYK 43 / 0 / 49 / 19

HEX #75CE69

RGB 117 206 105

HSL 112.87, 0.51%, 0.61%

LAB 75.42, -46.36, 41.83

 

CMYK 35 / 50 / 0 / 19

HEX #8568CE

RGB 133 104 206

HSL 257.06, 0.51%, 0.61%

LAB 51.09, 34.42, -49

 

CMYK 0 / 35 / 49 / 19

HEX #CE8669

RGB 206 134 105

HSL 17.23, 0.51%, 0.61%

LAB 62.67, 24.43, 26.98

 

CMYK 49 / 0 / 35 / 19

HEX #69CE86

RGB 105 206 134

HSL 137.23, 0.51%, 0.61%

LAB 75.37, -45.27, 26.97

 

CMYK 35 / 50 / 0 / 19

HEX #8568CE

RGB 133 104 206

HSL 257.06, 0.51%, 0.61%

LAB 51.09, 34.42, -49

 

CMYK 0 / 49 / 24 / 19

HEX #CE699D

RGB 206 105 157

HSL 329.11, 0.51%, 0.61%

LAB 57.71, 46.01, -9.81

 

CMYK 14 / 0 / 49 / 19

HEX #B2CE69

RGB 178 206 105

HSL 76.63, 0.51%, 0.61%

LAB 78.83, -24.95, 46.77

 

CMYK 49 / 0 / 25 / 19

HEX #69CE9A

RGB 105 206 154

HSL 149.11, 0.51%, 0.61%

LAB 75.75, -41.47, 16.95

 

CMYK 35 / 50 / 0 / 19

HEX #8568CE

RGB 133 104 206

HSL 257.06, 0.51%, 0.61%

LAB 51.09, 34.42, -49

 

CMYK 0 / 49 / 38 / 19

HEX #CE697F

RGB 206 105 127

HSL 346.93, 0.51%, 0.61%

LAB 56.84, 42.14, 6.39

 

CMYK 14 / 0 / 49 / 19

HEX #B2CE69

RGB 178 206 105

HSL 76.63, 0.51%, 0.61%

LAB 78.83, -24.95, 46.77

 

CMYK 49 / 0 / 11 / 19

HEX #69CEB8

RGB 105 206 184

HSL 166.93, 0.51%, 0.61%

LAB 76.44, -34.86, 1.87

 

Description

Color code: HEX #8568CE | qconv.com Color code: HEX #8568CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 104 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 104 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 50 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 50% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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