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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85664D it is the complementary color #7A99B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85664D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85664D shade: #8A6648, #9B785B, #AC8A6E, #BD9C81 and #CEAE94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85664D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85664D shade: #85664D, #74543A, #634227, #523014 and #411E01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85664D shade: #85664C, #85564C and #854C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85664D shade: #85664C, #85754C, #85844C, #76854C and #67854C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85664D shade matches the following richer shades: #85664C, #96643B, #A7622A, #B8601A and #C85E09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85664D shade: #85664C, #74675D, #63696E, #526B7F and #416D90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85664D shade: #854C52, #85564C, #85654C, #85744C and #85834C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85664D shade: #503D2E, #6B513D, #85664C, #9F7A5B and #AF8F74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85664D shade: #85664D, #61854C and #4E4C85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85664D shade: #85664D, #4C8565 and #654C85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85664D shade: #85664D, #61854C, #4C6C85 and #704C85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85664D shade: #85664D, #50854C, #4C6C85 and #814C85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 42 / 48

HEX #85664D

RGB 133 102 77

HSL 26.79, 0.27%, 0.41%

LAB 45.67, 8.9, 18.91

 

Complementary color

CMYK 31 / 14 / 0 / 30

HEX #7A99B2

RGB 122 153 178

HSL 206.79, 0.27%, 0.59%

LAB 61.77, -4.7, -16.51

 

CMYK 0 / 26 / 48 / 46

HEX #8A6648

RGB 138 102 72

HSL 27.27, 0.31%, 0.41%

LAB 46.14, 10.52, 22.57

 

CMYK 0 / 23 / 41 / 39

HEX #9B785B

RGB 155 120 91

HSL 27.19, 0.26%, 0.48%

LAB 53.12, 9.63, 21.16

 

CMYK 0 / 20 / 36 / 33

HEX #AC8A6E

RGB 172 138 110

HSL 27.1, 0.27%, 0.55%

LAB 59.95, 8.89, 19.89

 

CMYK 0 / 17 / 32 / 26

HEX #BD9C81

RGB 189 156 129

HSL 27, 0.31%, 0.62%

LAB 66.66, 8.26, 18.74

 

CMYK 0 / 16 / 28 / 19

HEX #CEAE94

RGB 206 174 148

HSL 26.9, 0.37%, 0.69%

LAB 73.24, 7.72, 17.67

 

CMYK 0 / 23 / 42 / 48

HEX #85664D

RGB 133 102 77

HSL 26.79, 0.27%, 0.41%

LAB 45.67, 8.9, 18.91

 

CMYK 0 / 28 / 50 / 55

HEX #74543A

RGB 116 84 58

HSL 26.9, 0.33%, 0.34%

LAB 38.48, 9.84, 20.38

 

CMYK 0 / 33 / 61 / 61

HEX #634227

RGB 99 66 39

HSL 27, 0.43%, 0.27%

LAB 31.1, 11.04, 22.05

 

CMYK 0 / 41 / 76 / 68

HEX #523014

RGB 82 48 20

HSL 27.1, 0.61%, 0.2%

LAB 23.53, 12.64, 23.9

 

CMYK 0 / 54 / 98 / 75

HEX #411E01

RGB 65 30 1

HSL 27.19, 0.97%, 0.13%

LAB 15.77, 14.66, 23.11

 

CMYK 0 / 23 / 43 / 48

HEX #85664C

RGB 133 102 76

HSL 27.37, 0.27%, 0.41%

LAB 45.65, 8.78, 19.48

 

CMYK 0 / 35 / 43 / 48

HEX #85564C

RGB 133 86 76

HSL 10.53, 0.27%, 0.41%

LAB 41.48, 18.22, 13.85

 

CMYK 0 / 43 / 43 / 48

HEX #854C4C

RGB 133 76 76

HSL 0, 0.27%, 0.41%

LAB 39.03, 24.07, 10.48

 

CMYK 0 / 23 / 43 / 48

HEX #85664C

RGB 133 102 76

HSL 27.37, 0.27%, 0.41%

LAB 45.65, 8.78, 19.48

 

CMYK 0 / 12 / 43 / 48

HEX #85754C

RGB 133 117 76

HSL 43.16, 0.27%, 0.41%

LAB 49.78, 0.06, 24.88

 

CMYK 0 / 1 / 43 / 48

HEX #85844C

RGB 133 132 76

HSL 58.95, 0.27%, 0.41%

LAB 54.04, -8.37, 30.3

 

CMYK 11 / 0 / 43 / 48

HEX #76854C

RGB 118 133 76

HSL 75.79, 0.27%, 0.41%

LAB 53.11, -15.28, 28.88

 

CMYK 23 / 0 / 43 / 48

HEX #67854C

RGB 103 133 76

HSL 91.58, 0.27%, 0.41%

LAB 52.04, -21.37, 27.3

 

CMYK 0 / 23 / 43 / 48

HEX #85664C

RGB 133 102 76

HSL 27.37, 0.27%, 0.41%

LAB 45.65, 8.78, 19.48

 

CMYK 0 / 33 / 61 / 41

HEX #96643B

RGB 150 100 59

HSL 27.03, 0.44%, 0.41%

LAB 46.86, 15.77, 31.17

 

CMYK 0 / 41 / 75 / 35

HEX #A7622A

RGB 167 98 42

HSL 26.88, 0.6%, 0.41%

LAB 48.41, 23.31, 42.4

 

CMYK 0 / 48 / 86 / 28

HEX #B8601A

RGB 184 96 26

HSL 26.58, 0.75%, 0.41%

LAB 50.25, 31.06, 51.86

 

CMYK 0 / 53 / 96 / 22

HEX #C85E09

RGB 200 94 9

HSL 26.7, 0.91%, 0.41%

LAB 52.18, 38.3, 59.17

 

CMYK 0 / 23 / 43 / 48

HEX #85664C

RGB 133 102 76

HSL 27.37, 0.27%, 0.41%

LAB 45.65, 8.78, 19.48

 

CMYK 0 / 11 / 20 / 55

HEX #74675D

RGB 116 103 93

HSL 26.09, 0.11%, 0.41%

LAB 44.52, 3.36, 7.52

 

CMYK 10 / 5 / 0 / 57

HEX #63696E

RGB 99 105 110

HSL 207.27, 0.05%, 0.41%

LAB 44.06, -1.2, -3.6

 

CMYK 35 / 16 / 0 / 50

HEX #526B7F

RGB 82 107 127

HSL 206.67, 0.22%, 0.41%

LAB 44, -3.91, -14.06

 

CMYK 55 / 24 / 0 / 44

HEX #416D90

RGB 65 109 144

HSL 206.58, 0.38%, 0.41%

LAB 44.34, -4.58, -23.8

 

CMYK 0 / 43 / 38 / 48

HEX #854C52

RGB 133 76 82

HSL 353.68, 0.27%, 0.41%

LAB 39.18, 24.82, 6.95

 

CMYK 0 / 35 / 43 / 48

HEX #85564C

RGB 133 86 76

HSL 10.53, 0.27%, 0.41%

LAB 41.48, 18.22, 13.85

 

CMYK 0 / 24 / 43 / 48

HEX #85654C

RGB 133 101 76

HSL 26.32, 0.27%, 0.41%

LAB 45.38, 9.37, 19.12

 

CMYK 0 / 13 / 43 / 48

HEX #85744C

RGB 133 116 76

HSL 42.11, 0.27%, 0.41%

LAB 49.5, 0.63, 24.52

 

CMYK 0 / 2 / 43 / 48

HEX #85834C

RGB 133 131 76

HSL 57.89, 0.27%, 0.41%

LAB 53.75, -7.82, 29.94

 

CMYK 0 / 24 / 43 / 69

HEX #503D2E

RGB 80 61 46

HSL 26.47, 0.27%, 0.25%

LAB 27.41, 5.94, 12.44

 

CMYK 0 / 24 / 43 / 58

HEX #6B513D

RGB 107 81 61

HSL 26.09, 0.27%, 0.33%

LAB 36.65, 7.92, 15.95

 

CMYK 0 / 23 / 43 / 48

HEX #85664C

RGB 133 102 76

HSL 27.37, 0.27%, 0.41%

LAB 45.65, 8.78, 19.48

 

CMYK 0 / 23 / 43 / 38

HEX #9F7A5B

RGB 159 122 91

HSL 27.35, 0.27%, 0.49%

LAB 54.08, 10.19, 22.51

 

CMYK 0 / 18 / 34 / 31

HEX #AF8F74

RGB 175 143 116

HSL 27.46, 0.27%, 0.57%

LAB 61.67, 8.1, 18.91

 

CMYK 0 / 23 / 42 / 48

HEX #85664D

RGB 133 102 77

HSL 26.79, 0.27%, 0.41%

LAB 45.67, 8.9, 18.91

 

CMYK 27 / 0 / 43 / 48

HEX #61854C

RGB 97 133 76

HSL 97.89, 0.27%, 0.41%

LAB 51.65, -23.7, 26.72

 

CMYK 41 / 43 / 0 / 48

HEX #4E4C85

RGB 78 76 133

HSL 242.11, 0.27%, 0.41%

LAB 34.97, 16.04, -31.76

 

CMYK 0 / 23 / 42 / 48

HEX #85664D

RGB 133 102 77

HSL 26.79, 0.27%, 0.41%

LAB 45.67, 8.9, 18.91

 

CMYK 43 / 0 / 24 / 48

HEX #4C8565

RGB 76 133 101

HSL 146.32, 0.27%, 0.41%

LAB 50.98, -26.44, 11.49

 

CMYK 24 / 43 / 0 / 48

HEX #654C85

RGB 101 76 133

HSL 266.32, 0.27%, 0.41%

LAB 37.17, 22.94, -28.14

 

CMYK 0 / 23 / 42 / 48

HEX #85664D

RGB 133 102 77

HSL 26.79, 0.27%, 0.41%

LAB 45.67, 8.9, 18.91

 

CMYK 27 / 0 / 43 / 48

HEX #61854C

RGB 97 133 76

HSL 97.89, 0.27%, 0.41%

LAB 51.65, -23.7, 26.72

 

CMYK 43 / 19 / 0 / 48

HEX #4C6C85

RGB 76 108 133

HSL 206.32, 0.27%, 0.41%

LAB 44.17, -4.56, -17.44

 

CMYK 16 / 43 / 0 / 48

HEX #704C85

RGB 112 76 133

HSL 277.89, 0.27%, 0.41%

LAB 38.39, 26.45, -26.14

 

CMYK 0 / 23 / 42 / 48

HEX #85664D

RGB 133 102 77

HSL 26.79, 0.27%, 0.41%

LAB 45.67, 8.9, 18.91

 

CMYK 40 / 0 / 43 / 48

HEX #50854C

RGB 80 133 76

HSL 115.79, 0.27%, 0.41%

LAB 50.69, -29.84, 25.29

 

CMYK 43 / 19 / 0 / 48

HEX #4C6C85

RGB 76 108 133

HSL 206.32, 0.27%, 0.41%

LAB 44.17, -4.56, -17.44

 

CMYK 3 / 43 / 0 / 48

HEX #814C85

RGB 129 76 133

HSL 295.79, 0.27%, 0.41%

LAB 40.46, 31.98, -22.76

 

Description

Color code: HEX #85664D | qconv.com Color code: HEX #85664D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 102 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 102 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 42 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 42% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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