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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #856528 it is the complementary color #7A9AD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #856528. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #856528 shade: #8A6523, #9B7736, #AC8949, #BD9B5C and #CEAD6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #856528. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #856528 shade: #856528, #745315, #634102, #522F00 and #411D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #856528 shade: #866528, #864C28, #863328 and #862828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #856528 shade: #866528, #867F28, #738628, #5A8628 and #418628

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #856528 shade matches the following richer shades: #866528, #946A1A and #A26E0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #856528 shade: #866528, #776136, #695D44, #5B5852 and #4D5460

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #856528 shade: #863328, #864C28, #866528, #867E28 and #748628

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #856528 shade: #463515, #664D1E, #866528, #A57D31 and #C5953B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #856528 shade: #856528, #368628 and #3F2886

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #856528 shade: #856528, #288665 and #652886

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #856528 shade: #856528, #368628, #284986 and #772886

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #856528 shade: #856528, #288636, #284986 and #862877

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 70 / 48

HEX #856528

RGB 133 101 40

HSL 39.35, 0.54%, 0.34%

LAB 44.87, 6.09, 38.34

 

Complementary color

CMYK 43 / 28 / 0 / 16

HEX #7A9AD7

RGB 122 154 215

HSL 219.35, 0.54%, 0.66%

LAB 63.47, 4.73, -34.62

 

CMYK 0 / 27 / 75 / 46

HEX #8A6523

RGB 138 101 35

HSL 38.45, 0.6%, 0.34%

LAB 45.4, 8.14, 41.44

 

CMYK 0 / 23 / 65 / 39

HEX #9B7736

RGB 155 119 54

HSL 38.61, 0.48%, 0.41%

LAB 52.32, 6.74, 40.28

 

CMYK 0 / 20 / 58 / 33

HEX #AC8949

RGB 172 137 73

HSL 38.79, 0.4%, 0.48%

LAB 59.11, 5.6, 38.93

 

CMYK 0 / 18 / 51 / 26

HEX #BD9B5C

RGB 189 155 92

HSL 38.97, 0.42%, 0.55%

LAB 65.78, 4.67, 37.56

 

CMYK 0 / 16 / 46 / 19

HEX #CEAD6F

RGB 206 173 111

HSL 39.16, 0.49%, 0.62%

LAB 72.33, 3.88, 36.23

 

CMYK 0 / 24 / 70 / 48

HEX #856528

RGB 133 101 40

HSL 39.35, 0.54%, 0.34%

LAB 44.87, 6.09, 38.34

 

CMYK 0 / 28 / 82 / 55

HEX #745315

RGB 116 83 21

HSL 39.16, 0.69%, 0.27%

LAB 37.76, 7.67, 39.22

 

CMYK 0 / 34 / 98 / 61

HEX #634102

RGB 99 65 2

HSL 38.97, 0.96%, 0.2%

LAB 30.49, 9.66, 39.29

 

CMYK 0 / 43 / 100 / 68

HEX #522F00

RGB 82 47 0

HSL 34.39, 1%, 0.16%

LAB 23.09, 12.34, 32.64

 

CMYK 0 / 55 / 100 / 75

HEX #411D00

RGB 65 29 0

HSL 26.77, 1%, 0.13%

LAB 15.5, 15.25, 23.17

 

CMYK 0 / 25 / 70 / 47

HEX #866528

RGB 134 101 40

HSL 38.94, 0.54%, 0.34%

LAB 44.98, 6.55, 38.5

 

CMYK 0 / 43 / 70 / 47

HEX #864C28

RGB 134 76 40

HSL 22.98, 0.54%, 0.34%

LAB 38.53, 21.22, 31.43

 

CMYK 0 / 62 / 70 / 47

HEX #863328

RGB 134 51 40

HSL 7.02, 0.54%, 0.34%

LAB 33.11, 34.88, 25.14

 

CMYK 0 / 70 / 70 / 47

HEX #862828

RGB 134 40 40

HSL 0, 0.54%, 0.34%

LAB 31.21, 39.99, 22.85

 

CMYK 0 / 25 / 70 / 47

HEX #866528

RGB 134 101 40

HSL 38.94, 0.54%, 0.34%

LAB 44.98, 6.55, 38.5

 

CMYK 0 / 5 / 70 / 47

HEX #867F28

RGB 134 127 40

HSL 55.53, 0.54%, 0.34%

LAB 52.29, -8.25, 46.08

 

CMYK 14 / 0 / 70 / 47

HEX #738628

RGB 115 134 40

HSL 72.13, 0.54%, 0.34%

LAB 52.78, -20.53, 46.08

 

CMYK 33 / 0 / 70 / 47

HEX #5A8628

RGB 90 134 40

HSL 88.09, 0.54%, 0.34%

LAB 51.13, -30.9, 43.85

 

CMYK 51 / 0 / 70 / 47

HEX #418628

RGB 65 134 40

HSL 104.04, 0.54%, 0.34%

LAB 49.89, -39.7, 42.17

 

CMYK 0 / 25 / 70 / 47

HEX #866528

RGB 134 101 40

HSL 38.94, 0.54%, 0.34%

LAB 44.98, 6.55, 38.5

 

CMYK 0 / 28 / 82 / 42

HEX #946A1A

RGB 148 106 26

HSL 39.34, 0.7%, 0.34%

LAB 47.85, 9.51, 47.91

 

CMYK 0 / 32 / 93 / 36

HEX #A26E0C

RGB 162 110 12

HSL 39.2, 0.86%, 0.34%

LAB 50.52, 13.32, 54.93

 

CMYK 0 / 25 / 70 / 47

HEX #866528

RGB 134 101 40

HSL 38.94, 0.54%, 0.34%

LAB 44.98, 6.55, 38.5

 

CMYK 0 / 18 / 55 / 53

HEX #776136

RGB 119 97 54

HSL 39.69, 0.38%, 0.34%

LAB 42.37, 3.02, 27.66

 

CMYK 0 / 11 / 35 / 59

HEX #695D44

RGB 105 93 68

HSL 40.54, 0.21%, 0.34%

LAB 40, 0.69, 16.15

 

CMYK 0 / 3 / 10 / 64

HEX #5B5852

RGB 91 88 82

HSL 40, 0.05%, 0.34%

LAB 37.5, 0, 3.9

 

CMYK 20 / 13 / 0 / 62

HEX #4D5460

RGB 77 84 96

HSL 217.89, 0.11%, 0.34%

LAB 35.52, 0.12, -7.89

 

CMYK 0 / 62 / 70 / 47

HEX #863328

RGB 134 51 40

HSL 7.02, 0.54%, 0.34%

LAB 33.11, 34.88, 25.14

 

CMYK 0 / 43 / 70 / 47

HEX #864C28

RGB 134 76 40

HSL 22.98, 0.54%, 0.34%

LAB 38.53, 21.22, 31.43

 

CMYK 0 / 25 / 70 / 47

HEX #866528

RGB 134 101 40

HSL 38.94, 0.54%, 0.34%

LAB 44.98, 6.55, 38.5

 

CMYK 0 / 6 / 70 / 47

HEX #867E28

RGB 134 126 40

HSL 54.89, 0.54%, 0.34%

LAB 52, -7.7, 45.79

 

CMYK 13 / 0 / 70 / 47

HEX #748628

RGB 116 134 40

HSL 71.49, 0.54%, 0.34%

LAB 52.86, -20.09, 46.18

 

CMYK 0 / 24 / 70 / 73

HEX #463515

RGB 70 53 21

HSL 39.18, 0.54%, 0.18%

LAB 23.35, 3.36, 22.66

 

CMYK 0 / 25 / 71 / 60

HEX #664D1E

RGB 102 77 30

HSL 39.17, 0.55%, 0.26%

LAB 34.45, 4.97, 31.1

 

CMYK 0 / 25 / 70 / 47

HEX #866528

RGB 134 101 40

HSL 38.94, 0.54%, 0.34%

LAB 44.98, 6.55, 38.5

 

CMYK 0 / 24 / 70 / 35

HEX #A57D31

RGB 165 125 49

HSL 39.31, 0.54%, 0.42%

LAB 54.96, 7.55, 45.85

 

CMYK 0 / 24 / 70 / 23

HEX #C5953B

RGB 197 149 59

HSL 39.13, 0.54%, 0.5%

LAB 64.71, 9, 52.63

 

CMYK 0 / 24 / 70 / 48

HEX #856528

RGB 133 101 40

HSL 39.35, 0.54%, 0.34%

LAB 44.87, 6.09, 38.34

 

CMYK 60 / 0 / 70 / 47

HEX #368628

RGB 54 134 40

HSL 111.06, 0.54%, 0.34%

LAB 49.48, -42.87, 41.62

 

CMYK 53 / 70 / 0 / 47

HEX #3F2886

RGB 63 40 134

HSL 254.68, 0.54%, 0.34%

LAB 24.63, 35.58, -49.08

 

CMYK 0 / 24 / 70 / 48

HEX #856528

RGB 133 101 40

HSL 39.35, 0.54%, 0.34%

LAB 44.87, 6.09, 38.34

 

CMYK 70 / 0 / 25 / 47

HEX #288665

RGB 40 134 101

HSL 158.94, 0.54%, 0.34%

LAB 50.03, -35.52, 9.97

 

CMYK 25 / 70 / 0 / 47

HEX #652886

RGB 101 40 134

HSL 278.94, 0.54%, 0.34%

LAB 29.43, 43.57, -41.07

 

CMYK 0 / 24 / 70 / 48

HEX #856528

RGB 133 101 40

HSL 39.35, 0.54%, 0.34%

LAB 44.87, 6.09, 38.34

 

CMYK 60 / 0 / 70 / 47

HEX #368628

RGB 54 134 40

HSL 111.06, 0.54%, 0.34%

LAB 49.48, -42.87, 41.62

 

CMYK 70 / 46 / 0 / 47

HEX #284986

RGB 40 73 134

HSL 218.94, 0.54%, 0.34%

LAB 31.66, 9.59, -37.78

 

CMYK 11 / 70 / 0 / 47

HEX #772886

RGB 119 40 134

HSL 290.43, 0.54%, 0.34%

LAB 32.17, 47.78, -36.52

 

CMYK 0 / 24 / 70 / 48

HEX #856528

RGB 133 101 40

HSL 39.35, 0.54%, 0.34%

LAB 44.87, 6.09, 38.34

 

CMYK 70 / 0 / 60 / 47

HEX #288636

RGB 40 134 54

HSL 128.94, 0.54%, 0.34%

LAB 49.21, -44.53, 34.72

 

CMYK 70 / 46 / 0 / 47

HEX #284986

RGB 40 73 134

HSL 218.94, 0.54%, 0.34%

LAB 31.66, 9.59, -37.78

 

CMYK 0 / 70 / 11 / 47

HEX #862877

RGB 134 40 119

HSL 309.57, 0.54%, 0.34%

LAB 33.81, 48.85, -24.39

 

Description

Color code: HEX #856528 | qconv.com Color code: HEX #856528 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 101 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 101 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 70 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 70% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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