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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8564EC it is the complementary color #7A9B13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8564EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8564EC shade: #8A64E7, #9B76FA, #AC88FF, #BD9AFF and #CEACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8564EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8564EC shade: #8564EC, #7452D9, #6340C6, #522EB3 and #411CA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8564EC shade: #8565EC, #AA65EC, #CE65EC, #EC65E5 and #EC65C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8564EC shade: #8565EC and #6565EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8564EC shade matches the following richer shades: #8565EC and #7E57FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8564EC shade: #8565EC, #8D73DE, #9481D0, #9B8FC2 and #A29DB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8564EC shade: #658DEC, #6569EC, #8465EC, #A865EC and #CC65EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8564EC shade: #4C1CE2, #6940E7, #8565EC, #A289F0 and #BFAEF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8564EC shade: #8564EC, #EC65B1 and #7BEC65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8564EC shade: #8564EC, #EC8465 and #65EC84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8564EC shade: #8564EC, #EC65B1, #CCEC65 and #65EC9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8564EC shade: #8564EC, #EC6589, #CCEC65 and #65ECC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 58 / 0 / 7

HEX #8564EC

RGB 133 100 236

HSL 254.56, 0.78%, 0.66%

LAB 52.01, 44.87, -64.47

 

Complementary color

CMYK 21 / 0 / 88 / 39

HEX #7A9B13

RGB 122 155 19

HSL 74.56, 0.78%, 0.34%

LAB 59.55, -28.92, 59.11

 

CMYK 40 / 57 / 0 / 9

HEX #8A64E7

RGB 138 100 231

HSL 257.4, 0.73%, 0.65%

LAB 52.16, 44.59, -61.41

 

CMYK 38 / 53 / 0 / 2

HEX #9B76FA

RGB 155 118 250

HSL 256.82, 0.93%, 0.72%

LAB 58.81, 43.43, -61.22

 

CMYK 33 / 47 / 0 / 0

HEX #AC88FF

RGB 172 136 255

HSL 258.15, 1%, 0.77%

LAB 64.64, 38.8, -54.57

 

CMYK 26 / 40 / 0 / 0

HEX #BD9AFF

RGB 189 154 255

HSL 260.79, 1%, 0.8%

LAB 70.28, 33.31, -45.57

 

CMYK 19 / 33 / 0 / 0

HEX #CEACFF

RGB 206 172 255

HSL 264.58, 1%, 0.84%

LAB 75.98, 28.28, -36.58

 

CMYK 44 / 58 / 0 / 7

HEX #8564EC

RGB 133 100 236

HSL 254.56, 0.78%, 0.66%

LAB 52.01, 44.87, -64.47

 

CMYK 47 / 62 / 0 / 15

HEX #7452D9

RGB 116 82 217

HSL 255.11, 0.64%, 0.59%

LAB 45.3, 46.19, -64.67

 

CMYK 50 / 68 / 0 / 22

HEX #6340C6

RGB 99 64 198

HSL 255.67, 0.54%, 0.51%

LAB 38.55, 47.55, -64.78

 

CMYK 54 / 74 / 0 / 30

HEX #522EB3

RGB 82 46 179

HSL 256.24, 0.59%, 0.44%

LAB 31.81, 48.81, -64.68

 

CMYK 59 / 83 / 0 / 37

HEX #411CA0

RGB 65 28 160

HSL 256.82, 0.7%, 0.37%

LAB 25.24, 49.65, -64.13

 

CMYK 44 / 57 / 0 / 7

HEX #8565EC

RGB 133 101 236

HSL 254.22, 0.78%, 0.66%

LAB 52.23, 44.31, -64.12

 

CMYK 28 / 57 / 0 / 7

HEX #AA65EC

RGB 170 101 236

HSL 270.67, 0.78%, 0.66%

LAB 56, 52.67, -57.87

 

CMYK 13 / 57 / 0 / 7

HEX #CE65EC

RGB 206 101 236

HSL 286.67, 0.78%, 0.66%

LAB 60.32, 61.43, -50.72

 

CMYK 0 / 57 / 3 / 7

HEX #EC65E5

RGB 236 101 229

HSL 303.11, 0.78%, 0.66%

LAB 64, 67.73, -40.76

 

CMYK 0 / 57 / 19 / 7

HEX #EC65C0

RGB 236 101 192

HSL 319.56, 0.78%, 0.66%

LAB 62.46, 62.06, -22.32

 

CMYK 44 / 57 / 0 / 7

HEX #8565EC

RGB 133 101 236

HSL 254.22, 0.78%, 0.66%

LAB 52.23, 44.31, -64.12

 

CMYK 57 / 57 / 0 / 7

HEX #6565EC

RGB 101 101 236

HSL 240, 0.78%, 0.66%

LAB 49.65, 38.05, -68.42

 

CMYK 44 / 57 / 0 / 7

HEX #8565EC

RGB 133 101 236

HSL 254.22, 0.78%, 0.66%

LAB 52.23, 44.31, -64.12

 

CMYK 50 / 65 / 0 / 2

HEX #7E57FA

RGB 126 87 250

HSL 254.36, 0.94%, 0.66%

LAB 49.68, 54.53, -76.11

 

CMYK 44 / 57 / 0 / 7

HEX #8565EC

RGB 133 101 236

HSL 254.22, 0.78%, 0.66%

LAB 52.23, 44.31, -64.12

 

CMYK 36 / 48 / 0 / 13

HEX #8D73DE

RGB 141 115 222

HSL 254.58, 0.62%, 0.66%

LAB 55.28, 34.34, -51.34

 

CMYK 29 / 38 / 0 / 18

HEX #9481D0

RGB 148 129 208

HSL 254.43, 0.46%, 0.66%

LAB 58.56, 24.46, -38.24

 

CMYK 20 / 26 / 0 / 24

HEX #9B8FC2

RGB 155 143 194

HSL 254.12, 0.29%, 0.66%

LAB 62.09, 15.1, -24.82

 

CMYK 10 / 13 / 0 / 29

HEX #A29DB4

RGB 162 157 180

HSL 253.04, 0.13%, 0.66%

LAB 65.82, 6.38, -11.25

 

CMYK 57 / 40 / 0 / 7

HEX #658DEC

RGB 101 141 236

HSL 222.22, 0.78%, 0.66%

LAB 59.77, 13.94, -52.17

 

CMYK 57 / 56 / 0 / 7

HEX #6569EC

RGB 101 105 236

HSL 238.22, 0.78%, 0.66%

LAB 50.6, 35.66, -66.88

 

CMYK 44 / 57 / 0 / 7

HEX #8465EC

RGB 132 101 236

HSL 253.78, 0.78%, 0.66%

LAB 52.14, 44.09, -64.28

 

CMYK 29 / 57 / 0 / 7

HEX #A865EC

RGB 168 101 236

HSL 269.78, 0.78%, 0.66%

LAB 55.77, 52.2, -58.24

 

CMYK 14 / 57 / 0 / 7

HEX #CC65EC

RGB 204 101 236

HSL 285.78, 0.78%, 0.66%

LAB 60.07, 60.93, -51.14

 

CMYK 66 / 88 / 0 / 11

HEX #4C1CE2

RGB 76 28 226

HSL 254.55, 0.78%, 0.5%

LAB 33.69, 68.23, -89.03

 

CMYK 55 / 72 / 0 / 9

HEX #6940E7

RGB 105 64 231

HSL 254.73, 0.78%, 0.58%

LAB 41.91, 57.78, -78.22

 

CMYK 44 / 57 / 0 / 7

HEX #8565EC

RGB 133 101 236

HSL 254.22, 0.78%, 0.66%

LAB 52.23, 44.31, -64.12

 

CMYK 33 / 43 / 0 / 6

HEX #A289F0

RGB 162 137 240

HSL 254.56, 0.77%, 0.74%

LAB 63.23, 31.85, -48.63

 

CMYK 22 / 29 / 0 / 4

HEX #BFAEF5

RGB 191 174 245

HSL 254.37, 0.78%, 0.82%

LAB 74.79, 20.48, -33.12

 

CMYK 44 / 58 / 0 / 7

HEX #8564EC

RGB 133 100 236

HSL 254.56, 0.78%, 0.66%

LAB 52.01, 44.87, -64.47

 

CMYK 0 / 57 / 25 / 7

HEX #EC65B1

RGB 236 101 177

HSL 326.22, 0.78%, 0.66%

LAB 61.92, 60.01, -14.58

 

CMYK 48 / 0 / 57 / 7

HEX #7BEC65

RGB 123 236 101

HSL 110.22, 0.78%, 0.66%

LAB 84.56, -57.14, 54.69

 

CMYK 44 / 58 / 0 / 7

HEX #8564EC

RGB 133 100 236

HSL 254.56, 0.78%, 0.66%

LAB 52.01, 44.87, -64.47

 

CMYK 0 / 44 / 57 / 7

HEX #EC8465

RGB 236 132 101

HSL 13.78, 0.78%, 0.66%

LAB 65.96, 36.97, 34.17

 

CMYK 57 / 0 / 44 / 7

HEX #65EC84

RGB 101 236 132

HSL 133.78, 0.78%, 0.66%

LAB 84.19, -58.62, 39.51

 

CMYK 44 / 58 / 0 / 7

HEX #8564EC

RGB 133 100 236

HSL 254.56, 0.78%, 0.66%

LAB 52.01, 44.87, -64.47

 

CMYK 0 / 57 / 25 / 7

HEX #EC65B1

RGB 236 101 177

HSL 326.22, 0.78%, 0.66%

LAB 61.92, 60.01, -14.58

 

CMYK 14 / 0 / 57 / 7

HEX #CCEC65

RGB 204 236 101

HSL 74.22, 0.78%, 0.66%

LAB 88.81, -29.53, 60.69

 

CMYK 57 / 0 / 33 / 7

HEX #65EC9F

RGB 101 236 159

HSL 145.78, 0.78%, 0.66%

LAB 84.62, -54.01, 26.51

 

CMYK 44 / 58 / 0 / 7

HEX #8564EC

RGB 133 100 236

HSL 254.56, 0.78%, 0.66%

LAB 52.01, 44.87, -64.47

 

CMYK 0 / 57 / 42 / 7

HEX #EC6589

RGB 236 101 137

HSL 344, 0.78%, 0.66%

LAB 60.73, 55.34, 6.73

 

CMYK 14 / 0 / 57 / 7

HEX #CCEC65

RGB 204 236 101

HSL 74.22, 0.78%, 0.66%

LAB 88.81, -29.53, 60.69

 

CMYK 57 / 0 / 15 / 7

HEX #65ECC8

RGB 101 236 200

HSL 164, 0.78%, 0.66%

LAB 85.47, -45.4, 6.41

 

Description

Color code: HEX #8564EC | qconv.com Color code: HEX #8564EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 100 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 100 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 58 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 58% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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