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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #856449 it is the complementary color #7A9BB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #856449. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #856449 shade: #8A6444, #9B7657, #AC886A, #BD9A7D and #CEAC90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #856449. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #856449 shade: #856449, #745236, #634023, #522E10 and #411C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #856449 shade: #846348, #845348 and #844848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #856449 shade: #846348, #847348, #848348, #748448 and #648448

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #856449 shade matches the following richer shades: #846348, #946138, #A56027, #B55E17 and #C65C06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #856449 shade: #846348, #736559, #636669, #52687A and #426A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #856449 shade: #84484D, #845348, #846348, #847348 and #848348

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #856449 shade: #4E3B2B, #694F3A, #846348, #9E7757 and #B08C6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #856449 shade: #856449, #5D8448 and #4B4884

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #856449 shade: #856449, #488463 and #634884

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #856449 shade: #856449, #5D8448, #486984 and #6F4884

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #856449 shade: #856449, #4B8448, #486984 and #814884

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 45 / 48

HEX #856449

RGB 133 100 73

HSL 27, 0.29%, 0.4%

LAB 45.06, 9.6, 20.45

 

Complementary color

CMYK 33 / 15 / 0 / 29

HEX #7A9BB6

RGB 122 155 182

HSL 207, 0.29%, 0.6%

LAB 62.47, -4.79, -17.7

 

CMYK 0 / 28 / 51 / 46

HEX #8A6444

RGB 138 100 68

HSL 27.43, 0.34%, 0.4%

LAB 45.55, 11.27, 24.11

 

CMYK 0 / 24 / 44 / 39

HEX #9B7657

RGB 155 118 87

HSL 27.35, 0.28%, 0.47%

LAB 52.52, 10.31, 22.65

 

CMYK 0 / 21 / 38 / 33

HEX #AC886A

RGB 172 136 106

HSL 27.27, 0.28%, 0.55%

LAB 59.36, 9.51, 21.34

 

CMYK 0 / 19 / 34 / 26

HEX #BD9A7D

RGB 189 154 125

HSL 27.19, 0.33%, 0.62%

LAB 66.07, 8.84, 20.14

 

CMYK 0 / 17 / 30 / 19

HEX #CEAC90

RGB 206 172 144

HSL 27.1, 0.39%, 0.69%

LAB 72.65, 8.26, 19.03

 

CMYK 0 / 25 / 45 / 48

HEX #856449

RGB 133 100 73

HSL 27, 0.29%, 0.4%

LAB 45.06, 9.6, 20.45

 

CMYK 0 / 29 / 53 / 55

HEX #745236

RGB 116 82 54

HSL 27.1, 0.36%, 0.33%

LAB 37.87, 10.63, 21.98

 

CMYK 0 / 35 / 65 / 61

HEX #634023

RGB 99 64 35

HSL 27.19, 0.48%, 0.26%

LAB 30.5, 11.94, 23.71

 

CMYK 0 / 44 / 80 / 68

HEX #522E10

RGB 82 46 16

HSL 27.27, 0.67%, 0.19%

LAB 22.95, 13.67, 25.54

 

CMYK 0 / 57 / 100 / 75

HEX #411C00

RGB 65 28 0

HSL 25.85, 1%, 0.13%

LAB 15.25, 15.88, 22.85

 

CMYK 0 / 25 / 45 / 48

HEX #846348

RGB 132 99 72

HSL 27, 0.29%, 0.4%

LAB 44.66, 9.63, 20.49

 

CMYK 0 / 37 / 45 / 48

HEX #845348

RGB 132 83 72

HSL 11, 0.29%, 0.4%

LAB 40.51, 19.09, 14.95

 

CMYK 0 / 45 / 45 / 48

HEX #844848

RGB 132 72 72

HSL 0, 0.29%, 0.4%

LAB 37.86, 25.49, 11.32

 

CMYK 0 / 25 / 45 / 48

HEX #846348

RGB 132 99 72

HSL 27, 0.29%, 0.4%

LAB 44.66, 9.63, 20.49

 

CMYK 0 / 13 / 45 / 48

HEX #847348

RGB 132 115 72

HSL 43, 0.29%, 0.4%

LAB 49.05, 0.3, 26.18

 

CMYK 0 / 1 / 45 / 48

HEX #848348

RGB 132 131 72

HSL 59, 0.29%, 0.4%

LAB 53.61, -8.69, 31.9

 

CMYK 12 / 0 / 45 / 48

HEX #748448

RGB 116 132 72

HSL 76, 0.29%, 0.4%

LAB 52.6, -16.08, 30.37

 

CMYK 24 / 0 / 45 / 48

HEX #648448

RGB 100 132 72

HSL 92, 0.29%, 0.4%

LAB 51.47, -22.59, 28.71

 

CMYK 0 / 25 / 45 / 48

HEX #846348

RGB 132 99 72

HSL 27, 0.29%, 0.4%

LAB 44.66, 9.63, 20.49

 

CMYK 0 / 34 / 62 / 42

HEX #946138

RGB 148 97 56

HSL 26.74, 0.45%, 0.4%

LAB 45.81, 16.39, 31.52

 

CMYK 0 / 42 / 76 / 35

HEX #A56027

RGB 165 96 39

HSL 27.14, 0.62%, 0.4%

LAB 47.64, 23.42, 42.97

 

CMYK 0 / 48 / 87 / 29

HEX #B55E17

RGB 181 94 23

HSL 26.96, 0.77%, 0.4%

LAB 49.36, 30.8, 52.02

 

CMYK 0 / 54 / 97 / 22

HEX #C65C06

RGB 198 92 6

HSL 26.88, 0.94%, 0.4%

LAB 51.47, 38.49, 59.18

 

CMYK 0 / 25 / 45 / 48

HEX #846348

RGB 132 99 72

HSL 27, 0.29%, 0.4%

LAB 44.66, 9.63, 20.49

 

CMYK 0 / 12 / 23 / 55

HEX #736559

RGB 115 101 89

HSL 27.69, 0.13%, 0.4%

LAB 43.76, 3.46, 8.83

 

CMYK 6 / 3 / 0 / 59

HEX #636669

RGB 99 102 105

HSL 210, 0.03%, 0.4%

LAB 43.03, -0.52, -2.1

 

CMYK 33 / 15 / 0 / 52

HEX #52687A

RGB 82 104 122

HSL 207, 0.2%, 0.4%

LAB 42.91, -3.5, -12.7

 

CMYK 52 / 23 / 0 / 46

HEX #426A8A

RGB 66 106 138

HSL 206.67, 0.35%, 0.4%

LAB 43.21, -4.48, -21.96

 

CMYK 0 / 45 / 42 / 48

HEX #84484D

RGB 132 72 77

HSL 355, 0.29%, 0.4%

LAB 37.98, 26.08, 8.36

 

CMYK 0 / 37 / 45 / 48

HEX #845348

RGB 132 83 72

HSL 11, 0.29%, 0.4%

LAB 40.51, 19.09, 14.95

 

CMYK 0 / 25 / 45 / 48

HEX #846348

RGB 132 99 72

HSL 27, 0.29%, 0.4%

LAB 44.66, 9.63, 20.49

 

CMYK 0 / 13 / 45 / 48

HEX #847348

RGB 132 115 72

HSL 43, 0.29%, 0.4%

LAB 49.05, 0.3, 26.18

 

CMYK 0 / 1 / 45 / 48

HEX #848348

RGB 132 131 72

HSL 59, 0.29%, 0.4%

LAB 53.61, -8.69, 31.9

 

CMYK 0 / 24 / 45 / 69

HEX #4E3B2B

RGB 78 59 43

HSL 27.43, 0.29%, 0.24%

LAB 26.51, 5.86, 13.13

 

CMYK 0 / 25 / 45 / 59

HEX #694F3A

RGB 105 79 58

HSL 26.81, 0.29%, 0.32%

LAB 35.79, 7.86, 16.61

 

CMYK 0 / 25 / 45 / 48

HEX #846348

RGB 132 99 72

HSL 27, 0.29%, 0.4%

LAB 44.66, 9.63, 20.49

 

CMYK 0 / 25 / 45 / 38

HEX #9E7757

RGB 158 119 87

HSL 27.04, 0.29%, 0.48%

LAB 53.11, 11.02, 23.49

 

CMYK 0 / 20 / 37 / 31

HEX #B08C6F

RGB 176 140 111

HSL 26.77, 0.29%, 0.56%

LAB 60.9, 9.54, 20.68

 

CMYK 0 / 25 / 45 / 48

HEX #856449

RGB 133 100 73

HSL 27, 0.29%, 0.4%

LAB 45.06, 9.6, 20.45

 

CMYK 30 / 0 / 45 / 48

HEX #5D8448

RGB 93 132 72

HSL 99, 0.29%, 0.4%

LAB 51.03, -25.29, 28.06

 

CMYK 43 / 45 / 0 / 48

HEX #4B4884

RGB 75 72 132

HSL 243, 0.29%, 0.4%

LAB 33.56, 17.49, -33.39

 

CMYK 0 / 25 / 45 / 48

HEX #856449

RGB 133 100 73

HSL 27, 0.29%, 0.4%

LAB 45.06, 9.6, 20.45

 

CMYK 45 / 0 / 25 / 48

HEX #488463

RGB 72 132 99

HSL 147, 0.29%, 0.4%

LAB 50.43, -27.56, 11.85

 

CMYK 25 / 45 / 0 / 48

HEX #634884

RGB 99 72 132

HSL 267, 0.29%, 0.4%

LAB 35.89, 24.53, -29.54

 

CMYK 0 / 25 / 45 / 48

HEX #856449

RGB 133 100 73

HSL 27, 0.29%, 0.4%

LAB 45.06, 9.6, 20.45

 

CMYK 30 / 0 / 45 / 48

HEX #5D8448

RGB 93 132 72

HSL 99, 0.29%, 0.4%

LAB 51.03, -25.29, 28.06

 

CMYK 45 / 20 / 0 / 48

HEX #486984

RGB 72 105 132

HSL 207, 0.29%, 0.4%

LAB 42.98, -4.18, -18.68

 

CMYK 16 / 45 / 0 / 48

HEX #6F4884

RGB 111 72 132

HSL 279, 0.29%, 0.4%

LAB 37.26, 28.29, -27.3

 

CMYK 0 / 25 / 45 / 48

HEX #856449

RGB 133 100 73

HSL 27, 0.29%, 0.4%

LAB 45.06, 9.6, 20.45

 

CMYK 43 / 0 / 45 / 48

HEX #4B8448

RGB 75 132 72

HSL 117, 0.29%, 0.4%

LAB 50.06, -31.67, 26.62

 

CMYK 45 / 20 / 0 / 48

HEX #486984

RGB 72 105 132

HSL 207, 0.29%, 0.4%

LAB 42.98, -4.18, -18.68

 

CMYK 2 / 45 / 0 / 48

HEX #814884

RGB 129 72 132

HSL 297, 0.29%, 0.4%

LAB 39.53, 34.04, -23.6

 

Description

Color code: HEX #856449 | qconv.com Color code: HEX #856449 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 100 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 100 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 45 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 45% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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