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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #855B53 it is the complementary color #7AA4AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #855B53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #855B53 shade: #8A5B4E, #9B6D61, #AC7F74, #BD9187 and #CEA39A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #855B53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #855B53 shade: #855B53, #744940, #63372D, #52251A and #411307

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #855B53 shade: #845A52 and #845252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #855B53 shade: #845A52, #846852, #847552, #848252 and #788452

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #855B53 shade matches the following richer shades: #845A52, #954F41, #A64330, #B8371E and #C92B0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #855B53 shade: #845A52, #726664, #617275, #507E86 and #3E8998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #855B53 shade: #845265, #845258, #845A52, #846752 and #847452

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #855B53 shade: #513833, #6A4943, #845A52, #9D6C62 and #AD847C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #855B53 shade: #855B53, #728452 and #525F84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #855B53 shade: #855B53, #52845A and #5A5284

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #855B53 shade: #855B53, #728452, #527C84 and #645284

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #855B53 shade: #855B53, #648452, #527C84 and #725284

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 38 / 48

HEX #855B53

RGB 133 91 83

HSL 9.6, 0.23%, 0.42%

LAB 42.9, 16.16, 11.56

 

Complementary color

CMYK 29 / 5 / 0 / 33

HEX #7AA4AC

RGB 122 164 172

HSL 189.6, 0.23%, 0.58%

LAB 64.7, -12.2, -8.74

 

CMYK 0 / 34 / 43 / 46

HEX #8A5B4E

RGB 138 91 78

HSL 13, 0.28%, 0.42%

LAB 43.41, 17.66, 15.38

 

CMYK 0 / 30 / 37 / 39

HEX #9B6D61

RGB 155 109 97

HSL 12.41, 0.23%, 0.49%

LAB 50.42, 16.69, 14

 

CMYK 0 / 26 / 33 / 33

HEX #AC7F74

RGB 172 127 116

HSL 11.79, 0.25%, 0.56%

LAB 57.28, 15.86, 12.8

 

CMYK 0 / 23 / 29 / 26

HEX #BD9187

RGB 189 145 135

HSL 11.11, 0.29%, 0.64%

LAB 64.01, 15.14, 11.71

 

CMYK 0 / 21 / 25 / 19

HEX #CEA39A

RGB 206 163 154

HSL 10.38, 0.35%, 0.71%

LAB 70.63, 14.51, 10.72

 

CMYK 0 / 32 / 38 / 48

HEX #855B53

RGB 133 91 83

HSL 9.6, 0.23%, 0.42%

LAB 42.9, 16.16, 11.56

 

CMYK 0 / 37 / 45 / 55

HEX #744940

RGB 116 73 64

HSL 10.38, 0.29%, 0.35%

LAB 35.69, 17.19, 13

 

CMYK 0 / 44 / 55 / 61

HEX #63372D

RGB 99 55 45

HSL 11.11, 0.38%, 0.28%

LAB 28.31, 18.44, 14.74

 

CMYK 0 / 55 / 68 / 68

HEX #52251A

RGB 82 37 26

HSL 11.79, 0.52%, 0.21%

LAB 20.8, 19.94, 16.98

 

CMYK 0 / 71 / 89 / 75

HEX #411307

RGB 65 19 7

HSL 12.41, 0.81%, 0.14%

LAB 13.26, 21.6, 17.4

 

CMYK 0 / 32 / 38 / 48

HEX #845A52

RGB 132 90 82

HSL 9.6, 0.23%, 0.42%

LAB 42.5, 16.2, 11.59

 

CMYK 0 / 38 / 38 / 48

HEX #845252

RGB 132 82 82

HSL 0, 0.23%, 0.42%

LAB 40.49, 20.92, 8.78

 

CMYK 0 / 32 / 38 / 48

HEX #845A52

RGB 132 90 82

HSL 9.6, 0.23%, 0.42%

LAB 42.5, 16.2, 11.59

 

CMYK 0 / 21 / 38 / 48

HEX #846852

RGB 132 104 82

HSL 26.4, 0.23%, 0.42%

LAB 46.2, 7.92, 16.66

 

CMYK 0 / 11 / 38 / 48

HEX #847552

RGB 132 117 82

HSL 42, 0.23%, 0.42%

LAB 49.78, 0.36, 21.45

 

CMYK 0 / 2 / 38 / 48

HEX #848252

RGB 132 130 82

HSL 57.6, 0.23%, 0.42%

LAB 53.47, -6.98, 26.27

 

CMYK 9 / 0 / 38 / 48

HEX #788452

RGB 120 132 82

HSL 74.4, 0.23%, 0.42%

LAB 53.06, -13.13, 25.55

 

CMYK 0 / 32 / 38 / 48

HEX #845A52

RGB 132 90 82

HSL 9.6, 0.23%, 0.42%

LAB 42.5, 16.2, 11.59

 

CMYK 0 / 47 / 56 / 42

HEX #954F41

RGB 149 79 65

HSL 10, 0.39%, 0.42%

LAB 41.79, 27.82, 21.32

 

CMYK 0 / 60 / 71 / 35

HEX #A64330

RGB 166 67 48

HSL 9.66, 0.55%, 0.42%

LAB 41.74, 39.65, 31.9

 

CMYK 0 / 70 / 84 / 28

HEX #B8371E

RGB 184 55 30

HSL 9.74, 0.72%, 0.42%

LAB 42.79, 50.63, 43.66

 

CMYK 0 / 79 / 94 / 21

HEX #C92B0D

RGB 201 43 13

HSL 9.57, 0.88%, 0.42%

LAB 44.48, 59.76, 53.35

 

CMYK 0 / 32 / 38 / 48

HEX #845A52

RGB 132 90 82

HSL 9.6, 0.23%, 0.42%

LAB 42.5, 16.2, 11.59

 

CMYK 0 / 11 / 12 / 55

HEX #726664

RGB 114 102 100

HSL 8.57, 0.07%, 0.42%

LAB 44.23, 4.38, 2.85

 

CMYK 17 / 3 / 0 / 54

HEX #617275

RGB 97 114 117

HSL 189, 0.09%, 0.42%

LAB 46.79, -5.6, -3.79

 

CMYK 40 / 6 / 0 / 47

HEX #507E86

RGB 80 126 134

HSL 188.89, 0.25%, 0.42%

LAB 49.92, -13.49, -9.31

 

CMYK 59 / 10 / 0 / 40

HEX #3E8998

RGB 62 137 152

HSL 190, 0.42%, 0.42%

LAB 53.15, -18.57, -15.01

 

CMYK 0 / 38 / 23 / 48

HEX #845265

RGB 132 82 101

HSL 337.2, 0.23%, 0.42%

LAB 41.02, 23.7, -2.19

 

CMYK 0 / 38 / 33 / 48

HEX #845258

RGB 132 82 88

HSL 352.8, 0.23%, 0.42%

LAB 40.65, 21.73, 5.29

 

CMYK 0 / 32 / 38 / 48

HEX #845A52

RGB 132 90 82

HSL 9.6, 0.23%, 0.42%

LAB 42.5, 16.2, 11.59

 

CMYK 0 / 22 / 38 / 48

HEX #846752

RGB 132 103 82

HSL 25.2, 0.23%, 0.42%

LAB 45.93, 8.51, 16.29

 

CMYK 0 / 12 / 38 / 48

HEX #847452

RGB 132 116 82

HSL 40.8, 0.23%, 0.42%

LAB 49.5, 0.93, 21.08

 

CMYK 0 / 31 / 37 / 68

HEX #513833

RGB 81 56 51

HSL 10, 0.23%, 0.26%

LAB 26.21, 10.35, 7.54

 

CMYK 0 / 31 / 37 / 58

HEX #6A4943

RGB 106 73 67

HSL 9.23, 0.23%, 0.34%

LAB 34.47, 13.2, 9.22

 

CMYK 0 / 32 / 38 / 48

HEX #845A52

RGB 132 90 82

HSL 9.6, 0.23%, 0.42%

LAB 42.5, 16.2, 11.59

 

CMYK 0 / 31 / 38 / 38

HEX #9D6C62

RGB 157 108 98

HSL 10.17, 0.23%, 0.5%

LAB 50.42, 18.21, 13.46

 

CMYK 0 / 24 / 28 / 32

HEX #AD847C

RGB 173 132 124

HSL 9.8, 0.23%, 0.58%

LAB 58.83, 14.55, 10.4

 

CMYK 0 / 32 / 38 / 48

HEX #855B53

RGB 133 91 83

HSL 9.6, 0.23%, 0.42%

LAB 42.9, 16.16, 11.56

 

CMYK 14 / 0 / 38 / 48

HEX #728452

RGB 114 132 82

HSL 81.6, 0.23%, 0.42%

LAB 52.61, -15.6, 24.87

 

CMYK 38 / 28 / 0 / 48

HEX #525F84

RGB 82 95 132

HSL 224.4, 0.23%, 0.42%

LAB 40.64, 4.83, -22.23

 

CMYK 0 / 32 / 38 / 48

HEX #855B53

RGB 133 91 83

HSL 9.6, 0.23%, 0.42%

LAB 42.9, 16.16, 11.56

 

CMYK 38 / 0 / 32 / 48

HEX #52845A

RGB 82 132 90

HSL 129.6, 0.23%, 0.42%

LAB 50.73, -26.25, 17.51

 

CMYK 32 / 38 / 0 / 48

HEX #5A5284

RGB 90 82 132

HSL 249.6, 0.23%, 0.42%

LAB 37.62, 15.47, -26.9

 

CMYK 0 / 32 / 38 / 48

HEX #855B53

RGB 133 91 83

HSL 9.6, 0.23%, 0.42%

LAB 42.9, 16.16, 11.56

 

CMYK 14 / 0 / 38 / 48

HEX #728452

RGB 114 132 82

HSL 81.6, 0.23%, 0.42%

LAB 52.61, -15.6, 24.87

 

CMYK 38 / 6 / 0 / 48

HEX #527C84

RGB 82 124 132

HSL 189.6, 0.23%, 0.42%

LAB 49.34, -12.35, -8.98

 

CMYK 24 / 38 / 0 / 48

HEX #645284

RGB 100 82 132

HSL 261.6, 0.23%, 0.42%

LAB 38.57, 18.64, -25.34

 

CMYK 0 / 32 / 38 / 48

HEX #855B53

RGB 133 91 83

HSL 9.6, 0.23%, 0.42%

LAB 42.9, 16.16, 11.56

 

CMYK 24 / 0 / 38 / 48

HEX #648452

RGB 100 132 82

HSL 98.4, 0.23%, 0.42%

LAB 51.63, -21.15, 23.42

 

CMYK 38 / 6 / 0 / 48

HEX #527C84

RGB 82 124 132

HSL 189.6, 0.23%, 0.42%

LAB 49.34, -12.35, -8.98

 

CMYK 14 / 38 / 0 / 48

HEX #725284

RGB 114 82 132

HSL 278.4, 0.23%, 0.42%

LAB 40.04, 23.25, -22.93

 

Description

Color code: HEX #855B53 | qconv.com Color code: HEX #855B53 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 91 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 91 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 38 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 38% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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