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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8557E2 it is the complementary color #7AA81D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8557E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8557E2 shade: #8A57DD, #9B69F0, #AC7BFF, #BD8DFF and #CE9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8557E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8557E2 shade: #8557E2, #7445CF, #6333BC, #5221A9 and #410F96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8557E2 shade: #8455E2, #AA55E2, #D055E2, #E255CE and #E255A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8557E2 shade: #8455E2, #5E55E2 and #5555E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8557E2 shade matches the following richer shades: #8455E2 and #7E45F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8557E2 shade: #8455E2, #8965D2, #8F75C2, #9485B2 and #9995A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8557E2 shade: #5574E2, #5C55E2, #8255E2, #A755E2 and #CD55E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8557E2 shade: #5721C3, #6A32DC, #8455E2, #9D78E8 and #B79BEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8557E2 shade: #8557E2, #E25599 and #61E255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8557E2 shade: #8557E2, #E28255 and #55E282

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8557E2 shade: #8557E2, #E25599, #B5E255 and #55E29E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8557E2 shade: #8557E2, #E2556F, #B5E255 and #55E2C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 62 / 0 / 11

HEX #8557E2

RGB 133 87 226

HSL 259.86, 0.71%, 0.61%

LAB 48.63, 49.34, -64.32

 

Complementary color

CMYK 27 / 0 / 83 / 34

HEX #7AA81D

RGB 122 168 29

HSL 79.86, 0.71%, 0.39%

LAB 63.53, -34.66, 60.14

 

CMYK 38 / 61 / 0 / 13

HEX #8A57DD

RGB 138 87 221

HSL 262.84, 0.66%, 0.6%

LAB 48.81, 49.09, -61.16

 

CMYK 35 / 56 / 0 / 6

HEX #9B69F0

RGB 155 105 240

HSL 262.22, 0.82%, 0.68%

LAB 55.44, 48.02, -61.08

 

CMYK 33 / 52 / 0 / 0

HEX #AC7BFF

RGB 172 123 255

HSL 262.27, 1%, 0.74%

LAB 61.79, 45.98, -59.12

 

CMYK 26 / 45 / 0 / 0

HEX #BD8DFF

RGB 189 141 255

HSL 265.26, 1%, 0.78%

LAB 67.34, 40.48, -50.2

 

CMYK 19 / 38 / 0 / 0

HEX #CE9FFF

RGB 206 159 255

HSL 269.38, 1%, 0.81%

LAB 72.98, 35.37, -41.23

 

CMYK 41 / 62 / 0 / 11

HEX #8557E2

RGB 133 87 226

HSL 259.86, 0.71%, 0.61%

LAB 48.63, 49.34, -64.32

 

CMYK 44 / 67 / 0 / 19

HEX #7445CF

RGB 116 69 207

HSL 260.43, 0.59%, 0.54%

LAB 41.96, 50.48, -64.36

 

CMYK 47 / 73 / 0 / 26

HEX #6333BC

RGB 99 51 188

HSL 261.02, 0.57%, 0.47%

LAB 35.3, 51.48, -64.22

 

CMYK 51 / 80 / 0 / 34

HEX #5221A9

RGB 82 33 169

HSL 261.62, 0.67%, 0.4%

LAB 28.76, 52.08, -63.7

 

CMYK 57 / 90 / 0 / 41

HEX #410F96

RGB 65 15 150

HSL 262.22, 0.82%, 0.32%

LAB 22.54, 51.68, -62.45

 

CMYK 42 / 62 / 0 / 11

HEX #8455E2

RGB 132 85 226

HSL 260, 0.71%, 0.61%

LAB 48.13, 50.2, -65.13

 

CMYK 25 / 62 / 0 / 11

HEX #AA55E2

RGB 170 85 226

HSL 276.17, 0.71%, 0.61%

LAB 52.44, 58.39, -57.96

 

CMYK 8 / 62 / 0 / 11

HEX #D055E2

RGB 208 85 226

HSL 292.34, 0.71%, 0.61%

LAB 57.46, 67.16, -49.65

 

CMYK 0 / 62 / 9 / 11

HEX #E255CE

RGB 226 85 206

HSL 308.51, 0.71%, 0.61%

LAB 59.09, 68.21, -35.61

 

CMYK 0 / 62 / 26 / 11

HEX #E255A8

RGB 226 85 168

HSL 324.68, 0.71%, 0.61%

LAB 57.55, 62.83, -16.15

 

CMYK 42 / 62 / 0 / 11

HEX #8455E2

RGB 132 85 226

HSL 260, 0.71%, 0.61%

LAB 48.13, 50.2, -65.13

 

CMYK 58 / 62 / 0 / 11

HEX #5E55E2

RGB 94 85 226

HSL 243.83, 0.71%, 0.61%

LAB 44.76, 43.21, -70.76

 

CMYK 62 / 62 / 0 / 11

HEX #5555E2

RGB 85 85 226

HSL 240, 0.71%, 0.61%

LAB 44.12, 41.81, -71.83

 

CMYK 42 / 62 / 0 / 11

HEX #8455E2

RGB 132 85 226

HSL 260, 0.71%, 0.61%

LAB 48.13, 50.2, -65.13

 

CMYK 48 / 71 / 0 / 5

HEX #7E45F2

RGB 126 69 242

HSL 259.77, 0.87%, 0.61%

LAB 45.77, 61.43, -78.01

 

CMYK 42 / 62 / 0 / 11

HEX #8455E2

RGB 132 85 226

HSL 260, 0.71%, 0.61%

LAB 48.13, 50.2, -65.13

 

CMYK 35 / 52 / 0 / 18

HEX #8965D2

RGB 137 101 210

HSL 259.82, 0.55%, 0.61%

LAB 51.01, 38.22, -51.38

 

CMYK 26 / 40 / 0 / 24

HEX #8F75C2

RGB 143 117 194

HSL 260.26, 0.39%, 0.61%

LAB 54.51, 26.49, -36.67

 

CMYK 17 / 25 / 0 / 30

HEX #9485B2

RGB 148 133 178

HSL 260, 0.23%, 0.61%

LAB 58.31, 14.91, -21.61

 

CMYK 6 / 8 / 0 / 36

HEX #9995A2

RGB 153 149 162

HSL 258.46, 0.07%, 0.61%

LAB 62.4, 4.02, -6.3

 

CMYK 62 / 49 / 0 / 11

HEX #5574E2

RGB 85 116 226

HSL 226.81, 0.71%, 0.61%

LAB 51.74, 22.81, -59.48

 

CMYK 59 / 62 / 0 / 11

HEX #5C55E2

RGB 92 85 226

HSL 242.98, 0.71%, 0.61%

LAB 44.61, 42.89, -71.01

 

CMYK 42 / 62 / 0 / 11

HEX #8255E2

RGB 130 85 226

HSL 259.15, 0.71%, 0.61%

LAB 47.92, 49.8, -65.47

 

CMYK 26 / 62 / 0 / 11

HEX #A755E2

RGB 167 85 226

HSL 274.89, 0.71%, 0.61%

LAB 52.07, 57.72, -58.58

 

CMYK 9 / 62 / 0 / 11

HEX #CD55E2

RGB 205 85 226

HSL 291.06, 0.71%, 0.61%

LAB 57.04, 66.46, -50.34

 

CMYK 55 / 83 / 0 / 24

HEX #5721C3

RGB 87 33 195

HSL 260, 0.71%, 0.45%

LAB 31.93, 59.49, -73.93

 

CMYK 52 / 77 / 0 / 14

HEX #6A32DC

RGB 106 50 220

HSL 259.76, 0.71%, 0.53%

LAB 38.75, 61.43, -77.13

 

CMYK 42 / 62 / 0 / 11

HEX #8455E2

RGB 132 85 226

HSL 260, 0.71%, 0.61%

LAB 48.13, 50.2, -65.13

 

CMYK 32 / 48 / 0 / 9

HEX #9D78E8

RGB 157 120 232

HSL 259.82, 0.71%, 0.69%

LAB 58.44, 38.15, -51.82

 

CMYK 23 / 35 / 0 / 7

HEX #B79BEE

RGB 183 155 238

HSL 260.24, 0.71%, 0.77%

LAB 69.24, 27.07, -37.97

 

CMYK 41 / 62 / 0 / 11

HEX #8557E2

RGB 133 87 226

HSL 259.86, 0.71%, 0.61%

LAB 48.63, 49.34, -64.32

 

CMYK 0 / 62 / 32 / 11

HEX #E25599

RGB 226 85 153

HSL 331.06, 0.71%, 0.61%

LAB 57.04, 60.99, -8.18

 

CMYK 57 / 0 / 62 / 11

HEX #61E255

RGB 97 226 85

HSL 114.89, 0.71%, 0.61%

LAB 80.51, -61.87, 56.77

 

CMYK 41 / 62 / 0 / 11

HEX #8557E2

RGB 133 87 226

HSL 259.86, 0.71%, 0.61%

LAB 48.63, 49.34, -64.32

 

CMYK 0 / 42 / 62 / 11

HEX #E28255

RGB 226 130 85

HSL 19.15, 0.71%, 0.61%

LAB 63.99, 32.96, 40.03

 

CMYK 62 / 0 / 42 / 11

HEX #55E282

RGB 85 226 130

HSL 139.15, 0.71%, 0.61%

LAB 80.7, -58.54, 35.93

 

CMYK 41 / 62 / 0 / 11

HEX #8557E2

RGB 133 87 226

HSL 259.86, 0.71%, 0.61%

LAB 48.63, 49.34, -64.32

 

CMYK 0 / 62 / 32 / 11

HEX #E25599

RGB 226 85 153

HSL 331.06, 0.71%, 0.61%

LAB 57.04, 60.99, -8.18

 

CMYK 20 / 0 / 62 / 11

HEX #B5E255

RGB 181 226 85

HSL 79.15, 0.71%, 0.61%

LAB 84.42, -34.96, 62.18

 

CMYK 62 / 0 / 30 / 11

HEX #55E29E

RGB 85 226 158

HSL 151.06, 0.71%, 0.61%

LAB 81.18, -53.41, 22.26

 

CMYK 41 / 62 / 0 / 11

HEX #8557E2

RGB 133 87 226

HSL 259.86, 0.71%, 0.61%

LAB 48.63, 49.34, -64.32

 

CMYK 0 / 62 / 51 / 11

HEX #E2556F

RGB 226 85 111

HSL 348.94, 0.71%, 0.61%

LAB 55.9, 56.74, 14.9

 

CMYK 20 / 0 / 62 / 11

HEX #B5E255

RGB 181 226 85

HSL 79.15, 0.71%, 0.61%

LAB 84.42, -34.96, 62.18

 

CMYK 62 / 0 / 12 / 11

HEX #55E2C8

RGB 85 226 200

HSL 168.94, 0.71%, 0.61%

LAB 82.11, -43.95, 1.49

 

Description

Color code: HEX #8557E2 | qconv.com Color code: HEX #8557E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 87 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 87 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 62 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 62% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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