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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8556CC it is the complementary color #7AA933. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8556CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8556CC shade: #8A56C7, #9B68DA, #AC7AED, #BD8CFF and #CE9EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8556CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8556CC shade: #8556CC, #7444B9, #6332A6, #522093 and #410E80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8556CC shade: #8556CD, #A556CD, #C556CD, #CD56B4 and #CD5694

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8556CC shade: #8556CD, #6556CD and #5656CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8556CC shade matches the following richer shades: #8556CD, #8244DE and #7E33F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8556CC shade: #8556CD, #8968BB, #8D7AA9, #908B97 and #949D86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8556CC shade: #5668CD, #6456CD, #8456CD, #A356CD and #C356CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8556CC shade: #5D30A0, #6F39C0, #8556CD, #9C76D6 and #B396E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8556CC shade: #8556CC, #CD5687 and #58CD56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8556CC shade: #8556CC, #CD8456 and #56CD84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8556CC shade: #8556CC, #CD5687, #9FCD56 and #56CD9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8556CC shade: #8556CC, #CD5664, #9FCD56 and #56CDBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 58 / 0 / 20

HEX #8556CC

RGB 133 86 204

HSL 263.9, 0.54%, 0.57%

LAB 46.98, 44.14, -54.43

 

Complementary color

CMYK 28 / 0 / 70 / 34

HEX #7AA933

RGB 122 169 51

HSL 83.9, 0.54%, 0.43%

LAB 63.96, -33.93, 53.23

 

CMYK 31 / 57 / 0 / 22

HEX #8A56C7

RGB 138 86 199

HSL 267.61, 0.5%, 0.56%

LAB 47.21, 44.08, -51.14

 

CMYK 29 / 52 / 0 / 15

HEX #9B68DA

RGB 155 104 218

HSL 266.84, 0.61%, 0.63%

LAB 53.95, 43.1, -51.11

 

CMYK 27 / 49 / 0 / 7

HEX #AC7AED

RGB 172 122 237

HSL 266.09, 0.76%, 0.7%

LAB 60.61, 42.16, -51.06

 

CMYK 26 / 45 / 0 / 0

HEX #BD8CFF

RGB 189 140 255

HSL 265.57, 1%, 0.77%

LAB 67.12, 41.03, -50.54

 

CMYK 19 / 38 / 0 / 0

HEX #CE9EFF

RGB 206 158 255

HSL 269.69, 1%, 0.81%

LAB 72.76, 35.92, -41.58

 

CMYK 35 / 58 / 0 / 20

HEX #8556CC

RGB 133 86 204

HSL 263.9, 0.54%, 0.57%

LAB 46.98, 44.14, -54.43

 

CMYK 37 / 63 / 0 / 27

HEX #7444B9

RGB 116 68 185

HSL 264.62, 0.46%, 0.5%

LAB 40.16, 45.19, -54.47

 

CMYK 40 / 70 / 0 / 35

HEX #6332A6

RGB 99 50 166

HSL 265.34, 0.54%, 0.42%

LAB 33.32, 46.13, -54.36

 

CMYK 44 / 78 / 0 / 42

HEX #522093

RGB 82 32 147

HSL 266.09, 0.64%, 0.35%

LAB 26.54, 46.71, -53.93

 

CMYK 49 / 89 / 0 / 50

HEX #410E80

RGB 65 14 128

HSL 266.84, 0.8%, 0.28%

LAB 20.03, 46.33, -52.83

 

CMYK 35 / 58 / 0 / 20

HEX #8556CD

RGB 133 86 205

HSL 263.7, 0.54%, 0.57%

LAB 47.04, 44.39, -54.9

 

CMYK 20 / 58 / 0 / 20

HEX #A556CD

RGB 165 86 205

HSL 279.83, 0.54%, 0.57%

LAB 50.76, 52.16, -48.74

 

CMYK 4 / 58 / 0 / 20

HEX #C556CD

RGB 197 86 205

HSL 295.97, 0.54%, 0.57%

LAB 55, 60.25, -41.74

 

CMYK 0 / 58 / 12 / 20

HEX #CD56B4

RGB 205 86 180

HSL 312.61, 0.54%, 0.57%

LAB 55, 58.2, -27.3

 

CMYK 0 / 58 / 28 / 20

HEX #CD5694

RGB 205 86 148

HSL 328.74, 0.54%, 0.57%

LAB 53.79, 53.62, -10.45

 

CMYK 35 / 58 / 0 / 20

HEX #8556CD

RGB 133 86 205

HSL 263.7, 0.54%, 0.57%

LAB 47.04, 44.39, -54.9

 

CMYK 51 / 58 / 0 / 20

HEX #6556CD

RGB 101 86 205

HSL 247.56, 0.54%, 0.57%

LAB 43.99, 37.4, -59.98

 

CMYK 58 / 58 / 0 / 20

HEX #5656CD

RGB 86 86 205

HSL 240, 0.54%, 0.57%

LAB 42.83, 34.55, -61.92

 

CMYK 35 / 58 / 0 / 20

HEX #8556CD

RGB 133 86 205

HSL 263.7, 0.54%, 0.57%

LAB 47.04, 44.39, -54.9

 

CMYK 41 / 69 / 0 / 13

HEX #8244DE

RGB 130 68 222

HSL 264.16, 0.7%, 0.57%

LAB 44.45, 57.45, -68.84

 

CMYK 48 / 79 / 0 / 6

HEX #7E33F0

RGB 126 51 240

HSL 263.81, 0.86%, 0.57%

LAB 42.91, 68.65, -81.59

 

CMYK 35 / 58 / 0 / 20

HEX #8556CD

RGB 133 86 205

HSL 263.7, 0.54%, 0.57%

LAB 47.04, 44.39, -54.9

 

CMYK 27 / 44 / 0 / 27

HEX #8968BB

RGB 137 104 187

HSL 263.86, 0.38%, 0.57%

LAB 50.46, 30.6, -39.06

 

CMYK 17 / 28 / 0 / 34

HEX #8D7AA9

RGB 141 122 169

HSL 264.26, 0.21%, 0.57%

LAB 54.5, 16.94, -22.34

 

CMYK 5 / 8 / 0 / 41

HEX #908B97

RGB 144 139 151

HSL 265, 0.05%, 0.57%

LAB 58.63, 4.22, -5.71

 

CMYK 6 / 0 / 15 / 38

HEX #949D86

RGB 148 157 134

HSL 83.48, 0.11%, 0.57%

LAB 63.45, -7.52, 10.95

 

CMYK 58 / 49 / 0 / 20

HEX #5668CD

RGB 86 104 205

HSL 230.92, 0.54%, 0.57%

LAB 47.35, 23.38, -54.62

 

CMYK 51 / 58 / 0 / 20

HEX #6456CD

RGB 100 86 205

HSL 247.06, 0.54%, 0.57%

LAB 43.91, 37.2, -60.12

 

CMYK 36 / 58 / 0 / 20

HEX #8456CD

RGB 132 86 205

HSL 263.19, 0.54%, 0.57%

LAB 46.93, 44.16, -55.08

 

CMYK 20 / 58 / 0 / 20

HEX #A356CD

RGB 163 86 205

HSL 278.82, 0.54%, 0.57%

LAB 50.51, 51.66, -49.15

 

CMYK 5 / 58 / 0 / 20

HEX #C356CD

RGB 195 86 205

HSL 294.96, 0.54%, 0.57%

LAB 54.73, 59.74, -42.2

 

CMYK 42 / 70 / 0 / 37

HEX #5D30A0

RGB 93 48 160

HSL 264.11, 0.54%, 0.41%

LAB 31.76, 44.39, -53.31

 

CMYK 42 / 70 / 0 / 25

HEX #6F39C0

RGB 111 57 192

HSL 264, 0.54%, 0.49%

LAB 38.04, 51.69, -62.04

 

CMYK 35 / 58 / 0 / 20

HEX #8556CD

RGB 133 86 205

HSL 263.7, 0.54%, 0.57%

LAB 47.04, 44.39, -54.9

 

CMYK 27 / 45 / 0 / 16

HEX #9C76D6

RGB 156 118 214

HSL 263.75, 0.54%, 0.65%

LAB 56.96, 34.54, -44.08

 

CMYK 20 / 33 / 0 / 12

HEX #B396E0

RGB 179 150 224

HSL 263.51, 0.54%, 0.73%

LAB 67.11, 25.46, -33.62

 

CMYK 35 / 58 / 0 / 20

HEX #8556CC

RGB 133 86 204

HSL 263.9, 0.54%, 0.57%

LAB 46.98, 44.14, -54.43

 

CMYK 0 / 58 / 34 / 20

HEX #CD5687

RGB 205 86 135

HSL 335.29, 0.54%, 0.57%

LAB 53.37, 51.99, -3.38

 

CMYK 57 / 0 / 58 / 20

HEX #58CD56

RGB 88 205 86

HSL 118.99, 0.54%, 0.57%

LAB 73.81, -56.27, 48.63

 

CMYK 35 / 58 / 0 / 20

HEX #8556CC

RGB 133 86 204

HSL 263.9, 0.54%, 0.57%

LAB 46.98, 44.14, -54.43

 

CMYK 0 / 36 / 58 / 20

HEX #CD8456

RGB 205 132 86

HSL 23.19, 0.54%, 0.57%

LAB 61.79, 23.46, 36.21

 

CMYK 58 / 0 / 36 / 20

HEX #56CD84

RGB 86 205 132

HSL 143.19, 0.54%, 0.57%

LAB 74.39, -49.79, 26.59

 

CMYK 35 / 58 / 0 / 20

HEX #8556CC

RGB 133 86 204

HSL 263.9, 0.54%, 0.57%

LAB 46.98, 44.14, -54.43

 

CMYK 0 / 58 / 34 / 20

HEX #CD5687

RGB 205 86 135

HSL 335.29, 0.54%, 0.57%

LAB 53.37, 51.99, -3.38

 

CMYK 22 / 0 / 58 / 20

HEX #9FCD56

RGB 159 205 86

HSL 83.19, 0.54%, 0.57%

LAB 77.1, -33.59, 53.27

 

CMYK 58 / 0 / 24 / 20

HEX #56CD9B

RGB 86 205 155

HSL 154.79, 0.54%, 0.57%

LAB 74.83, -45.18, 15.04

 

CMYK 35 / 58 / 0 / 20

HEX #8556CC

RGB 133 86 204

HSL 263.9, 0.54%, 0.57%

LAB 46.98, 44.14, -54.43

 

CMYK 0 / 58 / 51 / 20

HEX #CD5664

RGB 205 86 100

HSL 352.94, 0.54%, 0.57%

LAB 52.46, 48.37, 16.13

 

CMYK 22 / 0 / 58 / 20

HEX #9FCD56

RGB 159 205 86

HSL 83.19, 0.54%, 0.57%

LAB 77.1, -33.59, 53.27

 

CMYK 58 / 0 / 7 / 20

HEX #56CDBF

RGB 86 205 191

HSL 172.94, 0.54%, 0.57%

LAB 75.7, -36.63, -3.06

 

Description

Color code: HEX #8556CC | qconv.com Color code: HEX #8556CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 86 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 86 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 58 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 58% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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