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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #855247 it is the complementary color #7AADB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #855247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #855247 shade: #8A5242, #9B6455, #AC7668, #BD887B and #CE9A8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #855247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #855247 shade: #855247, #744034, #632E21, #521C0E and #410A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #855247 shade: #855247 and #854747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #855247 shade: #855247, #856347, #857347, #858447 and #758547

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #855247 shade matches the following richer shades: #855247, #954837, #A63D26, #B63216 and #C72805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #855247 shade: #855247, #745D58, #646868, #537279 and #437D89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #855247 shade: #85475E, #85474E, #855247, #856247 and #857247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #855247 shade: #4F312B, #6A4239, #855247, #9F6356 and #B17A6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #855247 shade: #855247, #6E8547 and #475685

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #855247 shade: #855247, #478552 and #524785

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #855247 shade: #855247, #6E8547, #477A85 and #5E4785

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #855247 shade: #855247, #5C8547, #477A85 and #704785

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 47 / 48

HEX #855247

RGB 133 82 71

HSL 10.65, 0.3%, 0.4%

LAB 40.37, 19.99, 15.4

 

Complementary color

CMYK 34 / 6 / 0 / 28

HEX #7AADB8

RGB 122 173 184

HSL 190.65, 0.3%, 0.6%

LAB 67.64, -14.06, -11.03

 

CMYK 0 / 41 / 52 / 46

HEX #8A5242

RGB 138 82 66

HSL 13.33, 0.35%, 0.4%

LAB 40.95, 21.59, 19.32

 

CMYK 0 / 35 / 45 / 39

HEX #9B6455

RGB 155 100 85

HSL 12.86, 0.29%, 0.47%

LAB 47.93, 20.42, 17.68

 

CMYK 0 / 31 / 40 / 33

HEX #AC7668

RGB 172 118 104

HSL 12.35, 0.29%, 0.54%

LAB 54.79, 19.41, 16.26

 

CMYK 0 / 28 / 35 / 26

HEX #BD887B

RGB 189 136 123

HSL 11.82, 0.33%, 0.61%

LAB 61.53, 18.53, 15.01

 

CMYK 0 / 25 / 31 / 19

HEX #CE9A8E

RGB 206 154 142

HSL 11.25, 0.4%, 0.68%

LAB 68.16, 17.76, 13.88

 

CMYK 0 / 38 / 47 / 48

HEX #855247

RGB 133 82 71

HSL 10.65, 0.3%, 0.4%

LAB 40.37, 19.99, 15.4

 

CMYK 0 / 45 / 55 / 55

HEX #744034

RGB 116 64 52

HSL 11.25, 0.38%, 0.33%

LAB 33.2, 21.25, 17.18

 

CMYK 0 / 54 / 67 / 61

HEX #632E21

RGB 99 46 33

HSL 11.82, 0.5%, 0.26%

LAB 25.91, 22.73, 19.38

 

CMYK 0 / 66 / 83 / 68

HEX #521C0E

RGB 82 28 14

HSL 12.35, 0.71%, 0.19%

LAB 18.61, 24.36, 21.81

 

CMYK 0 / 85 / 100 / 75

HEX #410A00

RGB 65 10 0

HSL 9.23, 1%, 0.13%

LAB 11.56, 25.59, 17.95

 

CMYK 0 / 38 / 47 / 48

HEX #855247

RGB 133 82 71

HSL 10.65, 0.3%, 0.4%

LAB 40.37, 19.99, 15.4

 

CMYK 0 / 47 / 47 / 48

HEX #854747

RGB 133 71 71

HSL 0, 0.3%, 0.4%

LAB 37.75, 26.36, 11.82

 

CMYK 0 / 38 / 47 / 48

HEX #855247

RGB 133 82 71

HSL 10.65, 0.3%, 0.4%

LAB 40.37, 19.99, 15.4

 

CMYK 0 / 26 / 47 / 48

HEX #856347

RGB 133 99 71

HSL 27.1, 0.3%, 0.4%

LAB 44.75, 9.96, 21.23

 

CMYK 0 / 14 / 47 / 48

HEX #857347

RGB 133 115 71

HSL 42.58, 0.3%, 0.4%

LAB 49.13, 0.64, 26.87

 

CMYK 0 / 1 / 47 / 48

HEX #858447

RGB 133 132 71

HSL 59.03, 0.3%, 0.4%

LAB 53.97, -8.92, 32.9

 

CMYK 12 / 0 / 47 / 48

HEX #758547

RGB 117 133 71

HSL 75.48, 0.3%, 0.4%

LAB 52.96, -16.31, 31.37

 

CMYK 0 / 38 / 47 / 48

HEX #855247

RGB 133 82 71

HSL 10.65, 0.3%, 0.4%

LAB 40.37, 19.99, 15.4

 

CMYK 0 / 52 / 63 / 42

HEX #954837

RGB 149 72 55

HSL 10.85, 0.46%, 0.4%

LAB 40.08, 30.86, 25.15

 

CMYK 0 / 63 / 77 / 35

HEX #A63D26

RGB 166 61 38

HSL 10.78, 0.63%, 0.4%

LAB 40.55, 42.03, 36.2

 

CMYK 0 / 73 / 88 / 29

HEX #B63216

RGB 182 50 22

HSL 10.5, 0.78%, 0.4%

LAB 41.66, 51.67, 46.25

 

CMYK 0 / 80 / 97 / 22

HEX #C72805

RGB 199 40 5

HSL 10.82, 0.95%, 0.4%

LAB 43.76, 59.94, 55.09

 

CMYK 0 / 38 / 47 / 48

HEX #855247

RGB 133 82 71

HSL 10.65, 0.3%, 0.4%

LAB 40.37, 19.99, 15.4

 

CMYK 0 / 20 / 24 / 55

HEX #745D58

RGB 116 93 88

HSL 10.71, 0.14%, 0.4%

LAB 41.6, 8.51, 6.4

 

CMYK 4 / 0 / 0 / 59

HEX #646868

RGB 100 104 104

HSL 180, 0.02%, 0.4%

LAB 43.67, -1.54, -0.54

 

CMYK 31 / 6 / 0 / 53

HEX #537279

RGB 83 114 121

HSL 191.05, 0.19%, 0.4%

LAB 45.98, -9.3, -7.48

 

CMYK 51 / 9 / 0 / 46

HEX #437D89

RGB 67 125 137

HSL 190.29, 0.34%, 0.4%

LAB 49.09, -15.47, -12.38

 

CMYK 0 / 47 / 29 / 48

HEX #85475E

RGB 133 71 94

HSL 337.74, 0.3%, 0.4%

LAB 38.38, 29.34, -1.71

 

CMYK 0 / 47 / 41 / 48

HEX #85474E

RGB 133 71 78

HSL 353.23, 0.3%, 0.4%

LAB 37.92, 27.18, 7.67

 

CMYK 0 / 38 / 47 / 48

HEX #855247

RGB 133 82 71

HSL 10.65, 0.3%, 0.4%

LAB 40.37, 19.99, 15.4

 

CMYK 0 / 26 / 47 / 48

HEX #856247

RGB 133 98 71

HSL 26.13, 0.3%, 0.4%

LAB 44.49, 10.55, 20.88

 

CMYK 0 / 14 / 47 / 48

HEX #857247

RGB 133 114 71

HSL 41.61, 0.3%, 0.4%

LAB 48.85, 1.21, 26.52

 

CMYK 0 / 38 / 46 / 69

HEX #4F312B

RGB 79 49 43

HSL 10, 0.3%, 0.24%

LAB 23.78, 12.81, 9.46

 

CMYK 0 / 38 / 46 / 58

HEX #6A4239

RGB 106 66 57

HSL 11.02, 0.3%, 0.32%

LAB 32.38, 16.19, 12.69

 

CMYK 0 / 38 / 47 / 48

HEX #855247

RGB 133 82 71

HSL 10.65, 0.3%, 0.4%

LAB 40.37, 19.99, 15.4

 

CMYK 0 / 38 / 46 / 38

HEX #9F6356

RGB 159 99 86

HSL 10.68, 0.3%, 0.48%

LAB 48.22, 22.76, 17.57

 

CMYK 0 / 31 / 38 / 31

HEX #B17A6E

RGB 177 122 110

HSL 10.75, 0.3%, 0.56%

LAB 56.48, 19.91, 15.22

 

CMYK 0 / 38 / 47 / 48

HEX #855247

RGB 133 82 71

HSL 10.65, 0.3%, 0.4%

LAB 40.37, 19.99, 15.4

 

CMYK 17 / 0 / 47 / 48

HEX #6E8547

RGB 110 133 71

HSL 82.26, 0.3%, 0.4%

LAB 52.45, -19.21, 30.62

 

CMYK 47 / 35 / 0 / 48

HEX #475685

RGB 71 86 133

HSL 225.48, 0.3%, 0.4%

LAB 37.28, 7.65, -28.15

 

CMYK 0 / 38 / 47 / 48

HEX #855247

RGB 133 82 71

HSL 10.65, 0.3%, 0.4%

LAB 40.37, 19.99, 15.4

 

CMYK 47 / 0 / 38 / 48

HEX #478552

RGB 71 133 82

HSL 130.65, 0.3%, 0.4%

LAB 50.36, -31.71, 21.45

 

CMYK 38 / 47 / 0 / 48

HEX #524785

RGB 82 71 133

HSL 250.65, 0.3%, 0.4%

LAB 33.97, 20.39, -33.31

 

CMYK 0 / 38 / 47 / 48

HEX #855247

RGB 133 82 71

HSL 10.65, 0.3%, 0.4%

LAB 40.37, 19.99, 15.4

 

CMYK 17 / 0 / 47 / 48

HEX #6E8547

RGB 110 133 71

HSL 82.26, 0.3%, 0.4%

LAB 52.45, -19.21, 30.62

 

CMYK 47 / 8 / 0 / 48

HEX #477A85

RGB 71 122 133

HSL 190.65, 0.3%, 0.4%

LAB 48.2, -13.98, -11.35

 

CMYK 29 / 47 / 0 / 48

HEX #5E4785

RGB 94 71 133

HSL 262.26, 0.3%, 0.4%

LAB 35.16, 23.89, -31.35

 

CMYK 0 / 38 / 47 / 48

HEX #855247

RGB 133 82 71

HSL 10.65, 0.3%, 0.4%

LAB 40.37, 19.99, 15.4

 

CMYK 31 / 0 / 47 / 48

HEX #5C8547

RGB 92 133 71

HSL 99.68, 0.3%, 0.4%

LAB 51.27, -26.3, 28.89

 

CMYK 47 / 8 / 0 / 48

HEX #477A85

RGB 71 122 133

HSL 190.65, 0.3%, 0.4%

LAB 48.2, -13.98, -11.35

 

CMYK 16 / 47 / 0 / 48

HEX #704785

RGB 112 71 133

HSL 279.68, 0.3%, 0.4%

LAB 37.2, 29.43, -28.01

 

Description

Color code: HEX #855247 | qconv.com Color code: HEX #855247 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 82 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 82 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 47 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 47% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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