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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #854EB6 it is the complementary color #7AB149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #854EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #854EB6 shade: #8A4EB1, #9B60C4, #AC72D7, #BD84EA and #CE96FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #854EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #854EB6 shade: #854EB6, #743CA3, #632A90, #52187D and #41066A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #854EB6 shade: #854EB7, #A14EB7, #B74EAF, #B74E93 and #B74E77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #854EB6 shade: #854EB7, #694EB7 and #4E4EB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #854EB6 shade matches the following richer shades: #854EB7, #8639CB, #8725DF and #8911F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #854EB6 shade: #854EB7, #8462A2, #83768E, #828A7A and #809E66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #854EB6 shade: #4E4FB7, #684EB7, #844EB7, #A04EB7 and #B74EB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #854EB6 shade: #5B337E, #703F9B, #854EB7, #996BC2 and #AD88CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #854EB6 shade: #854EB6, #B74E6B and #4EB75A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #854EB6 shade: #854EB6, #B7844E and #4EB784

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #854EB6 shade: #854EB6, #B74E6B, #80B74E and #4EB799

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #854EB6 shade: #854EB6, #B74F4E, #80B74E and #4EB5B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 57 / 0 / 29

HEX #854EB6

RGB 133 78 182

HSL 271.73, 0.42%, 0.51%

LAB 43.96, 43.04, -46.49

 

Complementary color

CMYK 31 / 0 / 59 / 31

HEX #7AB149

RGB 122 177 73

HSL 91.73, 0.42%, 0.49%

LAB 66.57, -35.75, 46.6

 

CMYK 22 / 56 / 0 / 31

HEX #8A4EB1

RGB 138 78 177

HSL 276.36, 0.39%, 0.5%

LAB 44.27, 43.16, -43.03

 

CMYK 21 / 51 / 0 / 23

HEX #9B60C4

RGB 155 96 196

HSL 275.4, 0.46%, 0.57%

LAB 51.06, 42.31, -43.17

 

CMYK 20 / 47 / 0 / 16

HEX #AC72D7

RGB 172 114 215

HSL 274.46, 0.56%, 0.65%

LAB 57.76, 41.45, -43.27

 

CMYK 19 / 44 / 0 / 8

HEX #BD84EA

RGB 189 132 234

HSL 273.53, 0.71%, 0.72%

LAB 64.37, 40.62, -43.34

 

CMYK 19 / 41 / 0 / 1

HEX #CE96FD

RGB 206 150 253

HSL 272.62, 0.96%, 0.79%

LAB 70.89, 39.82, -43.42

 

CMYK 27 / 57 / 0 / 29

HEX #854EB6

RGB 133 78 182

HSL 271.73, 0.42%, 0.51%

LAB 43.96, 43.04, -46.49

 

CMYK 29 / 63 / 0 / 36

HEX #743CA3

RGB 116 60 163

HSL 272.62, 0.46%, 0.44%

LAB 37.09, 43.9, -46.35

 

CMYK 31 / 71 / 0 / 44

HEX #632A90

RGB 99 42 144

HSL 273.53, 0.55%, 0.36%

LAB 30.21, 44.53, -46.02

 

CMYK 34 / 81 / 0 / 51

HEX #52187D

RGB 82 24 125

HSL 274.46, 0.68%, 0.29%

LAB 23.43, 44.57, -45.26

 

CMYK 39 / 94 / 0 / 58

HEX #41066A

RGB 65 6 106

HSL 275.4, 0.89%, 0.22%

LAB 16.96, 43.33, -43.68

 

CMYK 27 / 57 / 0 / 28

HEX #854EB7

RGB 133 78 183

HSL 271.43, 0.42%, 0.51%

LAB 44.02, 43.28, -46.98

 

CMYK 12 / 57 / 0 / 28

HEX #A14EB7

RGB 161 78 183

HSL 287.43, 0.42%, 0.51%

LAB 47.55, 50.51, -41.15

 

CMYK 0 / 57 / 4 / 28

HEX #B74EAF

RGB 183 78 175

HSL 304.57, 0.42%, 0.51%

LAB 50.23, 54.93, -32.05

 

CMYK 0 / 57 / 20 / 28

HEX #B74E93

RGB 183 78 147

HSL 320.57, 0.42%, 0.51%

LAB 49.04, 50.45, -17.37

 

CMYK 0 / 57 / 35 / 28

HEX #B74E77

RGB 183 78 119

HSL 336.57, 0.42%, 0.51%

LAB 48.07, 46.67, -1.99

 

CMYK 27 / 57 / 0 / 28

HEX #854EB7

RGB 133 78 183

HSL 271.43, 0.42%, 0.51%

LAB 44.02, 43.28, -46.98

 

CMYK 43 / 57 / 0 / 28

HEX #694EB7

RGB 105 78 183

HSL 255.43, 0.42%, 0.51%

LAB 41.01, 36.52, -51.98

 

CMYK 57 / 57 / 0 / 28

HEX #4E4EB7

RGB 78 78 183

HSL 240, 0.42%, 0.51%

LAB 38.7, 30.84, -55.82

 

CMYK 27 / 57 / 0 / 28

HEX #854EB7

RGB 133 78 183

HSL 271.43, 0.42%, 0.51%

LAB 44.02, 43.28, -46.98

 

CMYK 34 / 72 / 0 / 20

HEX #8639CB

RGB 134 57 203

HSL 271.64, 0.58%, 0.51%

LAB 41.7, 58.64, -62.38

 

CMYK 39 / 83 / 0 / 13

HEX #8725DF

RGB 135 37 223

HSL 271.61, 0.74%, 0.51%

LAB 40.9, 70.65, -75.19

 

CMYK 44 / 93 / 0 / 5

HEX #8911F3

RGB 137 17 243

HSL 271.86, 0.9%, 0.51%

LAB 41.52, 79.52, -85.52

 

CMYK 27 / 57 / 0 / 28

HEX #854EB7

RGB 133 78 183

HSL 271.43, 0.42%, 0.51%

LAB 44.02, 43.28, -46.98

 

CMYK 19 / 40 / 0 / 36

HEX #8462A2

RGB 132 98 162

HSL 271.88, 0.26%, 0.51%

LAB 47.3, 26.54, -29.47

 

CMYK 8 / 17 / 0 / 44

HEX #83768E

RGB 131 118 142

HSL 272.5, 0.1%, 0.51%

LAB 51.54, 9.82, -11.21

 

CMYK 6 / 0 / 12 / 46

HEX #828A7A

RGB 130 138 122

HSL 90, 0.06%, 0.51%

LAB 56.41, -6.04, 7.57

 

CMYK 19 / 0 / 35 / 38

HEX #809E66

RGB 128 158 102

HSL 92.14, 0.22%, 0.51%

LAB 61.66, -20.78, 25.94

 

CMYK 57 / 57 / 0 / 28

HEX #4E4FB7

RGB 78 79 183

HSL 239.43, 0.42%, 0.51%

LAB 38.95, 30.22, -55.42

 

CMYK 43 / 57 / 0 / 28

HEX #684EB7

RGB 104 78 183

HSL 254.86, 0.42%, 0.51%

LAB 40.91, 36.29, -52.14

 

CMYK 28 / 57 / 0 / 28

HEX #844EB7

RGB 132 78 183

HSL 270.86, 0.42%, 0.51%

LAB 43.91, 43.03, -47.18

 

CMYK 13 / 57 / 0 / 28

HEX #A04EB7

RGB 160 78 183

HSL 286.86, 0.42%, 0.51%

LAB 47.42, 50.25, -41.37

 

CMYK 0 / 57 / 3 / 28

HEX #B74EB1

RGB 183 78 177

HSL 303.43, 0.42%, 0.51%

LAB 50.32, 55.27, -33.08

 

CMYK 28 / 60 / 0 / 51

HEX #5B337E

RGB 91 51 126

HSL 272, 0.42%, 0.35%

LAB 29.66, 33.3, -35.77

 

CMYK 28 / 59 / 0 / 39

HEX #703F9B

RGB 112 63 155

HSL 271.96, 0.42%, 0.43%

LAB 36.68, 39.33, -42.23

 

CMYK 27 / 57 / 0 / 28

HEX #854EB7

RGB 133 78 183

HSL 271.43, 0.42%, 0.51%

LAB 44.02, 43.28, -46.98

 

CMYK 21 / 45 / 0 / 24

HEX #996BC2

RGB 153 107 194

HSL 271.72, 0.42%, 0.59%

LAB 53.15, 35.16, -38.74

 

CMYK 16 / 34 / 0 / 19

HEX #AD88CE

RGB 173 136 206

HSL 271.71, 0.42%, 0.67%

LAB 62.46, 27.46, -30.85

 

CMYK 27 / 57 / 0 / 29

HEX #854EB6

RGB 133 78 182

HSL 271.73, 0.42%, 0.51%

LAB 43.96, 43.04, -46.49

 

CMYK 0 / 57 / 42 / 28

HEX #B74E6B

RGB 183 78 107

HSL 343.43, 0.42%, 0.51%

LAB 47.72, 45.29, 4.78

 

CMYK 57 / 0 / 51 / 28

HEX #4EB75A

RGB 78 183 90

HSL 126.86, 0.42%, 0.51%

LAB 66.69, -49.8, 38.12

 

CMYK 27 / 57 / 0 / 29

HEX #854EB6

RGB 133 78 182

HSL 271.73, 0.42%, 0.51%

LAB 43.96, 43.04, -46.49

 

CMYK 0 / 28 / 57 / 28

HEX #B7844E

RGB 183 132 78

HSL 30.86, 0.42%, 0.51%

LAB 59.09, 13.56, 36.58

 

CMYK 57 / 0 / 28 / 28

HEX #4EB784

RGB 78 183 132

HSL 150.86, 0.42%, 0.51%

LAB 67.39, -42.37, 17.02

 

CMYK 27 / 57 / 0 / 29

HEX #854EB6

RGB 133 78 182

HSL 271.73, 0.42%, 0.51%

LAB 43.96, 43.04, -46.49

 

CMYK 0 / 57 / 42 / 28

HEX #B74E6B

RGB 183 78 107

HSL 343.43, 0.42%, 0.51%

LAB 47.72, 45.29, 4.78

 

CMYK 30 / 0 / 57 / 28

HEX #80B74E

RGB 128 183 78

HSL 91.43, 0.42%, 0.51%

LAB 68.76, -35.79, 46.89

 

CMYK 57 / 0 / 16 / 28

HEX #4EB799

RGB 78 183 153

HSL 162.86, 0.42%, 0.51%

LAB 67.86, -37.63, 6.21

 

CMYK 27 / 57 / 0 / 29

HEX #854EB6

RGB 133 78 182

HSL 271.73, 0.42%, 0.51%

LAB 43.96, 43.04, -46.49

 

CMYK 0 / 57 / 57 / 28

HEX #B74F4E

RGB 183 79 78

HSL 0.57, 0.42%, 0.51%

LAB 47.25, 42.09, 21.65

 

CMYK 30 / 0 / 57 / 28

HEX #80B74E

RGB 128 183 78

HSL 91.43, 0.42%, 0.51%

LAB 68.76, -35.79, 46.89

 

CMYK 57 / 1 / 0 / 28

HEX #4EB5B7

RGB 78 181 183

HSL 181.14, 0.42%, 0.51%

LAB 68.08, -28.9, -10.01

 

Description

Color code: HEX #854EB6 | qconv.com Color code: HEX #854EB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 78 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 78 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 57 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 57% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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