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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8546C5 it is the complementary color #7AB93A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8546C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8546C5 shade: #8A46C0, #9B58D3, #AC6AE6, #BD7CF9 and #CE8EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8546C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8546C5 shade: #8546C5, #7434B2, #63229F, #52108C and #410079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8546C5 shade: #8445C4, #A645C4, #C445C0, #C4459D and #C4457B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8546C5 shade: #8445C4, #6245C4 and #4545C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8546C5 shade matches the following richer shades: #8445C4, #8431D8 and #841DEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8546C5 shade: #8445C4, #8459B0, #846D9D, #858089 and #859475

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8546C5 shade: #454BC4, #6145C4, #8245C4, #A445C4 and #C445C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8546C5 shade: #5B2C8B, #7036AA, #8445C4, #9964CE and #AE84D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8546C5 shade: #8546C5, #C4456D and #45C450

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8546C5 shade: #8546C5, #C48245 and #45C482

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8546C5 shade: #8546C5, #C4456D, #87C445 and #45C49C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8546C5 shade: #8546C5, #C44547, #87C445 and #45C4C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 64 / 0 / 23

HEX #8546C5

RGB 133 70 197

HSL 269.76, 0.52%, 0.52%

LAB 43.36, 50.87, -56.22

 

Complementary color

CMYK 34 / 0 / 69 / 27

HEX #7AB93A

RGB 122 185 58

HSL 89.76, 0.52%, 0.48%

LAB 68.85, -40.6, 55.52

 

CMYK 28 / 64 / 0 / 25

HEX #8A46C0

RGB 138 70 192

HSL 273.44, 0.49%, 0.51%

LAB 43.64, 50.8, -52.82

 

CMYK 27 / 58 / 0 / 17

HEX #9B58D3

RGB 155 88 211

HSL 272.68, 0.58%, 0.59%

LAB 50.28, 50.02, -53.01

 

CMYK 25 / 54 / 0 / 10

HEX #AC6AE6

RGB 172 106 230

HSL 271.94, 0.71%, 0.66%

LAB 56.87, 49.16, -53.1

 

CMYK 24 / 50 / 0 / 2

HEX #BD7CF9

RGB 189 124 249

HSL 271.2, 0.91%, 0.73%

LAB 63.4, 48.28, -53.15

 

CMYK 19 / 44 / 0 / 0

HEX #CE8EFF

RGB 206 142 255

HSL 273.98, 1%, 0.78%

LAB 69.25, 44.56, -47.08

 

CMYK 32 / 64 / 0 / 23

HEX #8546C5

RGB 133 70 197

HSL 269.76, 0.52%, 0.52%

LAB 43.36, 50.87, -56.22

 

CMYK 35 / 71 / 0 / 30

HEX #7434B2

RGB 116 52 178

HSL 270.48, 0.55%, 0.45%

LAB 36.71, 51.53, -55.92

 

CMYK 38 / 79 / 0 / 38

HEX #63229F

RGB 99 34 159

HSL 271.2, 0.65%, 0.38%

LAB 30.16, 51.71, -55.28

 

CMYK 41 / 89 / 0 / 45

HEX #52108C

RGB 82 16 140

HSL 271.94, 0.79%, 0.31%

LAB 23.86, 50.88, -53.99

 

CMYK 46 / 100 / 0 / 53

HEX #410079

RGB 65 0 121

HSL 272.23, 1%, 0.24%

LAB 17.94, 48.64, -51.81

 

CMYK 33 / 65 / 0 / 23

HEX #8445C4

RGB 132 69 196

HSL 269.76, 0.52%, 0.52%

LAB 42.98, 50.92, -56.24

 

CMYK 15 / 65 / 0 / 23

HEX #A645C4

RGB 166 69 196

HSL 285.83, 0.52%, 0.52%

LAB 47.43, 58.57, -48.87

 

CMYK 0 / 65 / 2 / 23

HEX #C445C0

RGB 196 69 192

HSL 301.89, 0.52%, 0.52%

LAB 51.61, 64.94, -39.64

 

CMYK 0 / 65 / 20 / 23

HEX #C4459D

RGB 196 69 157

HSL 318.43, 0.52%, 0.52%

LAB 50.01, 59.57, -21.64

 

CMYK 0 / 65 / 37 / 23

HEX #C4457B

RGB 196 69 123

HSL 334.49, 0.52%, 0.52%

LAB 48.79, 55.28, -3.11

 

CMYK 33 / 65 / 0 / 23

HEX #8445C4

RGB 132 69 196

HSL 269.76, 0.52%, 0.52%

LAB 42.98, 50.92, -56.24

 

CMYK 50 / 65 / 0 / 23

HEX #6245C4

RGB 98 69 196

HSL 253.7, 0.52%, 0.52%

LAB 39.31, 44.03, -62.38

 

CMYK 65 / 65 / 0 / 23

HEX #4545C4

RGB 69 69 196

HSL 240, 0.52%, 0.52%

LAB 36.94, 39.25, -66.34

 

CMYK 33 / 65 / 0 / 23

HEX #8445C4

RGB 132 69 196

HSL 269.76, 0.52%, 0.52%

LAB 42.98, 50.92, -56.24

 

CMYK 39 / 77 / 0 / 15

HEX #8431D8

RGB 132 49 216

HSL 269.82, 0.68%, 0.52%

LAB 41.31, 64.59, -70.52

 

CMYK 44 / 88 / 0 / 7

HEX #841DEC

RGB 132 29 236

HSL 269.86, 0.84%, 0.52%

LAB 40.96, 75.24, -82.5

 

CMYK 33 / 65 / 0 / 23

HEX #8445C4

RGB 132 69 196

HSL 269.76, 0.52%, 0.52%

LAB 42.98, 50.92, -56.24

 

CMYK 25 / 49 / 0 / 31

HEX #8459B0

RGB 132 89 176

HSL 269.66, 0.36%, 0.52%

LAB 45.89, 35.16, -39.92

 

CMYK 16 / 31 / 0 / 38

HEX #846D9D

RGB 132 109 157

HSL 268.75, 0.2%, 0.52%

LAB 49.83, 18.86, -22.6

 

CMYK 3 / 7 / 0 / 46

HEX #858089

RGB 133 128 137

HSL 273.33, 0.04%, 0.52%

LAB 54.27, 3.67, -4.19

 

CMYK 10 / 0 / 21 / 42

HEX #859475

RGB 133 148 117

HSL 89.03, 0.13%, 0.52%

LAB 59.39, -11.25, 14.63

 

CMYK 65 / 62 / 0 / 23

HEX #454BC4

RGB 69 75 196

HSL 237.17, 0.52%, 0.52%

LAB 38.35, 35.56, -64.04

 

CMYK 51 / 65 / 0 / 23

HEX #6145C4

RGB 97 69 196

HSL 253.23, 0.52%, 0.52%

LAB 39.21, 43.85, -62.54

 

CMYK 34 / 65 / 0 / 23

HEX #8245C4

RGB 130 69 196

HSL 268.82, 0.52%, 0.52%

LAB 42.74, 50.48, -56.64

 

CMYK 16 / 65 / 0 / 23

HEX #A445C4

RGB 164 69 196

HSL 284.88, 0.52%, 0.52%

LAB 47.15, 58.11, -49.33

 

CMYK 0 / 65 / 1 / 23

HEX #C445C2

RGB 196 69 194

HSL 300.94, 0.52%, 0.52%

LAB 51.71, 65.27, -40.64

 

CMYK 35 / 68 / 0 / 45

HEX #5B2C8B

RGB 91 44 139

HSL 269.68, 0.52%, 0.36%

LAB 29.13, 40.52, -44.72

 

CMYK 34 / 68 / 0 / 33

HEX #7036AA

RGB 112 54 170

HSL 270, 0.52%, 0.44%

LAB 35.96, 47.79, -52.41

 

CMYK 33 / 65 / 0 / 23

HEX #8445C4

RGB 132 69 196

HSL 269.76, 0.52%, 0.52%

LAB 42.98, 50.92, -56.24

 

CMYK 26 / 51 / 0 / 19

HEX #9964CE

RGB 153 100 206

HSL 270, 0.52%, 0.6%

LAB 52.22, 41.9, -47.07

 

CMYK 19 / 39 / 0 / 15

HEX #AE84D8

RGB 174 132 216

HSL 270, 0.52%, 0.68%

LAB 62.05, 32.25, -37.09

 

CMYK 32 / 64 / 0 / 23

HEX #8546C5

RGB 133 70 197

HSL 269.76, 0.52%, 0.52%

LAB 43.36, 50.87, -56.22

 

CMYK 0 / 65 / 44 / 23

HEX #C4456D

RGB 196 69 109

HSL 341.1, 0.52%, 0.52%

LAB 48.38, 53.81, 4.78

 

CMYK 65 / 0 / 59 / 23

HEX #45C450

RGB 69 196 80

HSL 125.2, 0.52%, 0.52%

LAB 70.4, -57.97, 47.26

 

CMYK 32 / 64 / 0 / 23

HEX #8546C5

RGB 133 70 197

HSL 269.76, 0.52%, 0.52%

LAB 43.36, 50.87, -56.22

 

CMYK 0 / 34 / 65 / 23

HEX #C48245

RGB 196 130 69

HSL 28.82, 0.52%, 0.52%

LAB 60.01, 19.57, 42.71

 

CMYK 65 / 0 / 34 / 23

HEX #45C482

RGB 69 196 130

HSL 148.82, 0.52%, 0.52%

LAB 71.12, -50, 23.15

 

CMYK 32 / 64 / 0 / 23

HEX #8546C5

RGB 133 70 197

HSL 269.76, 0.52%, 0.52%

LAB 43.36, 50.87, -56.22

 

CMYK 0 / 65 / 44 / 23

HEX #C4456D

RGB 196 69 109

HSL 341.1, 0.52%, 0.52%

LAB 48.38, 53.81, 4.78

 

CMYK 31 / 0 / 65 / 23

HEX #87C445

RGB 135 196 69

HSL 88.82, 0.52%, 0.52%

LAB 72.93, -39.87, 55.6

 

CMYK 65 / 0 / 20 / 23

HEX #45C49C

RGB 69 196 156

HSL 161.1, 0.52%, 0.52%

LAB 71.65, -44.35, 9.95

 

CMYK 32 / 64 / 0 / 23

HEX #8546C5

RGB 133 70 197

HSL 269.76, 0.52%, 0.52%

LAB 43.36, 50.87, -56.22

 

CMYK 0 / 65 / 64 / 23

HEX #C44547

RGB 196 69 71

HSL 359.06, 0.52%, 0.52%

LAB 47.56, 50.76, 26.64

 

CMYK 31 / 0 / 65 / 23

HEX #87C445

RGB 135 196 69

HSL 88.82, 0.52%, 0.52%

LAB 72.93, -39.87, 55.6

 

CMYK 65 / 0 / 1 / 23

HEX #45C4C2

RGB 69 196 194

HSL 179.06, 0.52%, 0.52%

LAB 72.65, -34.54, -9.25

 

Description

Color code: HEX #8546C5 | qconv.com Color code: HEX #8546C5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 70 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 70 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 64 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 64% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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