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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #853AF9 it is the complementary color #7AC506. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #853AF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #853AF9 shade: #8A3AF4, #9B4CFF, #AC5EFF, #BD70FF and #CE82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #853AF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #853AF9 shade: #853AF9, #7428E6, #6316D3, #5204C0 and #4100AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #853AF9 shade: #8439F9, #B839F9, #EC39F9, #F939D2 and #F9399E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #853AF9 shade: #8439F9, #5139F9 and #3939F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #853AF9 shade matches the following richer shades: #8439F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #853AF9 shade: #8439F9, #884AE8, #8C5AD8, #8F6BC7 and #937BB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #853AF9 shade: #3956F9, #4F39F9, #8339F9, #B639F9 and #E939F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #853AF9 shade: #5907D9, #6C11F8, #8439F9, #9D61FA and #B689FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #853AF9 shade: #853AF9, #F93989 and #3CF939

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #853AF9 shade: #853AF9, #F98339 and #39F983

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #853AF9 shade: #853AF9, #F93989, #AFF939 and #39F9A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #853AF9 shade: #853AF9, #F9394F, #AFF939 and #39F9E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 77 / 0 / 2

HEX #853AF9

RGB 133 58 249

HSL 263.56, 0.94%, 0.6%

LAB 45.43, 69.03, -82.47

 

Complementary color

CMYK 38 / 0 / 97 / 23

HEX #7AC506

RGB 122 197 6

HSL 83.56, 0.94%, 0.4%

LAB 72.28, -47.74, 71.32

 

CMYK 43 / 76 / 0 / 4

HEX #8A3AF4

RGB 138 58 244

HSL 265.81, 0.89%, 0.59%

LAB 45.58, 68.53, -79.4

 

CMYK 39 / 70 / 0 / 0

HEX #9B4CFF

RGB 155 76 255

HSL 266.48, 1%, 0.65%

LAB 51.1, 66.23, -76.45

 

CMYK 33 / 63 / 0 / 0

HEX #AC5EFF

RGB 172 94 255

HSL 269.07, 1%, 0.68%

LAB 56.08, 61.05, -68.28

 

CMYK 26 / 56 / 0 / 0

HEX #BD70FF

RGB 189 112 255

HSL 272.31, 1%, 0.72%

LAB 61.33, 55.88, -59.75

 

CMYK 19 / 49 / 0 / 0

HEX #CE82FF

RGB 206 130 255

HSL 276.48, 1%, 0.75%

LAB 66.75, 50.89, -51.01

 

CMYK 47 / 77 / 0 / 2

HEX #853AF9

RGB 133 58 249

HSL 263.56, 0.94%, 0.6%

LAB 45.43, 69.03, -82.47

 

CMYK 50 / 83 / 0 / 10

HEX #7428E6

RGB 116 40 230

HSL 264, 0.79%, 0.53%

LAB 39.49, 68.96, -81.59

 

CMYK 53 / 90 / 0 / 17

HEX #6316D3

RGB 99 22 211

HSL 264.44, 0.81%, 0.46%

LAB 33.84, 67.95, -80.07

 

CMYK 57 / 98 / 0 / 25

HEX #5204C0

RGB 82 4 192

HSL 264.89, 0.96%, 0.38%

LAB 28.61, 65.59, -77.68

 

CMYK 62 / 100 / 0 / 32

HEX #4100AD

RGB 65 0 173

HSL 262.54, 1%, 0.34%

LAB 24.13, 60.86, -73.83

 

CMYK 47 / 77 / 0 / 2

HEX #8439F9

RGB 132 57 249

HSL 263.44, 0.94%, 0.6%

LAB 45.18, 69.29, -82.89

 

CMYK 26 / 77 / 0 / 2

HEX #B839F9

RGB 184 57 249

HSL 279.69, 0.94%, 0.6%

LAB 51.79, 77.22, -71.83

 

CMYK 5 / 77 / 0 / 2

HEX #EC39F9

RGB 236 57 249

HSL 295.94, 0.94%, 0.6%

LAB 59.52, 86.41, -58.96

 

CMYK 0 / 77 / 16 / 2

HEX #F939D2

RGB 249 57 210

HSL 312.19, 0.94%, 0.6%

LAB 59.63, 83.36, -36.76

 

CMYK 0 / 77 / 37 / 2

HEX #F9399E

RGB 249 57 158

HSL 328.44, 0.94%, 0.6%

LAB 57.59, 77.34, -9.88

 

CMYK 47 / 77 / 0 / 2

HEX #8439F9

RGB 132 57 249

HSL 263.44, 0.94%, 0.6%

LAB 45.18, 69.29, -82.89

 

CMYK 67 / 77 / 0 / 2

HEX #5139F9

RGB 81 57 249

HSL 247.5, 0.94%, 0.6%

LAB 40.43, 63.53, -90.87

 

CMYK 77 / 77 / 0 / 2

HEX #3939F9

RGB 57 57 249

HSL 240, 0.94%, 0.6%

LAB 38.96, 61.73, -93.36

 

CMYK 47 / 77 / 0 / 2

HEX #8439F9

RGB 132 57 249

HSL 263.44, 0.94%, 0.6%

LAB 45.18, 69.29, -82.89

 

CMYK 47 / 77 / 0 / 2

HEX #8439F9

RGB 132 57 249

HSL 263.44, 0.94%, 0.6%

LAB 45.18, 69.29, -82.89

 

CMYK 41 / 68 / 0 / 9

HEX #884AE8

RGB 136 74 232

HSL 263.54, 0.77%, 0.6%

LAB 46.92, 58.16, -70.47

 

CMYK 35 / 58 / 0 / 15

HEX #8C5AD8

RGB 140 90 216

HSL 263.81, 0.62%, 0.6%

LAB 49.31, 46.64, -57.51

 

CMYK 28 / 46 / 0 / 22

HEX #8F6BC7

RGB 143 107 199

HSL 263.48, 0.45%, 0.6%

LAB 52.37, 33.54, -42.89

 

CMYK 20 / 33 / 0 / 28

HEX #937BB7

RGB 147 123 183

HSL 264, 0.29%, 0.6%

LAB 55.87, 21.55, -28.22

 

CMYK 77 / 65 / 0 / 2

HEX #3956F9

RGB 57 86 249

HSL 230.94, 0.94%, 0.6%

LAB 44.75, 45.66, -83.8

 

CMYK 68 / 77 / 0 / 2

HEX #4F39F9

RGB 79 57 249

HSL 246.88, 0.94%, 0.6%

LAB 40.29, 63.36, -91.11

 

CMYK 47 / 77 / 0 / 2

HEX #8339F9

RGB 131 57 249

HSL 263.13, 0.94%, 0.6%

LAB 45.07, 69.16, -83.08

 

CMYK 27 / 77 / 0 / 2

HEX #B639F9

RGB 182 57 249

HSL 279.06, 0.94%, 0.6%

LAB 51.51, 76.88, -72.29

 

CMYK 6 / 77 / 0 / 2

HEX #E939F9

RGB 233 57 249

HSL 295, 0.94%, 0.6%

LAB 59.06, 85.85, -59.74

 

CMYK 59 / 97 / 0 / 15

HEX #5907D9

RGB 89 7 217

HSL 263.43, 0.94%, 0.44%

LAB 32.45, 71.33, -85.88

 

CMYK 56 / 93 / 0 / 3

HEX #6C11F8

RGB 108 17 248

HSL 263.64, 0.94%, 0.52%

LAB 38.49, 78.17, -93.45

 

CMYK 47 / 77 / 0 / 2

HEX #8439F9

RGB 132 57 249

HSL 263.44, 0.94%, 0.6%

LAB 45.18, 69.29, -82.89

 

CMYK 37 / 61 / 0 / 2

HEX #9D61FA

RGB 157 97 250

HSL 263.53, 0.94%, 0.68%

LAB 54.68, 55.21, -67.86

 

CMYK 27 / 45 / 0 / 2

HEX #B689FB

RGB 182 137 251

HSL 263.68, 0.93%, 0.76%

LAB 65.59, 39.87, -50.82

 

CMYK 47 / 77 / 0 / 2

HEX #853AF9

RGB 133 58 249

HSL 263.56, 0.94%, 0.6%

LAB 45.43, 69.03, -82.47

 

CMYK 0 / 77 / 45 / 2

HEX #F93989

RGB 249 57 137

HSL 335, 0.94%, 0.6%

LAB 56.95, 75.39, 1.55

 

CMYK 76 / 0 / 77 / 2

HEX #3CF939

RGB 60 249 57

HSL 119.06, 0.94%, 0.6%

LAB 86.51, -78.49, 72.83

 

CMYK 47 / 77 / 0 / 2

HEX #853AF9

RGB 133 58 249

HSL 263.56, 0.94%, 0.6%

LAB 45.43, 69.03, -82.47

 

CMYK 0 / 47 / 77 / 2

HEX #F98339

RGB 249 131 57

HSL 23.13, 0.94%, 0.6%

LAB 67.03, 40.08, 57.93

 

CMYK 77 / 0 / 47 / 2

HEX #39F983

RGB 57 249 131

HSL 143.13, 0.94%, 0.6%

LAB 87.12, -70.87, 43.53

 

CMYK 47 / 77 / 0 / 2

HEX #853AF9

RGB 133 58 249

HSL 263.56, 0.94%, 0.6%

LAB 45.43, 69.03, -82.47

 

CMYK 0 / 77 / 45 / 2

HEX #F93989

RGB 249 57 137

HSL 335, 0.94%, 0.6%

LAB 56.95, 75.39, 1.55

 

CMYK 30 / 0 / 77 / 2

HEX #AFF939

RGB 175 249 57

HSL 83.13, 0.94%, 0.6%

LAB 90.4, -48.9, 77.88

 

CMYK 77 / 0 / 32 / 2

HEX #39F9A9

RGB 57 249 169

HSL 155, 0.94%, 0.6%

LAB 87.72, -64.06, 25.48

 

CMYK 47 / 77 / 0 / 2

HEX #853AF9

RGB 133 58 249

HSL 263.56, 0.94%, 0.6%

LAB 45.43, 69.03, -82.47

 

CMYK 0 / 77 / 68 / 2

HEX #F9394F

RGB 249 57 79

HSL 353.13, 0.94%, 0.6%

LAB 55.72, 71.54, 34.18

 

CMYK 30 / 0 / 77 / 2

HEX #AFF939

RGB 175 249 57

HSL 83.13, 0.94%, 0.6%

LAB 90.4, -48.9, 77.88

 

CMYK 77 / 0 / 9 / 2

HEX #39F9E3

RGB 57 249 227

HSL 173.13, 0.94%, 0.6%

LAB 89, -50.51, -2.67

 

Description

Color code: HEX #853AF9 | qconv.com Color code: HEX #853AF9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 58 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 58 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 77 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 77% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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