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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85327D it is the complementary color #7ACD82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85327D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85327D shade: #8A3278, #9B448B, #AC569E, #BD68B1 and #CE7AC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85327D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85327D shade: #85327D, #74206A, #630E57, #520044 and #410031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85327D shade: #85327D, #853267, #853251, #85323A and #853232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85327D shade: #85327D, #773285, #613285, #4A3285 and #343285

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85327D shade matches the following richer shades: #85327D, #942489, #A31595 and #B206A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85327D shade: #85327D, #764171, #675065, #595F59 and #4A6E4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85327D shade: #603285, #763285, #85327E, #853268 and #853252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85327D shade: #491C45, #672761, #85327D, #A33E99 and #BC4EB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85327D shade: #85327D, #854A32 and #32856B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85327D shade: #85327D, #7E8532 and #327E85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85327D shade: #85327D, #854A32, #328539 and #326E85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85327D shade: #85327D, #856332, #328539 and #325585

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 6 / 48

HEX #85327D

RGB 133 50 125

HSL 305.78, 0.45%, 0.36%

LAB 35.5, 45.3, -25.52

 

Complementary color

CMYK 40 / 0 / 37 / 20

HEX #7ACD82

RGB 122 205 130

HSL 125.78, 0.45%, 0.64%

LAB 75.71, -40.75, 29.63

 

CMYK 0 / 64 / 13 / 46

HEX #8A3278

RGB 138 50 120

HSL 312.27, 0.47%, 0.37%

LAB 36.06, 45.87, -21.45

 

CMYK 0 / 56 / 10 / 39

HEX #9B448B

RGB 155 68 139

HSL 311.03, 0.39%, 0.44%

LAB 42.71, 45.53, -22.63

 

CMYK 0 / 50 / 8 / 33

HEX #AC569E

RGB 172 86 158

HSL 309.77, 0.34%, 0.51%

LAB 49.37, 44.93, -23.52

 

CMYK 0 / 45 / 6 / 26

HEX #BD68B1

RGB 189 104 177

HSL 308.47, 0.39%, 0.57%

LAB 55.98, 44.23, -24.23

 

CMYK 0 / 41 / 5 / 19

HEX #CE7AC4

RGB 206 122 196

HSL 307.14, 0.46%, 0.64%

LAB 62.53, 43.48, -24.82

 

CMYK 0 / 62 / 6 / 48

HEX #85327D

RGB 133 50 125

HSL 305.78, 0.45%, 0.36%

LAB 35.5, 45.3, -25.52

 

CMYK 0 / 72 / 9 / 55

HEX #74206A

RGB 116 32 106

HSL 307.14, 0.57%, 0.29%

LAB 28.87, 45.14, -24.09

 

CMYK 0 / 86 / 12 / 61

HEX #630E57

RGB 99 14 87

HSL 308.47, 0.75%, 0.22%

LAB 22.5, 43.88, -21.87

 

CMYK 0 / 100 / 17 / 68

HEX #520044

RGB 82 0 68

HSL 310.24, 1%, 0.16%

LAB 16.56, 40.85, -18.49

 

CMYK 0 / 100 / 25 / 75

HEX #410031

RGB 65 0 49

HSL 314.77, 1%, 0.13%

LAB 11.59, 34.28, -12.98

 

CMYK 0 / 62 / 6 / 48

HEX #85327D

RGB 133 50 125

HSL 305.78, 0.45%, 0.36%

LAB 35.5, 45.3, -25.52

 

CMYK 0 / 62 / 23 / 48

HEX #853267

RGB 133 50 103

HSL 321.69, 0.45%, 0.36%

LAB 34.49, 41.69, -13.22

 

CMYK 0 / 62 / 39 / 48

HEX #853251

RGB 133 50 81

HSL 337.59, 0.45%, 0.36%

LAB 33.69, 38.7, -0.31

 

CMYK 0 / 62 / 56 / 48

HEX #85323A

RGB 133 50 58

HSL 354.22, 0.45%, 0.36%

LAB 33.08, 36.31, 13.7

 

CMYK 0 / 62 / 62 / 48

HEX #853232

RGB 133 50 50

HSL 0, 0.45%, 0.36%

LAB 32.91, 35.66, 18.61

 

CMYK 0 / 62 / 6 / 48

HEX #85327D

RGB 133 50 125

HSL 305.78, 0.45%, 0.36%

LAB 35.5, 45.3, -25.52

 

CMYK 11 / 62 / 0 / 48

HEX #773285

RGB 119 50 133

HSL 289.88, 0.45%, 0.36%

LAB 33.77, 42.99, -33.36

 

CMYK 27 / 62 / 0 / 48

HEX #613285

RGB 97 50 133

HSL 273.98, 0.45%, 0.36%

LAB 30.68, 37.21, -38.47

 

CMYK 44 / 62 / 0 / 48

HEX #4A3285

RGB 74 50 133

HSL 257.35, 0.45%, 0.36%

LAB 27.93, 31.57, -43.04

 

CMYK 61 / 62 / 0 / 48

HEX #343285

RGB 52 50 133

HSL 241.45, 0.45%, 0.36%

LAB 25.88, 26.97, -46.46

 

CMYK 0 / 62 / 6 / 48

HEX #85327D

RGB 133 50 125

HSL 305.78, 0.45%, 0.36%

LAB 35.5, 45.3, -25.52

 

CMYK 0 / 76 / 7 / 42

HEX #942489

RGB 148 36 137

HSL 305.89, 0.61%, 0.36%

LAB 36.68, 56.63, -30.92

 

CMYK 0 / 87 / 9 / 36

HEX #A31595

RGB 163 21 149

HSL 305.92, 0.77%, 0.36%

LAB 38.71, 65.46, -34.88

 

CMYK 0 / 97 / 10 / 30

HEX #B206A1

RGB 178 6 161

HSL 305.93, 0.93%, 0.36%

LAB 41.48, 71.98, -37.58

 

CMYK 0 / 62 / 6 / 48

HEX #85327D

RGB 133 50 125

HSL 305.78, 0.45%, 0.36%

LAB 35.5, 45.3, -25.52

 

CMYK 0 / 45 / 4 / 54

HEX #764171

RGB 118 65 113

HSL 305.66, 0.29%, 0.36%

LAB 35.64, 30.59, -17.96

 

CMYK 0 / 22 / 2 / 60

HEX #675065

RGB 103 80 101

HSL 305.22, 0.13%, 0.36%

LAB 37.04, 13.63, -8.49

 

CMYK 6 / 0 / 6 / 63

HEX #595F59

RGB 89 95 89

HSL 120, 0.03%, 0.36%

LAB 39.63, -3.62, 2.62

 

CMYK 33 / 0 / 30 / 57

HEX #4A6E4D

RGB 74 110 77

HSL 125, 0.2%, 0.36%

LAB 42.98, -20.24, 14.42

 

CMYK 28 / 62 / 0 / 48

HEX #603285

RGB 96 50 133

HSL 273.25, 0.45%, 0.36%

LAB 30.55, 36.95, -38.68

 

CMYK 11 / 62 / 0 / 48

HEX #763285

RGB 118 50 133

HSL 289.16, 0.45%, 0.36%

LAB 33.62, 42.72, -33.6

 

CMYK 0 / 62 / 5 / 48

HEX #85327E

RGB 133 50 126

HSL 305.06, 0.45%, 0.36%

LAB 35.55, 45.47, -26.06

 

CMYK 0 / 62 / 22 / 48

HEX #853268

RGB 133 50 104

HSL 320.96, 0.45%, 0.36%

LAB 34.53, 41.84, -13.8

 

CMYK 0 / 62 / 38 / 48

HEX #853252

RGB 133 50 82

HSL 336.87, 0.45%, 0.36%

LAB 33.73, 38.82, -0.91

 

CMYK 0 / 62 / 5 / 71

HEX #491C45

RGB 73 28 69

HSL 305.33, 0.45%, 0.2%

LAB 18.7, 27.72, -15.96

 

CMYK 0 / 62 / 6 / 60

HEX #672761

RGB 103 39 97

HSL 305.63, 0.45%, 0.28%

LAB 27.29, 36.79, -20.89

 

CMYK 0 / 62 / 6 / 48

HEX #85327D

RGB 133 50 125

HSL 305.78, 0.45%, 0.36%

LAB 35.5, 45.3, -25.52

 

CMYK 0 / 62 / 6 / 36

HEX #A33E99

RGB 163 62 153

HSL 305.94, 0.45%, 0.44%

LAB 43.55, 52.96, -29.68

 

CMYK 0 / 59 / 6 / 26

HEX #BC4EB1

RGB 188 78 177

HSL 306, 0.45%, 0.52%

LAB 51.05, 56.62, -31.88

 

CMYK 0 / 62 / 6 / 48

HEX #85327D

RGB 133 50 125

HSL 305.78, 0.45%, 0.36%

LAB 35.5, 45.3, -25.52

 

CMYK 0 / 44 / 62 / 48

HEX #854A32

RGB 133 74 50

HSL 17.35, 0.45%, 0.36%

LAB 38.05, 22.64, 25.07

 

CMYK 62 / 0 / 20 / 48

HEX #32856B

RGB 50 133 107

HSL 161.2, 0.45%, 0.36%

LAB 50.11, -31.68, 6.65

 

CMYK 0 / 62 / 6 / 48

HEX #85327D

RGB 133 50 125

HSL 305.78, 0.45%, 0.36%

LAB 35.5, 45.3, -25.52

 

CMYK 5 / 0 / 62 / 48

HEX #7E8532

RGB 126 133 50

HSL 65.06, 0.45%, 0.36%

LAB 53.43, -14.45, 42.64

 

CMYK 62 / 5 / 0 / 48

HEX #327E85

RGB 50 126 133

HSL 185.06, 0.45%, 0.36%

LAB 48.63, -20.89, -10.78

 

CMYK 0 / 62 / 6 / 48

HEX #85327D

RGB 133 50 125

HSL 305.78, 0.45%, 0.36%

LAB 35.5, 45.3, -25.52

 

CMYK 0 / 44 / 62 / 48

HEX #854A32

RGB 133 74 50

HSL 17.35, 0.45%, 0.36%

LAB 38.05, 22.64, 25.07

 

CMYK 62 / 0 / 57 / 48

HEX #328539

RGB 50 133 57

HSL 125.06, 0.45%, 0.36%

LAB 49.19, -41.52, 33.26

 

CMYK 62 / 17 / 0 / 48

HEX #326E85

RGB 50 110 133

HSL 196.63, 0.45%, 0.36%

LAB 43.54, -12.06, -18.51

 

CMYK 0 / 62 / 6 / 48

HEX #85327D

RGB 133 50 125

HSL 305.78, 0.45%, 0.36%

LAB 35.5, 45.3, -25.52

 

CMYK 0 / 26 / 62 / 48

HEX #856332

RGB 133 99 50

HSL 35.42, 0.45%, 0.36%

LAB 44.43, 7.96, 32.71

 

CMYK 62 / 0 / 57 / 48

HEX #328539

RGB 50 133 57

HSL 125.06, 0.45%, 0.36%

LAB 49.19, -41.52, 33.26

 

CMYK 62 / 36 / 0 / 48

HEX #325585

RGB 50 85 133

HSL 214.7, 0.45%, 0.36%

LAB 35.73, 3.2, -30.67

 

Description

Color code: HEX #85327D | qconv.com Color code: HEX #85327D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 50 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 50 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 6 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 6% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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