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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #852DAC it is the complementary color #7AD253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #852DAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #852DAC shade: #8A2DA7, #9B3FBA, #AC51CD, #BD63E0 and #CE75F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #852DAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #852DAC shade: #852DAC, #741B99, #630986, #520073 and #410060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #852DAC shade: #872DAE, #A92DAE, #AE2D90, #AE2D6D and #AE2D4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #852DAC shade: #872DAE, #642DAE, #412DAE and #2D2DAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #852DAC shade matches the following richer shades: #872DAE, #8D1BC0 and #9409D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #852DAC shade: #872DAE, #803F9D, #79508B, #726279 and #6B7467

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #852DAC shade: #402DAE, #632DAE, #852DAE, #A82DAE and #AE2D92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #852DAC shade: #541C6D, #6D248E, #872DAE, #9F39CC and #AF59D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #852DAC shade: #852DAC, #AE2D3C and #2DAE52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #852DAC shade: #852DAC, #AE852D and #2DAE85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #852DAC shade: #852DAC, #AE2D3C, #56AE2D and #2DAE9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #852DAC shade: #852DAC, #AE452D, #56AE2D and #2D97AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 74 / 0 / 33

HEX #852DAC

RGB 133 45 172

HSL 281.57, 0.59%, 0.43%

LAB 37.56, 56.59, -50.87

 

Complementary color

CMYK 42 / 0 / 60 / 18

HEX #7AD253

RGB 122 210 83

HSL 101.57, 0.59%, 0.57%

LAB 76.59, -48.98, 53.49

 

CMYK 17 / 73 / 0 / 35

HEX #8A2DA7

RGB 138 45 167

HSL 285.74, 0.58%, 0.42%

LAB 37.97, 56.6, -47.18

 

CMYK 17 / 66 / 0 / 27

HEX #9B3FBA

RGB 155 63 186

HSL 284.88, 0.49%, 0.49%

LAB 44.33, 56.67, -48.09

 

CMYK 16 / 60 / 0 / 20

HEX #AC51CD

RGB 172 81 205

HSL 284.03, 0.55%, 0.56%

LAB 50.76, 56.32, -48.68

 

CMYK 16 / 56 / 0 / 12

HEX #BD63E0

RGB 189 99 224

HSL 283.2, 0.67%, 0.63%

LAB 57.2, 55.73, -49.1

 

CMYK 15 / 52 / 0 / 5

HEX #CE75F3

RGB 206 117 243

HSL 282.38, 0.84%, 0.71%

LAB 63.6, 55.04, -49.4

 

CMYK 23 / 74 / 0 / 33

HEX #852DAC

RGB 133 45 172

HSL 281.57, 0.59%, 0.43%

LAB 37.56, 56.59, -50.87

 

CMYK 24 / 82 / 0 / 40

HEX #741B99

RGB 116 27 153

HSL 282.38, 0.7%, 0.35%

LAB 31.34, 55.82, -49.59

 

CMYK 26 / 93 / 0 / 47

HEX #630986

RGB 99 9 134

HSL 283.2, 0.87%, 0.28%

LAB 25.47, 53.67, -47.49

 

CMYK 29 / 100 / 0 / 55

HEX #520073

RGB 82 0 115

HSL 282.78, 1%, 0.23%

LAB 20.17, 49.34, -44.18

 

CMYK 32 / 100 / 0 / 62

HEX #410060

RGB 65 0 96

HSL 280.63, 1%, 0.19%

LAB 15.32, 43.04, -39.76

 

CMYK 22 / 74 / 0 / 32

HEX #872DAE

RGB 135 45 174

HSL 281.86, 0.59%, 0.43%

LAB 37.99, 57.41, -51.35

 

CMYK 3 / 74 / 0 / 32

HEX #A92DAE

RGB 169 45 174

HSL 297.67, 0.59%, 0.43%

LAB 43.31, 64.45, -42.52

 

CMYK 0 / 74 / 17 / 32

HEX #AE2D90

RGB 174 45 144

HSL 313.95, 0.59%, 0.43%

LAB 42.6, 60.93, -25.61

 

CMYK 0 / 74 / 37 / 32

HEX #AE2D6D

RGB 174 45 109

HSL 330.23, 0.59%, 0.43%

LAB 41.18, 56.53, -6.21

 

CMYK 0 / 74 / 57 / 32

HEX #AE2D4B

RGB 174 45 75

HSL 346.05, 0.59%, 0.43%

LAB 40.22, 53.4, 13.8

 

CMYK 22 / 74 / 0 / 32

HEX #872DAE

RGB 135 45 174

HSL 281.86, 0.59%, 0.43%

LAB 37.99, 57.41, -51.35

 

CMYK 43 / 74 / 0 / 32

HEX #642DAE

RGB 100 45 174

HSL 265.58, 0.59%, 0.43%

LAB 33.23, 50.83, -59.3

 

CMYK 63 / 74 / 0 / 32

HEX #412DAE

RGB 65 45 174

HSL 249.3, 0.59%, 0.43%

LAB 29.55, 45.51, -65.46

 

CMYK 74 / 74 / 0 / 32

HEX #2D2DAE

RGB 45 45 174

HSL 240, 0.59%, 0.43%

LAB 28.09, 43.3, -67.93

 

CMYK 22 / 74 / 0 / 32

HEX #872DAE

RGB 135 45 174

HSL 281.86, 0.59%, 0.43%

LAB 37.99, 57.41, -51.35

 

CMYK 27 / 86 / 0 / 25

HEX #8D1BC0

RGB 141 27 192

HSL 281.45, 0.75%, 0.43%

LAB 38.29, 67.73, -61.46

 

CMYK 30 / 96 / 0 / 18

HEX #9409D2

RGB 148 9 210

HSL 281.49, 0.92%, 0.43%

LAB 39.82, 75.17, -69.4

 

CMYK 22 / 74 / 0 / 32

HEX #872DAE

RGB 135 45 174

HSL 281.86, 0.59%, 0.43%

LAB 37.99, 57.41, -51.35

 

CMYK 18 / 60 / 0 / 38

HEX #803F9D

RGB 128 63 157

HSL 281.49, 0.43%, 0.43%

LAB 38.86, 43.94, -39.83

 

CMYK 13 / 42 / 0 / 45

HEX #79508B

RGB 121 80 139

HSL 281.69, 0.27%, 0.43%

LAB 40.68, 28.35, -26.14

 

CMYK 6 / 19 / 0 / 53

HEX #726279

RGB 114 98 121

HSL 281.74, 0.11%, 0.43%

LAB 43.79, 11.03, -10.52

 

CMYK 8 / 0 / 11 / 55

HEX #6B7467

RGB 107 116 103

HSL 101.54, 0.06%, 0.43%

LAB 47.75, -6.04, 6.03

 

CMYK 63 / 74 / 0 / 32

HEX #402DAE

RGB 64 45 174

HSL 248.84, 0.59%, 0.43%

LAB 29.47, 45.38, -65.61

 

CMYK 43 / 74 / 0 / 32

HEX #632DAE

RGB 99 45 174

HSL 265.12, 0.59%, 0.43%

LAB 33.1, 50.66, -59.51

 

CMYK 24 / 74 / 0 / 32

HEX #852DAE

RGB 133 45 174

HSL 280.93, 0.59%, 0.43%

LAB 37.7, 57.01, -51.84

 

CMYK 3 / 74 / 0 / 32

HEX #A82DAE

RGB 168 45 174

HSL 297.21, 0.59%, 0.43%

LAB 43.15, 64.24, -42.79

 

CMYK 0 / 74 / 16 / 32

HEX #AE2D92

RGB 174 45 146

HSL 313.02, 0.59%, 0.43%

LAB 42.69, 61.22, -26.67

 

CMYK 23 / 74 / 0 / 57

HEX #541C6D

RGB 84 28 109

HSL 281.48, 0.59%, 0.27%

LAB 23.07, 39.51, -35.58

 

CMYK 23 / 75 / 0 / 44

HEX #6D248E

RGB 109 36 142

HSL 281.32, 0.6%, 0.35%

LAB 30.56, 48.89, -44.15

 

CMYK 22 / 74 / 0 / 32

HEX #872DAE

RGB 135 45 174

HSL 281.86, 0.59%, 0.43%

LAB 37.99, 57.41, -51.35

 

CMYK 22 / 72 / 0 / 20

HEX #9F39CC

RGB 159 57 204

HSL 281.63, 0.59%, 0.51%

LAB 45.16, 63.68, -57.19

 

CMYK 17 / 58 / 0 / 17

HEX #AF59D4

RGB 175 89 212

HSL 281.95, 0.59%, 0.59%

LAB 52.96, 54.65, -49.15

 

CMYK 23 / 74 / 0 / 33

HEX #852DAC

RGB 133 45 172

HSL 281.57, 0.59%, 0.43%

LAB 37.56, 56.59, -50.87

 

CMYK 0 / 74 / 66 / 32

HEX #AE2D3C

RGB 174 45 60

HSL 353.02, 0.59%, 0.43%

LAB 39.92, 52.4, 22.82

 

CMYK 74 / 0 / 53 / 32

HEX #2DAE52

RGB 45 174 82

HSL 137.21, 0.59%, 0.43%

LAB 62.88, -54.24, 37.22

 

CMYK 23 / 74 / 0 / 33

HEX #852DAC

RGB 133 45 172

HSL 281.57, 0.59%, 0.43%

LAB 37.56, 56.59, -50.87

 

CMYK 0 / 24 / 74 / 32

HEX #AE852D

RGB 174 133 45

HSL 40.93, 0.59%, 0.43%

LAB 58, 6.91, 51.03

 

CMYK 74 / 0 / 24 / 32

HEX #2DAE85

RGB 45 174 133

HSL 160.93, 0.59%, 0.43%

LAB 63.77, -44.23, 11.29

 

CMYK 23 / 74 / 0 / 33

HEX #852DAC

RGB 133 45 172

HSL 281.57, 0.59%, 0.43%

LAB 37.56, 56.59, -50.87

 

CMYK 0 / 74 / 66 / 32

HEX #AE2D3C

RGB 174 45 60

HSL 353.02, 0.59%, 0.43%

LAB 39.92, 52.4, 22.82

 

CMYK 51 / 0 / 74 / 32

HEX #56AE2D

RGB 86 174 45

HSL 100.93, 0.59%, 0.43%

LAB 63.7, -48.92, 54.65

 

CMYK 74 / 0 / 9 / 32

HEX #2DAE9F

RGB 45 174 159

HSL 173.02, 0.59%, 0.43%

LAB 64.43, -37.49, -2.2

 

CMYK 23 / 74 / 0 / 33

HEX #852DAC

RGB 133 45 172

HSL 281.57, 0.59%, 0.43%

LAB 37.56, 56.59, -50.87

 

CMYK 0 / 60 / 74 / 32

HEX #AE452D

RGB 174 69 45

HSL 11.16, 0.59%, 0.43%

LAB 43.43, 41.54, 35.86

 

CMYK 51 / 0 / 74 / 32

HEX #56AE2D

RGB 86 174 45

HSL 100.93, 0.59%, 0.43%

LAB 63.7, -48.92, 54.65

 

CMYK 74 / 13 / 0 / 32

HEX #2D97AE

RGB 45 151 174

HSL 190.7, 0.59%, 0.43%

LAB 57.8, -21.74, -20.6

 

Description

Color code: HEX #852DAC | qconv.com Color code: HEX #852DAC | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 45 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 45 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 74 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 74% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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