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Color name
HEX #85290F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85290F it is the complementary color #7AD6F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85290F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85290F shade: #8A290A, #9B3B1D, #AC4D30, #BD5F43 and #CE7156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85290F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85290F shade: #85290F, #741700, #630500, #520000 and #410000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85290F shade: #85290F and #850F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85290F shade: #85290F, #85490F, #85690F, #82850F and #62850F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85290F shade matches the following richer shades: #85290F and #912203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85290F shade: #85290F, #79301B, #6D3627, #613D33 and #55443F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85290F shade: #850F34, #850F15, #85280F, #85480F and #85680F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85290F shade: #3B1207, #601D0B, #85290F, #AA3413 and #CF4017

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85290F shade: #85290F, #54850F and #0F2485

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85290F shade: #85290F, #0F8528 and #280F85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85290F shade: #85290F, #54850F, #0F6B85 and #400F85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85290F shade: #85290F, #30850F, #0F6B85 and #640F85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 89 / 48

HEX #85290F

RGB 133 41 15

HSL 13.22, 0.8%, 0.29%

LAB 30.89, 38.18, 36.71

 

Complementary color

CMYK 49 / 11 / 0 / 6

HEX #7AD6F0

RGB 122 214 240

HSL 193.22, 0.8%, 0.71%

LAB 81.03, -20.6, -21.25

 

CMYK 0 / 70 / 93 / 46

HEX #8A290A

RGB 138 41 10

HSL 14.53, 0.86%, 0.29%

LAB 31.83, 39.89, 39.99

 

CMYK 0 / 62 / 81 / 39

HEX #9B3B1D

RGB 155 59 29

HSL 14.29, 0.68%, 0.36%

LAB 38.17, 38.51, 37.94

 

CMYK 0 / 55 / 72 / 33

HEX #AC4D30

RGB 172 77 48

HSL 14.03, 0.56%, 0.43%

LAB 44.65, 36.97, 35.47

 

CMYK 0 / 50 / 65 / 26

HEX #BD5F43

RGB 189 95 67

HSL 13.77, 0.48%, 0.5%

LAB 51.16, 35.47, 33.16

 

CMYK 0 / 45 / 58 / 19

HEX #CE7156

RGB 206 113 86

HSL 13.5, 0.55%, 0.57%

LAB 57.66, 34.06, 31.1

 

CMYK 0 / 69 / 89 / 48

HEX #85290F

RGB 133 41 15

HSL 13.22, 0.8%, 0.29%

LAB 30.89, 38.18, 36.71

 

CMYK 0 / 80 / 100 / 55

HEX #741700

RGB 116 23 0

HSL 11.9, 1%, 0.23%

LAB 24.72, 39.02, 36.34

 

CMYK 0 / 95 / 100 / 61

HEX #630500

RGB 99 5 0

HSL 3.03, 1%, 0.19%

LAB 19.06, 38.69, 29.16

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 100 / 100 / 75

HEX #410000

RGB 65 0 0

HSL 0, 1%, 0.13%

LAB 9.98, 30.06, 15.75

 

CMYK 0 / 69 / 89 / 48

HEX #85290F

RGB 133 41 15

HSL 13.22, 0.8%, 0.29%

LAB 30.89, 38.18, 36.71

 

CMYK 0 / 89 / 89 / 48

HEX #850F0F

RGB 133 15 15

HSL 0, 0.8%, 0.29%

LAB 27.74, 46.94, 34.05

 

CMYK 0 / 69 / 89 / 48

HEX #85290F

RGB 133 41 15

HSL 13.22, 0.8%, 0.29%

LAB 30.89, 38.18, 36.71

 

CMYK 0 / 45 / 89 / 48

HEX #85490F

RGB 133 73 15

HSL 29.49, 0.8%, 0.29%

LAB 37.46, 21.4, 42.17

 

CMYK 0 / 21 / 89 / 48

HEX #85690F

RGB 133 105 15

HSL 45.76, 0.8%, 0.29%

LAB 45.8, 2.66, 49.04

 

CMYK 2 / 0 / 89 / 48

HEX #82850F

RGB 130 133 15

HSL 61.53, 0.8%, 0.29%

LAB 53.55, -14.37, 55.25

 

CMYK 26 / 0 / 89 / 48

HEX #62850F

RGB 98 133 15

HSL 77.8, 0.8%, 0.29%

LAB 51.16, -28.53, 52.29

 

CMYK 0 / 69 / 89 / 48

HEX #85290F

RGB 133 41 15

HSL 13.22, 0.8%, 0.29%

LAB 30.89, 38.18, 36.71

 

CMYK 0 / 77 / 98 / 43

HEX #912203

RGB 145 34 3

HSL 13.1, 0.96%, 0.29%

LAB 32.19, 44.95, 43.72

 

CMYK 0 / 69 / 89 / 48

HEX #85290F

RGB 133 41 15

HSL 13.22, 0.8%, 0.29%

LAB 30.89, 38.18, 36.71

 

CMYK 0 / 60 / 78 / 53

HEX #79301B

RGB 121 48 27

HSL 13.4, 0.64%, 0.29%

LAB 30.05, 30.56, 28.81

 

CMYK 0 / 50 / 64 / 57

HEX #6D3627

RGB 109 54 39

HSL 12.86, 0.47%, 0.29%

LAB 29.5, 22.92, 20.4

 

CMYK 0 / 37 / 47 / 62

HEX #613D33

RGB 97 61 51

HSL 13.04, 0.31%, 0.29%

LAB 29.71, 14.5, 12.69

 

CMYK 0 / 20 / 26 / 67

HEX #55443F

RGB 85 68 63

HSL 13.64, 0.15%, 0.29%

LAB 30.46, 6.4, 5.77

 

CMYK 0 / 89 / 61 / 48

HEX #850F34

RGB 133 15 52

HSL 341.19, 0.8%, 0.29%

LAB 28.32, 48.61, 11.2

 

CMYK 0 / 89 / 84 / 48

HEX #850F15

RGB 133 15 21

HSL 356.95, 0.8%, 0.29%

LAB 27.8, 47.1, 30.73

 

CMYK 0 / 70 / 89 / 48

HEX #85280F

RGB 133 40 15

HSL 12.71, 0.8%, 0.29%

LAB 30.73, 38.62, 36.57

 

CMYK 0 / 46 / 89 / 48

HEX #85480F

RGB 133 72 15

HSL 28.98, 0.8%, 0.29%

LAB 37.22, 21.98, 41.97

 

CMYK 0 / 22 / 89 / 48

HEX #85680F

RGB 133 104 15

HSL 45.25, 0.8%, 0.29%

LAB 45.53, 3.24, 48.81

 

CMYK 0 / 69 / 88 / 77

HEX #3B1207

RGB 59 18 7

HSL 12.69, 0.79%, 0.13%

LAB 11.81, 19.5, 15.23

 

CMYK 0 / 70 / 89 / 62

HEX #601D0B

RGB 96 29 11

HSL 12.71, 0.79%, 0.21%

LAB 21.54, 29.49, 27.27

 

CMYK 0 / 69 / 89 / 48

HEX #85290F

RGB 133 41 15

HSL 13.22, 0.8%, 0.29%

LAB 30.89, 38.18, 36.71

 

CMYK 0 / 69 / 89 / 33

HEX #AA3413

RGB 170 52 19

HSL 13.11, 0.8%, 0.37%

LAB 39.66, 46.8, 44.98

 

CMYK 0 / 69 / 89 / 19

HEX #CF4017

RGB 207 64 23

HSL 13.37, 0.8%, 0.45%

LAB 48.25, 54.63, 52.97

 

CMYK 0 / 69 / 89 / 48

HEX #85290F

RGB 133 41 15

HSL 13.22, 0.8%, 0.29%

LAB 30.89, 38.18, 36.71

 

CMYK 37 / 0 / 89 / 48

HEX #54850F

RGB 84 133 15

HSL 84.92, 0.8%, 0.29%

LAB 50.33, -34.16, 51.25

 

CMYK 89 / 73 / 0 / 48

HEX #0F2485

RGB 15 36 133

HSL 229.32, 0.8%, 0.29%

LAB 20.27, 31.78, -55.73

 

CMYK 0 / 69 / 89 / 48

HEX #85290F

RGB 133 41 15

HSL 13.22, 0.8%, 0.29%

LAB 30.89, 38.18, 36.71

 

CMYK 89 / 0 / 70 / 48

HEX #0F8528

RGB 15 133 40

HSL 132.71, 0.8%, 0.29%

LAB 48.3, -49.52, 40.1

 

CMYK 70 / 89 / 0 / 48

HEX #280F85

RGB 40 15 133

HSL 252.71, 0.8%, 0.29%

LAB 17.86, 44.84, -59.68

 

CMYK 0 / 69 / 89 / 48

HEX #85290F

RGB 133 41 15

HSL 13.22, 0.8%, 0.29%

LAB 30.89, 38.18, 36.71

 

CMYK 37 / 0 / 89 / 48

HEX #54850F

RGB 84 133 15

HSL 84.92, 0.8%, 0.29%

LAB 50.33, -34.16, 51.25

 

CMYK 89 / 20 / 0 / 48

HEX #0F6B85

RGB 15 107 133

HSL 193.22, 0.8%, 0.29%

LAB 41.71, -15.17, -21.41

 

CMYK 52 / 89 / 0 / 48

HEX #400F85

RGB 64 15 133

HSL 264.92, 0.8%, 0.29%

LAB 20.54, 47.17, -55.16

 

CMYK 0 / 69 / 89 / 48

HEX #85290F

RGB 133 41 15

HSL 13.22, 0.8%, 0.29%

LAB 30.89, 38.18, 36.71

 

CMYK 64 / 0 / 89 / 48

HEX #30850F

RGB 48 133 15

HSL 103.22, 0.8%, 0.29%

LAB 48.81, -45.74, 49.34

 

CMYK 89 / 20 / 0 / 48

HEX #0F6B85

RGB 15 107 133

HSL 193.22, 0.8%, 0.29%

LAB 41.71, -15.17, -21.41

 

CMYK 25 / 89 / 0 / 48

HEX #640F85

RGB 100 15 133

HSL 283.22, 0.8%, 0.29%

LAB 25.99, 52.33, -46.01

 

Description

Color code: HEX #85290F | qconv.com Color code: HEX #85290F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 41 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 41 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 89 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 89% 48% C M Y K

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Provide designers and agencies with accurate color values.

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