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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #852848 it is the complementary color #7AD7B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #852848. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #852848 shade: #8A2843, #9B3A56, #AC4C69, #BD5E7C and #CE708F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #852848. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #852848 shade: #852848, #741635, #630422, #52000F and #410000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #852848 shade: #862848, #86282F and #862828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #852848 shade: #862848, #862861, #86287B, #772886 and #5E2886

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #852848 shade matches the following richer shades: #862848, #941A44 and #A20C3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #852848 shade: #862848, #77364C, #694451, #5B5255 and #4D605A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #852848 shade: #86287B, #862862, #862849, #862830 and #863928

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #852848 shade: #461526, #661E37, #862848, #A53159 and #C53B6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #852848 shade: #852848, #867728 and #286E86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #852848 shade: #852848, #498628 and #284986

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #852848 shade: #852848, #867728, #288665 and #283686

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #852848 shade: #852848, #778628, #288665 and #362886

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 46 / 48

HEX #852848

RGB 133 40 72

HSL 339.35, 0.54%, 0.34%

LAB 31.74, 42.23, 2.71

 

Complementary color

CMYK 43 / 0 / 15 / 16

HEX #7AD7B7

RGB 122 215 183

HSL 159.35, 0.54%, 0.66%

LAB 79.7, -35.11, 7.2

 

CMYK 0 / 71 / 51 / 46

HEX #8A2843

RGB 138 40 67

HSL 343.47, 0.55%, 0.35%

LAB 32.54, 43.37, 7.25

 

CMYK 0 / 63 / 45 / 39

HEX #9B3A56

RGB 155 58 86

HSL 342.68, 0.46%, 0.42%

LAB 39.01, 42.98, 4.67

 

CMYK 0 / 56 / 39 / 33

HEX #AC4C69

RGB 172 76 105

HSL 341.88, 0.39%, 0.49%

LAB 45.58, 42.25, 2.68

 

CMYK 0 / 50 / 34 / 26

HEX #BD5E7C

RGB 189 94 124

HSL 341.05, 0.42%, 0.55%

LAB 52.15, 41.4, 1.09

 

CMYK 0 / 46 / 31 / 19

HEX #CE708F

RGB 206 112 143

HSL 340.21, 0.49%, 0.62%

LAB 58.69, 40.51, -0.24

 

CMYK 0 / 70 / 46 / 48

HEX #852848

RGB 133 40 72

HSL 339.35, 0.54%, 0.34%

LAB 31.74, 42.23, 2.71

 

CMYK 0 / 81 / 54 / 55

HEX #741635

RGB 116 22 53

HSL 340.21, 0.68%, 0.27%

LAB 25.39, 41.9, 5.91

 

CMYK 0 / 96 / 66 / 61

HEX #630422

RGB 99 4 34

HSL 341.05, 0.92%, 0.2%

LAB 19.45, 40.32, 10.41

 

CMYK 0 / 100 / 82 / 68

HEX #52000F

RGB 82 0 15

HSL 349.02, 1%, 0.16%

LAB 14.56, 35.66, 16.28

 

CMYK 0 / 100 / 100 / 75

HEX #410000

RGB 65 0 0

HSL 0, 1%, 0.13%

LAB 9.98, 30.06, 15.75

 

CMYK 0 / 70 / 46 / 47

HEX #862848

RGB 134 40 72

HSL 339.57, 0.54%, 0.34%

LAB 31.93, 42.56, 3.01

 

CMYK 0 / 70 / 65 / 47

HEX #86282F

RGB 134 40 47

HSL 355.53, 0.54%, 0.34%

LAB 31.33, 40.43, 18.53

 

CMYK 0 / 70 / 70 / 47

HEX #862828

RGB 134 40 40

HSL 0, 0.54%, 0.34%

LAB 31.21, 39.99, 22.85

 

CMYK 0 / 70 / 46 / 47

HEX #862848

RGB 134 40 72

HSL 339.57, 0.54%, 0.34%

LAB 31.93, 42.56, 3.01

 

CMYK 0 / 70 / 28 / 47

HEX #862861

RGB 134 40 97

HSL 323.62, 0.54%, 0.34%

LAB 32.81, 45.56, -11.94

 

CMYK 0 / 70 / 8 / 47

HEX #86287B

RGB 134 40 123

HSL 307.02, 0.54%, 0.34%

LAB 34.02, 49.51, -26.58

 

CMYK 11 / 70 / 0 / 47

HEX #772886

RGB 119 40 134

HSL 290.43, 0.54%, 0.34%

LAB 32.17, 47.78, -36.52

 

CMYK 30 / 70 / 0 / 47

HEX #5E2886

RGB 94 40 134

HSL 274.47, 0.54%, 0.34%

LAB 28.43, 41.98, -42.73

 

CMYK 0 / 70 / 46 / 47

HEX #862848

RGB 134 40 72

HSL 339.57, 0.54%, 0.34%

LAB 31.93, 42.56, 3.01

 

CMYK 0 / 82 / 54 / 42

HEX #941A44

RGB 148 26 68

HSL 339.34, 0.7%, 0.34%

LAB 32.81, 51.27, 7.26

 

CMYK 0 / 93 / 61 / 36

HEX #A20C3F

RGB 162 12 63

HSL 339.6, 0.86%, 0.34%

LAB 34.61, 57.54, 13.47

 

CMYK 0 / 70 / 46 / 47

HEX #862848

RGB 134 40 72

HSL 339.57, 0.54%, 0.34%

LAB 31.93, 42.56, 3.01

 

CMYK 0 / 55 / 36 / 53

HEX #77364C

RGB 119 54 76

HSL 339.69, 0.38%, 0.34%

LAB 31.99, 30.98, 0.16

 

CMYK 0 / 35 / 23 / 59

HEX #694451

RGB 105 68 81

HSL 338.92, 0.21%, 0.34%

LAB 33.42, 18.04, -1.21

 

CMYK 0 / 10 / 7 / 64

HEX #5B5255

RGB 91 82 85

HSL 340, 0.05%, 0.34%

LAB 35.82, 4.3, -0.41

 

CMYK 20 / 0 / 6 / 62

HEX #4D605A

RGB 77 96 90

HSL 161.05, 0.11%, 0.34%

LAB 39.04, -8.59, 1.03

 

CMYK 0 / 70 / 8 / 47

HEX #86287B

RGB 134 40 123

HSL 307.02, 0.54%, 0.34%

LAB 34.02, 49.51, -26.58

 

CMYK 0 / 70 / 27 / 47

HEX #862862

RGB 134 40 98

HSL 322.98, 0.54%, 0.34%

LAB 32.85, 45.7, -12.52

 

CMYK 0 / 70 / 46 / 47

HEX #862849

RGB 134 40 73

HSL 338.94, 0.54%, 0.34%

LAB 31.96, 42.66, 2.39

 

CMYK 0 / 70 / 64 / 47

HEX #862830

RGB 134 40 48

HSL 354.89, 0.54%, 0.34%

LAB 31.35, 40.5, 17.9

 

CMYK 0 / 57 / 70 / 47

HEX #863928

RGB 134 57 40

HSL 10.85, 0.54%, 0.34%

LAB 34.29, 31.8, 26.54

 

CMYK 0 / 70 / 46 / 73

HEX #461526

RGB 70 21 38

HSL 339.18, 0.54%, 0.18%

LAB 15.37, 25.27, 0.89

 

CMYK 0 / 71 / 46 / 60

HEX #661E37

RGB 102 30 55

HSL 339.17, 0.55%, 0.26%

LAB 23.77, 34.45, 1.84

 

CMYK 0 / 70 / 46 / 47

HEX #862848

RGB 134 40 72

HSL 339.57, 0.54%, 0.34%

LAB 31.93, 42.56, 3.01

 

CMYK 0 / 70 / 46 / 35

HEX #A53159

RGB 165 49 89

HSL 339.31, 0.54%, 0.42%

LAB 39.44, 50.37, 3.62

 

CMYK 0 / 70 / 46 / 23

HEX #C53B6B

RGB 197 59 107

HSL 339.13, 0.54%, 0.5%

LAB 47.05, 57.89, 4.12

 

CMYK 0 / 70 / 46 / 48

HEX #852848

RGB 133 40 72

HSL 339.35, 0.54%, 0.34%

LAB 31.74, 42.23, 2.71

 

CMYK 0 / 11 / 70 / 47

HEX #867728

RGB 134 119 40

HSL 50.43, 0.54%, 0.34%

LAB 50, -3.8, 43.75

 

CMYK 70 / 18 / 0 / 47

HEX #286E86

RGB 40 110 134

HSL 195.32, 0.54%, 0.34%

LAB 43.25, -13.55, -19.59

 

CMYK 0 / 70 / 46 / 48

HEX #852848

RGB 133 40 72

HSL 339.35, 0.54%, 0.34%

LAB 31.74, 42.23, 2.71

 

CMYK 46 / 0 / 70 / 47

HEX #498628

RGB 73 134 40

HSL 98.94, 0.54%, 0.34%

LAB 50.24, -37.1, 42.65

 

CMYK 70 / 46 / 0 / 47

HEX #284986

RGB 40 73 134

HSL 218.94, 0.54%, 0.34%

LAB 31.66, 9.59, -37.78

 

CMYK 0 / 70 / 46 / 48

HEX #852848

RGB 133 40 72

HSL 339.35, 0.54%, 0.34%

LAB 31.74, 42.23, 2.71

 

CMYK 0 / 11 / 70 / 47

HEX #867728

RGB 134 119 40

HSL 50.43, 0.54%, 0.34%

LAB 50, -3.8, 43.75

 

CMYK 70 / 0 / 25 / 47

HEX #288665

RGB 40 134 101

HSL 158.94, 0.54%, 0.34%

LAB 50.03, -35.52, 9.97

 

CMYK 70 / 60 / 0 / 47

HEX #283686

RGB 40 54 134

HSL 231.06, 0.54%, 0.34%

LAB 26.19, 22.59, -46.61

 

CMYK 0 / 70 / 46 / 48

HEX #852848

RGB 133 40 72

HSL 339.35, 0.54%, 0.34%

LAB 31.74, 42.23, 2.71

 

CMYK 11 / 0 / 70 / 47

HEX #778628

RGB 119 134 40

HSL 69.57, 0.54%, 0.34%

LAB 53.09, -18.77, 46.48

 

CMYK 70 / 0 / 25 / 47

HEX #288665

RGB 40 134 101

HSL 158.94, 0.54%, 0.34%

LAB 50.03, -35.52, 9.97

 

CMYK 60 / 70 / 0 / 47

HEX #362886

RGB 54 40 134

HSL 248.94, 0.54%, 0.34%

LAB 23.75, 34.01, -50.55

 

Description

Color code: HEX #852848 | qconv.com Color code: HEX #852848 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 40 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 40 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 46 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 46% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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